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• All of the opening two minutes of my deconstructions
  start with a shock, or something that will prove to be
  important later on the film. There is usually speech
  involved as well. This helps the audience immediately
  relate to the character. The first two minutes involve the
  main character(s), to help the audience gain an
  understanding as to who is heavily involved in the film.
•   Setting
•   Main characters
•   Basic storyline
•   Theme of film (established using sound)
•   Pace

These are all established using the four technical codes;
  sound, editing, camera work and mise en scene.
• I deconstructed four action films as part of my research.
  The main similarities between the four films were the
  soundtracks. If used, they all created suspension and
  built up to something. Camerawork was often shaky
  which also created tension, and jump cuts were also
  used a lot. Continuity editing was also used to a great
  extent. Mise en scene was used to reflect what was
  happening in the scene itself.

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Conclusion

  • 1.
  • 2. • All of the opening two minutes of my deconstructions start with a shock, or something that will prove to be important later on the film. There is usually speech involved as well. This helps the audience immediately relate to the character. The first two minutes involve the main character(s), to help the audience gain an understanding as to who is heavily involved in the film.
  • 3. • Setting • Main characters • Basic storyline • Theme of film (established using sound) • Pace These are all established using the four technical codes; sound, editing, camera work and mise en scene.
  • 4. • I deconstructed four action films as part of my research. The main similarities between the four films were the soundtracks. If used, they all created suspension and built up to something. Camerawork was often shaky which also created tension, and jump cuts were also used a lot. Continuity editing was also used to a great extent. Mise en scene was used to reflect what was happening in the scene itself.