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The document discusses different types of movie trailers, their purposes and criticisms. Teaser trailers are under a minute and may not include film scenes, aiming to intrigue audiences without revealing plots. Feature trailers are longer, include scenes and introduce characters and narratives but risk revealing too much. The author wants their trailer for a younger audience to entice research without suggesting ideas or revealing endings.
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Back to the future trailer
1) Film trailers are used to advertise upcoming films and generate interest in potential viewers through snippets of dialogue, imagery and commentary.
2) The Back to the Future trailer uses cliffhanger dialogue and the line "Now he's trapped in the past!" to intrigue viewers about what will happen to the main character Marty as he is sent back in time.
3) Various shots are included in the trailer, such as the DeLorean time machine emerging from a truck and spinning shots of Marty and Doc inside the car, set to an upbeat 80s-style soundtrack, to give viewers a sense of the film's futuristic science fiction elements.
An introduction to film trailers
Film trailers are short previews of movies used to promote and market films. Trailers give audiences a glimpse of what to expect from a film in order to entice them to watch it. Trailers showcase exciting footage and are tailored to different genres to appeal to specific audiences. They are shown in theaters, on DVDs, television, and increasingly on digital billboards. Effective trailers use pacing, music, dialogue, and editing techniques to match the genre and build suspense leaving audiences wanting more information and eager to see the full film.
Editing Analysis
The document analyzes the structure and editing techniques used in the trailer for the horror film The Conjuring. It begins with an introduction page and then the production company logos. Throughout, captions provide plot details and information about the director's previous work. At the end, the film title, release date, and website are shown. Continuity editing connects shots to emphasize the passage of time. Long takes are used at the beginning to set the scene, while short takes at the end build tension. Transitions vary from smooth to fast/dramatic based on the shot. Pace also shifts from slow to build tension to fast and dramatic towards the end.
Teaser trailers
Teaser trailers are short advertisements, 30-60 seconds long, released months before a film to build anticipation without revealing much about the film's content. They aim to pique audience interest through cryptic references or hints at the story. Teaser trailers are a low-cost marketing technique used for big-budget or highly anticipated films to generate early buzz and interest leading up to the film's release.
Initial Ideas
The document discusses the student's plans to create a teaser trailer for their final project. They analyze teaser trailers and the supernatural horror genre. Based on their previous experience making and analyzing trailers, the student feels they understand the codes and conventions needed to create an effective teaser trailer. Research of the teaser for the film Annabelle is discussed to further understand how sound, lighting, camerawork, editing, and mise-en-scene are conventionally used to build suspense and intrigue audiences without revealing too much of the plot.
My proposal
BenEveritt proposes a short action/thriller film titled "Lost" that will be 5-10 minutes long. The film will follow two characters who become lost and accidentally enter private land, where they encounter an armed guard. One character is shot but escapes while the other watches. The film will be shot on location in Ringwood to achieve a deserted and lost feel, and color corrections will be added in post-production to enhance the dull surroundings while maintaining the deserted look. The intended audience is younger viewers who prefer action and adventure genres, though the minimum age is 15 due to depicted violence.
Analysing Trailers Official
The trailer for the film A Nightmare on Elm Street is analyzed. It begins by showing the title of the film 10 seconds before ending to build anticipation. Producers are not named to avoid association with previous work, but Michael Bay is named to signal high production value expected from his horror films. The trailer shows glimpses of the killer and his victims in moments of fear and violence. It maintains a faster pace than a film clip to provide a synopsis and generate excitement for the film. The date is shown at the very end to leave a lasting impression and associate the trailer with when the film can be seen. The trailer would be expected before horror films and during breaks in horror-themed TV shows after 9pm
Evaluation of 1st and 2nd draft trailer
This document provides an evaluation of two draft trailers for a media production project. The first draft lacked sound effects, characters, and a clear storyline. It was too short and ambiguous. The second draft began establishing the storyline with photos but still needed more sound effects and characters. It also remained too short. Overall, the evaluations concluded that future drafts need to include characters, develop the storyline more clearly, and incorporate additional sound effects to improve the trailers.
Recommended
Back to the future trailer
1) Film trailers are used to advertise upcoming films and generate interest in potential viewers through snippets of dialogue, imagery and commentary.
2) The Back to the Future trailer uses cliffhanger dialogue and the line "Now he's trapped in the past!" to intrigue viewers about what will happen to the main character Marty as he is sent back in time.
3) Various shots are included in the trailer, such as the DeLorean time machine emerging from a truck and spinning shots of Marty and Doc inside the car, set to an upbeat 80s-style soundtrack, to give viewers a sense of the film's futuristic science fiction elements.
An introduction to film trailers
Film trailers are short previews of movies used to promote and market films. Trailers give audiences a glimpse of what to expect from a film in order to entice them to watch it. Trailers showcase exciting footage and are tailored to different genres to appeal to specific audiences. They are shown in theaters, on DVDs, television, and increasingly on digital billboards. Effective trailers use pacing, music, dialogue, and editing techniques to match the genre and build suspense leaving audiences wanting more information and eager to see the full film.
Editing Analysis
The document analyzes the structure and editing techniques used in the trailer for the horror film The Conjuring. It begins with an introduction page and then the production company logos. Throughout, captions provide plot details and information about the director's previous work. At the end, the film title, release date, and website are shown. Continuity editing connects shots to emphasize the passage of time. Long takes are used at the beginning to set the scene, while short takes at the end build tension. Transitions vary from smooth to fast/dramatic based on the shot. Pace also shifts from slow to build tension to fast and dramatic towards the end.
Teaser trailers
Teaser trailers are short advertisements, 30-60 seconds long, released months before a film to build anticipation without revealing much about the film's content. They aim to pique audience interest through cryptic references or hints at the story. Teaser trailers are a low-cost marketing technique used for big-budget or highly anticipated films to generate early buzz and interest leading up to the film's release.
Initial Ideas
The document discusses the student's plans to create a teaser trailer for their final project. They analyze teaser trailers and the supernatural horror genre. Based on their previous experience making and analyzing trailers, the student feels they understand the codes and conventions needed to create an effective teaser trailer. Research of the teaser for the film Annabelle is discussed to further understand how sound, lighting, camerawork, editing, and mise-en-scene are conventionally used to build suspense and intrigue audiences without revealing too much of the plot.
My proposal
BenEveritt proposes a short action/thriller film titled "Lost" that will be 5-10 minutes long. The film will follow two characters who become lost and accidentally enter private land, where they encounter an armed guard. One character is shot but escapes while the other watches. The film will be shot on location in Ringwood to achieve a deserted and lost feel, and color corrections will be added in post-production to enhance the dull surroundings while maintaining the deserted look. The intended audience is younger viewers who prefer action and adventure genres, though the minimum age is 15 due to depicted violence.
Analysing Trailers Official
The trailer for the film A Nightmare on Elm Street is analyzed. It begins by showing the title of the film 10 seconds before ending to build anticipation. Producers are not named to avoid association with previous work, but Michael Bay is named to signal high production value expected from his horror films. The trailer shows glimpses of the killer and his victims in moments of fear and violence. It maintains a faster pace than a film clip to provide a synopsis and generate excitement for the film. The date is shown at the very end to leave a lasting impression and associate the trailer with when the film can be seen. The trailer would be expected before horror films and during breaks in horror-themed TV shows after 9pm
Evaluation of 1st and 2nd draft trailer
This document provides an evaluation of two draft trailers for a media production project. The first draft lacked sound effects, characters, and a clear storyline. It was too short and ambiguous. The second draft began establishing the storyline with photos but still needed more sound effects and characters. It also remained too short. Overall, the evaluations concluded that future drafts need to include characters, develop the storyline more clearly, and incorporate additional sound effects to improve the trailers.
Theatrical vs teaser trailer
Trailers are commercials for upcoming films shown before movies play. They aim to attract audiences through exciting or funny clips without spoiling the film. Teaser trailers are shorter (1.5 minutes) and shown early in production to create mystery, while theatrical trailers are longer (2.5 minutes) and shown closer to release when more footage is available to give audiences a better sense of the movie. The purpose of both is to entice viewers to watch the upcoming film.
Paranormal activity
The trailer for Paranormal Activity 4 establishes it as a horror film that continues the story from the first three films. It uses found footage style camerawork and realistic situations to build fear and tension. The family's normal life is disrupted by strange events occurring after new neighbors move in. The dialogue and pacing gradually increase the suspense to leave viewers wanting to learn more about what happens.
Types of film trailers
The document discusses different types of film trailers and their conventions based on genre. It outlines theatrical trailers, teaser trailers, and DVD trailers. It then examines conventions for horror, comedy, and romance/romantic comedy genres. For horror, conventions include eerie music, quick cuts, and close-ups. Comedy trailers tend to include the funniest parts and describe the storyline. Romance trailers have smooth transitions, soft voiceovers, and close-up shots.
Inspiration
The document discusses strategies for an effective film teaser trailer, drawing examples from the trailers for "The Double," "Real Time," and "Birdman." It notes that "The Double" trailer uses humor at the start that builds to drama, which the author aims to replicate. It also aims to set a dark, anonymous tone through low-level lighting as in "Real Time." While "Birdman" uses a dramatic score and voiceover throughout, the author believes a dramatic score alone would be more effective for their teaser without distracting from the visuals. The goal is to incorporate humor, drama, and suspense through these techniques.
Evaluation q 1
The document discusses various elements of the student's media trailer project and how it compares to conventions found in real movie trailers. The student's trailer is of similar length to real teaser trailers. While the pace is slower than typical trailers, showing more footage helps convey the romantic comedy genre. Editing and sound/music are used in ways conventional for romantic comedies, though some aspects like lack of sound effects challenge conventions. Costume and setting choices also generally follow conventions for the genre.
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The document discusses what short films are, how they are generally made, their purpose, and where they are typically shown. It provides details on the production process for short films, noting that they are usually low-budget projects made by independent filmmakers to gain experience and showcase their talent. Short films are often screened at film festivals and used to test ideas before developing a feature-length film. Their purpose can be for experience, creating a show reel, pursuing partnerships, raising one's profile, or testing an idea. They may be shown to family and friends, online, on television if of high quality, or at film festivals to be viewed by industry professionals.
Summer tt analysis of trailer conventions
A teaser trailer is typically between 30 seconds and 1 minute long. It uses fast-paced editing and genre-appropriate music to set the tone. Teaser trailers show key action scenes and dialogue to give a sense of the storyline while focusing on the main characters, usually ending by revealing the film title. They aim to pique audience interest in the film without giving everything away.
Conventions of film posters & film reviews
The document discusses conventions of film posters and film reviews. For film posters, it notes they should be eye-catching with a focal image, large title, genre indication, and release date. Reviews typically include the film's name, year, genre, credits, quotes, a summary, plot details without endings, discussion of aspects like story and music, and sometimes character focuses and ratings. The response summarizes how the writer applied some conventions like including the title, quotes, and opinions, while adapting others like using a tagline instead of dates and avoiding reviews.
Evaluation of Student Made Trailers
This document evaluates six student-made film trailers from different genres that were created for an A-Level Media course. For each trailer, the author provides a list of strengths and weaknesses, and compares elements like cinematography, editing, plot, and how well each trailer represents its genre. The longest and most detailed evaluations are for trailers in the thriller, rom-com, real-life drama, and horror genres. Overall, the author found the trailers showed varying levels of quality in areas like filming, sound, storyline development, and use of conventions, with some trailers excelling more than others at drawing the audience in and representing their genre.
Evaluation of student made trailers
The document provides an evaluation of six student-made film trailers from different genres including horror, thriller, drama, and rom-com. The evaluator analyzed each trailer's strengths and weaknesses, and compared aspects like cinematography, plot development, and how elements like music and lighting were used. Overall, the "Paralysis" horror trailer was found to be the most effective at building tension without giving too much of the plot away, leaving viewers wanting more. Key strengths across trailers included appropriate length, quality of filming, and use of conventions like credits and calls to action. Areas for improvement included plot pacing, sound mixing, and maximizing trailer time.
Media task two 2
The document discusses various film editing techniques used to engage viewers, including narration, montage, slow motion, establishing shots, and sequencing shots. Narration can be effective for younger audiences but risks becoming tedious. Montage is praised for its use in "Up" to set the mood efficiently. Slow motion builds suspense but works best in certain scenarios. Establishing shots help orient viewers in action scenes. Sequencing shots ensures continuity and guides audience sympathy. Changing pace also influences the audience experience by speeding things up for adrenaline or slowing down for sadness. Overall, these techniques are quite effective at engagement if not overused or too detectable by the audience.
Textual analysis
The document analyzes the camera shots, editing, sound, mise-en-scene, and other technical elements used in the trailer for the film "Paranormal Activity." It discusses how the point-of-view camera shots allow audiences to experience events like the characters. Fast editing and white noise transitions create tension and confusion. Minimal sound and diegetic screams maximize jump scares. The ordinary family setting of a house makes the story more relatable. Todorov's and Propp's theories are also used to analyze the narrative structure and characters in the trailer.
Media Presentation
The document discusses plans for creating an opening title sequence similar to American Horror Story and The Walking Dead. It will involve one actor, the document's cousin, portraying a character with no dialogue in a film noir style. Various camera techniques like close shots, steady shots, and scenery shots will be used to follow the character through a busy location. Editing will include jump cuts and shot reverse shots to keep the focus on the character amid credits. The piece will be filmed in black and white with red and white typography to identify credits clearly.
Eval 1
The document compares the student's teaser trailer to the teaser trailer for The Omen from 2010. Both trailers feature young actors in risky lead roles that grab attention. They also both use common child settings and introduce unsettling elements like disappearing or breaking the fourth wall. The student's trailer and The Omen use sound similarly to emphasize shocking moments. The student aimed to increase interest through quick editing and shots like other horror trailers. Text is also used effectively in the student's trailer and in What Lies Beneath to convey information about the film.
Q1 Media
The document discusses how the media product challenges and develops conventions of real media. It analyzed typical romantic film conventions like gentle sounds and fast cuts during action scenes. However, the creator could not get the desired actors, so made an action film with romantic and comedy elements. The trailer challenged conventions by having blurred footage, calm music for tension, and switching the typical male driver and female passenger roles. Low lighting, secretive props, and a variety of shots were used to follow conventions but keep the trailer uncertain and secretive. Uncopyrighted sound effects and music were used to represent police and tension. The creator felt successful in challenging conventions while relating the trailer and additional marketing materials like the poster and magazine cover to the action genre.
Media q1
This document summarizes 9 frames from a film opening created by the author's group. Each frame discusses different elements of the opening, including the title design, setting, costumes, camera work, credits, story, genre, character introductions, and special effects. The opening uses a nonlinear narrative structure and features a chase scene and futuristic antagonist to create mystery and suspense. It draws inspiration from films like The Terminator to set the scene as a science fiction thriller. The goal is to engage audiences from the start and leave them with questions about the plot and characters.
Script
The student is pitching a horror film trailer for their final major project. The trailer will be based on two students making a documentary about running a pub who encounter strange events after being locked inside alone at night. To appeal to the target 18+ male and female young adult audience, the trailer will use quick cuts, eerie music, and shocking glimpses of blood and gore to leave viewers feeling thrilled and wanting to solve the enigma of what happens without giving too much away about the plot. The student plans to use software like Microsoft Office, cameras, and Adobe programs to produce, film, and edit the trailer.
Answer to question 7
The document provides an analysis of the progression from the author's preliminary film task to their final film product. Some key lessons learned include: considering every detail of filming, editing, effects on the audience and genre conventions; the importance of cinematography, sound, mise-en-scene and editing; and properly applying techniques like the 180 degree rule to make the film look professional. Specific techniques improved on include smoother match-on-action cuts, more interesting camera shots and angles, and showing a wider range of skills through techniques like slow motion shots. Overall, the author gained skills and confidence in using equipment and software that allowed them to put more thought and polish into their final film.
Evaluation Question 1
1. The opening sequence establishes the main characters, Millie, her mother Jessica, and her Aunt Sarah. It introduces Millie's problem of her mother going missing.
2. The credits are superimposed over the video as is conventional. It includes production company, distribution company, top billed actors, composer, editor, director, and producers.
3. The camera style aims to replicate the handheld style common in drama films to give a sense of realism and continuity between scenes.
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לכל הצפרים, מי מזהה את הציפור?
The document describes a hornero nest that was built on a window of the author's building in Uruguay. The author took over 600 photos of the nest over the 2 month period it was being built. They have now shared the photos online for others interested in the environment and wildlife to enjoy, in particular those who care about the environment. The nest builders worked daily from 8-10 hours except for Sundays during the late September to November construction period.
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Theatrical vs teaser trailer
Trailers are commercials for upcoming films shown before movies play. They aim to attract audiences through exciting or funny clips without spoiling the film. Teaser trailers are shorter (1.5 minutes) and shown early in production to create mystery, while theatrical trailers are longer (2.5 minutes) and shown closer to release when more footage is available to give audiences a better sense of the movie. The purpose of both is to entice viewers to watch the upcoming film.
Paranormal activity
The trailer for Paranormal Activity 4 establishes it as a horror film that continues the story from the first three films. It uses found footage style camerawork and realistic situations to build fear and tension. The family's normal life is disrupted by strange events occurring after new neighbors move in. The dialogue and pacing gradually increase the suspense to leave viewers wanting to learn more about what happens.
Types of film trailers
The document discusses different types of film trailers and their conventions based on genre. It outlines theatrical trailers, teaser trailers, and DVD trailers. It then examines conventions for horror, comedy, and romance/romantic comedy genres. For horror, conventions include eerie music, quick cuts, and close-ups. Comedy trailers tend to include the funniest parts and describe the storyline. Romance trailers have smooth transitions, soft voiceovers, and close-up shots.
Inspiration
The document discusses strategies for an effective film teaser trailer, drawing examples from the trailers for "The Double," "Real Time," and "Birdman." It notes that "The Double" trailer uses humor at the start that builds to drama, which the author aims to replicate. It also aims to set a dark, anonymous tone through low-level lighting as in "Real Time." While "Birdman" uses a dramatic score and voiceover throughout, the author believes a dramatic score alone would be more effective for their teaser without distracting from the visuals. The goal is to incorporate humor, drama, and suspense through these techniques.
Evaluation q 1
The document discusses various elements of the student's media trailer project and how it compares to conventions found in real movie trailers. The student's trailer is of similar length to real teaser trailers. While the pace is slower than typical trailers, showing more footage helps convey the romantic comedy genre. Editing and sound/music are used in ways conventional for romantic comedies, though some aspects like lack of sound effects challenge conventions. Costume and setting choices also generally follow conventions for the genre.
Compare and contrast the similarities/differences of the teaser trailer and t...
Compare and contrast the similarities/differences of the teaser trailer and the full theatrical trailer of two films
Short film industries
The document discusses what short films are, how they are generally made, their purpose, and where they are typically shown. It provides details on the production process for short films, noting that they are usually low-budget projects made by independent filmmakers to gain experience and showcase their talent. Short films are often screened at film festivals and used to test ideas before developing a feature-length film. Their purpose can be for experience, creating a show reel, pursuing partnerships, raising one's profile, or testing an idea. They may be shown to family and friends, online, on television if of high quality, or at film festivals to be viewed by industry professionals.
Summer tt analysis of trailer conventions
A teaser trailer is typically between 30 seconds and 1 minute long. It uses fast-paced editing and genre-appropriate music to set the tone. Teaser trailers show key action scenes and dialogue to give a sense of the storyline while focusing on the main characters, usually ending by revealing the film title. They aim to pique audience interest in the film without giving everything away.
Conventions of film posters & film reviews
The document discusses conventions of film posters and film reviews. For film posters, it notes they should be eye-catching with a focal image, large title, genre indication, and release date. Reviews typically include the film's name, year, genre, credits, quotes, a summary, plot details without endings, discussion of aspects like story and music, and sometimes character focuses and ratings. The response summarizes how the writer applied some conventions like including the title, quotes, and opinions, while adapting others like using a tagline instead of dates and avoiding reviews.
Evaluation of Student Made Trailers
This document evaluates six student-made film trailers from different genres that were created for an A-Level Media course. For each trailer, the author provides a list of strengths and weaknesses, and compares elements like cinematography, editing, plot, and how well each trailer represents its genre. The longest and most detailed evaluations are for trailers in the thriller, rom-com, real-life drama, and horror genres. Overall, the author found the trailers showed varying levels of quality in areas like filming, sound, storyline development, and use of conventions, with some trailers excelling more than others at drawing the audience in and representing their genre.
Evaluation of student made trailers
The document provides an evaluation of six student-made film trailers from different genres including horror, thriller, drama, and rom-com. The evaluator analyzed each trailer's strengths and weaknesses, and compared aspects like cinematography, plot development, and how elements like music and lighting were used. Overall, the "Paralysis" horror trailer was found to be the most effective at building tension without giving too much of the plot away, leaving viewers wanting more. Key strengths across trailers included appropriate length, quality of filming, and use of conventions like credits and calls to action. Areas for improvement included plot pacing, sound mixing, and maximizing trailer time.
Media task two 2
The document discusses various film editing techniques used to engage viewers, including narration, montage, slow motion, establishing shots, and sequencing shots. Narration can be effective for younger audiences but risks becoming tedious. Montage is praised for its use in "Up" to set the mood efficiently. Slow motion builds suspense but works best in certain scenarios. Establishing shots help orient viewers in action scenes. Sequencing shots ensures continuity and guides audience sympathy. Changing pace also influences the audience experience by speeding things up for adrenaline or slowing down for sadness. Overall, these techniques are quite effective at engagement if not overused or too detectable by the audience.
Textual analysis
The document analyzes the camera shots, editing, sound, mise-en-scene, and other technical elements used in the trailer for the film "Paranormal Activity." It discusses how the point-of-view camera shots allow audiences to experience events like the characters. Fast editing and white noise transitions create tension and confusion. Minimal sound and diegetic screams maximize jump scares. The ordinary family setting of a house makes the story more relatable. Todorov's and Propp's theories are also used to analyze the narrative structure and characters in the trailer.
Media Presentation
The document discusses plans for creating an opening title sequence similar to American Horror Story and The Walking Dead. It will involve one actor, the document's cousin, portraying a character with no dialogue in a film noir style. Various camera techniques like close shots, steady shots, and scenery shots will be used to follow the character through a busy location. Editing will include jump cuts and shot reverse shots to keep the focus on the character amid credits. The piece will be filmed in black and white with red and white typography to identify credits clearly.
Eval 1
The document compares the student's teaser trailer to the teaser trailer for The Omen from 2010. Both trailers feature young actors in risky lead roles that grab attention. They also both use common child settings and introduce unsettling elements like disappearing or breaking the fourth wall. The student's trailer and The Omen use sound similarly to emphasize shocking moments. The student aimed to increase interest through quick editing and shots like other horror trailers. Text is also used effectively in the student's trailer and in What Lies Beneath to convey information about the film.
Q1 Media
The document discusses how the media product challenges and develops conventions of real media. It analyzed typical romantic film conventions like gentle sounds and fast cuts during action scenes. However, the creator could not get the desired actors, so made an action film with romantic and comedy elements. The trailer challenged conventions by having blurred footage, calm music for tension, and switching the typical male driver and female passenger roles. Low lighting, secretive props, and a variety of shots were used to follow conventions but keep the trailer uncertain and secretive. Uncopyrighted sound effects and music were used to represent police and tension. The creator felt successful in challenging conventions while relating the trailer and additional marketing materials like the poster and magazine cover to the action genre.
Media q1
This document summarizes 9 frames from a film opening created by the author's group. Each frame discusses different elements of the opening, including the title design, setting, costumes, camera work, credits, story, genre, character introductions, and special effects. The opening uses a nonlinear narrative structure and features a chase scene and futuristic antagonist to create mystery and suspense. It draws inspiration from films like The Terminator to set the scene as a science fiction thriller. The goal is to engage audiences from the start and leave them with questions about the plot and characters.
Script
The student is pitching a horror film trailer for their final major project. The trailer will be based on two students making a documentary about running a pub who encounter strange events after being locked inside alone at night. To appeal to the target 18+ male and female young adult audience, the trailer will use quick cuts, eerie music, and shocking glimpses of blood and gore to leave viewers feeling thrilled and wanting to solve the enigma of what happens without giving too much away about the plot. The student plans to use software like Microsoft Office, cameras, and Adobe programs to produce, film, and edit the trailer.
Answer to question 7
The document provides an analysis of the progression from the author's preliminary film task to their final film product. Some key lessons learned include: considering every detail of filming, editing, effects on the audience and genre conventions; the importance of cinematography, sound, mise-en-scene and editing; and properly applying techniques like the 180 degree rule to make the film look professional. Specific techniques improved on include smoother match-on-action cuts, more interesting camera shots and angles, and showing a wider range of skills through techniques like slow motion shots. Overall, the author gained skills and confidence in using equipment and software that allowed them to put more thought and polish into their final film.
Evaluation Question 1
1. The opening sequence establishes the main characters, Millie, her mother Jessica, and her Aunt Sarah. It introduces Millie's problem of her mother going missing.
2. The credits are superimposed over the video as is conventional. It includes production company, distribution company, top billed actors, composer, editor, director, and producers.
3. The camera style aims to replicate the handheld style common in drama films to give a sense of realism and continuity between scenes.
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The document provides a summary and recommendations from the Cook County Sustainability Advisory Council. It finds that building energy accounts for 67% of greenhouse gas emissions in Cook County. It recommends that Cook County establish an overall goal of reducing greenhouse gas emissions by 80% by 2050. It also recommends Cook County focus first on reducing emissions from building energy through energy efficiency improvements in county facilities. These recommendations are aimed at helping Cook County become more environmentally, socially and economically sustainable while saving money for taxpayers.
Uploading datasets to data site
This document provides a 10 step guide for uploading datasets to data.cookcountyil.gov. It describes what types of datasets to upload, how to prepare the data by formatting files as CSV, XLS or XLSX, how to log in and upload the files, set import rules and metadata, preview and publish the dataset, and how to later update it by appending or replacing new data. The goal is to share meaningful county department performance data with the public in a consistent format.
City of Chicago/Cook County Collaboration Final Report
The Joint Committee on City-County Collaboration provides a status update on collaboration efforts six months after its formation. It reports that collaboration has increased in key areas like workforce development, homeland security, and anti-violence strategies which have the potential for improved services and savings. To date, an additional $9.2 million in annual savings has been identified beyond the initial $11.3 million, for a total of $20.5 million beginning in FY2013. Collaboration opportunities have also expanded beyond the original 19 areas as new avenues for cooperation emerge. Pro bono support from businesses has further accelerated progress. The update indicates collaboration is on track to achieve estimated savings of $66-140 million by 2014 through continued planning and implementation
2013 Cook County Suburban Warming Centers
The document provides contact information for various warming centers located throughout Cook County, Illinois townships. It lists each township's warming center name, hours of operation, address, contact phone numbers for transportation assistance during operating hours and after hours police department numbers. It encourages residents to contact centers before trying to gain entry to determine if they are open, to prevent anyone in need from being unable to access assistance.
Finalpfp report
The document presents an Economic Growth Action Agenda for Cook County with the goal of promoting regional economic growth. It analyzes Cook County's role in the regional economy, assets, challenges, and opportunities. Based on this analysis, it identifies nine priority strategies for Cook County to support economic growth through its governmental capacities. The strategies focus on increasing government transparency and efficiency, encouraging intergovernmental efficiencies through shared services, and boosting regional strategic capacity for coordinated economic development initiatives. The strategies aim to align Cook County's efforts with other regional economic plans.
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Executive Summary of Cook County Sustainability Advisory Report, 060513
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Teaser and feature trailer differences
A teaser trailer is released before the feature trailer, is typically less than a minute long, and may not include actual film footage. A feature trailer is longer at 3-4 minutes, includes footage from the film, reveals characters and hints at the plot. While teaser trailers can confuse viewers and feature trailers may reveal too much of the plot, this document discusses using a three-way split screen in a feature trailer to hint at a decision without revealing the ending.
Media last survey
A survey found that the respondent's audience strongly prefers teaser trailers that leave them with unanswered questions over trailers that show climactic moments or reveal too much. The author plans to create a teaser trailer for their upcoming film that will feature brief clips that pique viewers' curiosity without fully explaining or resolving anything, in order to appeal to the audience's clear preferences.
Teaser trailer definition
A teaser trailer is a short video released in advance of an upcoming film, television program, or video game. It is usually 1-2 minutes long and features brief clips and narration to tease audiences and generate hype without revealing the full plot or outcome. The goal of a teaser trailer is to build awareness and excitement for a media product's release without giving too much away.
Pre pro 4
A teaser trailer aims to reveal as little as possible about the plot, showing brief glimpses of characters or scenes to generate interest in an upcoming film without fully explaining the story. A full trailer provides more substantial insights into the plot and twists, featuring footage and music from the actual film over a longer duration of 2-4 minutes to advertise to a wider audience. The goal of a teaser is to intrigue viewers and create anticipation, while a full trailer aims to attract more people to watch the film by revealing more details of what will happen.
teaser trailer introduction
A teaser trailer is a short trailer released early in a film's marketing campaign to create awareness and excitement for an upcoming film. Teasers are usually 30-60 seconds and show brief clips and glimpses of the film without revealing major plot points. In contrast, full trailers are longer at a few minutes and provide more footage and hints about the film's story. The purpose of a teaser is to let audiences know a related film is in production without giving everything away so it leaves them wanting more information.
Evaluation
The document discusses conventions of teaser trailers, horror film trailers, and horror film posters. It then analyzes how the teaser trailer, titled "Jigsaw", follows these conventions. The trailer is under a minute, uses cryptic footage and music without dialogue to generate curiosity, and leaves the viewer with questions about the storyline without giving too much away. The trailer also uses fast pacing, jump cuts, and sound effects similar to other horror trailers. The poster features a dark, striking image and prominently displayed title consistent with horror film poster conventions.
Analysing trailers conventions & structure
The document discusses various conventions and techniques used in film trailers. It provides details on structural elements like openings, build-ups, and depicting problems and events. It also covers functions of voiceovers like providing background, character information, and building anticipation. Trailers aim to encourage wide audiences and may highlight appealing but non-chronological clips. Analysis of selected trailers should describe their structural elements and use of techniques like voiceovers. The task is to analyze two film trailers of the same genre and create a Prezi presentation discussing represented genres, narratives, target audiences and other specified elements.
Introduction to film trailers
The document provides information about film trailers, including what they are, when they are shown, and conventions used in different genres of trailers. It discusses how trailers for action, romantic comedy, and horror films typically employ conventions like fast-paced editing, music, and shots to set the mood and tone for each genre and pique audience interest. Examples are provided for Mission Impossible: Ghost Protocol representing action, It's Kind of a Funny Story for romantic comedy, and Insidious: Chapter 2 for horror.
Question one
The document discusses conventions used in real media products such as teaser trailers, and how the student's media products challenged and developed these conventions. Specifically:
- Their teaser trailer used montage editing and a voiceover for the titles to effectively convey the narrative in a short time, as is common in teaser trailers. However, they challenged conventions by placing titles on a white background for clarity.
- Their production company ident was simplified to a bold, recognizable silhouette shown for 3 seconds, adhering to the brief ident duration in teaser trailers. But they included more color than typical black idents.
- Shots, props, settings and other elements were incorporated from real teaser
Analysis of a teaser and theatrical trailer
The document analyzes and compares the teaser and theatrical trailers for the film Inception. Both trailers tell the audience the name of the film at the end to build suspense. They also reveal the starring actor, Leonardo DiCaprio, through title cards. The trailers showcase exciting action scenes and use dramatic music to suggest it is a thriller. The theatrical trailer additionally features a voiceover from DiCaprio to engage viewers. Both trailers increase in pace at the end to create drama and leave audiences wanting more information about the upcoming film.
Theatrical and teaser trailers
Teaser trailers are shorter, around 90 seconds, as films are still in early production and lack sufficient footage. They aim to pique audience interest without revealing too much of the plot. Theatrical trailers are longer at 2.5 minutes as films are nearly complete, so they can showcase more exciting shots and story elements to attract viewers closer to the release date. The key difference is that teaser trailers introduce a film with very limited material while theatrical trailers have more complete films to promote.
Trailer analysis
The genre of the film is an action thriller. This is evident from the fighting, bloodshed, and suspense shown in the trailer. The trailer uses silence to build tension, as is common in the thriller genre. Camera shots like mid shots are effective at showing the characters' body language during intense scenes. While some storyline is revealed, the trailer aims to intrigue viewers and leave them wanting more information by not fully explaining the plot.
Evaluation
The document provides details about a film trailer that was created to be intentionally confusing and provoke questions in the audience. Short, quick clips are used in a montage throughout the trailer to generate excitement while hiding key story elements. Actors and taglines were selected that fit the thriller genre and hinted at the main character facing difficult choices. Music with an intense pace was chosen to maintain audience attention despite the confusing narrative. The goal of the confusing trailer is to encourage audiences to view the full film for answers.
Showreel research.pptx
The document provides information on showreels, including what they are, their history, tips for creating an effective showreel, and common mistakes to avoid. A showreel is a short video that showcases a creator's work and skills in order to help them stand out. They first emerged in the 1970s and are used in industries like acting, filmmaking, and editing. Effective showreels are short, fast-paced, highlight the creator's specialty, and include contact information. Common mistakes include having clips that are too long, unrelated to the creator's goals, or that don't grab the viewer's attention within the first few seconds.
Movie trailers analysis
The document discusses and analyzes two movie trailers - one for the comedy film "Life as we know it" and one for the horror sequel "Paranormal Activity 2". Key points made about the trailers include: showing the film title late increases memorability, using stars can attract audiences, music and pacing help set tone, and clips provide more context than posters to entice viewers without giving too much away. Both trailers aim to tease and build intrigue about the films' plots through suspenseful images and minimal text or voiceover.
What is the difference between film opening sequences and film trailers
Opening sequences establish the genre, setting, and protagonist of a film through one or a few scenes at the beginning. They credit the actors, director, and crew and are usually over a minute long. Film trailers are longer montages that show some of the best scenes to entice viewers and end on a cliffhanger. Trailers make the genre clear and are distributed in cinemas and online by production companies to generate hype and notify audiences of a film's release and unique selling points. Both opening sequences and trailers introduce the main character and genre in an engaging way.
Teaser trailers
Teaser trailers are short clips between 30-60 seconds that are released early in a film's production to generate hype and interest without revealing major plot details. They typically include dramatic action scenes, epic music, and display the director/producer/actor names without much narrative context. The goal is to entice audiences to learn more about the film without fully explaining the story.
How not to make a short film
The document provides tips for making an effective short film in 8 steps. It recommends keeping the film short (under 10 minutes) to control costs and appeal to film festivals. It advises avoiding cliches and stereotypes, telling a compelling story with goals and obstacles for the protagonist. The document also suggests balancing dialog with visual storytelling, focusing a single dramatic moment with conflict and choice, engaging the audience from the start and end, using lighting and sound effectively to enhance the narrative without being too dark or loud.
What are the purposes of film trailers?
Film trailers have three main purposes: to entice viewers to see the movie within the 2.5 minute time limit, by showing exciting or noteworthy clips edited together without revealing the entire plot. Effective trailers draw in the intended audience through establishing the genre using visuals and music, intriguing viewers enough to want to experience the full film.
Trailers
Trailers are short clips used to promote upcoming films. They aim to entice audiences to watch the full movie without revealing too much of the plot. Trailers select exciting and abbreviated clips from the film and may show scenes out of order or exclude spoilers. Most trailers follow a three-act structure of introducing the story, furthering the drama, and featuring a strong musical piece with key visuals at the end.
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3:国家专业人才认证中心颁发入库证书
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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- 1. Trailers
- 3. Usually a minute long or even less.
- 4. Might not include real scenes from the film.
- 6. Not able to produce a clear oppinion on the film.
- 7. Audience might assume things, or create wrong ideas about the film.
- 9. Usually includes scenes from the film.
- 10. Reveals the narrative/plot of the film.
- 11. Introduces audience to the characters.
- 14. We have to be carefull that we don't reveal the ending or suggest ideas.
- 15. Since we have a younger target audience the trailer will also be placed online.