The document discusses the dance course for high school students. It covers that dance is both a practical and theoretical subject, and counts towards the ATAR. Students can choose to do dance work individually or in a group. The core components of the course include appreciation (20%), composition (20%), and performance (20%). Appreciation involves analyzing and discussing dance, composition is creating original dance works, and performance is practicing and presenting dance. The remaining 40% of the course can be selected from additional dance topics. Employers value skills developed in performing arts like communication, teamwork, and creativity.
Concert Sponsorship Proposal -Major radio station event attracts thousands of consumers ages 35 to 54. Motivate prospects with:
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Free Ticket With (test drive, home tour, minimum purchase,etc.
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Concert Sponsorship Proposal -Major radio station event attracts thousands of consumers ages 35 to 54. Motivate prospects with:
Backstage “Meet & Greets”
Personal appearances by performers
Free Ticket With (test drive, home tour, minimum purchase,etc.
“Best Seats in The House” Sweepstakes
Discount Ticket Outlet
Perform at the Concert Contest
Custom Sweepstakes
A poor sponsorship teaser for a local Music concert put together with little care or selling narrative. An A-list act like LMFAO offers strong values to a potential sponsor, but this does not impress
How To Get Corporate Sponsorship For AnythingChinedum Azuh
Getting Corporate Sponsors for Your Idea, Book, Business or Event!
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The bank declined your loan application. Mom, Dad, and friends don't have money to spare. So how can you fund your business's growth, book publication, idea, or live event? The answer is ‘corporate sponsorship’.
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Can Dance Help Your Business? A talk by Lucy Field at BHive Covent Gardenlucyfield
Can Dance Help Your Business? A talk by Lucy Field at BHIve Covent Garden, August 2011
Looking at how the dance mindset can boost creativity and productivity in business
All of us who admire dance and strive to become better at it must have encountered that petite and sprightly silver wigged girl doing a spookily intense and amazingly weird dance on Sia’s “Chandelier”.
A poor sponsorship teaser for a local Music concert put together with little care or selling narrative. An A-list act like LMFAO offers strong values to a potential sponsor, but this does not impress
How To Get Corporate Sponsorship For AnythingChinedum Azuh
Getting Corporate Sponsors for Your Idea, Book, Business or Event!
Have You Thought About Sponsorship For Your Business, Event, Book, Show, Speaking or Charity?
The bank declined your loan application. Mom, Dad, and friends don't have money to spare. So how can you fund your business's growth, book publication, idea, or live event? The answer is ‘corporate sponsorship’.
Corporate sponsorship can provide a vital source of funding. To secure sponsorship you need to understand what sponsors are looking for and offer benefits and value that meet their needs.
This presentation is an answer to your prayer.
Can Dance Help Your Business? A talk by Lucy Field at BHive Covent Gardenlucyfield
Can Dance Help Your Business? A talk by Lucy Field at BHIve Covent Garden, August 2011
Looking at how the dance mindset can boost creativity and productivity in business
All of us who admire dance and strive to become better at it must have encountered that petite and sprightly silver wigged girl doing a spookily intense and amazingly weird dance on Sia’s “Chandelier”.
2012 NCSP.Empowering Students Technically, Socially and Musically Through…Up Danzprof
Teaching partner dancing in a PE class setting provides various opportunities for students to be empowered with skills that can carry over to life outside the classroom. Gearing teaching methods toward developing partnering skills, working as a team and respect for a partner would allow students to learn and practice these work/life skills in a PE class, in preparation for the outside world. Presented at the First National Conference on Sports Pedagogy, October 2012, University of the Philippines, Diliman, Quezon City.
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Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
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Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
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Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
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5. Can I choose more than one of these subjects?
MUSIC ?
DANCE ?
DRAMA ?
6. Can I choose more than one of these subjects?
MUSIC ?
DANCE ?
DRAMA ?
7. Can I choose more than one of these subjects?
MUSIC ?
DANCE ?
DRAMA ?
8. Can I choose more than one of these subjects?
MUSIC ?
DANCE ?
DRAMA ?
9. Can I choose more than one of these subjects?
MUSIC ?
DANCE ?
DRAMA ?
10. What Employers Want . . .
Employers have discussed with
teaching institutions the need for
students with a well-rounded
education.
They look for students involved in
SRC, Committees and extra
curricular activities.
To an employer, Performing Arts
shows a commitment and a higher
developed knowledge of team work
skills.
12. What Employers Want . . .
A ‘Team’ Member
Communication skills
Self Confidence
Self Expression
Ability to be creative
Leadership
Organised
Professionalism
13. What Employers Want . . .
A ‘Team’ Member
Communication skills
Self Confidence
Self Expression
Ability to be creative
Leadership
Organised
Professionalism
14. What Employers Want . . .
A ‘Team’ Member
Communication skills
Self Confidence
Self Expression
Ability to be creative
Leadership
Organised
Professionalism
15. What Employers Want . . .
A ‘Team’ Member
Communication skills
Self Confidence
Self Expression
Ability to be creative
Leadership
Organised
Professionalism
16. What Employers Want . . .
A ‘Team’ Member
Communication skills
Self Confidence
Self Expression
Ability to be creative
Leadership
Organised
Professionalism
17. What Employers Want . . .
A ‘Team’ Member
Communication skills
Self Confidence
Self Expression
Ability to be creative
Leadership
Organised
Professionalism
18. What Employers Want . . .
A ‘Team’ Member
Communication skills
Self Confidence
Self Expression
Ability to be creative
Leadership
Organised
Professionalism
19. What Employers Want . . .
A ‘Team’ Member
Communication skills
Self Confidence
Self Expression
Ability to be creative
Leadership
Organised
Professionalism
20. What Employers Want . . .
A ‘Team’ Member
Communication skills
Self Confidence
Self Expression
Ability to be creative
Leadership
Organised
Professionalism
32. DANCE
Is DANCE an A.T.A.R. Course?
Dance is a
PRACTICAL and
THEORETICAL subject
No Previous Experience Required
Performance Opportunities
including Regional Dance
Festival, Australian Dance
Challenge, Performing Arts
Night
33. DANCE
Is DANCE an A.T.A.R. Course?
Dance is a
PRACTICAL and
THEORETICAL subject
No Previous Experience Required
Performance Opportunities
including Regional Dance
Festival, Australian Dance
Challenge, Performing Arts
Night
35. Course Components
The Three Areas of Study - Dance
APPRECIATION: Research, Analyse & Discuss
PERFORMANCE: Performing / Dancing
COMPOSITION: Creating Dance
Are all areas compulsory?
36. Course Components
The Three Areas of Study - Dance
APPRECIATION: Research, Analyse & Discuss
PERFORMANCE: Performing / Dancing
COMPOSITION: Creating Dance
Are all areas compulsory?
37. Course Components
1. Appreciation
Watch Professional Performances
(on video or live) and learn to analyse what they have done, the movements
they use, commenting on the music and costumes.
Understanding Dance as an art form - you will:
1. Research dance
2. Analyse dance &
3. Write about dance
You will learn these ELEMENTS in class
38. Course Components
1. Appreciation
Watch Professional Performances
(on video or live) and learn to analyse what they have done, the movements
they use, commenting on the music and costumes.
Understanding Dance as an art form - you will:
1. Research dance
2. Analyse dance &
3. Write about dance
You will learn these ELEMENTS in class
COMPULSORY! 20%
41. Course Components
2. Composition (Choreography)
Learn to create your own dance steps
based on stimulus such as a poem, a painting, music etc..
Somebody else dances for you
You create a dance and your chosen dancer dances for you. You teach
them the dance – great if you are thinking about Dance teaching.
Creativity to create your own dance steps
The compositional process is designed to foster your individual
creativity, to compose movement that communicates an intent.
Your Dance Teacher helps you
COMPULSORY! 20%
43. Course Components
3. Performance
Your Dance Teacher helps you
COMPULSORY! 20%
44. Course Components
3. Performance
Perform as a soloist or in groups
Learn and develop your skills
The skills that physically prepare the body for dance
Learn and develop your Dance Technique
Dance Performance, including performance quality.
Safe Dance Practice:
including anatomy, dance injuries and the prevention of such
injuries.
Your Dance Teacher helps you
COMPULSORY! 20%
45. What do you do in DANCE?
Below is the Break up of the 60%
that every student MUST do
CORE Appreciation:
- 20% Compulsory
CORE Composition:
- 20% Compulsory
CORE Performance:
- 20% Compulsory
What about the other 40%?
46. What do you do in DANCE?
Below is the Break up of the 60%
that every student MUST do
CORE Appreciation:
- 20% Compulsory
CORE Composition:
- 20% Compulsory
CORE Performance:
- 20% Compulsory
What about the other 40%?
47. What do you do in DANCE?
Below is the Break up of the 60%
that every student MUST do
CORE Appreciation:
- 20% Compulsory
CORE Composition:
- 20% Compulsory
CORE Performance:
- 20% Compulsory
What about the other 40%?
48. What do you do in DANCE?
Below is the Break up of the 60%
that every student MUST do
CORE Appreciation:
- 20% Compulsory
CORE Composition:
- 20% Compulsory
CORE Performance:
- 20% Compulsory
What about the other 40%?
49.
50. ALL are ALL have a performance
full 2 Unit Subjects component
ALL Count ALL have written work
towards your A.T.A.R
ALL have some level of
Music, Dance and Group Work
Drama DO NOT get
ALL leave you with great
‘Scaled’ down
memories of school