Motion graphics are pieces of digital footage or animation that create the illusion of motion or rotation and are usually combined with audio for use in multimedia projects. Motion graphics are usually displayed via electronic media technology, but may also be displayed via manual powered technology (e.g. thaumatrope, the phenakistoscope, stroboscope, zoetrope, praxinoscope, flip book). The term distinguishes still graphics from those with a transforming appearance over time, without over-specifying the form. While any form of experimental or abstract animation can be called motion graphics, the term typically more explicitly refers to the commercial application of animation and effects to video, film, TV, and interactive applications.
Motion graphics extend beyond the most commonly used methods of frame-by-frame footage and animation. Motion graphics can be distinguished from typical animation in that they are not strictly character driven or story based and often represent animated abstract shapes and forms such as logos or logo elements.
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Application in different fields like CAD, schematic capture, medicine, art etc.
Hardware concepts
2-D and 3-D algorithms
Line drawing, viewing transformations, other transforms (scaling, rotation, translation)
Curve Modeling
Mathematics of generation of parametric cureve like Bazier, Spline, Hermite
3D Object Modeling
Visible Surface Detection and Surface Rendering
Introduction to Animation
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Basics of Digital Image Processing
Use of DIP in Society
Digital Image Processing Process
Why do we process images?
Image Enhancement and Edge detection
Python
How are we using Python in DIP
Motion graphics are pieces of digital footage or animation that create the illusion of motion or rotation and are usually combined with audio for use in multimedia projects. Motion graphics are usually displayed via electronic media technology, but may also be displayed via manual powered technology (e.g. thaumatrope, the phenakistoscope, stroboscope, zoetrope, praxinoscope, flip book). The term distinguishes still graphics from those with a transforming appearance over time, without over-specifying the form. While any form of experimental or abstract animation can be called motion graphics, the term typically more explicitly refers to the commercial application of animation and effects to video, film, TV, and interactive applications.
Motion graphics extend beyond the most commonly used methods of frame-by-frame footage and animation. Motion graphics can be distinguished from typical animation in that they are not strictly character driven or story based and often represent animated abstract shapes and forms such as logos or logo elements.
Introduction, History
Application in different fields like CAD, schematic capture, medicine, art etc.
Hardware concepts
2-D and 3-D algorithms
Line drawing, viewing transformations, other transforms (scaling, rotation, translation)
Curve Modeling
Mathematics of generation of parametric cureve like Bazier, Spline, Hermite
3D Object Modeling
Visible Surface Detection and Surface Rendering
Introduction to Animation
Text Book
Computer Graphics C Version – Hearn & Baker
YCIS_Forensic PArt 1 Digital Image Processing.pptxSharmilaMore5
Basics of Digital Image Processing
Use of DIP in Society
Digital Image Processing Process
Why do we process images?
Image Enhancement and Edge detection
Python
How are we using Python in DIP
Esoft Metro Campus - Diploma in Web Engineering - (Module II) Multimedia Technologies
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What are Graphics ?
Digital Image Concepts
Pixel
Resolution of Images
Resolution of Devices
Color Depth
Color Palette
Dithering
Bitmap and Vector Graphics
Bitmap Graphics
Vector Graphics
Comparison
Graphics File Formats
Bit Map
Tagged Image File Format
Graphical Interchange Format
Join Picture Expert Group
Portable Network Graphics
Multi-image Network Graphics
Multimedia on Web
Animations
Rollovers
Animated GIF
Flash Files
Audio
Audio on Web Sites
Audio File Formats
MIDI
WAVE
MP3
AU
AIFF
Video
Video File Formats
AVI
ASF
MPEG
QuickTime
RealVideo
Copyrights of Web Content
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Contents:
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Bitmap and Vector Graphics
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Vector Graphics
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Bit Map
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WAVE
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AIFF
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ASF
MPEG
QuickTime
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Colour workflows from the agency point of view – CMYK, RGB or mixed operation?
1. Colour
workflows
from
the
agency
point
of
view
–
CMYK,
RGB
or
mixed
operation?
Georg
Obermayr,
Fogra
Colour
Management
Symposium
2014
2. Agenda
➡ Todays
media
and
how
to
produce
for
them
➡ Components
of
media
production
➡ Requirements
for
the
content
➡ Color
workflows
for
pictures
(pixel)
➡ Color
workflows
for
graphics
(vector)
➡ Color
workflows
for
layouts
(print,
digital)
➡ Summary
8. Requirement
for
the
content:
Maintain
it
at
the
highest
possible
abstraction
layer
9. Criteria
of
the
highest
possible
abstraction
layer
➡ Structuring
and
meta-‐layer
➡ Design
➡ The
delta
of
changes
➡ Object
description
and
preservation
➡ Modularization
and
outsourcing
➡ Quality
➡ Color
➡ Responsivity
and
renditions
➡ File
format
and
size
10. Key
questions
for
quality
➡ In
wich
resolution
and
quality
level
will
the
content
be
stored?
➡ Is
the
highest
possible
quality
be
used
or
an
assumed
average?
➡ Is
consistency
between
different
channels
the
goal
or
the
best
possible
outcome?
➡ How
and
when
is
the
optimisation
taking
place?
14. Graphics
…
➡ Not
as
easy
as
images
...
➡ No
RGB
as
media
neutral
master!
➡ Why:
Printing
conditions
and
their
properties
(channel
specificity)
allow
no
“contamination”
as
ICC-‐based
conversions
are
generating
➡ Approach
1:
device
link
conversion
➡ Approach
2:
two
versions!
22. Mein Logo
„untagged
sRGB
world“
RGB-‐>RGB
or
CMYK-‐>RGB
or
[RGB
becomes
untagged]
RGB or
CMYK
RGB
Text Text Text
RGB or
CMYK
23. Mein Logo
RGB
or
CMYK
„untagged
sRGB
world“
RGB
Text Text MYK
RGB or
C Text
Side-‐by-‐Side?
Comparison
from
memory?
24. Media
neutral
layouts:
If
color
would
be
no
longer
an
issue:
➡ Structure
(machine
readability)
of
the
content
➡ Separation
of
content
and
design
+
central
deployment
of
styles
➡ Semantics
of
the
layout
elements
➡ Responsivity
➡ Management
of
versions
and
variants
➡ Rendering
environment
and
quality
➡ Native
media
experience!
Whoa!
HTML5
closer
to
the
ideal
as
Print
or
PDF…
25. Summary:
highest
possible
abstraction
layer
and
colors
➡ Basic
problem:
The
best
or
the
most
predictable
outcome?
➡ Clue:
Compare
side-‐by-‐side
or
or
remembered?
➡ Pictures:
From
media
neutral
master
to
RGB
or
CMYK
➡ Graphics:
Store
two
versions
or
from
CMYK
to
RGB
➡ Layouts:
Several
versions
depending
on
the
destination
media,
RGB
to
CMYK
(only
pictures!)
for
print;
CMYK
to
RGB
or
RGB
to
RGB
for
digital
media
➡ Layouts
with
the
goal
of
a
native
media
experience
rarely
can
be
used
across
different
media
–
color
is
the
smallest
issue
here
➡ To
think
of
the
users
rarely
leads
to
the
most
economical
result.
Good
thing!
26. L E
I
T FADEN
PDFX-ready-Workflow V2 – CMYK
Ausgabe 2014
Thank
you!
Contact:
g.obermayr@adverma.de
www.georgobermayr.de
Twitter:
@georgobermayr