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DECONSTRUCTION OF ORIGINAL VIDEO
CHOSEN SONG- 1234 BY FEIST
   The song that I have chosen to use in my coursework
    is going to be ‘1234’ By the artist Feist, the video is a
    Hybrid based. This is because the video is a mix of
    conceptual and performance. The video is conceptual
    as it is an interpretation and not the literal meaning of
    the song, it creates a mood. I think that the video
    is also performance based as Feist the singer
    is performing through out the whole video. Although
    the video is not set out in a traditional performance
    based way (the band/artist on a stage with clips of
    them preforming). This video has clips of them
    performing, playing and singing all throughout the
    video, everywhere but a stage.
REFERENCE TO LOOKING-

   In the video there were a few references to
    looking most oblivious being at 1 minutes 55
    seconds. This is when the dancers using
    their bodies make a hole, which the camera
    then looks through and begins to move
    towards the end of the hole. As the camera is
    a one end looks towards the other this gives
    the audience the idea we are looking at the
    other end of the tunnel.
RELATIONSHIP BETWEEN MUSIC AND VISUALS-

   During the course of the video there are clear
    relationships between the music and the
    visuals a few examples of this being when
    the beat starts and Feist the singer is walking
    towards the camera she is walking in time
    with the beat. This is called on beat editing.
    Other example would be when Feist sway
    her shoulders as she does this the beat picks
    up and speed and volume.
RELATIONSHIP BETWEEN VISUAL AND LYRICS-

   Throughout this song there are loads of relationships
    between the lyrics and music. One of these being
    when the Feist sings ‘Cosy and cold’ this is
    strengthens the relationship between lyrics and
    visuals as the when this is sang the dancers are very
    close to Feist and are keeping her cosy. Another
    example could be when she sings ‘Sleepless long
    nights’. This I think challenges the relationship as the
    video seems like a dream. The lights in the back
    ground and the fact she enters and leaves on her
    own, yet is accompanied throughout the video with
    dancers, adds to that fact this is a dream. So when
    she sing sleepless night, the conflicts with the fact
    she is in a dream.
DEMANDS OF THE RECORD LABEL-
   The demands have been clearly meet on this
    video, as Feist walks in to the room all on her
    own. This is really important as Feist is her
    brand image, so having her on her own so she
    can be recognised is important for the audience
    and the record label. This gives her the full
    attention of the audience; she is also the only
    person in blue. This makes her stand out from
    the crowd, yet she fits right in as blue is a colour
    in the rainbow which is made up with all the
    colours in the room.

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Deconstruction Of The Original Video

  • 2. CHOSEN SONG- 1234 BY FEIST  The song that I have chosen to use in my coursework is going to be ‘1234’ By the artist Feist, the video is a Hybrid based. This is because the video is a mix of conceptual and performance. The video is conceptual as it is an interpretation and not the literal meaning of the song, it creates a mood. I think that the video is also performance based as Feist the singer is performing through out the whole video. Although the video is not set out in a traditional performance based way (the band/artist on a stage with clips of them preforming). This video has clips of them performing, playing and singing all throughout the video, everywhere but a stage.
  • 3. REFERENCE TO LOOKING-  In the video there were a few references to looking most oblivious being at 1 minutes 55 seconds. This is when the dancers using their bodies make a hole, which the camera then looks through and begins to move towards the end of the hole. As the camera is a one end looks towards the other this gives the audience the idea we are looking at the other end of the tunnel.
  • 4. RELATIONSHIP BETWEEN MUSIC AND VISUALS-  During the course of the video there are clear relationships between the music and the visuals a few examples of this being when the beat starts and Feist the singer is walking towards the camera she is walking in time with the beat. This is called on beat editing. Other example would be when Feist sway her shoulders as she does this the beat picks up and speed and volume.
  • 5. RELATIONSHIP BETWEEN VISUAL AND LYRICS-  Throughout this song there are loads of relationships between the lyrics and music. One of these being when the Feist sings ‘Cosy and cold’ this is strengthens the relationship between lyrics and visuals as the when this is sang the dancers are very close to Feist and are keeping her cosy. Another example could be when she sings ‘Sleepless long nights’. This I think challenges the relationship as the video seems like a dream. The lights in the back ground and the fact she enters and leaves on her own, yet is accompanied throughout the video with dancers, adds to that fact this is a dream. So when she sing sleepless night, the conflicts with the fact she is in a dream.
  • 6. DEMANDS OF THE RECORD LABEL-  The demands have been clearly meet on this video, as Feist walks in to the room all on her own. This is really important as Feist is her brand image, so having her on her own so she can be recognised is important for the audience and the record label. This gives her the full attention of the audience; she is also the only person in blue. This makes her stand out from the crowd, yet she fits right in as blue is a colour in the rainbow which is made up with all the colours in the room.