This document provides an overview of copyright law, including what is and is not protected, rights afforded to copyright holders, exceptions under fair use, and consequences for violations. Copyright protects original creative works and provides exclusive rights to copy, distribute, perform and create derivatives. A work is automatically copyrighted when created in a fixed form. Formal registration provides additional protections for copyright holders. Fair use allows limited use of copyrighted works for educational purposes without permission. Violations, such as illegally downloading thousands of songs, can result in substantial monetary judgments.
web 2.0 (Social Media) Policy in Higher EducationAnne Arendt
This presentation summarizes the social media and Web 2.0 field in regard to policies from the perspective of a Web resource director. The presentation was created specifically for the Best Practices in Policy Management Conference sponsored by the UVU Policy Office on November 6, 2009.
Important note: Go to http://works.bepress.com/anne_arendt/7/ to get the document (50 pages) that has all the proper citations and credits where credits are due.
Copyright is the legal right of creative artists or publishers to control the use and reproduction of their original works. When using someone else's work beyond fair use, you need to get permission. Fair use allows limited copying for purposes like criticism or teaching, but each case is evaluated based on factors like the purpose and amount used. Libraries have special exemptions that allow some uses like copying and displaying works, as long as conditions are met. The TEACH Act clarifies what uses are allowed for distance education as long as requirements for technology and students are followed. To get permission to use copyrighted works, identify the authors and ask if they own the rights or conveyed them to someone else.
Copyright is the legal right of creative artists or publishers to control the use and reproduction of their original works. When using someone else's work beyond fair use, you need to get permission. Fair use allows limited copying for purposes like criticism or teaching, but each case is evaluated based on factors like the purpose and amount used. Libraries have special exemptions that allow some uses like copying and displaying works, as long as conditions are met. The TEACH Act clarifies what uses are allowed for distance education as long as requirements for technology and students are followed. To get permission to use copyrighted works, identify the authors and ask if they own the rights or conveyed them to someone else.
Professor Renee Hobbs introduces copyright and fair use to graduate students in the library and information studies program at the Harrington School of Communication and Media.
Copyright LawA Brief Overview For Teaching ProfessionalsAimee Pearce
This document provides a brief overview of copyright law as it relates to teaching professionals. It discusses (1) what copyright protects and its purpose, (2) the fair use doctrine and how teachers are protected, (3) the TEACH Act and who it applies to, and (4) Creative Commons as a resource for teachers and students.
The document provides guidance for educators on copyright law and fair use, noting that certain educational uses of copyrighted works are allowed under fair use limitations or the TEACH Act, and outlines the four factor fair use test to help determine if a use falls under fair use exceptions. It also discusses what materials are considered public domain and can be freely used, and provides tips for properly citing and obtaining permission to use online information and works.
The document discusses U.S. copyright law, including the Copyright Act of 1976 and subsequent amendments. It outlines copyright holders' rights to reproduce, derive, distribute, perform and display their work. The TEACH Act of 2002 expanded fair use guidelines to incorporate digital learning. Creative Commons licenses allow authors to specify how others can legally share, reuse or remix their work. Educators are encouraged to understand copyright law and leverage resources like Creative Commons and fair use provisions for educational purposes.
An overview of the basics of US copyright fair use for entrepreneurs, business people, and creative professionals. "What Is Fair Use?" includes the following:
A brief review of copyright.
Copyright law vs. the First Amendment.
How do you "claim" Fair Use?
The Four Factors of Fair Use.
Important Fair Use Cases.
The future of Fair Use.
For more information, please go to LizerbramLaw.com
web 2.0 (Social Media) Policy in Higher EducationAnne Arendt
This presentation summarizes the social media and Web 2.0 field in regard to policies from the perspective of a Web resource director. The presentation was created specifically for the Best Practices in Policy Management Conference sponsored by the UVU Policy Office on November 6, 2009.
Important note: Go to http://works.bepress.com/anne_arendt/7/ to get the document (50 pages) that has all the proper citations and credits where credits are due.
Copyright is the legal right of creative artists or publishers to control the use and reproduction of their original works. When using someone else's work beyond fair use, you need to get permission. Fair use allows limited copying for purposes like criticism or teaching, but each case is evaluated based on factors like the purpose and amount used. Libraries have special exemptions that allow some uses like copying and displaying works, as long as conditions are met. The TEACH Act clarifies what uses are allowed for distance education as long as requirements for technology and students are followed. To get permission to use copyrighted works, identify the authors and ask if they own the rights or conveyed them to someone else.
Copyright is the legal right of creative artists or publishers to control the use and reproduction of their original works. When using someone else's work beyond fair use, you need to get permission. Fair use allows limited copying for purposes like criticism or teaching, but each case is evaluated based on factors like the purpose and amount used. Libraries have special exemptions that allow some uses like copying and displaying works, as long as conditions are met. The TEACH Act clarifies what uses are allowed for distance education as long as requirements for technology and students are followed. To get permission to use copyrighted works, identify the authors and ask if they own the rights or conveyed them to someone else.
Professor Renee Hobbs introduces copyright and fair use to graduate students in the library and information studies program at the Harrington School of Communication and Media.
Copyright LawA Brief Overview For Teaching ProfessionalsAimee Pearce
This document provides a brief overview of copyright law as it relates to teaching professionals. It discusses (1) what copyright protects and its purpose, (2) the fair use doctrine and how teachers are protected, (3) the TEACH Act and who it applies to, and (4) Creative Commons as a resource for teachers and students.
The document provides guidance for educators on copyright law and fair use, noting that certain educational uses of copyrighted works are allowed under fair use limitations or the TEACH Act, and outlines the four factor fair use test to help determine if a use falls under fair use exceptions. It also discusses what materials are considered public domain and can be freely used, and provides tips for properly citing and obtaining permission to use online information and works.
The document discusses U.S. copyright law, including the Copyright Act of 1976 and subsequent amendments. It outlines copyright holders' rights to reproduce, derive, distribute, perform and display their work. The TEACH Act of 2002 expanded fair use guidelines to incorporate digital learning. Creative Commons licenses allow authors to specify how others can legally share, reuse or remix their work. Educators are encouraged to understand copyright law and leverage resources like Creative Commons and fair use provisions for educational purposes.
An overview of the basics of US copyright fair use for entrepreneurs, business people, and creative professionals. "What Is Fair Use?" includes the following:
A brief review of copyright.
Copyright law vs. the First Amendment.
How do you "claim" Fair Use?
The Four Factors of Fair Use.
Important Fair Use Cases.
The future of Fair Use.
For more information, please go to LizerbramLaw.com
This document provides an overview and instructions for a copyright education workshop for teachers. It begins with an introduction and learning objectives. It then covers key topics like the history and purpose of copyright law, what works are protected, how long copyright lasts, and exceptions like fair use. The workshop includes activities for teachers to practice searching copyright records and analyzing fair use cases. Guidelines are also provided for using copyrighted works in teaching, including off-air recording, scanning, and multimedia projects.
The document provides guidelines for educators on copyright and fair use when creating multimedia projects. It states that educators and students must include a notice stating that certain materials are included under fair use exemption and are restricted from further use. It also summarizes key aspects of copyright law, including what constitutes fair use and how much of a copyrighted work can be used under fair use guidelines.
The document provides an overview of copyright law, including what copyright protects, its history and origins, fair use provisions, and how copyright is changing with new technologies. It notes that copyright law grants owners exclusive rights to reproduce, adapt, distribute and publicly perform or display a work. Fair use allows use of copyrighted works for educational purposes under certain criteria. The future of copyright is uncertain as laws continually evolve with new digital media.
The document discusses the history and current state of copyright law. It explains that copyright gives creators exclusive rights over reproduction, adaptation, distribution, public performance, and public display of their work. Fair use allows limited use of copyrighted works for educational purposes without permission. The document outlines major events in copyright law's development and discusses how copyright applies to teachers, new technologies, and open content.
This document provides an overview of copyright law and fair use guidelines for educators. It discusses the public domain and orphan works, outlines liability for posting infringing content, summarizes the four factors of fair use determination, and reviews options for obtaining permission or relying on exceptions like the TEACH Act. Educators are encouraged to carefully consider copyright status and fair use before utilizing third-party content and seek permissions when in doubt to avoid legal penalties for willful infringement.
This document provides an overview of copyright for academics. It discusses what is and isn't covered by copyright, fair use, the educational exception, and how media items are treated differently. It addresses common myths and provides best practices for following copyright guidelines in teaching and using content in an online learning system. Case studies are presented on fair use rulings related to digitizing copyrighted works and a university's fair use policy. Resources for further copyright information are also listed.
This document discusses copyright and fair use guidelines for teachers. It begins with an overview of copyright law, including its origins, basics, duration, categories covered, and infringement. It then covers fair use and its guidelines, as well as alternatives to using copyrighted material like public domain works and Creative Commons licensing. The document provides examples and resources for teachers on copyright compliance and educating students about intellectual property.
Copyright in Online Resources - AuthorsRowan Wilson
This document provides an overview of copyright law as it relates to online resources and content authoring. It discusses key concepts like intellectual property, copyright, licensing, fair use, and Creative Commons. The document was presented as a course to educate content authors about their rights and responsibilities when publishing work online. It covers topics such as determining copyright ownership, protecting works from unauthorized use, addressing potential infringements, and selecting an appropriate Creative Commons license.
This document provides an overview of copyright law as it pertains to educators. It discusses fair use exceptions that allow limited use of copyrighted works for educational purposes. It also describes the four factor fair use test educators should apply when using copyrighted materials. Additionally, the document outlines the TEACH Act, which expands educators' rights to perform and display copyrighted works for digital distance education. It defines public domain works and orphan works that have uncertain or undiscoverable copyright ownership. The document concludes with tips for properly citing and requesting permission to use online copyrighted information.
This document summarizes key intellectual property and privacy laws as they relate to social media and online campaigns, including:
1. Trademark law which protects brands, logos, slogans, and designs from infringement. Proper searches should be conducted to avoid issues.
2. Copyright law which protects original creative works fixed in a tangible form. Summaries, quotes, images, and videos may require permission.
3. Trade laws like the FTC Act which require disclosure of sponsorships and endorsements to avoid deceptive practices.
4. Privacy laws including COPPA which protects child data and HIPAA which protects health information, requiring policies for social media use. Complying with notice requirements and limiting
This document provides an overview of copyright basics for University of Toledo faculty, staff, and students. It explains that copyright law aims to balance incentivizing creators and allowing public use of knowledge. Key topics covered include what can be copyrighted, copyright ownership and rights, exceptions like fair use, classroom guidelines, the TEACH Act, and the Digital Millennium Copyright Act. The document provides links to additional resources on determining ownership, the types of copyright exceptions, and interpreting fair use.
This document discusses copyright law and the concept of fair use. It provides an overview of basics of copyright, exceptions to copyright including fair use, and analyzes factors considered in a fair use determination. It also discusses fair use under Indian law and summarizes two relevant copyright infringement cases from Indian courts dealing with fair use and parody.
Mass digitization of library collections is revealing works in the public domain and orphan works whose copyright owners cannot be found. This puts pressure on copyright law to adapt to new digital possibilities. The University of Texas Public Domain Project identifies works that are public domain and develops best practices for searching for orphan work owners. While some assume everything online is public domain, copyright actually still applies unless a work explicitly gives permission. Authors implicitly license limited use by posting works, and individuals can be liable for distributing copyrighted works without permission. Fair use allows for limited use of copyrighted works for purposes like education or commentary.
The summaries discuss copyright law and policy regarding mass digitization of works, including those in the public domain and orphan works. The University of Texas project is working to better identify works that are in the public domain and develop best practices for searching for copyright owners. Implied licenses allow some use of works online, but copyright still applies. Fair use and the TEACH Act provide exceptions for educational use, but permission is needed otherwise. Asking permission and giving proper credit is important.
This document provides an overview of copyright law as it relates to educational use of materials. It defines key concepts like public domain, orphan works, and fair use. It notes that while some assume everything online is free to use, copyright still applies. Fair use allows limited use of copyrighted works without permission if the use is fair, reasonable, and does not impair the value or profits of the original. The document outlines the 4 factors considered for fair use and discusses licenses and permission. It provides resources for determining if permission is needed and how to obtain it.
This document discusses copyright issues in higher education. It addresses who handles copyright at institutions, important copyright laws and legislation, and several scenarios involving potential copyright violations in academic settings. The document provides guidance on determining whether uses of copyrighted materials in teaching contexts constitute fair use or violations. It also lists additional resources for investigating copyright topics.
This document contains instructions for a quiz about copyright and fair use cases. It explains that the user will read 20 cases and determine if statements about each are true or false based on their knowledge of copyright and fair use. For each case, the user clicks the true or false button to answer and then clicks to reveal the answer and reasoning. The document wishes the user good luck and provides navigation instructions.
What’s New in Copyright Deep Dive Part IBrett Currier
This document provides an overview of copyright law basics, including:
- The constitutional purpose of copyright to promote learning and invention.
- What can and cannot be copyrighted, such as original works but not ideas.
- When copyright protection begins automatically upon a work's creation.
- The exclusive rights copyright owners hold, like rights of reproduction and distribution.
- Exceptions to exclusive rights such as fair use and teaching exemptions.
- How long copyright protection lasts, which varies based on when the work was created.
The document also outlines resources for determining fair use and understanding the TEACH Act, which allows certain online educational performances and displays of copyrighted works.
The document discusses copyright law and provides guidance on when permission is needed to use copyrighted works and when certain uses may be considered fair use. It explains that copyright law gives owners certain exclusive rights over their works, but also outlines exceptions for educational use, commentary, criticism and other transformative uses of portions of copyrighted content. Educators and students are advised to understand copyright law and evaluate on a case-by-case basis whether their intended use of others' copyrighted works requires permission or may qualify as fair use.
The document discusses copyright, fair use, and the Teach Act as they relate to education. It provides definitions of key terms like copyright, fair use, copyleft, and Creative Commons. It also lists several resources for learning more about copyright and determining what uses are permitted in education.
This document provides an overview and instructions for a copyright education workshop for teachers. It begins with an introduction and learning objectives. It then covers key topics like the history and purpose of copyright law, what works are protected, how long copyright lasts, and exceptions like fair use. The workshop includes activities for teachers to practice searching copyright records and analyzing fair use cases. Guidelines are also provided for using copyrighted works in teaching, including off-air recording, scanning, and multimedia projects.
The document provides guidelines for educators on copyright and fair use when creating multimedia projects. It states that educators and students must include a notice stating that certain materials are included under fair use exemption and are restricted from further use. It also summarizes key aspects of copyright law, including what constitutes fair use and how much of a copyrighted work can be used under fair use guidelines.
The document provides an overview of copyright law, including what copyright protects, its history and origins, fair use provisions, and how copyright is changing with new technologies. It notes that copyright law grants owners exclusive rights to reproduce, adapt, distribute and publicly perform or display a work. Fair use allows use of copyrighted works for educational purposes under certain criteria. The future of copyright is uncertain as laws continually evolve with new digital media.
The document discusses the history and current state of copyright law. It explains that copyright gives creators exclusive rights over reproduction, adaptation, distribution, public performance, and public display of their work. Fair use allows limited use of copyrighted works for educational purposes without permission. The document outlines major events in copyright law's development and discusses how copyright applies to teachers, new technologies, and open content.
This document provides an overview of copyright law and fair use guidelines for educators. It discusses the public domain and orphan works, outlines liability for posting infringing content, summarizes the four factors of fair use determination, and reviews options for obtaining permission or relying on exceptions like the TEACH Act. Educators are encouraged to carefully consider copyright status and fair use before utilizing third-party content and seek permissions when in doubt to avoid legal penalties for willful infringement.
This document provides an overview of copyright for academics. It discusses what is and isn't covered by copyright, fair use, the educational exception, and how media items are treated differently. It addresses common myths and provides best practices for following copyright guidelines in teaching and using content in an online learning system. Case studies are presented on fair use rulings related to digitizing copyrighted works and a university's fair use policy. Resources for further copyright information are also listed.
This document discusses copyright and fair use guidelines for teachers. It begins with an overview of copyright law, including its origins, basics, duration, categories covered, and infringement. It then covers fair use and its guidelines, as well as alternatives to using copyrighted material like public domain works and Creative Commons licensing. The document provides examples and resources for teachers on copyright compliance and educating students about intellectual property.
Copyright in Online Resources - AuthorsRowan Wilson
This document provides an overview of copyright law as it relates to online resources and content authoring. It discusses key concepts like intellectual property, copyright, licensing, fair use, and Creative Commons. The document was presented as a course to educate content authors about their rights and responsibilities when publishing work online. It covers topics such as determining copyright ownership, protecting works from unauthorized use, addressing potential infringements, and selecting an appropriate Creative Commons license.
This document provides an overview of copyright law as it pertains to educators. It discusses fair use exceptions that allow limited use of copyrighted works for educational purposes. It also describes the four factor fair use test educators should apply when using copyrighted materials. Additionally, the document outlines the TEACH Act, which expands educators' rights to perform and display copyrighted works for digital distance education. It defines public domain works and orphan works that have uncertain or undiscoverable copyright ownership. The document concludes with tips for properly citing and requesting permission to use online copyrighted information.
This document summarizes key intellectual property and privacy laws as they relate to social media and online campaigns, including:
1. Trademark law which protects brands, logos, slogans, and designs from infringement. Proper searches should be conducted to avoid issues.
2. Copyright law which protects original creative works fixed in a tangible form. Summaries, quotes, images, and videos may require permission.
3. Trade laws like the FTC Act which require disclosure of sponsorships and endorsements to avoid deceptive practices.
4. Privacy laws including COPPA which protects child data and HIPAA which protects health information, requiring policies for social media use. Complying with notice requirements and limiting
This document provides an overview of copyright basics for University of Toledo faculty, staff, and students. It explains that copyright law aims to balance incentivizing creators and allowing public use of knowledge. Key topics covered include what can be copyrighted, copyright ownership and rights, exceptions like fair use, classroom guidelines, the TEACH Act, and the Digital Millennium Copyright Act. The document provides links to additional resources on determining ownership, the types of copyright exceptions, and interpreting fair use.
This document discusses copyright law and the concept of fair use. It provides an overview of basics of copyright, exceptions to copyright including fair use, and analyzes factors considered in a fair use determination. It also discusses fair use under Indian law and summarizes two relevant copyright infringement cases from Indian courts dealing with fair use and parody.
Mass digitization of library collections is revealing works in the public domain and orphan works whose copyright owners cannot be found. This puts pressure on copyright law to adapt to new digital possibilities. The University of Texas Public Domain Project identifies works that are public domain and develops best practices for searching for orphan work owners. While some assume everything online is public domain, copyright actually still applies unless a work explicitly gives permission. Authors implicitly license limited use by posting works, and individuals can be liable for distributing copyrighted works without permission. Fair use allows for limited use of copyrighted works for purposes like education or commentary.
The summaries discuss copyright law and policy regarding mass digitization of works, including those in the public domain and orphan works. The University of Texas project is working to better identify works that are in the public domain and develop best practices for searching for copyright owners. Implied licenses allow some use of works online, but copyright still applies. Fair use and the TEACH Act provide exceptions for educational use, but permission is needed otherwise. Asking permission and giving proper credit is important.
This document provides an overview of copyright law as it relates to educational use of materials. It defines key concepts like public domain, orphan works, and fair use. It notes that while some assume everything online is free to use, copyright still applies. Fair use allows limited use of copyrighted works without permission if the use is fair, reasonable, and does not impair the value or profits of the original. The document outlines the 4 factors considered for fair use and discusses licenses and permission. It provides resources for determining if permission is needed and how to obtain it.
This document discusses copyright issues in higher education. It addresses who handles copyright at institutions, important copyright laws and legislation, and several scenarios involving potential copyright violations in academic settings. The document provides guidance on determining whether uses of copyrighted materials in teaching contexts constitute fair use or violations. It also lists additional resources for investigating copyright topics.
This document contains instructions for a quiz about copyright and fair use cases. It explains that the user will read 20 cases and determine if statements about each are true or false based on their knowledge of copyright and fair use. For each case, the user clicks the true or false button to answer and then clicks to reveal the answer and reasoning. The document wishes the user good luck and provides navigation instructions.
What’s New in Copyright Deep Dive Part IBrett Currier
This document provides an overview of copyright law basics, including:
- The constitutional purpose of copyright to promote learning and invention.
- What can and cannot be copyrighted, such as original works but not ideas.
- When copyright protection begins automatically upon a work's creation.
- The exclusive rights copyright owners hold, like rights of reproduction and distribution.
- Exceptions to exclusive rights such as fair use and teaching exemptions.
- How long copyright protection lasts, which varies based on when the work was created.
The document also outlines resources for determining fair use and understanding the TEACH Act, which allows certain online educational performances and displays of copyrighted works.
The document discusses copyright law and provides guidance on when permission is needed to use copyrighted works and when certain uses may be considered fair use. It explains that copyright law gives owners certain exclusive rights over their works, but also outlines exceptions for educational use, commentary, criticism and other transformative uses of portions of copyrighted content. Educators and students are advised to understand copyright law and evaluate on a case-by-case basis whether their intended use of others' copyrighted works requires permission or may qualify as fair use.
The document discusses copyright, fair use, and the Teach Act as they relate to education. It provides definitions of key terms like copyright, fair use, copyleft, and Creative Commons. It also lists several resources for learning more about copyright and determining what uses are permitted in education.
Copyright for educators_09v4-presentationRenee Setser
The Forney ISD does not discriminate and ensures equal access to programs and activities. Copyright law protects particular expressions of ideas and facts, not the ideas themselves. Fair use allows use of copyrighted works for purposes like teaching under certain guidelines regarding factors such as the portion used and the work's nature. Teachers should follow multimedia guidelines and district policy on video usage to ensure legal use of copyrighted materials.
The document discusses copyright law and fair use guidelines for educational multimedia projects. It provides definitions of copyright and outlines what types of works are protected by copyright immediately upon creation. The concept of fair use and the four factors of the fair use test are explained. Specific fair use guidelines for amounts of copyrighted works that can be used in educational multimedia projects and for what purposes are also outlined.
Newell's copyright crash course slideshare by (mr. p)slidesharerp
This document provides information about copyright and permissions for using others' creative works. It discusses topics like public domain works, orphan works where the owner cannot be found, fair use, the TEACH Act, and how to get permission from copyright holders. The document emphasizes getting proper permission or using works with licenses that allow sharing, as individuals can be liable for copyright infringement without permission. It provides guidance on determining if a work is protected, if fair use applies, and resources for obtaining permissions.
Copyright law began in 1710 with Britain's first statute, and was continued in the US with its first law in 1790. Copyright gives the creator exclusive rights over reproduction and distribution of their work. There are different types of copyright like implied and express licenses. Fair use allows limited use of copyrighted works for purposes like education or commentary. Educators have some additional fair use allowances for classroom teaching, but digital teaching requires following the Teach Act. Copyright infringement can result in fines up to $150,000 per violation.
R. palomares's copyright crash course updated from chapter 10 and 11 readingsslidesharerp
This document summarizes copyright issues related to using content from the web and other sources. It discusses the public domain, orphan works, fair use, the TEACH Act, and strategies for obtaining permission. Key points include that implied licenses allow limited use of internet content but not commercial use without permission, fair use is vague and relying on it carries risk, and the TEACH Act expands what educators can display for students but with limitations. Getting permission from organizations like the Copyright Clearance Center is recommended when fair use does not apply.
R. palomares's copyright crash course updated from chapter 3 and 4 readings2slidesharerp
- The document discusses copyright rules and guidelines for using copyrighted content, including concepts like fair use, the TEACH Act, implied licenses, and obtaining permission.
- It provides information on determining if a work is protected by copyright, the factors for fair use analysis, and exceptions under the TEACH Act for educational use.
- Guidance is given on searching for rights holders and licensing agencies, as well as best practices for documenting permission and attribution when using third-party copyrighted works.
R. palomares's copyright crash course updated from chapter 1 and 2 readings1slidesharerp
This document provides an overview of copyright and fair use guidelines for using content from others in educational settings. It discusses identifying orphan works and works in the public domain, implied and express licenses including Creative Commons, factors for determining fair use, and expanded rights for educators under the TEACH Act. Resources for obtaining permission are provided, such as the Copyright Clearance Center, as well as guidance on documenting permission and dealing with unidentifiable copyright owners.
R. palomares's copyright crash course updated from chapter 5,6,7 readingsslidesharerp
This document provides an overview of copyright laws and best practices for using copyrighted works. It discusses the public domain, fair use, obtaining permissions, and laws like the TEACH Act that provide certain allowances for educational use. Key points include:
- Orphan works that lack identifiable owners can sometimes be used if efforts are made to find the owner.
- Content online may have implied licenses for limited use but not commercial use without permission. Creative Commons licenses explicitly grant broader rights.
- Fair use is determined case by case and permission is safer. Educational exceptions exist but have limitations like use only in class.
- The TEACH Act allows performance and display of works for students if criteria are met like supervision and securing
R. palomares's copyright crash course updated from chapter 8 and 9 readingsslidesharerp
This document provides an overview of copyright laws and best practices for using copyrighted works. It discusses the public domain and orphan works, fair use guidelines, the TEACH Act which allows certain educational uses, and how to get permission to use copyrighted works. The key points are:
- The public domain contains works whose copyrights have expired, while orphan works are copyrighted but their owners cannot be found
- Fair use allows limited use for purposes like education, but it is vague and using works without permission can still result in liability
- The TEACH Act expanded fair use rights for educational institutions to display and perform certain works, but with limitations
- When in doubt about a work's copyright status, it is best
R. palomares's copyright crash course updated from chapter 3 and 4 readingsslidesharerp
- The document discusses copyright and fair use guidelines for using content from the web and other sources in educational settings. It covers topics like public domain works, orphan works, implied vs express licenses, the TEACH Act, and strategies for obtaining permission when needed.
- Key points emphasized are checking for open licenses like Creative Commons, limiting amount used under fair use, and obtaining permission through organizations like Copyright Clearance Center when full use is required. Proper attribution is also stressed.
- Penalties for infringement can be up to $150,000 per violation, so the document advises educating yourself on copyright rules and only using content as allowed by fair use guidelines, open licenses, or by obtaining permission.
Copyright protects original creative works immediately upon creation. Fair use allows limited use of copyrighted works for educational purposes without permission. Educators must teach students about copyright and fair use, including that most works are protected, permission is needed to use more than small excerpts, and how to properly request permission. Educators also have a responsibility to model respecting copyright by properly citing sources and obtaining permission when in doubt.
LSC530 Kids, Authorship, Copyright and Fair UseRenee Hobbs
Professor Renee Hobbs explains how digital learning relies on children and youth becoming authors of multimedia -- and how their work depends on understanding rights and responsibilities of copyright and fair use.
112121, 225 AM Printhttpscontent.uagc.eduprintWincBenitoSumpter862
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https://content.uagc.edu/print/Winckelman.6528.21.1?sections=ch05sec5.3&content=all&clientToken=daba91c9-f364-5075-998e-69fabce5ba63&np=ch05sec5.3 1/14
5.3 How Do I Maintain Academic Integrity While Incorporating Research?
Your Road Map to Success: Section 5.3
Learning Outcome 5.3: Demonstrate an understanding of how copyright law and the concepts of public
domain, fair use, and open access are all foundational to appropriate citation when quoting,
paraphrasing, and summarizing information.
Why is this important?
Having an understanding of copyright law and intellectual property can keep you out of legal
trouble online and in school, as well as prevent other people from stealing your ideas and work.
For example, Yolanda has been blogging about her family life ever since she had her first child.
Since the blog has been gaining in popularity, she realizes she needs to be more careful about
the images she posts. Although it is legal for her to post the family pictures she takes, she needs
to consider who else might be using them and in what context. She also realizes she shouldn’t
be using images from other websites without first getting permission from the owners—just as
she wouldn’t want her family photos to be used on other websites without her knowledge.
How does this relate to your success in this course?
Mastering this learning outcome will help you maintain your academic integrity and avoid
violating your school’s policies on academic dishonesty.
Chapter 1 briefly introduced the ACRL threshold concept information has value. Information can be considered
a commodity, a method of education, a way to influence, and a means of understanding the world around you.
Let’s take a closer look at how information can be considered a commodity.
The monetary value we place on certain types of information designates them as a commodity. Think of how
much money you spend on the purchase of books, movies, magazines, newspapers, and cable subscriptions, not
to mention Internet access. Society recognizes the amount of time, thought, and resources that go into the
creation of information and places a monetary value on this process. Now think about the information you
consume online. Much of it seems free to access; however, the hidden cost of doing so includes your exposure to
advertising and the access you provide to your personal information, such as your browsing habits, which we
discussed in Chapter 3. It’s clear, then, that all information has value. Students who are developing their abilities
in the information has value threshold concept
respect the intellectual work of others by crediting the source of original ideas through proper attribution
and citation;
understand that intellectual property is a legal and social construct that varies by culture;
articulate the purpose and distinguishing characteristics of copyright, fair use, open access, and public
domain;
understand how the commercial use of their personal inf ...
112121, 225 AM Printhttpscontent.uagc.eduprintWincSantosConleyha
11/21/21, 2:25 AM Print
https://content.uagc.edu/print/Winckelman.6528.21.1?sections=ch05sec5.3&content=all&clientToken=daba91c9-f364-5075-998e-69fabce5ba63&np=ch05sec5.3 1/14
5.3 How Do I Maintain Academic Integrity While Incorporating Research?
Your Road Map to Success: Section 5.3
Learning Outcome 5.3: Demonstrate an understanding of how copyright law and the concepts of public
domain, fair use, and open access are all foundational to appropriate citation when quoting,
paraphrasing, and summarizing information.
Why is this important?
Having an understanding of copyright law and intellectual property can keep you out of legal
trouble online and in school, as well as prevent other people from stealing your ideas and work.
For example, Yolanda has been blogging about her family life ever since she had her first child.
Since the blog has been gaining in popularity, she realizes she needs to be more careful about
the images she posts. Although it is legal for her to post the family pictures she takes, she needs
to consider who else might be using them and in what context. She also realizes she shouldn’t
be using images from other websites without first getting permission from the owners—just as
she wouldn’t want her family photos to be used on other websites without her knowledge.
How does this relate to your success in this course?
Mastering this learning outcome will help you maintain your academic integrity and avoid
violating your school’s policies on academic dishonesty.
Chapter 1 briefly introduced the ACRL threshold concept information has value. Information can be considered
a commodity, a method of education, a way to influence, and a means of understanding the world around you.
Let’s take a closer look at how information can be considered a commodity.
The monetary value we place on certain types of information designates them as a commodity. Think of how
much money you spend on the purchase of books, movies, magazines, newspapers, and cable subscriptions, not
to mention Internet access. Society recognizes the amount of time, thought, and resources that go into the
creation of information and places a monetary value on this process. Now think about the information you
consume online. Much of it seems free to access; however, the hidden cost of doing so includes your exposure to
advertising and the access you provide to your personal information, such as your browsing habits, which we
discussed in Chapter 3. It’s clear, then, that all information has value. Students who are developing their abilities
in the information has value threshold concept
respect the intellectual work of others by crediting the source of original ideas through proper attribution
and citation;
understand that intellectual property is a legal and social construct that varies by culture;
articulate the purpose and distinguishing characteristics of copyright, fair use, open access, and public
domain;
understand how the commercial use of their personal inf ...
Copyright Clarity: Remix and Fair USe in EducationRenee Hobbs
Banish your copyright confusion. When our students want to use bits of popular culture in their own creative work, you'll discover when you can say, "Yes, you Can"" by helping students understand the scape of their rights and responsibilities under the law.
This document provides an overview of copyright and fair use guidelines for using materials from the internet. It notes that anything posted online is automatically copyrighted, but creators can attach Creative Commons licenses to expressly allow certain uses. While fair use allows some use of copyrighted works without permission, universities and individuals can face penalties for posting or distributing infringing content. The document recommends identifying whether works are in the public domain, available freely online, or require permission before using them. It provides resources on copyright policies and getting permission to use copyrighted materials.
Copyright Clarity: Using Copyrighted Materials for Digital LearningRenee Hobbs
This document discusses copyright law and fair use guidelines for educators using copyrighted materials in teaching. It explains that fair use allows some educational uses of copyrighted works without permission, including for purposes of criticism, comment, teaching, and scholarship. It provides examples of how fair use has been applied and outlines best practices for educators to confidently exercise fair use. The document promotes understanding that copyright law adapts to changes in technology and society.
Similar to Copyright faculty-presentation-timings-a (20)
2. Copyright
Constitution of the United States
Article 1 Section 8
To promote the progress of science and useful
arts, by securing for limited times to authors
and inventors the exclusive right to their
respective writings and discoveries
3. Introduction
• Copyright What are your rights
• Exceptions to copyright.
• Protections under copyright
• Length of copyright protection
Note: This presentation is for information purposes only – it should not be construed as offering legal advice.
4. So What is copyright?
Copyright is the law that
protects
your work from being
copied and reproduced
without your permission.
5. How does copyright work?
Copyright is a set of
Exclusive rights given to an author or creator.
6. - Rights -
Only the copyright holder
1. Can copy
2. Can create derivatives
3. Can distribute copies
4. Can perform
And these rights are not bound together.
Each can be treated separately.
7. What can you do with these rights.
Sell them
Lease them
Rent them
Give them away
But once you have given up your copyright the material you created is
no longer yours to use except with the permission of the entity which
now owns the copyright.
So negotiate your contract wisely.
8. When is an item copyrighted?
A work is copyrighted the moment it is put in some kind of physical form. It is not
necessary to formally file your creation with the Copyright Office. Note – Ideas
are not copyrightable.
Advantages of Formal Filing with the Copyright Office.
1. Must be formally registered to litigate a copyright violation.
2. Formal registration within three months opens the door to the recovery of
statutory damages and attorneys’ fees versus only the ability of recovering
actual damages. (which can be difficult to prove)
3. If registration is accomplished within 5 years of copyright creation and/or
publication, registration will establish prima facie evidence of the validity of
the copyright.
4. Prompt registration of your copyright, coupled with providing the world with
proper notice of the copyright will enhance your ability to argue that an
infringer’s use of your work was willful, opening the door to a punitive
damages award.
9. Not everything that is put to paper, or other
physical media, is copyright protected!
It must be an original creation.
Take a look at a list of U.S. Presidents.
12. FAIR USE DOCTRINE
Chap 17 Section 107
This is the portion of the law that sets forth the conditions under
which you can use copyrighted materials without receiving
permission.
Fair Use is not an exception to the law.
Fair use is a defense against an accusation of copyright violation.
This means that there is no risk-free use of copyright materials.
In academia the risk has proven to be low – but faculty members
have been sued for use of copyrighted materials.
13. FAIR USE DOCTRINE
The following considerations are used by judges in determining whether use
of copyrighted material without permission is within FAIR USE.
1. PURPOSE: Non-profit & educational uses support FAIR USE.
2. NATURE: Factual, nonfiction works more likely to fall within FAIR USE
Non-fiction materials fall more narrowly into FAIR USE
3. AMOUNT: The smaller the better.
4. EFFECT: If use competes with the market place - hard to justify FAIR USE.
Does your use negatively affect the sale of the item you are using?
REMEMBER:
Fair use is NOT an exception to the law – it is used as a defense should you
be accused of violating the copyright of another person.
14. Students and Copyright
• For the completion of class assignments
students appear to have great latitude under
FAIR USE.
– It’s educational and not-for-profit
– They are likely to use small portions of any work
being discussed
– Their impact on the market is likely to be close to
zero.
15. Motion Pictures
§ 110 Limitations on exclusive rights:
Exemption of certain performances and displays
• Notwithstanding the provisions of section 106, the following
are not infringements of copyright:
• performance or display of a work by instructors or pupils in
the course of face-to-face teaching activities of a nonprofit
educational institution, in a classroom or similar place
devoted to instruction
16. As a teacher what are the risks of placing items on
Library reserves:
a book you or the library owns - (little risk)
a photocopy of a whole book (high risk)
links to articles in library databases (little risk)
items to which you own the copyright (no risk)
a photocopy of an article from a journal or magazine
or newspaper. (under limited conditions) (little risk)
photocopy of a small portion of a book (little risk)
17. Completing the Fair Use Questionnaire found at:
http://campusguides.stjohns.edu/copyright
will help you to determine if your use of copyrighted
material is within Fair Use guidelines.
18. To minimize risk
Keep the copyrighted material you are using for
your classes
password protected
Blackboard ----- eReserves
Two good tools to use for this purpose
Both require passwords
19. HOWEVER
Many classes encourage the use of electronic media to
create a student portfolio.
ePortfolios --- websites
If a student’s ePortfolio, website or other use is made
available to the public it may no longer be covered under
fair use guidelines or other exemptions.
When making copyrighted materials accessible to the public
the student should examine each use of a copyrighted item
to determine if its public display falls within a legitimate use
of copyrighted material.
20. Citations/Footnotes
The use of footnotes or giving attribution to the
creator of a copyrighted work does NOT equal
compliance with copyright law. They are
separate and distinct.
21. A Student’s Own Work
Is copyrighted and has the same copyright protections as any
copyrighted work.
If you wish to use a student’s work beyond grading it you need to
seek permission of the student.
If you wish to display it, use it as a good or bad example seek the
permission of the student before using the work.
The next slide shows a permission form that is available at:
http://campusguides.stjohns.edu/copyright
22. STUDENT PERMISSION AND WAIVER FORM
Because under the copyright law of the United States (Title 17 of the U.S. Code) all authors of original expression,
including students, hold a copyright in their expression immediately upon its “fixation,”
and
Because the Family Educational Rights and Privacy Act (FERPA) of 1974 establishes the rights of students with
regard to educational records, making provision for inspection, review and amendment of educational records by
the students and requiring, in most instances, prior consent from the student for disclosure of such records to third
parties.
This waiver and permission form is designed to make it possible for the educational project described below to use
specific work(s) created by ____________________________________, a student at St. John’s University.
WAIVER AND PERMISSION FORM
I, the undersigned student (or parent/guardian if the student is under 18 years of age) understand that St. John’s
University would like to use [insert brief but specific description of the work]
I created while a student as part of the following project:
[describe the project, include how the works that make up the project will be accessed and by whom]
I further understand that I hold the copyright in this work that I created, and also that I have the right, under the
FERPA law, to prevent its release to third parties. In order to participate in the project described above, I hereby
_____Grant a non-exclusive license to St. John’s University to reproduce and distribute my copyrighted work as part
of the project. This permission includes the right to modify my work to conform to the goals of the project and to
reformat it as necessary to preserve its perceptibility and usefulness.
_____ Consent to the disclosure of the work described above, as an educational record subject to FERPA privacy
protection, to any and all third parties who may use the project throughout the life of the project.
___________________________________________________________________________________________________________ ________________
Student name (please print) Signature of student OR parent/guardian Date
adapted from the Student Permission form - copyright Kevin Smith, Lisa A. Macklin, Anne Gilliland and used under a Creative Commons Attribution/Share-alike license (CC bySA)
23. Violation of Copyright
• A high school student named Joel Tenebaum used Napster to download
songs – lots of them.
• When Napster was shutdown Tenebaum moved on to other similar sites.
• He went on to college and continued to upload and download thousands
of songs.
• Sony discovered him - gave him warning to stop - he ignored the warning.
• Sony took Mr. Tenebaum to court for 30 songs he downloaded.
• The jury returned a judgment of $675,000 against Tenebaum.
• $22,500 per song
• The U.S. Copyright Act, at 17 U.S.C. 504(c) and on, provides awards ranging
from $750 to $150,000 for each instance of willful copyright infringement.
• In September 2011 this judgment amount was upheld.
• (http://timothycornellesq.wordpress.com/ )
24. http://creativecommons.org/
With a Creative Commons license, you keep your
copyright but allow people to copy and distribute your
work provided they give you credit — and only on the
conditions you specify
25. For More Information
http://campusguides.stjohns.edu/copyright
or call
Prof P. Charles Livermore
718 990 5330
livermop@stjohns.edu