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BETTER WRITING
Ten things every writer should know, but many
don't
Index
Keeping the lessons you were
taught
       And forgetting
       some, too
What we were taught as children…

What to forget                    What to remember

    Loading your                          Proper sentence
                                 
    paragraphs with detail                structure.
    is the key to good                  The basics of
    writing.                              grammar.
    That you must always
                                       All the books, from
    do your very best.                    the classics to
    That proper spelling is               everything else you

    everything.                           read.
    Endless vocabulary                  Assessing

    lists.                                literature, which
             Click on the arrows to proceed to the slide on each
                                          hopefully you did a lot
             lesson.
                                          of.
Click to return
A kitchen is a kitchen.
    Starting probably around the sixth grade, you were (probably) told that description is

    what makes writing good. To show, and not to tell.
    While showing and not telling is, and always will be a primary trait to good writing –

    heaping on endless amounts of detail actually is not.
    Eventually, stretching out the description of something gets dull. Your goal as a writer

    is to avoid lulls.
    Which is better?


      “John entered the kitchen, and instantly was bathed in an ocean of sounds and
         smells, each new wave bringing a flurry of excitement. (or)
      John entered the kitchen, it‟s walls were tiled in deep browns and speckled
         white, in the center was an enormous with a deep stone basin for washing the
         expensive patterned china housed in a hutch nearby.
    Neither of these are bad in the least, however the second example forms a

    paragraph worth of description, description that could have been better suited (and
    would have turned out more exciting) if spread out over a page of exploration of the
    kitchen. One makes a good opener to a new setting, one makes for a dull but very
    explanatory description of it.
    Description is a name-your-own-game business, certain times call for different types.

    Be aware that long drawn out descriptions, while they may hit on every detail – they
    give you less freedom to describe selectively and in spurts. Short and sweet is better
    than long yet covering.
    Use your own discretion!

Click to return

         Doing your best
    The consensus is that „doing your best‟ means pushing yourself to the

    very limits of your abilities.
        Doing your best needs clarification. Doing your best is pushing yourself to
    
        the very edge of your limits, and anything beyond that is going above
        expectation.
        Your expectation of yourself should be to do your best as a writer.
    
            This isn‟t the same as being J.R.R Tolkien, this is being the best you can be.
        

    Write on a level you already have a mastery over, and slowly increase

    your knowledge of writing to go „up a level‟.
        The worst writers are the ones who try to write on a level they cannot yet
    
        do well on.
        Push yourself to achieve new things, but don‟t try to be something you
    
        aren‟t yet.
        Everything needs time, and you‟ll have less writing to be ashamed of if
    
        you just try your best in what you know you can do well, and move up
        It‟s just the base on which
        from there!
        Foundations are everything, don‟t ever forget that.
       we                    Work our way
Don‟t slave over the useless to return
                               Click


     things. editing is
        That‟s what
        for.

    While spelling is important just in general, it‟s not a


    necessity the second you write.
     Really,spelling is my vassal to the real topic, and
      that‟s…
    Don‟t sweat the little things now, wait for later.


     Let‟s  face it, we all like to wile away our time on making
      our papers looks pretty. Getting the margins
      right, putting in fancy drop caps, finding perfect fonts, and
      messing with margins.
                put, these are all things that could be done later – and
       Simply
        right now your using them to avoid writing.
       And since writing often will undoubtedly be the main goal
Click to return

        Vocabulary is good.
            Words that nobody has ever heard aren‟t.

    Defining your audience is one of the first steps to preparing

    to write. Ask yourself…
                Would my audience be expected to know this word? If yes…
            
                Am I positive I know what this word means? If yes…
            
                Is this word really necessary? If yes…
            
                Would any majority need to pull out a dictionary, even just to be sure? If no…
            
                Did you craft the sentence specifically so you could showoff that you know the
            
                word? (Be honest!) If no…
    It‟s okay to use the word.

        Let‟s face it, people love to use those big words. Simply
    
        enough, sometimes sticking in the “one dollar” words is just
        irritating for a reader.
        Always write on a vocabulary both you and your reader should be
    
        able to understand, while retaining your ability to be invigorating.
        Never, ever craft sentences around words. Make them around lots
    
        of things, but not specifically so you can use „ostentatiously‟.
                      As a note, „ostentatiously‟ means in a show off type manner, and really
                  
                      isn‟t that hard of a word, but it‟s all I could think of.
Click to return

        Fragments aren‟t sins.
                        But still, use them sparingly!

    I need to find a new roommate. Because the one I have now isn't

    working out too well.
        If you can identify why the underline is a fragment, then you do not need
    
        this section.
    Learn to combine and you will be fine.

        I need to find a new roommate because the one I have now isn't working
    
        out too well.
            This combines the two above sentences into one, much better sentence.
        

    A fragment sentence isn‟t a bad thing. It‟s just a technique that you

    need to use sparingly.
    Understand the natural flow of a good sentence, the „read once‟ to

    understand factor of good sentences.
        Nhamo felt chilled by her wet dress cloth
    
            This sentence only had to be read once to be understood, Nhamo was cold
        
            because her clothes were wet. Were as “The wet dress cloth that chilled
            Nhamo was unpleasant” is easily perceived as „backwards‟
            As a general rule, giving the subject first and then the description of is usually
        
            more effective than vice versa. Not always, but, often enough this is better.
A period, a comma, a question to return
                                    Click


        mark. sure this is a
           Are you
               question
    In the endless amounts of critique I have offered both

    online and offline, the number one most caught issue I
    find has always been grammar.
      No educated person has the right to forget periods, or
    
      question marks.
     The average joe can sometimes be confused about
      commas, and thus this is forgiveable.
    I do not teach lessons in grammar, as most simple rules

    you should have learned in elementary English classes.
        I can however, out of the kindness of my heart, provide you
    
        with a lesson. http://www.lifehack.org/articles/lifehack/guide-
        to-grammar-and-writing.html
            Just as a note, I don’t agree with all of the thoughts presented on
        
            that site – but it is a very complete guide to many facets of
By reading, you can write.                                    Click to return
     Because whether your getting it right or not, somebody
     is!

    Published novelists, as the term „published‟

    implies, clearly had something going for them.
     Observe   and remember books you have read, take note
      of things you enjoyed about those books – and the
      styles and themes presented.
     Incorporate what you liked from other literature into your
      own, and from now on take very careful note of how
      authors construct chapters, paragraphs, and even
      sentences.
    But that‟s like…like plagarism!

     No, it‟s learning. Your not taking ideas, your not copy
      and pasting anything – your noticing structures and
      imitating them with words that are your own.
Click to return

        Themes actually are important.
               And just so unfortunately
               versatile.
    In English, you probably didn‟t care.


        But the themes and ideas of your writing are important. All
    
        well written literature, from a short story to an 800 page novel
        should have a theme, and you as the writer should keep that
        in mind while you write.
          Green Eggs and Ham by Dr. Suess had a theme, it was to be open
        
          minded to new things.
         Harry Potter all had a theme, it was the desperation to live
          forever, and it‟s meaning.
    These themes, no matter how subtle, are

    subconsciously addressed by readers. Whether they
    recognize them or not, any well written piece will convey
    themes and meaning.
        If you cannot draw a theme from something you have
    
The Traits of a Good Writer
Like a river
    Good writers understand what it is like to read over a

    sentence, and feel how it flows. Spot where sentences
    become awkward or blocky, and rectify the problem.
        “Maria and John played in the schoolyard then they went
    
        back to school and then at the end of the day they came
        home.”
            „and then‟ will always, or almost always destroy the flow of a
        
            sentence. It‟s like starting from the beginning of a new sentence
            each time, but….well, you aren‟t!
        “Maria and John played in the schoolyard, the landscape
    
        melting into oranges for a long October. As the bell rang, they
        raced to be the first back to class. After another long day of
        school ended, a tired John and Maria walked home.
            While these sentences aren‟t especially interesting or thought
        
            provoking, they give the a good example of the vastly noticeable

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BETTER WRITING: 10 THINGS EVERY WRITER SHOULD KNOW

  • 1. BETTER WRITING Ten things every writer should know, but many don't
  • 3. Keeping the lessons you were taught And forgetting some, too
  • 4. What we were taught as children… What to forget What to remember Loading your Proper sentence   paragraphs with detail structure. is the key to good  The basics of writing. grammar. That you must always   All the books, from do your very best. the classics to That proper spelling is everything else you  everything. read. Endless vocabulary  Assessing  lists. literature, which Click on the arrows to proceed to the slide on each hopefully you did a lot lesson. of.
  • 5. Click to return A kitchen is a kitchen. Starting probably around the sixth grade, you were (probably) told that description is  what makes writing good. To show, and not to tell. While showing and not telling is, and always will be a primary trait to good writing –  heaping on endless amounts of detail actually is not. Eventually, stretching out the description of something gets dull. Your goal as a writer  is to avoid lulls. Which is better?   “John entered the kitchen, and instantly was bathed in an ocean of sounds and smells, each new wave bringing a flurry of excitement. (or)  John entered the kitchen, it‟s walls were tiled in deep browns and speckled white, in the center was an enormous with a deep stone basin for washing the expensive patterned china housed in a hutch nearby. Neither of these are bad in the least, however the second example forms a  paragraph worth of description, description that could have been better suited (and would have turned out more exciting) if spread out over a page of exploration of the kitchen. One makes a good opener to a new setting, one makes for a dull but very explanatory description of it. Description is a name-your-own-game business, certain times call for different types.  Be aware that long drawn out descriptions, while they may hit on every detail – they give you less freedom to describe selectively and in spurts. Short and sweet is better than long yet covering. Use your own discretion! 
  • 6. Click to return Doing your best The consensus is that „doing your best‟ means pushing yourself to the  very limits of your abilities. Doing your best needs clarification. Doing your best is pushing yourself to  the very edge of your limits, and anything beyond that is going above expectation. Your expectation of yourself should be to do your best as a writer.  This isn‟t the same as being J.R.R Tolkien, this is being the best you can be.  Write on a level you already have a mastery over, and slowly increase  your knowledge of writing to go „up a level‟. The worst writers are the ones who try to write on a level they cannot yet  do well on. Push yourself to achieve new things, but don‟t try to be something you  aren‟t yet. Everything needs time, and you‟ll have less writing to be ashamed of if  you just try your best in what you know you can do well, and move up It‟s just the base on which from there! Foundations are everything, don‟t ever forget that.  we Work our way
  • 7. Don‟t slave over the useless to return Click things. editing is That‟s what for. While spelling is important just in general, it‟s not a  necessity the second you write.  Really,spelling is my vassal to the real topic, and that‟s… Don‟t sweat the little things now, wait for later.   Let‟s face it, we all like to wile away our time on making our papers looks pretty. Getting the margins right, putting in fancy drop caps, finding perfect fonts, and messing with margins. put, these are all things that could be done later – and  Simply right now your using them to avoid writing.  And since writing often will undoubtedly be the main goal
  • 8. Click to return Vocabulary is good. Words that nobody has ever heard aren‟t. Defining your audience is one of the first steps to preparing  to write. Ask yourself… Would my audience be expected to know this word? If yes…  Am I positive I know what this word means? If yes…  Is this word really necessary? If yes…  Would any majority need to pull out a dictionary, even just to be sure? If no…  Did you craft the sentence specifically so you could showoff that you know the  word? (Be honest!) If no… It‟s okay to use the word.  Let‟s face it, people love to use those big words. Simply  enough, sometimes sticking in the “one dollar” words is just irritating for a reader. Always write on a vocabulary both you and your reader should be  able to understand, while retaining your ability to be invigorating. Never, ever craft sentences around words. Make them around lots  of things, but not specifically so you can use „ostentatiously‟. As a note, „ostentatiously‟ means in a show off type manner, and really  isn‟t that hard of a word, but it‟s all I could think of.
  • 9. Click to return Fragments aren‟t sins. But still, use them sparingly! I need to find a new roommate. Because the one I have now isn't  working out too well. If you can identify why the underline is a fragment, then you do not need  this section. Learn to combine and you will be fine.  I need to find a new roommate because the one I have now isn't working  out too well. This combines the two above sentences into one, much better sentence.  A fragment sentence isn‟t a bad thing. It‟s just a technique that you  need to use sparingly. Understand the natural flow of a good sentence, the „read once‟ to  understand factor of good sentences. Nhamo felt chilled by her wet dress cloth  This sentence only had to be read once to be understood, Nhamo was cold  because her clothes were wet. Were as “The wet dress cloth that chilled Nhamo was unpleasant” is easily perceived as „backwards‟ As a general rule, giving the subject first and then the description of is usually  more effective than vice versa. Not always, but, often enough this is better.
  • 10. A period, a comma, a question to return Click mark. sure this is a Are you question In the endless amounts of critique I have offered both  online and offline, the number one most caught issue I find has always been grammar. No educated person has the right to forget periods, or  question marks.  The average joe can sometimes be confused about commas, and thus this is forgiveable. I do not teach lessons in grammar, as most simple rules  you should have learned in elementary English classes. I can however, out of the kindness of my heart, provide you  with a lesson. http://www.lifehack.org/articles/lifehack/guide- to-grammar-and-writing.html Just as a note, I don’t agree with all of the thoughts presented on  that site – but it is a very complete guide to many facets of
  • 11. By reading, you can write. Click to return Because whether your getting it right or not, somebody is! Published novelists, as the term „published‟  implies, clearly had something going for them.  Observe and remember books you have read, take note of things you enjoyed about those books – and the styles and themes presented.  Incorporate what you liked from other literature into your own, and from now on take very careful note of how authors construct chapters, paragraphs, and even sentences. But that‟s like…like plagarism!   No, it‟s learning. Your not taking ideas, your not copy and pasting anything – your noticing structures and imitating them with words that are your own.
  • 12. Click to return Themes actually are important. And just so unfortunately versatile. In English, you probably didn‟t care.  But the themes and ideas of your writing are important. All  well written literature, from a short story to an 800 page novel should have a theme, and you as the writer should keep that in mind while you write. Green Eggs and Ham by Dr. Suess had a theme, it was to be open  minded to new things.  Harry Potter all had a theme, it was the desperation to live forever, and it‟s meaning. These themes, no matter how subtle, are  subconsciously addressed by readers. Whether they recognize them or not, any well written piece will convey themes and meaning. If you cannot draw a theme from something you have 
  • 13. The Traits of a Good Writer
  • 14. Like a river Good writers understand what it is like to read over a  sentence, and feel how it flows. Spot where sentences become awkward or blocky, and rectify the problem. “Maria and John played in the schoolyard then they went  back to school and then at the end of the day they came home.” „and then‟ will always, or almost always destroy the flow of a  sentence. It‟s like starting from the beginning of a new sentence each time, but….well, you aren‟t! “Maria and John played in the schoolyard, the landscape  melting into oranges for a long October. As the bell rang, they raced to be the first back to class. After another long day of school ended, a tired John and Maria walked home. While these sentences aren‟t especially interesting or thought  provoking, they give the a good example of the vastly noticeable