SlideShare a Scribd company logo
K to 12 BASIC EDUCATION CURRICULUM
SENIOR HIGH SCHOOL – ACADEMIC TRACK
K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 1 of 7
Grade: 11/12 No. of Hours: 80 hours
Subject Title: Creative Nonfiction Pre-requisite: Creative Writing (CW/MP)
Subject Description: Focusing on formal elements and writing techniques, including autobiography and blogging, among others, the subject introduces the students
to the reading and writing of Creative Nonfiction as a literary form. The subject develops in students skills in reading, and thinking critically and creatively, that will help
them to be imaginative readers and writers.
CONTENT CONTENT STANDARD
PERFORMANCE
STANDARD
LEARNING COMPETENCY CODE
Quarter I
A. Introduction to Literary
Genres
1. Understanding
Conventions of
Traditional Genres
a. Fiction
b. Poetry
c. Drama
d. Other forms
2. Identifying Elements of
the different Genres
3. Using Elements as
Techniques to develop
Themes
16 hours (4 weeks)
The learner understands
the literary conventions
that govern the different
genres. (e.g., narrative
convention of fiction, etc.)
The learner clearly and
coherently uses a
chosen element
conventionally
identified with a genre
for a written output
1. Identify dominant literary conventions of
a particular genre
HUMSS_CNF11/12-Ia-1
2. Compare and contrast how the elements
are used in the different genres
HUMSS_CNF11/12-Ia-2
3. Analyze and interpret the theme and
techniques used in a particular text
HUMSS_CNF11/12-Ia-3
4. Create samples of the different literary
elements based on one’s experience
(e.g. metaphor to describe an emotion)
HUMSS_CNF11/12-Ib-d-4
5. Write a draft of a short piece using any
of the literary conventions of genre
following these pointers:
a. Choosing a topic
b. Formulating a thesis statement
c. Organizing and developing ideas
d. Using any literary conventions of a
genre
e. Ensuring that theme and technique
are effectively developed
HUMSS_CNF11/12-Ib-d-5
6. Peer-edit each other’s draft based on
a. clarity of idea
b. appropriate choice of literary
element
c. appropriate use of the element
d. effective combination of the idea
and the chosen literary element
HUMSS_CNF11/12-Ib-d-6
7. Revise the draft of a short piece using
any of the literary conventions of a
genre (e.g. plot for narrative piece)
HUMSS_CNF11/12-Ib-d-7
K to 12 BASIC EDUCATION CURRICULUM
SENIOR HIGH SCHOOL – ACADEMIC TRACK
K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 2 of 7
CONTENT CONTENT STANDARD
PERFORMANCE
STANDARD
LEARNING COMPETENCY CODE
B. Principles, Elements,
Techniques, and
Devices of Creative
Nonfiction
1. Using Elements of
Creative Nonfiction
a. Plot
b. Characters
c. Characterization
d. Point of View
e. Angle
f. Setting and
Atmosphere
g. Symbols and
Symbolisms
h. Irony
i. Figures of speech
j. Dialogue
k. Scene
l. Other elements and
devices
2. Developing themes by
combining multiple
elements
24 hours (6 weeks)
The learner understands
the delineation between
creative and the
nonfictional elements of
creative nonfictional text.
The learner clearly and
coherently uses
multiple elements
conventionally
identified with a genre
for a written output
1. Do a close reading of creative
nonfictional texts
HUMSS_CNF11/12-Ie-f-8
2. Identify the fictional elements in the
texts
HUMSS_CNF11/12-I-e-f-9
3. Analyze and interpret
factual/nonfictional aspects in the texts
HUMSS_CNF11/12-Ie-f-10
4. Evaluate the relationship of creative and
nonfictional elements of the texts
HUMSS_CNF11/12-Ie-f-11
5. Write a draft of a short piece using
multiple elements conventionally
identified with the literary genres
following these pointers:
a. Choosing a topic
b. Formulating a thesis statement
c. Organizing and developing ideas
d. Using multiple literary conventions
of a genre
e. Ensuring that theme and technique
are effectively developed
HUMSS_CNF11/12-Ig-j-12
6. Peer-edit each other’s draft based on
a. clarity of ideas
b. appropriate choice of literary
elements
c. appropriate use of the elements
d. effective combination of the ideas
and the chosen literary elements
HUMSS_CNF11/12-Ig-j-13
7. revise the draft of a short piece using
multiple elements conventionally
identified with the literary genres
HUMSS_CNF11/12-Ig-j-14
Quarter II
A. Forms and Types of
Creative Non fiction
a. Understanding various
forms and types
b. Autobiography/
Biography
The learner understands
the distinction between and
among creative nonfiction
types and forms.
The learner
competently delivers
an artistic presentation
summarizing and
analyzing the form,
theme and techniques
1. Explain the relationship of elements and
ideas found in the various forms and
types of creative nonfictional texts
through a close reading
HUMSS_CNF11/12-IIa-15
K to 12 BASIC EDUCATION CURRICULUM
SENIOR HIGH SCHOOL – ACADEMIC TRACK
K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 3 of 7
CONTENT CONTENT STANDARD
PERFORMANCE
STANDARD
LEARNING COMPETENCY CODE
c. Literary
Journalism/Reportage
d. Personal narratives
e. Travelogue
f. Reflection essay
g. True narratives
h. Blogs
i. Testimonio
j. Other types and forms
Delivering a presentation on a
chosen type or form of creative
nonfiction
12 hours (3 weeks)
of a chosen creative
nonfictional text.
2. Compare and contrast the different
forms and types of creative nonfictional
texts
HUMSS_CNF11/12-IIa-16
3. Deliver an artistic presentation
summarizing, analyzing, and
commenting on a chosen creative
nonfictional text representing a
particular type or form
HUMSS_CNF11/12-IIb-c-17
B. Reading and
Writing Creative
Nonfiction
1. Reading creative nonfiction
a. Analysis, interpretation
and commentary
2. Writing Creative Nonfiction
a. Mini critique
b. Creative nonfiction
28 hours (7 weeks)
The learner understands
that mastery of the basic
forms, types, techniques
and devices of creative
nonfiction enables him/her
to effectively critique and
write creative nonfiction.
The learner writes a
clear and coherent
critique and an
interesting and
engaging creative
nonfiction.
1. Write a mini critique of a peer’s work
based on coherence and organization of
paragraphs, development of literary
elements use of factual information, and
other qualities concerning form and
content
HUMSS_CNF11/12-IId-e-18
2. Analyze and interpret a well-written
creative nonfictional text based on the
peer critique
HUMSS_CNF11/12-IIf-19
3. Write a draft of creative nonfiction piece
based on the learner’s memorable real-
life experience
HUMSS_CNF11/12-IIg-j-20
4. Peer-edit and revise each other’s draft
based on desirable qualities of well-
written creative nonfiction
HUMSS_CNF11/12-IIg-j-21
5. Write the final version of one’s own
creative nonfiction in a composition of
five paragraphs or more
HUMSS_CNF11/12-IIg-j-22
Note: While assuring coverage, the sequence and time allotment may be adjusted based on the learner’s pace and capacity (for Quarter I-B and Quarter II-A).
K to 12 BASIC EDUCATION CURRICULUM
SENIOR HIGH SCHOOL – ACADEMIC TRACK
K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 4 of 7
GLOSSARY
angle – involves the scope and focus in writing about real events
atmosphere – an element of literature that concerns the tone, emotion or mood created by a literary text based on the details of the description and narration
autobiography – a written account of the life of a person written by that person
biography – a detailed description or account of a person’s life
blog – a web log: a website containing short articles called posts that are changed regularly. Some blogs are written by one person containing his/her own opinion,
interests and experiences, while others are written by many different people.
character – a person who is responsible for the thoughts and actions within a story, poem or drama
characterization – a literary element or device that presents a character through description, action, speech or thoughts, directly or indirectly revealed
close analysis – synonymous to close reading. It fosters an advanced understanding and interpretation of a literary passage that is focused primarily on the words
themselves. It looks at details within the text in order to identify larger, overarching themes. Some things to look for are word choice (diction), structure, imagery,
syntax, literary devices, context, tone, strange or surprising statements, and rhythms (mostly on poetry).
Creative nonfiction – Also sometimes called literary nonfiction or narrative nonfiction, it is a genre of writing that uses literary styles and techniques to create factually
accurate narratives. Creative nonfiction contrasts with other nonfiction, such as technical writing or journalism, which is also rooted in accurate fact but is not
primarily written in service to its craft. As a genre, creative nonfiction is still relatively young, and is only beginning to be scrutinized with the same critical analysis
given to fiction and poetry.
critique – a critical discussion or review that describes, summarizes, analyzes, and evaluates the strengths and weaknesses of a work. It is written in paragraph form.
figures of speech – Also known as figurative language, it creates figures (pictures) in the mind of the reader or listener. These pictures help convey the meaning faster
and more vividly than words alone. We use figures of speech in “figurative language” to add colour and interest, and to awaken the imagination. Figurative
language is everywhere, from classical works like Shakespeare or the Bible, to everyday speech, pop music and television commercials. It makes the reader or
listener use their imagination and understand much more than the plain words. Figurative language is the opposite of literal language. Literal language means
exactly what is says. Figurative language means something different to (and usually more than) what it says on the surface.
literary convention – defining features of a particular genre such as a novel, a short story, or a play.
K to 12 BASIC EDUCATION CURRICULUM
SENIOR HIGH SCHOOL – ACADEMIC TRACK
K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 5 of 7
literary elements – refers to particular identifiable characteristics of a whole text. They are not “used”, per se, by authors; they represent the elements of storytelling
which are common to all literary and narrative forms. For example, every story has a theme, every story has a setting, every story has a conflict, every story is
written from a particular point of view, etc. In order to be discussed legitimately as part of a textual analysis, literary elements must be specifically identified for
that particular text.
literary genre – A category of literary composition determined by literary technique, tone, content, or even (as in the case of fiction) length. The distinctions among
genres and categories are flexible and loosely defined, often with subgroups. The most general genres in literature are (in loose chronological order) epic, tragedy,
comedy, and creative nonfiction. They can all be in the form of prose or poetry. Additionally, a genre such as satire, allegory or pastoral might appear in any of the
above, not only as a sub-genre, but as a mixture of genres. Finally, they are defined by the general cultural movement of the historical period in which they were
composed. Genre should not be confused with age categories, by which literature may be classified as either adult, young adult, or children’s. They also must not
be confused with format, such as graphic novel or picture book.
literary techniques – refers to any specific, deliberate constructions or choices of language which an author uses to convey meaning in a particular way. An author’s
use of a literary technique usually occurs with a single word or phrase, or a particular group of words or phrases, at one single point in a text. Unlike literary
elements, literary techniques are not necessarily present in every text; they represent deliberate, conscious choices by individual authors.
peer critique – or peer review, the practice of writers to review and provide constructive criticism of each other’s works.
personal narrative – a narrative essay about a true story of something that happened to someone, usually told to illustrate an insight; is based on autobiographical
events.
plot – the arrangement of events that form the story in a novel, movie, etc.
point of view – the perspective from which the reader sees or hears what’s going on in the text as provided by a “lens” through which a narrative is told.
reflective or reflection essay - a form of writing that examines and observes the progress and meaning of a writer’s individual experiences like a journal about the
thoughts on a certain topic.
reportage – a kind of literary journalism that reports on an event, history or an actual case based on direct observation, investigation or thorough research and
documentation.
scene – a dramatic presentation of events which involves good description, character, and dialogue.
setting – the geographic location and time period in which a story takes place.
symbol– is a person, place or thing that represents an abstract idea or concept that stands for something beyond itself.
symbolism – is the use of animals, elements, things, place or colors to represent other things.
K to 12 BASIC EDUCATION CURRICULUM
SENIOR HIGH SCHOOL – ACADEMIC TRACK
K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 6 of 7
testimonio – literally, a solemn attestation as to the truth of a matter. In literature, it is an oral or written autobiographical narrative referred to as “testimonial
literature.” The term “testimonio” refers to a kind of writing which comes from Latin America dealing with experiences of human rights abuse.
theme – is the central topic or an abstract idea or ideas explored by a literary work.
thesis statement – the central assertion or argument of an essay.
travelogue - a story of the experiences encountered by someone while touring a place for the pleasure of travel.
true narrative – is an objective account of something (e.g. journalistic report).
K to 12 BASIC EDUCATION CURRICULUM
SENIOR HIGH SCHOOL – ACADEMIC TRACK
K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 7 of 7
CODE BOOK LEGEND
SAMPLE CODE: HUMSS_CNF11/12-Ie-f-11
LEGEND SAMPLE
First Entry
Track/ Strand
Humanities and Social Sciences
Strand
HUMSS_CNF
11/12
underscore_
Track/ Strand Subject
Creative Nonfiction: The Literary
Essay
Grade Level 11/12
-
Roman Numeral
*Zero if no specific quarter
Quarter First Quarter I
Lowercase Letter
*Put a hyphen (-) in between letters to indicate
more than a specific week
Week Week five to six e-f
-
Arabic Number Competency
Evaluate the relationship of creative
and nonfictional elements of the
texts
11

More Related Content

What's hot

Critical Approaches: Types of Literary Criticism
Critical Approaches: Types of Literary CriticismCritical Approaches: Types of Literary Criticism
Critical Approaches: Types of Literary Criticism
Jenny Reyes
 
Creative Nonfiction
Creative NonfictionCreative Nonfiction
Creative Nonfiction
Andre Philip Tacderas
 
a-semi-detailed-lesson-plan-in-the-elements-of-fiction.docx
a-semi-detailed-lesson-plan-in-the-elements-of-fiction.docxa-semi-detailed-lesson-plan-in-the-elements-of-fiction.docx
a-semi-detailed-lesson-plan-in-the-elements-of-fiction.docx
MarifeAbadia
 
summative first quarter.docx
summative first quarter.docxsummative first quarter.docx
summative first quarter.docx
CherryJaneSerino
 
Quarter 1 summative test-creative writing-tos
Quarter 1 summative test-creative writing-tosQuarter 1 summative test-creative writing-tos
Quarter 1 summative test-creative writing-tos
AMIHANGRANDE2
 
Creative Nonfiction Module 3
Creative Nonfiction Module 3Creative Nonfiction Module 3
Creative Nonfiction Module 3
Irineo L. Santiago NHS MD
 
Representative Texts and Authors from North America.pptx
Representative Texts and Authors from North America.pptxRepresentative Texts and Authors from North America.pptx
Representative Texts and Authors from North America.pptx
ElleDummy
 
Understanding various forms and types
Understanding various forms and typesUnderstanding various forms and types
Understanding various forms and types
MaridelBajeta
 
Approaches to literary criticism
Approaches to literary criticismApproaches to literary criticism
Approaches to literary criticism
Andre Philip Tacderas
 
Elements, Techniques and Literary Devices in Drama.pptx
Elements, Techniques and Literary Devices in Drama.pptxElements, Techniques and Literary Devices in Drama.pptx
Elements, Techniques and Literary Devices in Drama.pptx
HarleneAsendido2
 
WORLD LITERATURE: A Brief Introduction
WORLD LITERATURE: A Brief IntroductionWORLD LITERATURE: A Brief Introduction
WORLD LITERATURE: A Brief Introduction
MYDA ANGELICA SUAN
 
Literary Journalism
Literary JournalismLiterary Journalism
Literary Journalism
Mick Basa
 
Philippine literature. Grade 7-English Curriculum
Philippine literature. Grade 7-English CurriculumPhilippine literature. Grade 7-English Curriculum
Philippine literature. Grade 7-English Curriculum
Bacood Elementary School
 
21ST-LIT-MODULE-2.pptx
21ST-LIT-MODULE-2.pptx21ST-LIT-MODULE-2.pptx
21ST-LIT-MODULE-2.pptx
GIA ALU
 
21st century asian literature
21st century asian literature21st century asian literature
21st century asian literature
Sincerelyn Ganob
 
21st Century Literature from the philippines and the world - Representative T...
21st Century Literature from the philippines and the world - Representative T...21st Century Literature from the philippines and the world - Representative T...
21st Century Literature from the philippines and the world - Representative T...
Jsjxbs Kfkfnd
 
Creative Nonfiction Figure of speech
Creative Nonfiction Figure of speechCreative Nonfiction Figure of speech
Creative Nonfiction Figure of speech
RachelleBautistaMija
 
Week 1 no. 3 philippine representative texts and authors from each region
Week 1 no. 3 philippine representative texts and authors from each regionWeek 1 no. 3 philippine representative texts and authors from each region
Week 1 no. 3 philippine representative texts and authors from each region
Riza Velasco
 

What's hot (20)

Critical Approaches: Types of Literary Criticism
Critical Approaches: Types of Literary CriticismCritical Approaches: Types of Literary Criticism
Critical Approaches: Types of Literary Criticism
 
Creative Nonfiction
Creative NonfictionCreative Nonfiction
Creative Nonfiction
 
a-semi-detailed-lesson-plan-in-the-elements-of-fiction.docx
a-semi-detailed-lesson-plan-in-the-elements-of-fiction.docxa-semi-detailed-lesson-plan-in-the-elements-of-fiction.docx
a-semi-detailed-lesson-plan-in-the-elements-of-fiction.docx
 
summative first quarter.docx
summative first quarter.docxsummative first quarter.docx
summative first quarter.docx
 
Creative nonfiction
Creative nonfictionCreative nonfiction
Creative nonfiction
 
Quarter 1 summative test-creative writing-tos
Quarter 1 summative test-creative writing-tosQuarter 1 summative test-creative writing-tos
Quarter 1 summative test-creative writing-tos
 
Creative Nonfiction Module 3
Creative Nonfiction Module 3Creative Nonfiction Module 3
Creative Nonfiction Module 3
 
Representative Texts and Authors from North America.pptx
Representative Texts and Authors from North America.pptxRepresentative Texts and Authors from North America.pptx
Representative Texts and Authors from North America.pptx
 
Understanding various forms and types
Understanding various forms and typesUnderstanding various forms and types
Understanding various forms and types
 
Approaches to literary criticism
Approaches to literary criticismApproaches to literary criticism
Approaches to literary criticism
 
Creative Non-fiction
Creative Non-fictionCreative Non-fiction
Creative Non-fiction
 
Elements, Techniques and Literary Devices in Drama.pptx
Elements, Techniques and Literary Devices in Drama.pptxElements, Techniques and Literary Devices in Drama.pptx
Elements, Techniques and Literary Devices in Drama.pptx
 
WORLD LITERATURE: A Brief Introduction
WORLD LITERATURE: A Brief IntroductionWORLD LITERATURE: A Brief Introduction
WORLD LITERATURE: A Brief Introduction
 
Literary Journalism
Literary JournalismLiterary Journalism
Literary Journalism
 
Philippine literature. Grade 7-English Curriculum
Philippine literature. Grade 7-English CurriculumPhilippine literature. Grade 7-English Curriculum
Philippine literature. Grade 7-English Curriculum
 
21ST-LIT-MODULE-2.pptx
21ST-LIT-MODULE-2.pptx21ST-LIT-MODULE-2.pptx
21ST-LIT-MODULE-2.pptx
 
21st century asian literature
21st century asian literature21st century asian literature
21st century asian literature
 
21st Century Literature from the philippines and the world - Representative T...
21st Century Literature from the philippines and the world - Representative T...21st Century Literature from the philippines and the world - Representative T...
21st Century Literature from the philippines and the world - Representative T...
 
Creative Nonfiction Figure of speech
Creative Nonfiction Figure of speechCreative Nonfiction Figure of speech
Creative Nonfiction Figure of speech
 
Week 1 no. 3 philippine representative texts and authors from each region
Week 1 no. 3 philippine representative texts and authors from each regionWeek 1 no. 3 philippine representative texts and authors from each region
Week 1 no. 3 philippine representative texts and authors from each region
 

Similar to Creative-Nonfiction(1).pdf

dll-21st-century-lit.docx
dll-21st-century-lit.docxdll-21st-century-lit.docx
dll-21st-century-lit.docx
LouisKnollBriones1
 
Literature-Program-in-K-to-12 (1).pptx
Literature-Program-in-K-to-12 (1).pptxLiterature-Program-in-K-to-12 (1).pptx
Literature-Program-in-K-to-12 (1).pptx
LeaBeroniaEbol
 
Syllabus
SyllabusSyllabus
Syllabus
Kat Lutao
 
CREATIVE WRITING.docx
CREATIVE WRITING.docxCREATIVE WRITING.docx
CREATIVE WRITING.docx
JoanWapilleNini
 
ilide.info-analyzing-community-engagement-initiatives-through-applied-social-...
ilide.info-analyzing-community-engagement-initiatives-through-applied-social-...ilide.info-analyzing-community-engagement-initiatives-through-applied-social-...
ilide.info-analyzing-community-engagement-initiatives-through-applied-social-...
MarilynClaudineBambi2
 
21ST CENTURY - ORIENTATION.pptx
21ST CENTURY - ORIENTATION.pptx21ST CENTURY - ORIENTATION.pptx
21ST CENTURY - ORIENTATION.pptx
MyrziJellGayda
 
486308978-Extracted-SHS-MELCs-final-edition2.docx
486308978-Extracted-SHS-MELCs-final-edition2.docx486308978-Extracted-SHS-MELCs-final-edition2.docx
486308978-Extracted-SHS-MELCs-final-edition2.docx
VielMarvinPBerbano
 
dll-21st-century-lit2.docx
dll-21st-century-lit2.docxdll-21st-century-lit2.docx
dll-21st-century-lit2.docx
CARMELABAUTISTA10
 
HUMSS_Creative Writing CG_1.pdf
HUMSS_Creative Writing CG_1.pdfHUMSS_Creative Writing CG_1.pdf
HUMSS_Creative Writing CG_1.pdf
neerfazlee
 
S8.2-2022_CURRICULUM_MAP_TEMPLATE2.docx
S8.2-2022_CURRICULUM_MAP_TEMPLATE2.docxS8.2-2022_CURRICULUM_MAP_TEMPLATE2.docx
S8.2-2022_CURRICULUM_MAP_TEMPLATE2.docx
cristinejoy29
 
Creative-Writing.pdf
Creative-Writing.pdfCreative-Writing.pdf
Creative-Writing.pdf
Sahrx1102
 
Creative-Writing CG
Creative-Writing CGCreative-Writing CG
Creative-Writing CG
Jojean de la Cruz
 
Creative-Writing CG.pdf
Creative-Writing CG.pdfCreative-Writing CG.pdf
Creative-Writing CG.pdf
Lovelie4
 
21ST-CENTURY-LITERATURE-WEEK-1-WHLP.docx
21ST-CENTURY-LITERATURE-WEEK-1-WHLP.docx21ST-CENTURY-LITERATURE-WEEK-1-WHLP.docx
21ST-CENTURY-LITERATURE-WEEK-1-WHLP.docx
DONNAMELODEEFRANCO2
 
21st Century Lit FIDP.docx
21st Century Lit FIDP.docx21st Century Lit FIDP.docx
21st Century Lit FIDP.docx
FatmahHADJIAHMAD1
 
HUMMS - Updated MELC
HUMMS - Updated MELCHUMMS - Updated MELC
HUMMS - Updated MELC
Chuckry Maunes
 
Comics and the Common Core: New York Comic Con 2013
Comics and the Common Core: New York Comic Con 2013Comics and the Common Core: New York Comic Con 2013
Comics and the Common Core: New York Comic Con 2013
Amie Wright
 
BOL-21st Century.docx
BOL-21st Century.docxBOL-21st Century.docx
BOL-21st Century.docx
SherylFaelnar1
 
creative witing week four.geronima cabere
creative witing week four.geronima caberecreative witing week four.geronima cabere
creative witing week four.geronima cabere
JUNRICKDALAGUIT
 

Similar to Creative-Nonfiction(1).pdf (20)

dll-21st-century-lit.docx
dll-21st-century-lit.docxdll-21st-century-lit.docx
dll-21st-century-lit.docx
 
Literature-Program-in-K-to-12 (1).pptx
Literature-Program-in-K-to-12 (1).pptxLiterature-Program-in-K-to-12 (1).pptx
Literature-Program-in-K-to-12 (1).pptx
 
Syllabus
SyllabusSyllabus
Syllabus
 
CREATIVE WRITING.docx
CREATIVE WRITING.docxCREATIVE WRITING.docx
CREATIVE WRITING.docx
 
ilide.info-analyzing-community-engagement-initiatives-through-applied-social-...
ilide.info-analyzing-community-engagement-initiatives-through-applied-social-...ilide.info-analyzing-community-engagement-initiatives-through-applied-social-...
ilide.info-analyzing-community-engagement-initiatives-through-applied-social-...
 
21ST CENTURY - ORIENTATION.pptx
21ST CENTURY - ORIENTATION.pptx21ST CENTURY - ORIENTATION.pptx
21ST CENTURY - ORIENTATION.pptx
 
486308978-Extracted-SHS-MELCs-final-edition2.docx
486308978-Extracted-SHS-MELCs-final-edition2.docx486308978-Extracted-SHS-MELCs-final-edition2.docx
486308978-Extracted-SHS-MELCs-final-edition2.docx
 
dll-21st-century-lit2.docx
dll-21st-century-lit2.docxdll-21st-century-lit2.docx
dll-21st-century-lit2.docx
 
HUMSS_Creative Writing CG_1.pdf
HUMSS_Creative Writing CG_1.pdfHUMSS_Creative Writing CG_1.pdf
HUMSS_Creative Writing CG_1.pdf
 
S8.2-2022_CURRICULUM_MAP_TEMPLATE2.docx
S8.2-2022_CURRICULUM_MAP_TEMPLATE2.docxS8.2-2022_CURRICULUM_MAP_TEMPLATE2.docx
S8.2-2022_CURRICULUM_MAP_TEMPLATE2.docx
 
Creative-Writing.pdf
Creative-Writing.pdfCreative-Writing.pdf
Creative-Writing.pdf
 
Creative-Writing.pdf
Creative-Writing.pdfCreative-Writing.pdf
Creative-Writing.pdf
 
Creative-Writing CG
Creative-Writing CGCreative-Writing CG
Creative-Writing CG
 
Creative-Writing CG.pdf
Creative-Writing CG.pdfCreative-Writing CG.pdf
Creative-Writing CG.pdf
 
21ST-CENTURY-LITERATURE-WEEK-1-WHLP.docx
21ST-CENTURY-LITERATURE-WEEK-1-WHLP.docx21ST-CENTURY-LITERATURE-WEEK-1-WHLP.docx
21ST-CENTURY-LITERATURE-WEEK-1-WHLP.docx
 
21st Century Lit FIDP.docx
21st Century Lit FIDP.docx21st Century Lit FIDP.docx
21st Century Lit FIDP.docx
 
HUMMS - Updated MELC
HUMMS - Updated MELCHUMMS - Updated MELC
HUMMS - Updated MELC
 
Comics and the Common Core: New York Comic Con 2013
Comics and the Common Core: New York Comic Con 2013Comics and the Common Core: New York Comic Con 2013
Comics and the Common Core: New York Comic Con 2013
 
BOL-21st Century.docx
BOL-21st Century.docxBOL-21st Century.docx
BOL-21st Century.docx
 
creative witing week four.geronima cabere
creative witing week four.geronima caberecreative witing week four.geronima cabere
creative witing week four.geronima cabere
 

Recently uploaded

Sha'Carri Richardson Presentation 202345
Sha'Carri Richardson Presentation 202345Sha'Carri Richardson Presentation 202345
Sha'Carri Richardson Presentation 202345
beazzy04
 
The Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official PublicationThe Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official Publication
Delapenabediema
 
Model Attribute Check Company Auto Property
Model Attribute  Check Company Auto PropertyModel Attribute  Check Company Auto Property
Model Attribute Check Company Auto Property
Celine George
 
Basic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumersBasic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumers
PedroFerreira53928
 
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
siemaillard
 
Supporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptxSupporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptx
Jisc
 
The approach at University of Liverpool.pptx
The approach at University of Liverpool.pptxThe approach at University of Liverpool.pptx
The approach at University of Liverpool.pptx
Jisc
 
Ethnobotany and Ethnopharmacology ......
Ethnobotany and Ethnopharmacology ......Ethnobotany and Ethnopharmacology ......
Ethnobotany and Ethnopharmacology ......
Ashokrao Mane college of Pharmacy Peth-Vadgaon
 
Thesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.pptThesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.ppt
EverAndrsGuerraGuerr
 
How to Split Bills in the Odoo 17 POS Module
How to Split Bills in the Odoo 17 POS ModuleHow to Split Bills in the Odoo 17 POS Module
How to Split Bills in the Odoo 17 POS Module
Celine George
 
The French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free downloadThe French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free download
Vivekanand Anglo Vedic Academy
 
Synthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptxSynthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptx
Pavel ( NSTU)
 
Cambridge International AS A Level Biology Coursebook - EBook (MaryFosbery J...
Cambridge International AS  A Level Biology Coursebook - EBook (MaryFosbery J...Cambridge International AS  A Level Biology Coursebook - EBook (MaryFosbery J...
Cambridge International AS A Level Biology Coursebook - EBook (MaryFosbery J...
AzmatAli747758
 
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
Nguyen Thanh Tu Collection
 
Digital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and ResearchDigital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and Research
Vikramjit Singh
 
PART A. Introduction to Costumer Service
PART A. Introduction to Costumer ServicePART A. Introduction to Costumer Service
PART A. Introduction to Costumer Service
PedroFerreira53928
 
How to Break the cycle of negative Thoughts
How to Break the cycle of negative ThoughtsHow to Break the cycle of negative Thoughts
How to Break the cycle of negative Thoughts
Col Mukteshwar Prasad
 
Palestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptxPalestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptx
RaedMohamed3
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
Thiyagu K
 
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
EugeneSaldivar
 

Recently uploaded (20)

Sha'Carri Richardson Presentation 202345
Sha'Carri Richardson Presentation 202345Sha'Carri Richardson Presentation 202345
Sha'Carri Richardson Presentation 202345
 
The Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official PublicationThe Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official Publication
 
Model Attribute Check Company Auto Property
Model Attribute  Check Company Auto PropertyModel Attribute  Check Company Auto Property
Model Attribute Check Company Auto Property
 
Basic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumersBasic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumers
 
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
 
Supporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptxSupporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptx
 
The approach at University of Liverpool.pptx
The approach at University of Liverpool.pptxThe approach at University of Liverpool.pptx
The approach at University of Liverpool.pptx
 
Ethnobotany and Ethnopharmacology ......
Ethnobotany and Ethnopharmacology ......Ethnobotany and Ethnopharmacology ......
Ethnobotany and Ethnopharmacology ......
 
Thesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.pptThesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.ppt
 
How to Split Bills in the Odoo 17 POS Module
How to Split Bills in the Odoo 17 POS ModuleHow to Split Bills in the Odoo 17 POS Module
How to Split Bills in the Odoo 17 POS Module
 
The French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free downloadThe French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free download
 
Synthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptxSynthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptx
 
Cambridge International AS A Level Biology Coursebook - EBook (MaryFosbery J...
Cambridge International AS  A Level Biology Coursebook - EBook (MaryFosbery J...Cambridge International AS  A Level Biology Coursebook - EBook (MaryFosbery J...
Cambridge International AS A Level Biology Coursebook - EBook (MaryFosbery J...
 
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
GIÁO ÁN DẠY THÊM (KẾ HOẠCH BÀI BUỔI 2) - TIẾNG ANH 8 GLOBAL SUCCESS (2 CỘT) N...
 
Digital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and ResearchDigital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and Research
 
PART A. Introduction to Costumer Service
PART A. Introduction to Costumer ServicePART A. Introduction to Costumer Service
PART A. Introduction to Costumer Service
 
How to Break the cycle of negative Thoughts
How to Break the cycle of negative ThoughtsHow to Break the cycle of negative Thoughts
How to Break the cycle of negative Thoughts
 
Palestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptxPalestine last event orientationfvgnh .pptx
Palestine last event orientationfvgnh .pptx
 
Unit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdfUnit 8 - Information and Communication Technology (Paper I).pdf
Unit 8 - Information and Communication Technology (Paper I).pdf
 
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
 

Creative-Nonfiction(1).pdf

  • 1. K to 12 BASIC EDUCATION CURRICULUM SENIOR HIGH SCHOOL – ACADEMIC TRACK K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 1 of 7 Grade: 11/12 No. of Hours: 80 hours Subject Title: Creative Nonfiction Pre-requisite: Creative Writing (CW/MP) Subject Description: Focusing on formal elements and writing techniques, including autobiography and blogging, among others, the subject introduces the students to the reading and writing of Creative Nonfiction as a literary form. The subject develops in students skills in reading, and thinking critically and creatively, that will help them to be imaginative readers and writers. CONTENT CONTENT STANDARD PERFORMANCE STANDARD LEARNING COMPETENCY CODE Quarter I A. Introduction to Literary Genres 1. Understanding Conventions of Traditional Genres a. Fiction b. Poetry c. Drama d. Other forms 2. Identifying Elements of the different Genres 3. Using Elements as Techniques to develop Themes 16 hours (4 weeks) The learner understands the literary conventions that govern the different genres. (e.g., narrative convention of fiction, etc.) The learner clearly and coherently uses a chosen element conventionally identified with a genre for a written output 1. Identify dominant literary conventions of a particular genre HUMSS_CNF11/12-Ia-1 2. Compare and contrast how the elements are used in the different genres HUMSS_CNF11/12-Ia-2 3. Analyze and interpret the theme and techniques used in a particular text HUMSS_CNF11/12-Ia-3 4. Create samples of the different literary elements based on one’s experience (e.g. metaphor to describe an emotion) HUMSS_CNF11/12-Ib-d-4 5. Write a draft of a short piece using any of the literary conventions of genre following these pointers: a. Choosing a topic b. Formulating a thesis statement c. Organizing and developing ideas d. Using any literary conventions of a genre e. Ensuring that theme and technique are effectively developed HUMSS_CNF11/12-Ib-d-5 6. Peer-edit each other’s draft based on a. clarity of idea b. appropriate choice of literary element c. appropriate use of the element d. effective combination of the idea and the chosen literary element HUMSS_CNF11/12-Ib-d-6 7. Revise the draft of a short piece using any of the literary conventions of a genre (e.g. plot for narrative piece) HUMSS_CNF11/12-Ib-d-7
  • 2. K to 12 BASIC EDUCATION CURRICULUM SENIOR HIGH SCHOOL – ACADEMIC TRACK K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 2 of 7 CONTENT CONTENT STANDARD PERFORMANCE STANDARD LEARNING COMPETENCY CODE B. Principles, Elements, Techniques, and Devices of Creative Nonfiction 1. Using Elements of Creative Nonfiction a. Plot b. Characters c. Characterization d. Point of View e. Angle f. Setting and Atmosphere g. Symbols and Symbolisms h. Irony i. Figures of speech j. Dialogue k. Scene l. Other elements and devices 2. Developing themes by combining multiple elements 24 hours (6 weeks) The learner understands the delineation between creative and the nonfictional elements of creative nonfictional text. The learner clearly and coherently uses multiple elements conventionally identified with a genre for a written output 1. Do a close reading of creative nonfictional texts HUMSS_CNF11/12-Ie-f-8 2. Identify the fictional elements in the texts HUMSS_CNF11/12-I-e-f-9 3. Analyze and interpret factual/nonfictional aspects in the texts HUMSS_CNF11/12-Ie-f-10 4. Evaluate the relationship of creative and nonfictional elements of the texts HUMSS_CNF11/12-Ie-f-11 5. Write a draft of a short piece using multiple elements conventionally identified with the literary genres following these pointers: a. Choosing a topic b. Formulating a thesis statement c. Organizing and developing ideas d. Using multiple literary conventions of a genre e. Ensuring that theme and technique are effectively developed HUMSS_CNF11/12-Ig-j-12 6. Peer-edit each other’s draft based on a. clarity of ideas b. appropriate choice of literary elements c. appropriate use of the elements d. effective combination of the ideas and the chosen literary elements HUMSS_CNF11/12-Ig-j-13 7. revise the draft of a short piece using multiple elements conventionally identified with the literary genres HUMSS_CNF11/12-Ig-j-14 Quarter II A. Forms and Types of Creative Non fiction a. Understanding various forms and types b. Autobiography/ Biography The learner understands the distinction between and among creative nonfiction types and forms. The learner competently delivers an artistic presentation summarizing and analyzing the form, theme and techniques 1. Explain the relationship of elements and ideas found in the various forms and types of creative nonfictional texts through a close reading HUMSS_CNF11/12-IIa-15
  • 3. K to 12 BASIC EDUCATION CURRICULUM SENIOR HIGH SCHOOL – ACADEMIC TRACK K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 3 of 7 CONTENT CONTENT STANDARD PERFORMANCE STANDARD LEARNING COMPETENCY CODE c. Literary Journalism/Reportage d. Personal narratives e. Travelogue f. Reflection essay g. True narratives h. Blogs i. Testimonio j. Other types and forms Delivering a presentation on a chosen type or form of creative nonfiction 12 hours (3 weeks) of a chosen creative nonfictional text. 2. Compare and contrast the different forms and types of creative nonfictional texts HUMSS_CNF11/12-IIa-16 3. Deliver an artistic presentation summarizing, analyzing, and commenting on a chosen creative nonfictional text representing a particular type or form HUMSS_CNF11/12-IIb-c-17 B. Reading and Writing Creative Nonfiction 1. Reading creative nonfiction a. Analysis, interpretation and commentary 2. Writing Creative Nonfiction a. Mini critique b. Creative nonfiction 28 hours (7 weeks) The learner understands that mastery of the basic forms, types, techniques and devices of creative nonfiction enables him/her to effectively critique and write creative nonfiction. The learner writes a clear and coherent critique and an interesting and engaging creative nonfiction. 1. Write a mini critique of a peer’s work based on coherence and organization of paragraphs, development of literary elements use of factual information, and other qualities concerning form and content HUMSS_CNF11/12-IId-e-18 2. Analyze and interpret a well-written creative nonfictional text based on the peer critique HUMSS_CNF11/12-IIf-19 3. Write a draft of creative nonfiction piece based on the learner’s memorable real- life experience HUMSS_CNF11/12-IIg-j-20 4. Peer-edit and revise each other’s draft based on desirable qualities of well- written creative nonfiction HUMSS_CNF11/12-IIg-j-21 5. Write the final version of one’s own creative nonfiction in a composition of five paragraphs or more HUMSS_CNF11/12-IIg-j-22 Note: While assuring coverage, the sequence and time allotment may be adjusted based on the learner’s pace and capacity (for Quarter I-B and Quarter II-A).
  • 4. K to 12 BASIC EDUCATION CURRICULUM SENIOR HIGH SCHOOL – ACADEMIC TRACK K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 4 of 7 GLOSSARY angle – involves the scope and focus in writing about real events atmosphere – an element of literature that concerns the tone, emotion or mood created by a literary text based on the details of the description and narration autobiography – a written account of the life of a person written by that person biography – a detailed description or account of a person’s life blog – a web log: a website containing short articles called posts that are changed regularly. Some blogs are written by one person containing his/her own opinion, interests and experiences, while others are written by many different people. character – a person who is responsible for the thoughts and actions within a story, poem or drama characterization – a literary element or device that presents a character through description, action, speech or thoughts, directly or indirectly revealed close analysis – synonymous to close reading. It fosters an advanced understanding and interpretation of a literary passage that is focused primarily on the words themselves. It looks at details within the text in order to identify larger, overarching themes. Some things to look for are word choice (diction), structure, imagery, syntax, literary devices, context, tone, strange or surprising statements, and rhythms (mostly on poetry). Creative nonfiction – Also sometimes called literary nonfiction or narrative nonfiction, it is a genre of writing that uses literary styles and techniques to create factually accurate narratives. Creative nonfiction contrasts with other nonfiction, such as technical writing or journalism, which is also rooted in accurate fact but is not primarily written in service to its craft. As a genre, creative nonfiction is still relatively young, and is only beginning to be scrutinized with the same critical analysis given to fiction and poetry. critique – a critical discussion or review that describes, summarizes, analyzes, and evaluates the strengths and weaknesses of a work. It is written in paragraph form. figures of speech – Also known as figurative language, it creates figures (pictures) in the mind of the reader or listener. These pictures help convey the meaning faster and more vividly than words alone. We use figures of speech in “figurative language” to add colour and interest, and to awaken the imagination. Figurative language is everywhere, from classical works like Shakespeare or the Bible, to everyday speech, pop music and television commercials. It makes the reader or listener use their imagination and understand much more than the plain words. Figurative language is the opposite of literal language. Literal language means exactly what is says. Figurative language means something different to (and usually more than) what it says on the surface. literary convention – defining features of a particular genre such as a novel, a short story, or a play.
  • 5. K to 12 BASIC EDUCATION CURRICULUM SENIOR HIGH SCHOOL – ACADEMIC TRACK K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 5 of 7 literary elements – refers to particular identifiable characteristics of a whole text. They are not “used”, per se, by authors; they represent the elements of storytelling which are common to all literary and narrative forms. For example, every story has a theme, every story has a setting, every story has a conflict, every story is written from a particular point of view, etc. In order to be discussed legitimately as part of a textual analysis, literary elements must be specifically identified for that particular text. literary genre – A category of literary composition determined by literary technique, tone, content, or even (as in the case of fiction) length. The distinctions among genres and categories are flexible and loosely defined, often with subgroups. The most general genres in literature are (in loose chronological order) epic, tragedy, comedy, and creative nonfiction. They can all be in the form of prose or poetry. Additionally, a genre such as satire, allegory or pastoral might appear in any of the above, not only as a sub-genre, but as a mixture of genres. Finally, they are defined by the general cultural movement of the historical period in which they were composed. Genre should not be confused with age categories, by which literature may be classified as either adult, young adult, or children’s. They also must not be confused with format, such as graphic novel or picture book. literary techniques – refers to any specific, deliberate constructions or choices of language which an author uses to convey meaning in a particular way. An author’s use of a literary technique usually occurs with a single word or phrase, or a particular group of words or phrases, at one single point in a text. Unlike literary elements, literary techniques are not necessarily present in every text; they represent deliberate, conscious choices by individual authors. peer critique – or peer review, the practice of writers to review and provide constructive criticism of each other’s works. personal narrative – a narrative essay about a true story of something that happened to someone, usually told to illustrate an insight; is based on autobiographical events. plot – the arrangement of events that form the story in a novel, movie, etc. point of view – the perspective from which the reader sees or hears what’s going on in the text as provided by a “lens” through which a narrative is told. reflective or reflection essay - a form of writing that examines and observes the progress and meaning of a writer’s individual experiences like a journal about the thoughts on a certain topic. reportage – a kind of literary journalism that reports on an event, history or an actual case based on direct observation, investigation or thorough research and documentation. scene – a dramatic presentation of events which involves good description, character, and dialogue. setting – the geographic location and time period in which a story takes place. symbol– is a person, place or thing that represents an abstract idea or concept that stands for something beyond itself. symbolism – is the use of animals, elements, things, place or colors to represent other things.
  • 6. K to 12 BASIC EDUCATION CURRICULUM SENIOR HIGH SCHOOL – ACADEMIC TRACK K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 6 of 7 testimonio – literally, a solemn attestation as to the truth of a matter. In literature, it is an oral or written autobiographical narrative referred to as “testimonial literature.” The term “testimonio” refers to a kind of writing which comes from Latin America dealing with experiences of human rights abuse. theme – is the central topic or an abstract idea or ideas explored by a literary work. thesis statement – the central assertion or argument of an essay. travelogue - a story of the experiences encountered by someone while touring a place for the pleasure of travel. true narrative – is an objective account of something (e.g. journalistic report).
  • 7. K to 12 BASIC EDUCATION CURRICULUM SENIOR HIGH SCHOOL – ACADEMIC TRACK K to 12 Senior High School Humanities and Social Sciences Strand – Creative Nonfiction February 2014 Page 7 of 7 CODE BOOK LEGEND SAMPLE CODE: HUMSS_CNF11/12-Ie-f-11 LEGEND SAMPLE First Entry Track/ Strand Humanities and Social Sciences Strand HUMSS_CNF 11/12 underscore_ Track/ Strand Subject Creative Nonfiction: The Literary Essay Grade Level 11/12 - Roman Numeral *Zero if no specific quarter Quarter First Quarter I Lowercase Letter *Put a hyphen (-) in between letters to indicate more than a specific week Week Week five to six e-f - Arabic Number Competency Evaluate the relationship of creative and nonfictional elements of the texts 11