The title sequence in The Shining uses extreme long shots that pan across remote locations to establish a sense of isolation and helplessness typical of psychological thrillers. Non-diegetic eerie music further builds an unsettling atmosphere. Titles appear on screen for only a few seconds each, starting with the director and main stars before revealing the film title. The slow cutting rhythm and lack of context for the green car driving through the shots creates mystery and leaves the audience with questions as it starts the story in a state of equilibrium.