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Creating Effective Posters
           Content and Presentation




                     Iowa State University
                            July 17, 2006
                             Steven Pautz
Scope
                What you want to
   Content
                communicate
 Requirements


   Content
                What you actually say
   Delivery


                How you present
   Visual
                what you say
Communication


                How you style that
    Visual
                presentation
  Personality
Not Just for Posters

These concepts apply everywhere;
what makes posters different?


                                   ?
v Purpose
v Audience
v Context
Two Key Elements

Content

Presentation




v Both are necessary
Two Key Elements

Content

Presentation




v Both are necessary
Two Key Elements

Content

Presentation




v Both are necessary
Goal: Harmonic Unity

Content

Presentation
Content
v Chef  Customer
v Storytelling
v Conciseness
v Visuals
Chef  Customer

Focus on the final outcome,
not the ingredients or recipe.




v T h ey’ h ere for th e m ea l n ot th e ki e n
         re                    ,            tch
Chef  Customer

“Empathy is not just about
step p i g i to a n oth er’ sh o es.
        nn                 s
Fi y ou m u st rem ove yo u r ow n sh oe s.”
  rst

                           ~Indian Proverb.”
Chef  Customer
To create this project, we used:   This project helps people:
• C++                              • Avoid mistakes
• VR Juggler                       • Stay relaxed at work
• GLSL                             • Communicate better
• Who cares?                       • Have more fun




v What would they rather talk about?
Storytelling

Grab their attention,
build interest,
then reward it.




v Emotion + Logic
Storytelling
H ere’ w h a t w e d i :
     s               d           90% of Big Important Things
                                 end in failure.
1. Random idea
2. Build it                      That sucks for everyone.
3. See if it works
                                 H ere’ w h a t w e ’ d o i g to h el :
                                      s             re    n         p
4. Do the steps really matter?
                                 • Innovative concept
                                 • Progress towards solution




v Relevant? Memorable? Engaging?
Conciseness

Eliminate the unnecessary
so that the necessary may speak.




v Omit needless words
Conciseness
G o sh, th ere ’ a l t o f tex t o ve r
                 s   o                       Long passages discourage
here. Do you really want to read             reading and reflection.
all of it? Is this actually going
                                             Concise passages encourage it.
anywhere? The only way to find
out is to trudge through the
whole thing! Skimming could
h el , b u t i d w o rk m u ch b etter i
    p         t’                        f
this passage were actually written
to be skimable. In any case, text
exists to be read, so if a passage
d o esn ’ en co u rag e re ad i g th en i
        t                      n         t
might as well not exist. To make
effective— and rememberable—
content, then, we have to
encourage reading. Needlessly-
l n g p assag es o f tex t d o n ’ d o
 o                                t
                                             v Breathing room!
this; shorter ones usually do.
Visuals
Visuals
When in widescreen mode,
th ree o f th e C 4 ’ screen s l n e
                    s           i
up to form a single wall with a
single, extra-wide image
displayed across it. This opens
up the C4 space, giving
viewers significantly more
room.



                                       The C4 in widescreen mode




v Words + Pictures > Words
Presentation
v Contrast
v Repetition
v Alignment
v Proximity
Presentation
v C ontrast
v R epetition
v A lignment
v P roximity
Using These Concepts
Applicable (almost) anywhere...
v Fonts                v Sizes
v Shapes               v Styles
v Symbols              v Colors
v Images               v Categories
v White space          v Directions
v etc.                 v etc.




v Experiment! Be brave!
Using These Concepts
Apply in reverse-CRAP order
v Contrast
v Repetition
v Alignment
v Proximity




v Organization before decoration
Contrast

If tw o el m e n ts aren ’ si i ar,
          e               t ml
make them very different.




v Concord, contrast, or conflict
v “D on ’ b e a w i p ”
         t         m
Contrast
First Heading                     First Heading
Boring old text. Nothing to see
                                  Boring old text. Nothing to see here.
here. It just goes on and on,     It just goes on and on, saying
saying nothing. Seriously, stop
                                  nothing. Seriously, stop reading.
reading.

                                  Second Heading
Second Heading
                                  Boring old text. Nothing to see here.
Boring old text. Nothing to see
                                  It just goes on and on, saying
here. It just goes on and on,
                                  nothing. Seriously, stop reading.
saying nothing. Seriously, stop
reading.



v Where do your eyes go?
Repetition

Repeat the same visual elements
and features.




v Recognizable consistency
Repetition
Objective                                  Objective
More boring old text. Nothing to           More boring old text. Nothing to
see h ere. A t least it’ n o t L a tin .
                       s                   see h ere. A t least it’ n o t L a tin .
                                                                  s

                                           Method
Method
                                           More boring old text. Nothing to
More boring old text. Nothing to see
                                           see h ere. A t least it’ n o t L a tin .
                                                                  s
h ere. A t least it’s n o t L atin .

                                           Results
Results
More boring old text. Nothing to           More boring old text. Nothing to
see h ere. A t least it’ no t Latin.
                       s                   see h ere. A t least it’ n o t L a tin .
                                                                  s



v If it works well, do it again
Alignment

Create visual connections
among elements.




v Nothing should be placed arbitrarily
Alignment
  A Major Project                    A Major Project
      With a fancy subtitle!         With a fancy subtitle!

                  What We Did        What We Did
    W e’ made a lot of progress.
       ve                            W e’ m ad e a lo t o f p ro gress. T h e
                                        ve
The end of the presentation should   end of the presentation should be
be coming up soon.                   coming up soon.
                     Up Next....     Up Next....
     W e’ made a lot of progress.
        ve
                                     W e’ m ad e a lo t o f p ro gress. T h e
                                        ve
The end of the presentation should
                                     end of the presentation should be
be coming up soon.
                                     coming up soon.



v Alignment builds cohesiveness
Proximity

Related items should be grouped together.


Unrelated items should not.




v Closeness implies relationship
Proximity
Design                Design
                         Purpose
Purpose
                         Behavior
Behavior
                         Interface
Interface
Implementation        Implementation
                         Backend
Backend
                         Frontend
Frontend
Evaluation            Evaluation
Formative                Formative
                         Summative
Summative


v Groups separated by empty space
Proximity
Psychology           Psychology
Sociology            Sociology
Anthropology         Anthropology

Computer Science     Computer Science
Engineering          Engineering
Design
                     Design
Architecture
                     Architecture

                     Marketing
Marketing            Business Analysis
Business Analysis    Finance
Finance


v Say what you mean; mean what you say
Content
v Chef  Customer
v Storytelling
v Conciseness
v Visuals
Presentation
v Contrast
v Repetition
v Alignment
v Proximity
The Big Picture
v Content and Presentation

v Start with the purpose

v Iterate content and
  presentation together

v It’ ab o u t th e vi w er’
     s                e     s
  learning experience
   (bon appétit!)

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Creating Effective Posters

  • 1. Creating Effective Posters Content and Presentation Iowa State University July 17, 2006 Steven Pautz
  • 2. Scope What you want to Content communicate Requirements Content What you actually say Delivery How you present Visual what you say Communication How you style that Visual presentation Personality
  • 3. Not Just for Posters These concepts apply everywhere; what makes posters different? ? v Purpose v Audience v Context
  • 8. Content v Chef  Customer v Storytelling v Conciseness v Visuals
  • 9. Chef  Customer Focus on the final outcome, not the ingredients or recipe. v T h ey’ h ere for th e m ea l n ot th e ki e n re , tch
  • 10. Chef  Customer “Empathy is not just about step p i g i to a n oth er’ sh o es. nn s Fi y ou m u st rem ove yo u r ow n sh oe s.” rst ~Indian Proverb.”
  • 11. Chef  Customer To create this project, we used: This project helps people: • C++ • Avoid mistakes • VR Juggler • Stay relaxed at work • GLSL • Communicate better • Who cares? • Have more fun v What would they rather talk about?
  • 12. Storytelling Grab their attention, build interest, then reward it. v Emotion + Logic
  • 13. Storytelling H ere’ w h a t w e d i : s d 90% of Big Important Things end in failure. 1. Random idea 2. Build it That sucks for everyone. 3. See if it works H ere’ w h a t w e ’ d o i g to h el : s re n p 4. Do the steps really matter? • Innovative concept • Progress towards solution v Relevant? Memorable? Engaging?
  • 14. Conciseness Eliminate the unnecessary so that the necessary may speak. v Omit needless words
  • 15. Conciseness G o sh, th ere ’ a l t o f tex t o ve r s o Long passages discourage here. Do you really want to read reading and reflection. all of it? Is this actually going Concise passages encourage it. anywhere? The only way to find out is to trudge through the whole thing! Skimming could h el , b u t i d w o rk m u ch b etter i p t’ f this passage were actually written to be skimable. In any case, text exists to be read, so if a passage d o esn ’ en co u rag e re ad i g th en i t n t might as well not exist. To make effective— and rememberable— content, then, we have to encourage reading. Needlessly- l n g p assag es o f tex t d o n ’ d o o t v Breathing room! this; shorter ones usually do.
  • 17. Visuals When in widescreen mode, th ree o f th e C 4 ’ screen s l n e s i up to form a single wall with a single, extra-wide image displayed across it. This opens up the C4 space, giving viewers significantly more room. The C4 in widescreen mode v Words + Pictures > Words
  • 19. Presentation v C ontrast v R epetition v A lignment v P roximity
  • 20. Using These Concepts Applicable (almost) anywhere... v Fonts v Sizes v Shapes v Styles v Symbols v Colors v Images v Categories v White space v Directions v etc. v etc. v Experiment! Be brave!
  • 21. Using These Concepts Apply in reverse-CRAP order v Contrast v Repetition v Alignment v Proximity v Organization before decoration
  • 22. Contrast If tw o el m e n ts aren ’ si i ar, e t ml make them very different. v Concord, contrast, or conflict v “D on ’ b e a w i p ” t m
  • 23. Contrast First Heading First Heading Boring old text. Nothing to see Boring old text. Nothing to see here. here. It just goes on and on, It just goes on and on, saying saying nothing. Seriously, stop nothing. Seriously, stop reading. reading. Second Heading Second Heading Boring old text. Nothing to see here. Boring old text. Nothing to see It just goes on and on, saying here. It just goes on and on, nothing. Seriously, stop reading. saying nothing. Seriously, stop reading. v Where do your eyes go?
  • 24. Repetition Repeat the same visual elements and features. v Recognizable consistency
  • 25. Repetition Objective Objective More boring old text. Nothing to More boring old text. Nothing to see h ere. A t least it’ n o t L a tin . s see h ere. A t least it’ n o t L a tin . s Method Method More boring old text. Nothing to More boring old text. Nothing to see see h ere. A t least it’ n o t L a tin . s h ere. A t least it’s n o t L atin . Results Results More boring old text. Nothing to More boring old text. Nothing to see h ere. A t least it’ no t Latin. s see h ere. A t least it’ n o t L a tin . s v If it works well, do it again
  • 26. Alignment Create visual connections among elements. v Nothing should be placed arbitrarily
  • 27. Alignment A Major Project A Major Project With a fancy subtitle! With a fancy subtitle! What We Did What We Did W e’ made a lot of progress. ve W e’ m ad e a lo t o f p ro gress. T h e ve The end of the presentation should end of the presentation should be be coming up soon. coming up soon. Up Next.... Up Next.... W e’ made a lot of progress. ve W e’ m ad e a lo t o f p ro gress. T h e ve The end of the presentation should end of the presentation should be be coming up soon. coming up soon. v Alignment builds cohesiveness
  • 28. Proximity Related items should be grouped together. Unrelated items should not. v Closeness implies relationship
  • 29. Proximity Design Design Purpose Purpose Behavior Behavior Interface Interface Implementation Implementation Backend Backend Frontend Frontend Evaluation Evaluation Formative Formative Summative Summative v Groups separated by empty space
  • 30. Proximity Psychology Psychology Sociology Sociology Anthropology Anthropology Computer Science Computer Science Engineering Engineering Design Design Architecture Architecture Marketing Marketing Business Analysis Business Analysis Finance Finance v Say what you mean; mean what you say
  • 31. Content v Chef  Customer v Storytelling v Conciseness v Visuals
  • 33. The Big Picture v Content and Presentation v Start with the purpose v Iterate content and presentation together v It’ ab o u t th e vi w er’ s e s learning experience (bon appétit!)