The Big Wild Goose Pagoda is located in Xi'an, China. It was originally constructed in 652 AD by the Buddhist monk Xuanzang to house Buddhist scriptures and statues. Over the centuries it underwent several reconstructions and now stands at 64.5 meters tall. It provides an iconic example of the blending of Indian Buddhist architecture with Chinese styles. The pagoda and surrounding area are protected as an important cultural site.
The Famen Temple Cultural Scenic Area is located in Fufeng County, Shaanxi Province, China. It has a history of over 1,700 years and contains several notable landmarks including Foguang Avenue, Famen Temple, and Heshi Stupa. Famen Temple gained significance as it housed relics of the Buddha and was an important Buddhist site. It experienced periods of construction, destruction, and restoration over the centuries under various dynasties with the wooden tower being rebuilt in brick during the Ming Dynasty.
Horyu-ji Temple in Nara, Japan contains the oldest wooden structures in the world dating back to the 7th century. It was founded in 607 CE and includes buildings showcasing the architectural styles of early Japanese Buddhism influenced by Korea and China, such as entasis columns and bracket supports. The temple houses important Buddhist statues and art from the Asuka period, including the oldest wooden statue in Japan.
A pagoda is a tiered tower with multiple eaves, originally used as a religious structure to house Buddhist relics. Pagodas evolved from stupas, dome-shaped monuments used to store sacred relics. As Buddhism spread throughout Asia, pagoda architecture blended with local styles, resulting in various regional forms like those seen in China, Japan, Vietnam, and elsewhere. Pagodas serve religious functions and are an important architectural element in Asian Buddhist temple complexes.
This document provides information about Japanese pagodas, including their origins, design, construction, and types. It notes that pagodas evolved from Indian stupas and were introduced to Japan from China. Pagodas emphasize verticality and symbolize the connection between earth and heaven. They are typically made of wood with tiered roofs and central columns. The document describes several famous Japanese pagodas and provides details on their construction, materials, and historical and religious significance. It also distinguishes between wooden and stone pagodas.
This document provides information on several important architectural and religious sites in India. It discusses the Ajanta and Ellora Caves in Maharashtra, known for Buddhist, Hindu and Jain cave temples and monuments. It also mentions the Iron Pillar in Delhi that has not rusted after 1600 years, the Gol Gumbaz dome in Bijapur that is second largest in the world, the oldest active synagogue in the Commonwealth called the Mettanchery Synagogue in Kerala, and the Kamakhya Temple in Assam associated with the story of Sati. It briefly describes the St. Thomas Basilica built over the tomb of St. Thomas in Chennai and the towers of silence used by Zoroast
The Konark Sun Temple is a 13th-century Hindu temple dedicated to the Sun God. Shaped like a giant chariot, the temple is known for the exquisite stone carvings that cover the entire structure. It is the best-known tourist destination in Orissa and has been a World Heritage Site since 1984.
#architectur #history #temple #india
Monasteries are buildings or complexes that house monastics such as monks and nuns. A typical monastery includes places for prayer, living quarters, and work spaces. Buddhist monasteries in India include Nalanda Vihar, Nasik Vihar, and the three-storeyed viharas at Ellora. Nalanda Vihar featured temples and monasteries arranged systematically with sculptures and artifacts. Nasik Vihar included cave dwellings with halls and cells. The three-storeyed viharas at Ellora had large courtyards surrounded by cells and halls and included some of the finest cave architecture and artwork.
Buddhist rock-cut architecture in India included chaitya halls and viharas. Chaitya halls were large prayer halls containing a stupa at one end to accommodate gatherings of devotees. They were influenced by ascetic lifestyles and tended to have vaulted halls with colonnades and apsidal plans without a clear division between the nave and prayer space. Viharas were monasteries consisting of cells for monks arranged around a central courtyard. Over time from the 2nd century BC to the 2nd century AD, chaitya halls and viharas became more ornate as the rock-cut architecture style evolved.
The Famen Temple Cultural Scenic Area is located in Fufeng County, Shaanxi Province, China. It has a history of over 1,700 years and contains several notable landmarks including Foguang Avenue, Famen Temple, and Heshi Stupa. Famen Temple gained significance as it housed relics of the Buddha and was an important Buddhist site. It experienced periods of construction, destruction, and restoration over the centuries under various dynasties with the wooden tower being rebuilt in brick during the Ming Dynasty.
Horyu-ji Temple in Nara, Japan contains the oldest wooden structures in the world dating back to the 7th century. It was founded in 607 CE and includes buildings showcasing the architectural styles of early Japanese Buddhism influenced by Korea and China, such as entasis columns and bracket supports. The temple houses important Buddhist statues and art from the Asuka period, including the oldest wooden statue in Japan.
A pagoda is a tiered tower with multiple eaves, originally used as a religious structure to house Buddhist relics. Pagodas evolved from stupas, dome-shaped monuments used to store sacred relics. As Buddhism spread throughout Asia, pagoda architecture blended with local styles, resulting in various regional forms like those seen in China, Japan, Vietnam, and elsewhere. Pagodas serve religious functions and are an important architectural element in Asian Buddhist temple complexes.
This document provides information about Japanese pagodas, including their origins, design, construction, and types. It notes that pagodas evolved from Indian stupas and were introduced to Japan from China. Pagodas emphasize verticality and symbolize the connection between earth and heaven. They are typically made of wood with tiered roofs and central columns. The document describes several famous Japanese pagodas and provides details on their construction, materials, and historical and religious significance. It also distinguishes between wooden and stone pagodas.
This document provides information on several important architectural and religious sites in India. It discusses the Ajanta and Ellora Caves in Maharashtra, known for Buddhist, Hindu and Jain cave temples and monuments. It also mentions the Iron Pillar in Delhi that has not rusted after 1600 years, the Gol Gumbaz dome in Bijapur that is second largest in the world, the oldest active synagogue in the Commonwealth called the Mettanchery Synagogue in Kerala, and the Kamakhya Temple in Assam associated with the story of Sati. It briefly describes the St. Thomas Basilica built over the tomb of St. Thomas in Chennai and the towers of silence used by Zoroast
The Konark Sun Temple is a 13th-century Hindu temple dedicated to the Sun God. Shaped like a giant chariot, the temple is known for the exquisite stone carvings that cover the entire structure. It is the best-known tourist destination in Orissa and has been a World Heritage Site since 1984.
#architectur #history #temple #india
Monasteries are buildings or complexes that house monastics such as monks and nuns. A typical monastery includes places for prayer, living quarters, and work spaces. Buddhist monasteries in India include Nalanda Vihar, Nasik Vihar, and the three-storeyed viharas at Ellora. Nalanda Vihar featured temples and monasteries arranged systematically with sculptures and artifacts. Nasik Vihar included cave dwellings with halls and cells. The three-storeyed viharas at Ellora had large courtyards surrounded by cells and halls and included some of the finest cave architecture and artwork.
Buddhist rock-cut architecture in India included chaitya halls and viharas. Chaitya halls were large prayer halls containing a stupa at one end to accommodate gatherings of devotees. They were influenced by ascetic lifestyles and tended to have vaulted halls with colonnades and apsidal plans without a clear division between the nave and prayer space. Viharas were monasteries consisting of cells for monks arranged around a central courtyard. Over time from the 2nd century BC to the 2nd century AD, chaitya halls and viharas became more ornate as the rock-cut architecture style evolved.
The Jahangir Tomb is a 17th century mausoleum located in Lahore, Pakistan built to honor Emperor Jahangir, who ruled the Mughal Empire from 1605 to 1627 CE. The tomb was constructed in 1637 in a Mughal-Persian style and features an ornately decorated interior and exterior, with frescoes, marble motifs, and four projecting minarets. It is situated within a vast Char Bagh garden divided into squares by pathways and water channels, reflecting the Islamic concept of paradise.
The Konark Sun Temple was built in the 13th century CE by King Narasimhadeva I of the Eastern Ganga dynasty. The temple complex is in the shape of a gigantic chariot dedicated to the Sun God Surya. It is constructed of ferruginous sandstone in the Kalinga architectural style, with intricate carvings on its 12 giant stone wheels and pillars. Though parts of the temple have been lost, the towering audience hall remains standing as a testament to the architectural brilliance of the Konark Sun Temple.
Madurai Meenakshi amman temple with the history and its design......the temple location, plan, history, gopurams, rajagopurams, towers of the swami shrine, sundereshwara temple, meenakshi amman temple, temple tank and thousand pillared hall....
Excellent Jain architecture and sculpture can be seen in their Stupas and rock-cut caves found in Mathura, Bundelkhand, Madhya Pradesh and Orissa cave temples. A number of rock-cut caves have been discovered in Udaigiri and Khandagiri, twin hills in Puri District of Orissa and in Ellora in Maharashtra.
The key elements of a Hindu temple include the Vimana, Sikhara, and Garbhagriha. The Vimana is the sanctuary and consists of an upper Sikhara, which is the tapering tower, and lower Garbhagriha, which is the inner womb chamber housing the deity. Other elements are the Pradakshina patha ambulatory, Mandapa assembly hall, Antarala vestibule, Ardhamandapa front porch, Gopurams tower entrances, Pitha plinth, and Toranas gateways. These architectural components have standard Sanskrit names and their shapes and uses are defined.
One of the most excellent monuments of religious importance, a true form of workmanship, an architecture proudly stands in the form of Konark Sun Temple at Konark. A work of Oriya architecture, the temple is a beautiful place as the language of stone defeats the human language here. Built during the 13th century by King Narasimhadeva, the temple is designed in the shape of a rath (chariot) with 7 horses and 12 wheels, carrying the sun god, (Surya) across heavens.
easternprodigy.com
Buddhist religious architecture developed in the Indian subcontinent.
Three types of structures are associated with the religious architecture of early Buddhism:
monasteries , places to venerate relics , and shrines or prayer halls , also called , which later came to be called temples in some places.
This document provides an overview of several famous architectural sites in India. It discusses the Taj Mahal, a mausoleum built by Shah Jahan between 1632-1653 to honor his wife. It also mentions the Taj Lake Palace, a 17th century palace converted to a luxury hotel located on an artificial lake in Udaipur. Finally, it provides brief summaries of several other notable temples and sites across India, including the Konark Sun Temple, Amritsar Golden Temple, and Borobudur temple complex in Indonesia.
1) The Virupaksha Temple is located on the south bank of the Tungabhadra River in Hampi, Karnataka and has been an important pilgrimage site for worshippers of Lord Shiva since the 7th century AD.
2) The main temple faces east and has two large courtyards, with the inner one containing the sanctum sanctorum that houses a linga idol of Lord Virupaksha.
3) Surrounding structures include the 100-pillar hall, Kalyanamantapa marriage hall, triple-headed Nandi bull statue, and sub-shrines dedicated to Goddesses Pampa and Bhuvaneswari
This presentation is prepared for the BA students to get basic and general information on the subject. This presentation is incomplete and students advised to get the further and proper information from subjective and recommended books and research articles.
1. The document discusses architecture during the reigns of Mughal Emperors Jahangir (1605-1627) and Aurangzeb (1658-1707), focusing on Jahangir's works.
2. It describes tombs built during Jahangir's reign including Akbar's tomb and the tomb of Itmad-ud-Daula, which feature intricate pietra dura inlay work.
3. Jahangir also commissioned gardens including the Shalimar Bagh in Kashmir, known for its three terraces and fountains, and the similar Nishat Garden also in Kashmir.
The document discusses key features of Buddhist architecture that developed in India. It began with symbolic structures representing Buddha's life, promoted by Emperor Ashoka in the 3rd century BCE. Major architectural forms included stupas to house Buddhist relics, pillars (stambhas) bearing inscriptions, and chaityas/viharas that were temples and monastery halls carved into rock. The Great Stupa at Sanchi and reliefs at sites like Amaravati and the caves/temples at Ellora and Elephanta are highlighted as iconic examples that demonstrate the evolution of Buddhist architectural styles and motifs over centuries.
The document summarizes the history and architecture of the Sanchi Stupa located in Madhya Pradesh, India. It describes the Sanchi Stupa as one of the oldest Buddhist monuments in India, originally built in the 3rd century BCE and later enlarged during the Sunga period in the 1st century BCE. The document outlines the key architectural features of the Sanchi Stupa, including its circular plan and structure, symbolic meaning of its different sections, and sculpted gateways depicting Buddhist stories and symbols.
The document discusses key aspects of Buddhist architecture in India, including pillars (lats), stupas, and cave temples. It describes two main types of lats and provides details on important stupas like the Sanchi Stupa and Stupa at Amaravati. Monasteries (viharas) and worship halls (chaityas) are also summarized, with the chaitya at Karli given as an example. Finally, some of India's major cave temple sites reflecting Buddhist, Hindu, and Jain traditions are highlighted briefly, including Ajanta, Ellora, and Elephanta Caves.
The document discusses Buddhist architecture that developed during the Mauryan period in India, including stupas, Ashoka pillars, chaityas, viharas, and cave temples. Stupas were large domed structures that housed relics of the Buddha and bore symbols like the Ashoka Chakra. Pillars erected by Emperor Ashoka featured carvings of animals. Cave temples at Ajanta and Ellora included chaityas with stupas for prayer and viharas for monk residences, decorated with detailed frescoes depicting Buddha's life. The art and architecture reflected the influence and spread of Buddhism under the Mauryan and Gupta Empires.
The Vadakkumnathan Temple in Thrissur, Kerala is a classic example of Kerala temple architecture. It has a conical copper roof, laterite stone walls with murals, and woodwork throughout. The temple complex contains three independent shrines dedicated to Shiva, Vishnu, and Rama within a walled compound. It is known for its rare temple murals, brass lamps, and the impressive Kootambulam dance hall used for traditional art performances. The architecture demonstrates typical Kerala features like a tiled conical roof and integration of stone, wood, and metal craftsmanship.
This document provides information on North Indian temple architecture from the Gupta period. It discusses key features of temples constructed during this era, including the use of stone construction instead of bricks, relief artwork, and structural elements like shikhara towers and mandapas. Specific temples from the Gupta period are highlighted like the ones at Tigwa, Udaygiri, and Deogarh. The architecture of the famous Sun Temple at Modhera is described in detail, including its main shrine hall, assembly hall with carved pillars, and surrounding kunda reservoir. Overall, the document outlines the defining characteristics of Nagara style temple architecture that developed and flourished during the golden age of the Guptas in North India
The Ajanta Caves (Ajiṇṭhā leni; Marathi: अजिंठा लेणी) in Maharashtra, India are 31 rock-cut cave monuments which date from the 2nd century BC. The caves include paintings and sculptures considered to be masterpieces of both Buddhist religious art (which depict the Jataka tales) as well as frescos which are reminiscent of the Sigiriya paintings in Sri Lanka. The caves were built in two phases starting around 200 BC, with the second group of caves built around 600 AD.
The document describes Chaitya halls, which are Buddhist shrines or prayer halls found in ancient Indian rock-cut architecture. It focuses on the Chaitya hall located at the Karli caves in Maharashtra. The Karli Chaitya hall dates back to around the 3rd century BC and has architectural features typical of Chaitya design, including a vaulted ceiling supported by columns, with an apse at the end containing a stupa for devotees to circumambulate. The hall was carved out of solid rock using a process that began from the ceiling down, and contains intricately carved details and sculptural elements representative of ancient Indian wooden architecture.
The document provides information on the Longmen Grottoes, a UNESCO World Heritage site located in Luoyang, China. It is known for its collection of over 2,300 caves and 100,000 Buddhist statues dating back over 400 years. Some of the main attractions highlighted include Fengxian Temple, which contains a 17-meter tall Buddha statue, and Qianxi Temple and Binyang Cave, both featuring well-preserved sculptures from the Tang Dynasty. The grottoes provide insight into Chinese politics, culture, religion and art over different historical periods.
The Temple of Heaven in Beijing was constructed between 1406 and 1420 during the Ming Dynasty as the site of imperial ceremonies and prayers for good harvests. The complex covers over 2,700,000 square meters and includes three main structures - the Hall of Prayer for Good Harvests, the Imperial Vault of Heaven, and the Circular Mound Altar. The buildings are arranged according to Feng Shui principles and feature ornate woodwork, blue tile roofs, and designs that represent the relationship between heaven and earth. Today, the Temple of Heaven is one of Beijing's most popular tourist destinations and a prime example of imperial Chinese architecture.
The Jahangir Tomb is a 17th century mausoleum located in Lahore, Pakistan built to honor Emperor Jahangir, who ruled the Mughal Empire from 1605 to 1627 CE. The tomb was constructed in 1637 in a Mughal-Persian style and features an ornately decorated interior and exterior, with frescoes, marble motifs, and four projecting minarets. It is situated within a vast Char Bagh garden divided into squares by pathways and water channels, reflecting the Islamic concept of paradise.
The Konark Sun Temple was built in the 13th century CE by King Narasimhadeva I of the Eastern Ganga dynasty. The temple complex is in the shape of a gigantic chariot dedicated to the Sun God Surya. It is constructed of ferruginous sandstone in the Kalinga architectural style, with intricate carvings on its 12 giant stone wheels and pillars. Though parts of the temple have been lost, the towering audience hall remains standing as a testament to the architectural brilliance of the Konark Sun Temple.
Madurai Meenakshi amman temple with the history and its design......the temple location, plan, history, gopurams, rajagopurams, towers of the swami shrine, sundereshwara temple, meenakshi amman temple, temple tank and thousand pillared hall....
Excellent Jain architecture and sculpture can be seen in their Stupas and rock-cut caves found in Mathura, Bundelkhand, Madhya Pradesh and Orissa cave temples. A number of rock-cut caves have been discovered in Udaigiri and Khandagiri, twin hills in Puri District of Orissa and in Ellora in Maharashtra.
The key elements of a Hindu temple include the Vimana, Sikhara, and Garbhagriha. The Vimana is the sanctuary and consists of an upper Sikhara, which is the tapering tower, and lower Garbhagriha, which is the inner womb chamber housing the deity. Other elements are the Pradakshina patha ambulatory, Mandapa assembly hall, Antarala vestibule, Ardhamandapa front porch, Gopurams tower entrances, Pitha plinth, and Toranas gateways. These architectural components have standard Sanskrit names and their shapes and uses are defined.
One of the most excellent monuments of religious importance, a true form of workmanship, an architecture proudly stands in the form of Konark Sun Temple at Konark. A work of Oriya architecture, the temple is a beautiful place as the language of stone defeats the human language here. Built during the 13th century by King Narasimhadeva, the temple is designed in the shape of a rath (chariot) with 7 horses and 12 wheels, carrying the sun god, (Surya) across heavens.
easternprodigy.com
Buddhist religious architecture developed in the Indian subcontinent.
Three types of structures are associated with the religious architecture of early Buddhism:
monasteries , places to venerate relics , and shrines or prayer halls , also called , which later came to be called temples in some places.
This document provides an overview of several famous architectural sites in India. It discusses the Taj Mahal, a mausoleum built by Shah Jahan between 1632-1653 to honor his wife. It also mentions the Taj Lake Palace, a 17th century palace converted to a luxury hotel located on an artificial lake in Udaipur. Finally, it provides brief summaries of several other notable temples and sites across India, including the Konark Sun Temple, Amritsar Golden Temple, and Borobudur temple complex in Indonesia.
1) The Virupaksha Temple is located on the south bank of the Tungabhadra River in Hampi, Karnataka and has been an important pilgrimage site for worshippers of Lord Shiva since the 7th century AD.
2) The main temple faces east and has two large courtyards, with the inner one containing the sanctum sanctorum that houses a linga idol of Lord Virupaksha.
3) Surrounding structures include the 100-pillar hall, Kalyanamantapa marriage hall, triple-headed Nandi bull statue, and sub-shrines dedicated to Goddesses Pampa and Bhuvaneswari
This presentation is prepared for the BA students to get basic and general information on the subject. This presentation is incomplete and students advised to get the further and proper information from subjective and recommended books and research articles.
1. The document discusses architecture during the reigns of Mughal Emperors Jahangir (1605-1627) and Aurangzeb (1658-1707), focusing on Jahangir's works.
2. It describes tombs built during Jahangir's reign including Akbar's tomb and the tomb of Itmad-ud-Daula, which feature intricate pietra dura inlay work.
3. Jahangir also commissioned gardens including the Shalimar Bagh in Kashmir, known for its three terraces and fountains, and the similar Nishat Garden also in Kashmir.
The document discusses key features of Buddhist architecture that developed in India. It began with symbolic structures representing Buddha's life, promoted by Emperor Ashoka in the 3rd century BCE. Major architectural forms included stupas to house Buddhist relics, pillars (stambhas) bearing inscriptions, and chaityas/viharas that were temples and monastery halls carved into rock. The Great Stupa at Sanchi and reliefs at sites like Amaravati and the caves/temples at Ellora and Elephanta are highlighted as iconic examples that demonstrate the evolution of Buddhist architectural styles and motifs over centuries.
The document summarizes the history and architecture of the Sanchi Stupa located in Madhya Pradesh, India. It describes the Sanchi Stupa as one of the oldest Buddhist monuments in India, originally built in the 3rd century BCE and later enlarged during the Sunga period in the 1st century BCE. The document outlines the key architectural features of the Sanchi Stupa, including its circular plan and structure, symbolic meaning of its different sections, and sculpted gateways depicting Buddhist stories and symbols.
The document discusses key aspects of Buddhist architecture in India, including pillars (lats), stupas, and cave temples. It describes two main types of lats and provides details on important stupas like the Sanchi Stupa and Stupa at Amaravati. Monasteries (viharas) and worship halls (chaityas) are also summarized, with the chaitya at Karli given as an example. Finally, some of India's major cave temple sites reflecting Buddhist, Hindu, and Jain traditions are highlighted briefly, including Ajanta, Ellora, and Elephanta Caves.
The document discusses Buddhist architecture that developed during the Mauryan period in India, including stupas, Ashoka pillars, chaityas, viharas, and cave temples. Stupas were large domed structures that housed relics of the Buddha and bore symbols like the Ashoka Chakra. Pillars erected by Emperor Ashoka featured carvings of animals. Cave temples at Ajanta and Ellora included chaityas with stupas for prayer and viharas for monk residences, decorated with detailed frescoes depicting Buddha's life. The art and architecture reflected the influence and spread of Buddhism under the Mauryan and Gupta Empires.
The Vadakkumnathan Temple in Thrissur, Kerala is a classic example of Kerala temple architecture. It has a conical copper roof, laterite stone walls with murals, and woodwork throughout. The temple complex contains three independent shrines dedicated to Shiva, Vishnu, and Rama within a walled compound. It is known for its rare temple murals, brass lamps, and the impressive Kootambulam dance hall used for traditional art performances. The architecture demonstrates typical Kerala features like a tiled conical roof and integration of stone, wood, and metal craftsmanship.
This document provides information on North Indian temple architecture from the Gupta period. It discusses key features of temples constructed during this era, including the use of stone construction instead of bricks, relief artwork, and structural elements like shikhara towers and mandapas. Specific temples from the Gupta period are highlighted like the ones at Tigwa, Udaygiri, and Deogarh. The architecture of the famous Sun Temple at Modhera is described in detail, including its main shrine hall, assembly hall with carved pillars, and surrounding kunda reservoir. Overall, the document outlines the defining characteristics of Nagara style temple architecture that developed and flourished during the golden age of the Guptas in North India
The Ajanta Caves (Ajiṇṭhā leni; Marathi: अजिंठा लेणी) in Maharashtra, India are 31 rock-cut cave monuments which date from the 2nd century BC. The caves include paintings and sculptures considered to be masterpieces of both Buddhist religious art (which depict the Jataka tales) as well as frescos which are reminiscent of the Sigiriya paintings in Sri Lanka. The caves were built in two phases starting around 200 BC, with the second group of caves built around 600 AD.
The document describes Chaitya halls, which are Buddhist shrines or prayer halls found in ancient Indian rock-cut architecture. It focuses on the Chaitya hall located at the Karli caves in Maharashtra. The Karli Chaitya hall dates back to around the 3rd century BC and has architectural features typical of Chaitya design, including a vaulted ceiling supported by columns, with an apse at the end containing a stupa for devotees to circumambulate. The hall was carved out of solid rock using a process that began from the ceiling down, and contains intricately carved details and sculptural elements representative of ancient Indian wooden architecture.
The document provides information on the Longmen Grottoes, a UNESCO World Heritage site located in Luoyang, China. It is known for its collection of over 2,300 caves and 100,000 Buddhist statues dating back over 400 years. Some of the main attractions highlighted include Fengxian Temple, which contains a 17-meter tall Buddha statue, and Qianxi Temple and Binyang Cave, both featuring well-preserved sculptures from the Tang Dynasty. The grottoes provide insight into Chinese politics, culture, religion and art over different historical periods.
The Temple of Heaven in Beijing was constructed between 1406 and 1420 during the Ming Dynasty as the site of imperial ceremonies and prayers for good harvests. The complex covers over 2,700,000 square meters and includes three main structures - the Hall of Prayer for Good Harvests, the Imperial Vault of Heaven, and the Circular Mound Altar. The buildings are arranged according to Feng Shui principles and feature ornate woodwork, blue tile roofs, and designs that represent the relationship between heaven and earth. Today, the Temple of Heaven is one of Beijing's most popular tourist destinations and a prime example of imperial Chinese architecture.
The Great Wall of China and Temple of Heaven (History and Culture)sahilyadav902
History and Culture of these monuments
I have also uploaded a ppt about the scientific theory of these monuments. The link is given below.
http://www.slideshare.net/sahilyadav902/ppt-on-the-great-wall-of-china-and-temple-of-heavenscientific-theory
1) Ningbo Xikou Tengtou Tourist Area is a national 5A level scenic spot located in Xikou Town, Fenghua, Ningbo City. It covers an area of 140 square kilometers and has many historical and cultural sites.
2) Some of the main attractions include Wushan Temple, Wulingmen, Wenchang Pavilion, bridges like Surabaya Bridge, and historical sites related to Chiang Kai-shek and his family who once lived in the area.
3) The area has beautiful mountains, rivers, and forests and offers scenic views in all seasons, making it a popular tourism destination in Ningbo known for its history
Traditional Chinese architecture has remained largely unchanged over centuries, using wood construction and following principles of Feng Shui and Taoism. Key features include modular construction, exposed wooden structures, and bracket sets. Religious structures like pagodas and temples incorporate Chinese architectural styles. The Forbidden City and Great Wall of China are notable examples that had influence from Confucian ideology emphasizing social hierarchy.
The document summarizes three important Buddhist temples in China: Biyun Temple, Yonghe Gong Temple, and Shaolin Temple. Biyun Temple located outside Beijing holds 500 bronze Buddha statues. Yonghe Gong Temple in Beijing was originally constructed as a palace but was converted to a lamasery. Shaolin Temple is famous for combining Buddhism and kung fu and is located at the base of Mount Songshan.
The document provides information about the Ajanta and Ellora caves located in India. It discusses the Buddhist caves at Ajanta which contain paintings depicting Buddha and stories from his life. Cave 2 at Ajanta is described as having preserved paintings on its walls, ceilings and pillars showing narratives from Jataka tales. The Ellora caves housed Buddhist, Hindu and Jain monuments between the 6th and 10th centuries. The Kailasa temple, carved out of a single rock mass in Cave 16, is described as the architectural highlight of Ellora.
The Ellora Caves contain 34 monasteries and temples built between the 6th and 10th centuries CE. They include 12 Buddhist caves built between 630-700 CE, 17 Hindu caves such as the Kailasa temple built between 600-900 CE, and 5 Jain caves built between 800-1000 CE. The Kailasa temple, carved out of solid rock, is the largest monolithic structure in the world, rising 36 meters high. It features intricate carvings and was designed to resemble Mount Kailash, the abode of Lord Shiva. The Ellora Caves represent the epitome of Indian rock-cut architecture from the early medieval period.
Dazu Rock Carvings are located in Chongqing, China and feature over 50,000 Buddhist statues carved into cliff faces between the 7th-13th centuries. The carvings flourished from the late Tang to Southern Song dynasties and represent the peak of Chinese cave art. They were added to the UNESCO World Heritage List in 1999 for their scale, exquisite craftsmanship, diverse subjects, and well-preserved condition despite being carved 800-1000 years ago.
Chapter Four: The Traditional Architecture of China and JapanDouglas Vail
The document discusses the traditional architecture of China and Japan. It explains that Chinese architectural traditions were influenced by Daoism and Confucianism, which emphasized harmony with nature and order/respect for authority respectively. These traditions were later imported to Japan, where they blended with indigenous Shinto ideas focused on nature worship. Wood was a primary building material in both countries, and moveable partitions were used to blur interior and exterior spaces. The chapter goes on to provide numerous examples of specific architectural styles and structures from China and Japan.
This document discusses the history and key architectural elements of Buddhist architecture in India, beginning with its origins in the Indus Valley civilization. It describes the three main types of Buddhist structures - monasteries (viharas), places of relic veneration (stupas), and prayer halls (chaityas or temples). Specific examples like the Great Stupa at Sanchi and caves at Ajanta and Ellora are highlighted. Distinctive features of stupas, chaityas and viharas like their layouts, components, and ornamentation are outlined. The document also notes how Buddhist architectural styles have been adapted in other countries as Buddhism spread.
Buddhist architecture in ancient India included structures like stupas, chaityas, viharas, and stambhas. Stupas housed sacred Buddhist relics and had a rounded dome-like shape. Chaityas were prayer halls with a stupa at one end and were made in rock-cut caves. Viharas were monasteries that provided living quarters for monks. Stambhas were tall, polished stone pillars sometimes topped with sculptures. These structures developed under emperors like Ashoka who built many early Buddhist monuments to spread the religion across India.
The document discusses various architectural features of ancient Buddhist architecture in India, which originated under Emperor Ashoka in the 3rd century BCE. It began with the development of symbols representing Buddha's life and teachings. Principal structures were built with a wide base tapering gradually upward for stability. Notable architectural forms discussed include stupas, viharas, chaityas, edicts, and stambhas (pillars). The Great Stupa at Sanchi is described as a well-preserved example from the 3rd century BCE containing sculptures of Buddha. Ashoka used edicts and pillars displaying the Wheel of Law to spread Buddhism across his empire.
Chinese temples come in several varieties, including Taoist temples, Buddhist temples, and Confucian temples. Taoist temples are typically made of wood with distinctive roof lines, while Buddhist temples feature statues of Buddhas like Shakyamuni and Kwan Yin. Confucian temples serve as ancestral halls honoring Confucius and the Kong family. Key structures mentioned include the Temple of Heaven in Beijing, Shaolin Temple known for its connection to kung fu, and cave temples carved out of rock faces at sites like Dunhuang.
1) Zhongshan Scenic Area is located in Nanjing and features scenic spots centered around the Sun Yat-sen Mausoleum, including Ming Xiaoling Mausoleum and Linggu Temple.
2) It contains over 200 sites of interest from different historical periods, including 1 UNESCO World Heritage Site and national and provincial level cultural relics.
3) The scenic area has a long history dating back to the Six Dynasties period and contains ruins and remains showcasing Buddhist, Ming Dynasty, and Republican culture.
The document provides details about various architectural styles and structures in Northern, Central, and Southern India. It describes temples such as the Sun Temple in Konark and Jagannath Temple in Puri, as well as the Martand Sun Temple in Kashmir. It also discusses the Kirti Stambha and Jaya Stambha in Chittor Fort, river ghats along the Ganges, and various palaces in Gwalior. Furthermore, it summarizes the early Chalukyan rock-cut cave temples at Badami as well as structural temples such as the Lad Khan Temple at Aihole and various structures at Pattadkal.
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Kong Meng San Phor Kark See Monastery is the largest Buddhist temple in Singapore, located on 75,470 square meters of land. Founded in 1921, it has expanded over the decades to include multiple prayer halls, a pagoda housing 10,000 Buddhas, a hall with a 13.8 meter Buddha statue, and facilities for monks. The complex blends Chinese and Southeast Asian architectural styles with ornate decorations. It serves as an important center for Buddhism in Singapore through religious ceremonies, education, volunteer activities, and social services.
The document provides information about the Harbin Sun Island Scenic Area located in Songbei District, Harbin City, Heilongjiang Province. Some key details include:
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- It has a temperate climate and has historically been an ecological area and recreation spot along the Songhua River.
- In recent decades it has undergone renovations and expansions to become a national scenic area known for its ice and snow culture and natural landscapes.
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The document provides information about Shanghai Wild Animal Park, including:
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2) It aims to integrate wildlife breeding, exhibition, conservation, education and entertainment.
3) Over the years it has expanded to include new exhibits like the Flamingo Pavilion, Kangaroo Slope, and African Elephant Pavilion.
The oriental pearl radio & tv towerJourney Han
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Mount Huaguoshan is a national scenic area located in Lianyungang City, Jiangsu Province, China. It features 18 famous attractions associated with the classic novel "Journey to the West" including Nantianmen, Laojuntang, and Water Curtain Hole. The area has over 1,700 plant species, 300 macaques, and Dashenghu Lake. Geologically, Huaguoshan rose from 20km below the surface over 100 million years and its varied terrain was formed over 500,000 years through tectonic movement and erosion. It has received several honors for its natural and cultural attractions.
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1) The Jiangsu Dafeng Elk National Nature Reserve is located in Yancheng City, Jiangsu Province. It is the world's largest elk nature reserve with over 2,000 elk.
2) The reserve was established in 1986 after importing elk from the UK. It has since grown to become an important ecotourism destination receiving over 1 million visitors.
3) The elk population has increased 25-fold at the reserve, making it a success story for species conservation and restoration of the elk population to the wild. The reserve now supports a variety of wildlife and has become an important wetland ecosystem.
Maoshan Mountain is a famous Taoist sacred mountain located in Jurong City, Zhenjiang, Jiangsu Province. It has been an important center of Chinese Taoism for over 5,000 years and was the birthplace of the influential Shangqing School of Taoism. The mountain contains many historic temples, grottoes, and sites significant to Taoist history and culture. It also offers beautiful natural scenery with lush forests, springs, and peaks and has become a popular tourist destination.
Tianmu Lake Tourist Resort is a provincial-level tourist destination in Changzhou, Jiangsu Province known for its scenic landscapes around Tianmu Lake. It contains several scenic areas including Tianmu Lake Landscape Garden, Nanshan Bamboo Seaview Area, and Tianmu Lake Yushui Hot Spring. The resort offers attractions such as gardens, temples, and islands on the lake, and is home to local specialties like Tianmu Lake Casserole Fish Head and white tea.
Suzhou Wuzhong Taihu Tourist Area is a 5A-level scenic area located on the shore of Taihu Lake in southwest Suzhou, Jiangsu Province. It covers an area of 250 square kilometers and features scenic spots like Taihu Park, Situ Temple, and Lushan Scenic Area. The area has a subtropical monsoon climate and is known for its natural beauty, historical sites, and cultural activities like its Biluochun Tea Culture Festival and China Taihu Lake Festival.
The document provides details about the classical gardens of Suzhou, China. It discusses:
- The history of Suzhou gardens dating back to the 6th century BC and their flourishing during the Ming and Qing Dynasties when there were over 200 gardens.
- Some of the most famous gardens like the Humble Administrator's Garden and Lingering Garden which have been named UNESCO World Heritage Sites.
- The unique architectural style of the gardens which aimed to create harmony with nature in the densely populated city.
The Luanhe Scenic Area of Nantong City is located in the center of Nantong along the Weihe River. The scenic area features the Weihe River which surrounds the old city and has a history of over 1,000 years, as well as attractions like Tianning Temple, Guangxiao Tower, Nantong Museum, and Sanyuan Bridge. It has a subtropical climate and offers parking, other facilities, and connections to surrounding scenic spots by bus.
Jinji Lake Scenic Area is a 5A level scenic spot located in Suzhou, China. It features Jinji Lake and surrounding landscapes, including a Ferris wheel, bridges, and cultural exhibits. The scenic area has various functional areas and has invested billions to create attractions. Some of the most famous landscapes are the Suzhou Center shopping mall, Oriental Gate skyscraper, musical fountain, bridges over Jinji Lake, and a cultural arts center.
Jiangsu jiangyan lake national wetland parkJourney Han
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Changzhou Global Dinosaur City is a 4A-rated dinosaur-themed tourist resort in Changzhou, China covering over 4,800 acres. It includes attractions like China Dinosaur Park, Dinosaur Valley Hot Springs, and Dino Water Town. The resort integrates theme parks, cultural performances, hot springs, recreation, and animation into one location, forming a large tourism community. It has become an important tourist destination and economic driver for Changzhou.
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2. Level:AAAAA
Famous scenery:Big Wild Goose Pagoda Ruins Park,
Xuanzang Three-Tibet
Suitable for the play season:Suitable for all seasons
The Big Wild Goose Pagoda is located in the Dacien Temple of
Jinchang Square (now in the south of Xi’an City, Shaanxi Province) in
Tang Chang’an City. It is also known as the “Cien Temple Tower”. In
the third year of Tang Yonghui (652), Xuanzang hosted the
construction of the Big Wild Goose Pagoda for the preservation of the
Buddha statues brought back to Chang’an by the Silk Road. The first
five floors were added to the nine floors, and then the number of
layers and heights were counted. The change was finally fixed to the
seven-story tower that I saw today, with a height of 64.517 meters
and a base length of 25.5 meters.
As the earliest and largest Tang Dynasty square brick tower, the Big
Wild Goose Pagoda is a typical form of the ancient Indian Buddhist
temple, which was introduced into the Central Plains with Buddhism
and integrated into the Chinese culture. It is a combination of ancient
Chinese working people. The iconic building of wisdom.
On March 4, 1961, the State Council announced that the Big Wild
Goose Pagoda was the first batch of national key cultural relics
protection units. On June 22, 2014, at the 38th World Heritage
Committee meeting in Doha, Qatar, the Big Wild Goose Pagoda was
the “Silk Road: Changan-Tianshan Corridor” as a joint application of
China, Kazakhstan and Kyrgyzstan. A site in the Road Network was
successfully included in the World Heritage List.
3. Historical evolution
In the temple building tower
In the third year of Tang Yonghui (652), Master Xuan Zang built a
five-story brick tower in the West Tower of Chang’an Ci’en Temple
for the worship of Buddha statues, relics and Sanskrit classics
brought back from Tianzhu. The Famen Temple of Baoji is opposite to
the tower building temple. The Big Wild Goose Pagoda is built by the
temple.
During the Northern Weidao Emperor Wudi, the Jingjue Temple was
built here, and Emperor Wendi built the Wushui Temple at the site of
the Jingjue Temple. In the 22nd year of Tang Zhenguan (648 years),
Li Zhi, the prince of the prince, prayed for his mother, Wende
Empress (that is, Chang Sunshi), to pray for the blessing, to repay the
mother-in-law, and to ask the Taizong to build the Buddhist temple
and give it the name “Cien Temple.” At the beginning of the temple,
he invited Gao Song Xuan Zang to take the seat of the mage. Xuanzang
founded the Mahayana Buddhism Law (according to the relative truth
(phase) and absolute truth (sex) of all things (law), and because of
Emphasizing that there is no need for extraterritorial independence,
also known as the literary sect. Since the founder Xuanzang and his
disciples often lived in the Ci’en Temple, it is also known as Ci
Enzong. This temple has become a holy place for Chinese Mahayana
Buddhism. In the first year of Tang Xianqing (656), Tang Gaozong’s
royal book, “The Monument to the Great Ci’en Temple”, was named
“Daci En Temple”. The Big Wild Goose Pagoda is located in the Ci’en
Temple, hence the name “Cien Temple Tower”.
The Dacien Temple where the Big Wild Goose Pagoda is located is the
place where Xuanzang specializes in translation and Tibetan
scriptures. Master Xuan Zang presided over the temple in Ci’en
Temple. He wanted to properly install the relics like the relics. He
hoped to properly build a stone tower outside the main entrance of
the Ci’en Temple in Tang Yonghui for three years. 652) The March
drawing was played. Because Xuan Zang’s plan for the height of the
4. Futu (stupa) is 30 feet high, Tang Gaozong is difficult to achieve
because of the great project, and he is unwilling to work hard on the
ground. The imperial court subsidized the construction of a five-story
brick tower in the Temple West.
The newly built Buddhist Pagoda is a small wild goose pagoda built in
Chang’an Jianfu Temple. Therefore, the Ci’en Temple Tower is also
known as the Big Wild Goose Pagoda. The Jianfu Temple Tower is
called the Small Wild Goose Pagoda and has been passed down to this
day. The original Big Wild Goose Pagoda is shaped like a western-
style sloping slope, with bricks and soils that cannot be climbed, and
each floor is relic. Master Xuan Zang personally presided over the
construction of the tower, which took two years to complete.
In addition to the Sanskrit scriptures of the Bedolo leaves retrieved
from Tianzhu, there are more than 10,000 relics in the Big Wild
Goose Pagoda.
Five alterations
the first time:
The original architectural design of the Big Wild Goose Pagoda is a
mimic of India’s famous and unique ritual tower, the Buddha Gaya
(Daju Tower), which has 5 floors and a height of 60 meters.
the second time:
Later, Tang Gaozong Li Zhi felt that this Indian-style building was
5. somewhat uncoordinated with the overall architectural style of
Chang’an City, so it was rebuilt and the Big Wild Goose Pagoda was
raised to the 9th floor.
the third time:
During the Chang’an period (701-704), the court also carried out the
third construction of the Big Wild Goose Pagoda. Wu Zetian broke the
practice of the positive odd-numbered heights that had been formed
in the Tang Dynasty Buddhist pagoda, and increased the height of the
Big Wild Goose Pagoda to an even 10th floor. (In addition, Wu Zetian
and Wang Gong nobles donated money to rebuild on the original site,
and built a new seven-story brick tower.)
the fourth time:
After the Five Dynasties, Tang Changxing two years (931 years), the
Tang Dynasty Dynasty carried out the fourth reconstruction of the Big
Wild Goose Pagoda, and the Big Wild Goose Pagoda was restored to
the seventh floor. Later, several major earthquakes occurred in Xi’an,
and the tower top of the Big Wild Goose Pagoda shook and the tower
shattered.
the fifth time:
In the 32nd year of Ming Wanli (1604), the Big Wild Goose Pagoda
was repaired for the fifth time. This is a major repair and
reinforcement project. On the basis of maintaining the basic shape of
the tower body of the Tang Dynasty, the outer surface was completely
covered with a 60 cm thick cladding. The tower is 64.5 meters high
and the tower base is 25 meters long and covers an area of 2061
square meters. This is the big wild goose pagoda seen today.
6. Building pattern
Building structure
The Big Wild Goose Pagoda is a square-shaped pavilion-type tower
with brick-like wood structure. It consists of three parts: tower base,
tower body and tower brake. The whole tower is 64.7 meters high,
the tower base is 4.2 meters high, the north and south length is about
48.7 meters, and the east and west length is about 45.7 meters. The
bottom of the tower body is 25.5 meters long and has a square cone
shape; the tower brake height is 4.87 meters. There are 9 in the 1st
and 2nd floors, 7 in the 3rd and 4th floors, and 5 in the 5th, 6th, 7th
and 8th floors, each with four sides.
Yanta Palace
In May 2008, Wang Yarong, director of the Institute of Religious
Studies of the Shaanxi Provincial Academy of Social Sciences, said
that like the underground palace under the pagoda of Famen Temple,
there may be a thousand-year underground palace under the Xi’an Big
Wild Goose Pagoda. It is speculated that after Xuanzang returned
from India, the treasures brought back may be hidden in the
underground palace under the Big Wild Goose Pagoda.
According to historical records, in the 19th year of Tang Zhenguan
(645), Xuanzang returned from India and brought back a large
7. number of Buddha relics, hundreds of Bayein Sanskrit scriptures and
eight gold and silver Buddha statues. In order to enshrine and collect
the Buddhist scriptures, gold and silver Buddha statues, relics and
other treasures brought back by the court, Xuanzang personally
presided over the construction of the Big Wild Goose Pagoda. But the
treasures that Xuan Zang brought back to the present are in the end,
but no one knows.
Wang Yarong believes that there is a underground palace under the
general conditions of the ancient pagoda. Like the underground
palace under the pagoda of Famen Temple, the underground of the
Big Wild Goose Pagoda must also have a underground palace, but the
Big Wild Goose Pagoda has not yet been discovered. It is speculated
that the underground palace under the Big Wild Goose Pagoda is
likely to contain Buddhist treasures that Xuanzang brought back.
Xie Shoutao, director of the Xi’an Big Wild Goose Pagoda, said that in
2007, the relevant departments had probed the internal structure of
the Big Wild Goose Pagoda. The ground penetrating radar had
detected holes in the underground of the Big Wild Goose Pagoda.
These holes should be the underground palace of the Big Wild Goose
Pagoda.
8. Cultural relics
Tower
There are stone gates on the base of the Big Wild Goose Pagoda. There
are beautiful lined Buddha statues and brick carvings on the door
frame. On the bottom of the south gate, the stone is embedded on
both sides, and the west is written from right to left. The poem
written by Tang Taizong Li Shimin and the great calligrapher of the
book, the book of the Great Tang Dynasty, is written in the book. It is
written from left to right, Tang Gaozong Li Zhi’s author, and Yan
Liang’s handwritten book, “The Data Book of the Three Tangs of the
Tang Dynasty”, known as the “two holy three monuments.” The
specifications of the two monuments are the same. The head of the
monument is the head of the skull. The two sides of the monument
have obvious points. The trapezoid is narrow and wide (this is the
typical shape of the Tang monument). The monument is a square
monument with a line engraved pattern. The height is 337.5 cm, the
width of the monument is 86 cm, and the width is 100 cm. The
inscription highly praises Xuan Zang Master for learning the Western
Heaven, promoting the historical achievements and extraordinary
spirit of the Dharma, and the world is called “The Wild Goose
Church”.
These two monuments were erected by Xuanzang in the fourth year
of Tang Gaozong Yonghui (653 years) and have been preserved so far.
It is an important cultural relic of studying calligraphy, painting and
sculpture in the Tang Dynasty. It is worth mentioning that the Tang
Dynasty painter Wu Daozi, the great poet Wang Wei and others have
made many murals for the Ci En Temple, but unfortunately it has long
been lost in history. However, on the stone gates and door frames of
the four-door cave under the Big Wild Goose Pagoda, there is still a
beautiful Tang Dynasty line depiction. In addition, the Xuan Zang
negative map and the Xuanzang translation map are embedded on
both sides of the ticket hole of the South Gate.
9. The Big Wild Goose Pagoda was once the title of the Tang Dynasty’s
new middle school scholar, namely the name of the famous Yanta
Eight Scenic Spot. But unfortunately, the name of Yanta has not been
seen. The reason is that Li Deyu, the prime minister of Tang Wuzong,
was not a scholar. He was deeply jealous of the scholars and ordered
to cancel Qujiang’s drinking, and he would “discard the title”.
The new scholars of the Tang Dynasty were all named in the Big Wild
Goose Pagoda, so that the later generations of the “Yanta Title” were
called the Jinshi and the first. There are a large number of
inscriptions in the past dynasties. In the Ming and Qing dynasties,
there were more than 200 pass-throughs for the names of the geese
that were left in the Tang Dynasty.
Relic
Tang Gaozong Yonghui three years (652 years), Master Xuan Zang
built the Great Wild Goose Pagoda for the storage of the image, relic,
how many relics Xuan Zang Master brought back, recorded in the
“Mage Biography” is only 150 meat relics and one The name of the
bone relic, the specific number is not stated. In the same book
describing the repairing tower section, it shows that “there are relics
in the center of the layer, or one thousand, two thousand, and more
than 10,000 grains.” After the Chang’an rebuilt the big wild goose
10. pagoda, how to deal with the original relic in the tower, There are no
detailed historical records.
The Buddha relics on the Big Wild Goose Pagoda are now donated by
friends. On June 10, 1998, the Big Wild Goose Pagoda hosted the abbot
of the Xuanzang Temple in India and the Indian overseas Chinese
high-ranking Shi Wuqian Master. The original origin of the Master
was from Xianyang, Shaanxi. He was born in his early childhood and
in the early 1940s, he used Xuanzang as a model. Go to India to seek
law and be a abbot at the Xuanzang Temple in India. On the same day,
he took out a red paper bag with the golden “One Buddha” and the
lotus pattern, with two precious Buddha relics (a diameter of 3.5 mm
and a diameter of 1.5 mm). Gifted to the Big Wild Goose Pagoda. In
order to make up for the shortcomings of the mystery of the Giant
Goose Pagoda, let more people look at the Buddha’s relic and display
the Buddha’s treasure on the Big Wild Goose Pagoda.
Bayeux
Among the relics preserved in the Big Wild Goose Pagoda, the most
noteworthy number is the Bayeux, which is written on the leaves of
Bedolo. Since there is no paper in ancient India, the writing is often
replaced by Bayeux. The 657 true scriptures that Xuanzang retrieved
along the ancient Silk Road are Bayeux. The four-story tower of the
Big Wild Goose Pagoda enshrines two bay leaves with a length of
about 40 cm and a width of about 7 cm. It is engraved with dense
11. Sanskrit. It is said that there are fewer than 10 scholars who know
the word in the world, which is very rare.
Cultural relic protection
On March 4, 1961, the Big Wild Goose Pagoda was announced by the
State Council as the first batch of national key cultural relics
protection units.
In 1964, after a renovation, the Big Wild Goose Pagoda basically
maintained its original appearance. The Big Wild Goose Pagoda was
found to have tilted in 1719 due to repeated human damage and its
own structure. After more than 20 years of comprehensive
rectification by the relevant departments, the slope of the Big Wild
Goose Pagoda has obviously eased and stabilized. In 2005, the amount
of tilt was 1001.9 mm.
Since 2009, the government has implemented a well-sealing and
recharge of groundwater to protect the ancient culture of the Big Wild
Goose Pagoda and accelerate the recovery of the groundwater level.
Six groundwater recharge demonstration sites have been built in the
city. I hope that this will raise the groundwater level as soon as
possible and gradually “righteous” the Big Wild Goose Pagoda. Xi’an
City injected about 1200 tons of water into the ground every day, and
the Big Wild Goose Pagoda has gradually returned.
In 2011, the Xi’an Municipal Government approved the
implementation of the “Strictly Strict Water Resources Management
12. System Work Plan in Xi’an”, which requires strict management of
groundwater development and utilization. 2215 eyes of various self-
prepared wells have been closed, and the depth, mining volume and
mining time of new mining wells have been strictly limited, and
groundwater recharge has been carried out in the groundwater over-
exploitation area of the city to speed up the restoration of
groundwater environment. The data of each monitoring well showed
that the maximum depth of the groundwater level in the recharge
area was 2.1 meters, and the inclined big geese tower had been
restrained, and the “retrograde correction” no longer continued to
tilt.
On April 1, 2013, the State Administration of Cultural Heritage
approved the “Request for the Application of the Big Wild Goose
Pagoda” (Shaanxi Wenzi [2013] No. 20), and agreed in principle to
the second plan.
On June 22, 2014, at the 38th World Heritage Committee meeting in
Doha, Qatar, the Big Wild Goose Pagoda was the “Silk Road: Changan-
Tianshan Corridor” as a joint application of China, Kazakhstan and
Kyrgyzstan. A site in the road network was successfully included in
the World Heritage List.
On April 18, 2015, the 50th anniversary of the International Council of
Monuments and Sites (ICOMOS), the theme of this year’s “4·18”
International Monuments and Sites was “Commemorating the 50th
Anniversary of the Founding of the International Council of
Monuments and Sites”, calling on countries to enrich The colorful
activities promote the concept and contribution of ICOMOS in the
protection of international cultural heritage sites. The International
Monument and Heritage Site Xi’an International Protection Center
(IICCX), as ICOMOS’s business center in Xi’an, actively responded to
the call of ICOMOS, focusing on the theme of “Commemorating the
50th Anniversary of the International Council of Monuments and
Sites”, in the Big Wild Goose Pagoda and Xiaoyan The tower and
Dahua Spinning Mill launched a series of activities to promote the
promotion of cultural heritage.
13. Travel Information
Address: Daci’en Temple, Yanta District, Xi’an City, Shaanxi Province
Opening hours: 09:00-17:00 (daily)
Tickets: Big Wild Goose Pagoda 25 yuan / person, off-season 20 yuan
/ person
Transportation: Bus 5, 21, 22, 23, 27, 30, 41, 224, 320, 401, 500, 501,
527, 601, 606, 609, 715, etc.