The poem is about a photographer who takes a picture of a beggar asleep on the pavement in Bombay. He originally thought it was a good composition and called it "The Man in the Street," but now realizes his presumption in attempting to portray the man's suffering as art. The beggar's head, appearing as if weeping into a pillow, chides the photographer for his insensitive treatment of the man's plight of hunger and solitude as a subject for art composition. The poem highlights the irony of attempting to capture poverty and suffering in art, and suggests multiple meanings of the word "decomposition" in reference to the composition, the beggar's condition, and the poem itself.