Reducción del prejuicio y mejora de las actitudes hacia gais y lesbianas. El ...Richard Merhi
Las relaciones humanas intergrupales van asociadas, en ocasiones, a fenómenos de prejuicio y discriminación hacia colectivos minoritarios y/o diferentes. Concretamente, las personas gais y lesbianas forman parte de uno de esos colectivos. El presente estudio pretende analizar en una muestra de 58 personas, todas heterosexuales, el grado de prejuicio (manifiesto y sutil) expresado hacia dicho exogrupo y su relación el número de relaciones estrechas que poseen con personas de dicho colectivo como variable predictora de reducción de tal prejuicio
ENG. "Reducing prejudice and improving attitudes towards gays and lesbians. The role of close relationships"
Movilidad laboral en la UE: una verdad incómodaOfizios
El pasado 10 de febrero, Laszló Andor, Comisario Europeo responsable de Empleo, Asuntos Sociales e Inclusión, ofreció una conferencia en la Universidad de Bristol titulada "La Movilidad laboral en la Unión Europea, una verdad incómoda", en el que explicó "he hablado con ustedes hoy porque quería presentar una visión objetiva y fáctica de la libre circulación en la UE. Porque creo firmemente que el debate sobre la movilidad laboral debe basarse en hechos y no en las percepciones, intuiciones o anécdotas."
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Gessi website: http://www.gessi.com/
Gessi Official on Facebook: http://www.facebook.com/Gessi.Official
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Gabi Reinmann, Martin Ebner und Sandra Schön (2013): Hochschuldidaktik im Zeichen
von Heterogenität und Vielfalt.
Link zum Buch (pdf) und mehr via: http://www.bimsev.de/n/?Freie_Fachtexte___Hochschuldidaktik
Mit Beiträgen von: Prof. Dr. Andrea Back (Universität St. Gallen), Mag. Reinhard Bauer, MA (Universität Wien), Univ.¬Doz. Dr. Martin Ebner (TU Graz), Prof. Dr. Dieter Euler (Universität St. Gallen), Prof. em. Dr. Ludwig Huber (Universität Bielefeld), Dr. Burkhard Lehmann (Universität Koblenz-Landau), Prof. Dr. Michael Kerres (Universität Duisburg-Essen), Prof. Dr. Thomas Köhler (TU Dresden), Christian Kohls (SMART Technologies), Prof. Dr. Kerstin Mayrberger (Universität Augsburg), Dr. Christiane Metzger (Fachhochschule Kiel), Sander Münster, M.A. (TU Dresden), Dr. Annabell Preußler (Universität Duisburg-Essen), Prof. Dr. Gabi Reinmann (Universität der Bundeswehr München), Dr. Lars Schlenker (TU Dresden), Dr. Sandra Schön (Salzburg Research, BIMS e.V.), Dr. Frank Vohle (Ghostthinker GmbH, Wolfratshausen), Prof. Dr. Dr. h.c. Johannes Wildt (TU Dortmund), Dr. Joachim Wedekind (Tübingen).
Das vorliegende Buch ist gleichzeitig eine Doppelfestschrift zu Ehren von Prof. Dr. Peter Baumgartner (Donau-Universität Krems) sowie Prof. Dr. Rolf Schulmeister (Universität Hamburg), herausgegeben wurde sie von Prof. Dr. Gabi Reinmann (Universität der Bundeswehr München), Univ.-Doz. Dr. Martin Ebner (TU Graz) und Dr. Sandra Schön (Salzburg Research, BIMS e.V.).
From Artifacts to Context: Developing a Digital Content Engine at The Henry FordEllice Engdahl
Presentation given at the Museum Computer Network (MCN) 2016 conference in New Orleans on 11/3/16, covering The Henry Ford's digital platform and digital content efforts.
Audio of presentation located here: https://www.youtube.com/watch?v=ExQLVbXItok
The Henry Ford's Digital Platform: Developing a Digital Content EngineEllice Engdahl
Presentation given at the MMA/AASLH 2016 unconference at The Henry Ford on 9/17/16, covering The Henry Ford's digital platform and digital content efforts.
Digital Democratization of Art led by the Smithsonian’s Freer|SacklerCourtney OCallaghan
These slides are from a DigitalGov University event on January 27, 2015
Join Courtney OCallaghan as she talks about:
*The “democratization of art” Learn how museums, including the Smithsonian’s museums of Asian art, are expanding public access to their collections and focusing on the desires of global visitors, both in-gallery and online.
*Digital zero to sixty With a foundation of open access to collections, the Freer and Sackler now has the freedom to begin the rapid prototyping of digital resources. Learn what’s next.
*Digitizing the Smithsonian Learn about the process, pitfalls and payoffs of the first entirely digital Asian art collection in the world.
Information as the Atomic Level of StorytellingKrysta Stone
Presented at World Information Architecture Day 2017 in Ann Arbor, MI, this case study describes the information strategy & experience design work to allow a museum to utilize a vast collection of artifacts to tell stories and foster exploration. The museum's digital transformation of their artifact collection allowed them to become a content publisher, creating engaging story formats using an artifact card -- a digital trojan horse packed full of metadata, media and surprises.
Reducción del prejuicio y mejora de las actitudes hacia gais y lesbianas. El ...Richard Merhi
Las relaciones humanas intergrupales van asociadas, en ocasiones, a fenómenos de prejuicio y discriminación hacia colectivos minoritarios y/o diferentes. Concretamente, las personas gais y lesbianas forman parte de uno de esos colectivos. El presente estudio pretende analizar en una muestra de 58 personas, todas heterosexuales, el grado de prejuicio (manifiesto y sutil) expresado hacia dicho exogrupo y su relación el número de relaciones estrechas que poseen con personas de dicho colectivo como variable predictora de reducción de tal prejuicio
ENG. "Reducing prejudice and improving attitudes towards gays and lesbians. The role of close relationships"
Movilidad laboral en la UE: una verdad incómodaOfizios
El pasado 10 de febrero, Laszló Andor, Comisario Europeo responsable de Empleo, Asuntos Sociales e Inclusión, ofreció una conferencia en la Universidad de Bristol titulada "La Movilidad laboral en la Unión Europea, una verdad incómoda", en el que explicó "he hablado con ustedes hoy porque quería presentar una visión objetiva y fáctica de la libre circulación en la UE. Porque creo firmemente que el debate sobre la movilidad laboral debe basarse en hechos y no en las percepciones, intuiciones o anécdotas."
The iSpa Bathroom Collection of Gessi, the Private Wellness Company, is designed by Prospero Rasulo. ispa represents a new concept that combines innovative technology, salus per aquam and ethical design.
La collezione iSpa per il bagno di Gessi, the Private Wellness Company, è stata creata da Prospero Rasulo. iSpa rappresenta un nuovo concetto che unisce tecnologia innovativa, salus per aquam e design etico.
Gessi website: http://www.gessi.com/
Gessi Official on Facebook: http://www.facebook.com/Gessi.Official
Conferencia en el Dia de las Telecomunicaciones e Internet 2008 en la UTPL. Se presenta los proyectos del Grupo de Telecomunicaciones Rurales de la Pontificia Universidad Católica de Perú por parte del Ing Jaime Vera
Hochschuldidaktik im Zeichen von Heterogenität und VielfaltBIMS e.V.
Gabi Reinmann, Martin Ebner und Sandra Schön (2013): Hochschuldidaktik im Zeichen
von Heterogenität und Vielfalt.
Link zum Buch (pdf) und mehr via: http://www.bimsev.de/n/?Freie_Fachtexte___Hochschuldidaktik
Mit Beiträgen von: Prof. Dr. Andrea Back (Universität St. Gallen), Mag. Reinhard Bauer, MA (Universität Wien), Univ.¬Doz. Dr. Martin Ebner (TU Graz), Prof. Dr. Dieter Euler (Universität St. Gallen), Prof. em. Dr. Ludwig Huber (Universität Bielefeld), Dr. Burkhard Lehmann (Universität Koblenz-Landau), Prof. Dr. Michael Kerres (Universität Duisburg-Essen), Prof. Dr. Thomas Köhler (TU Dresden), Christian Kohls (SMART Technologies), Prof. Dr. Kerstin Mayrberger (Universität Augsburg), Dr. Christiane Metzger (Fachhochschule Kiel), Sander Münster, M.A. (TU Dresden), Dr. Annabell Preußler (Universität Duisburg-Essen), Prof. Dr. Gabi Reinmann (Universität der Bundeswehr München), Dr. Lars Schlenker (TU Dresden), Dr. Sandra Schön (Salzburg Research, BIMS e.V.), Dr. Frank Vohle (Ghostthinker GmbH, Wolfratshausen), Prof. Dr. Dr. h.c. Johannes Wildt (TU Dortmund), Dr. Joachim Wedekind (Tübingen).
Das vorliegende Buch ist gleichzeitig eine Doppelfestschrift zu Ehren von Prof. Dr. Peter Baumgartner (Donau-Universität Krems) sowie Prof. Dr. Rolf Schulmeister (Universität Hamburg), herausgegeben wurde sie von Prof. Dr. Gabi Reinmann (Universität der Bundeswehr München), Univ.-Doz. Dr. Martin Ebner (TU Graz) und Dr. Sandra Schön (Salzburg Research, BIMS e.V.).
From Artifacts to Context: Developing a Digital Content Engine at The Henry FordEllice Engdahl
Presentation given at the Museum Computer Network (MCN) 2016 conference in New Orleans on 11/3/16, covering The Henry Ford's digital platform and digital content efforts.
Audio of presentation located here: https://www.youtube.com/watch?v=ExQLVbXItok
The Henry Ford's Digital Platform: Developing a Digital Content EngineEllice Engdahl
Presentation given at the MMA/AASLH 2016 unconference at The Henry Ford on 9/17/16, covering The Henry Ford's digital platform and digital content efforts.
Digital Democratization of Art led by the Smithsonian’s Freer|SacklerCourtney OCallaghan
These slides are from a DigitalGov University event on January 27, 2015
Join Courtney OCallaghan as she talks about:
*The “democratization of art” Learn how museums, including the Smithsonian’s museums of Asian art, are expanding public access to their collections and focusing on the desires of global visitors, both in-gallery and online.
*Digital zero to sixty With a foundation of open access to collections, the Freer and Sackler now has the freedom to begin the rapid prototyping of digital resources. Learn what’s next.
*Digitizing the Smithsonian Learn about the process, pitfalls and payoffs of the first entirely digital Asian art collection in the world.
Information as the Atomic Level of StorytellingKrysta Stone
Presented at World Information Architecture Day 2017 in Ann Arbor, MI, this case study describes the information strategy & experience design work to allow a museum to utilize a vast collection of artifacts to tell stories and foster exploration. The museum's digital transformation of their artifact collection allowed them to become a content publisher, creating engaging story formats using an artifact card -- a digital trojan horse packed full of metadata, media and surprises.
Every year we organise Public Domain Day together with Ghent University Library, the Royal Library of Belgium and Wikimedia Belgium. This year the event to highlight the public domain will be taking place on 10 February. In this presentation you will find out about initiatives that various cultural heritage organisations have run to make their public domain collections accessible in 2021.
Slides of Belgium's 2020 Public Domain Day celebration. Presentations include Creative Commons, Royal Library of Belgium, meemoo, Collections of Ghent, KOERS museum, MoMu Antwerp Fashion Museum,
On location: Cinemagoing in Bristol City Centre in the Lost Cineams of Castle...Charlotte Crofts
Presentation in HOMER Panel at NECS2014, Milan about The Lost Cinemas of Castle Park App, reflection on the design, content and affordances of location-based screen history apps
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On 21 February 2020, meemoo and the Royal Library of Belgium organised a special study day in Brussels in celebration of Public Domain Day. Sam Donvil (meemoo) introduced the basic principles of the public domain and its significance to heritage institutions. He also gave an overview of authors that fell into the public domain in 2020, some examples of possibilities with public domain works all over the world and illustrated concrete actions taken by meemoo, a.o. concerning the oeuvre of James Ensor. Then, two other speakers from Vlaamse Kunstcollectie and KU Leuven took the floor. Sam Donvil continued with some guidelines for institutions that want to bring collections into the public domain, and a few words on Open Access in Belgium. To conclude, the results of the Wiki Loves Heritage photography competition were announced.
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Collections Digitization at The Henry Ford: Network Detroit, 9/26/14
1. Collections Digitization
at The Henry Ford
Ellice Engdahl, Digital Collections & Content Manager
Network Detroit
September 26, 2014
2. The Edison Institute, Founded 1929
Francis Jehl, Thomas Edison, President Herbert Hoover, and Henry Ford at Menlo Park Laboratory in Greenfield Village, 1929 (P.O.4556
3. Henry Ford Museum, 1953 (P.B.3002)
Five Venues
Henry Ford Museum
Greenfield Village
Benson Ford Research Center
The Henry Ford IMAX Theater
Ford Rouge Factory Tour
Old Car Festival, 1959 (2005.0.9.18)
4. Marchant Calculating Machine, Model ACR8D, 1943 (86.142.5)
Numbers
• People
– ~300 full-time staff
– 1100+ part-time
staff (summer peak)
– Over 600 volunteers
contributing nearly
100,000 hours
annually
• ~236 acre campus
– Museum = 600,000
sq. ft. (plus 45,000
sq. ft. for IMAX)
– Village (developed)
= 81 acres
– ~80 historic
structures
– 12+ non-historic
structures
5. • ~250,000 objects
• ~25 million archival
documents and
photographs
• Historic audio and
video
• 238 objects on loan to
64 institutions
• ~21,700 artifacts on
display in Museum and
Village (~5-10% of non-archives
collection)
• More than 30 distinct
collections storage
areas totaling nearly
200,000 sq. ft.
Our Collections:
“The Bottomless Pit
of Wonderfulness”
Eye Portrait, circa 1800 (61.151.40)
6. Pre-2010: “Random Acts of Digitization”
• Digitization usually tied to
grant projects with varying
requirements for cataloging,
imaging (incl. format), &
access (!)
• Video and audio converted to
digital formats and stored on
various network drives &
physical media (!)
• Digitization records often
stored outside of a
centralized collections
management system (!)
• Legacy hard copy images
dating to 1920s and digital
files dating to 1980s (incl.
digital collections photos
stored on CD) (!) Bear Approaching a Man with a Camera, circa 1955 (93.12.21)
8. • Digitization tied to the
strategic goals of the
institution with
standard requirements
for cataloging, imaging
(incl. format), &
access
• Slowly attempting to
get physical and
intellectual control of
digital video and audio
• Moving at-risk digital
assets from physical
media to backed-up
server storage
• Centralized collections
management system =
repository of record
for digital collections
2010-Present
1927 LaSalle Roadster (81.142.1)
9. 32,109 objects digitized
Circus Poster, Barnum and Bailey Present "Marvelous Performances of the Troupe of Trained Cats and Pigs," circa 1895 (35.784.119)
10. Digitization Output
By Type
3D Objects
Photographs
Documents
Video/Film
By Location
Archives
Museum
Village
Admin
Storage
Ford Motor Company Highland Park Plant Showing One Day's Output of 1000 Cars, 1913 (94.112.1)
11. What Encompasses “Digitization”?
Edison Automatic Mimeograph, No. 51, 1896-1905 (62.170.2)
Conservation
Imaging/AV
Studio photo
Camera stand
Scanner
AV capture
Metadata
Optional
Description
Specs
360°
12. Our System
EMu (collections
management
system)
SQL DB APIs
WEB MOBILE
KIOSKS
Mr. C. Burr Forrest in Ford Model T Automobile, using Telephone Connection with Rural Telephone Line, 1910 (P.O.1077)
13. 2014
project:
John
Burroughs
John Burroughs at the
Door of His Chestnut
Bark Study at Riverby,
1919 (00.1764.11)
John Burroughs'
Album of Pressed
Wildflowers
Gathered during the
Harriman Alaska
Expedition, 1899
(93.205.123)
John Burroughs at the
Grand Canyon, 1909
(93.205.66.1)
Letter to John Burroughs
from Louise Bache, a
Student Thanking Him for a
Nature Walk, May 16, 1901
(93.205.125.6)
14. 2014 project: IMLS grant
communications
equipment
Bell Laboratories Helium-Neon Gaseous Optical Maser, 1963 (63.173.1)
Edison Phonograph, circa 1922 (29.2003.25)
Radio Receiver Used on the USS George Washington
During President Wilson's Trip to France for Peace
Negotiations, 1919 (36.557.1)
Commodore
64 Personal
Computer,
1985
(2009.102.1)
15. 2014 project: Greenfield
Village building documentation
Back View of
Cotswold
Cottage at Its
Original Site
in England,
1929-1930
(EI.1929.249)
Ford Dealers in Greenfield Village for the
Presentation of Farris Windmill to Henry Ford,
November 6, 1936 (P.O.5949)
Ackley Covered Bridge
Dedication, Greenfield Village,
July 2, 1938 (EI.1929.14)
16. 2014 project:
Political buttons &
badges
Benjamin Harrison
Campaign Stickpin,
1888, 1892
(72.31.241)
Hazen Pingree
Campaign Button,
1896, 1898 (75.168.2)
Roosevelt-Fairbanks Campaign
Button, 1904 (72.31.290)
McKinley-Hobart
Campaign Badge,
1896 (72.31.262)
William Bryan Campaign
Button, 1908 (72.31.275)
17. 2014
project:
Jenny Young
Chandler
glass plate
negatives
Tomboy of Darby Patch, Nellie Punching
Bag, 1890-1915 (32.351.251)
Boys in Brooklyn
Children's
Museum, 1899-
1915 (32.351.38)
Girls at a Used Book Stall,
New York, 1890-1915
(32.351.20)
18. 2014
project:
Silver &
pewter
Baby Rattle, 1720-1730 (62.73.3)
Compote, Made by Paul
Storr, 1811-1812
(30.1729.5)
Inkstand, 1791-1792
(35.2.105)
19. 2014 project:
Dave Friedman
collection
Dave Friedman Collection--Photographs--Slides--1963 Indianapolis 500--Item
51 (2009.158.427)
Dave Friedman
Collection--
Photographs--
Digital Images-
-1962 Pacific
Grand Prix--
Item 436
(2009.158.317.
2334)
Dave Friedman Collection--
Photographs--Digital Images--
1967 24 Hours of Le Mans--Item
612 (2009.158.317.3708)
20. 2014
project:
The Henry
Ford on
television
Broadcasting the "Howdy Doody" Show from
Greenfield Village, Camera outside Scotch
Settlement School, October 25, 1955 (S.T.2770)
Filming a Laser Show at Menlo Park
Laboratory in Greenfield Village for ABC-TV's
World of Discovery, May 25, 1989
(P.B.103705.2)
Filming Television Series "Window to the
Past," Marion Corwell Shows Toys from the
Collection, Henry Ford Museum, August,
1955 (P.B.10533)
21. Whittier
Percussion
Revolving
Rifle, circa
1840
(00.3.1742)
2014 project:
Firearms
Wheel Lock
Musket,
circa 1725
(00.3.15231)
Air Rifle, circa
1650
(2014.0.11.1)
22. Future State: “Digital Content Engine”
• Move from
database-only to
storytelling
• User-centric
approach
• Blending of physical
and digital
• Integrate collections
with the rest of our
digital presence
• Showcase
connections
between artifacts,
people, ideas
• New data outputs
(e.g. 3D printing)
Buck Rogers Comic Strip Characters and Space Vehicles,
Cocomalt Premium, circa 1934 (2001.49.1)
23. Working Challenges
• Mass digitization vs.
“special” treatment
• Institutional vs. external
requirements
• Curatorial expertise vs.
user interaction
• Archives content vs.
material culture content
• Scholars vs. general public
• Partnerships vs. going solo
Big Bird Puzzle, 1973 (96.103.2)
24. Grants,
Internships, &
Volunteer
Opportunities
Simmons Graduate
Internship Program:
For current graduate
students pursuing
careers in museums,
archives, historical
agencies, conservation
labs, or related fields;
stipend for a minimum
12-week full time
internship
Henry Ford Trade School Students at Ford Exposition, New York World's Fair, 1939 (64.167.232.1656)
For-Credit and Volunteer Internships:
Opportunities for undergraduate and
graduate students to participate in cultural
heritage career-related work through for-credit
and volunteer internships
Clark Research Grant Program: Support for
research using the automotive history
collections of The Henry Ford; applications
accepted through November 15, 2014, for
research to be completed during 2015
25. Thank you!
Ellice Engdahl
Digital Collections & Content Manager, The Henry Ford
@ErisuEEE
Editor's Notes
Thank you!
Thrilled to be here and to share what we’re doing.
Bit about us…
Currently called The Henry Ford, but founded 1929 by Henry Ford as Edison Institute, on 50th anniversary of Thomas Edison’s invention of electric light
Henry interested in significant achievements of industrial history (like Edison’s) but also everyday life for Americans before changes from automobile and industrialization.
Five venues:
Large museum
Open-air historical village
Benson Ford Research Center = portal to our collex, incl. reading room and behind-the-scenes tours/access
IMAX theater – largest screen in Michigan
Run Ford Rouge Plant factory tour for FMC
Also onsite is Henry Ford Academy, a public charter high school with 485 students
(interesting employee dining room)
Figures for sense of scale:
Large staff (slightly fewer in the winter when the Village is closed)
Lots of volunteers donating lots of hours
Physically large campus with lots of bldgs
Quote from Curator of Public Life Donna Braden– gets at both good & bad things about vast collection
About ¼ million objects--estimates vary depending on how you count, but that’s estimate for accreditation
Educated guess for our archives #—but lots, plus historic audio/video in prob any format ever existed
Vast storage facilities chock full of material
“Random Acts of Digitization” quote fr Gunter Waibel, Dir Smithsonian Dig Prog office--gets at the chaos museums both created and inherited from early days of the web
Early digitization often tied to grants--what was captured in images/metadata varied; also where/how material was stored -- not always captured in centralized system or consistent way
Access provided via Reading Room or microsites (not updated/maintained)
VAST legacy digital/hard copy data on collections not in CMS
Result: In part, what our web presence looked like in 2014
Slide borrowed from boss, to illustrate how many sites we currently support—many using different backends, few cross-searchable, etc.
Maintenance nightmare.
Coming up to our present push:
2010: THF announced intent to digitize all holdings
2011: Began using EMu as collex mgmt system and now repository of record for collex info + consistently sized/formatted imgs for web
Since 2010, have been selecting digitization projects based on strategic needs of institution—for ex. exhibits, programs, material for marketing, etc.
Trying to rescue most at-risk digital assets--move to better, if not perfect, conditions
In 2010, 300 artifacts digitized; as of last week….
32,109 objects!
Image for this slide = this is what digitization sometimes feels like. Note cats boxing and leaping through rings of fire.
Couple of ways to break down what we’ve digitized
By type: majority = photographs, with slightly over a quarter material culture objects; only a small amount of film
By location: majority = archival stacks with second most common location in storage. Archival stack materials (mostly) avail through Reading Room, but objects in storage are mostly inaccessible—except digitally.
Stats for ref:
By type: 27% are 3D material culture artifacts, 57% are photographs, 15% are documents (e.g. archival items that are not photos), and less than 1% are video/film.
By location: About 71% in archives stacks. About 5% on display in Museum; about 1.5% on display in Village. About 2% in administrative or processing-type locations—conservation department, photography studio, on loan, on display in non-public areas, etc. About 20% in storage.
21,729 artifacts on display in the Museum and Village; 2164 digitized (16545 on display in Village; 5185 on display in Museum)
How we define something as digitized:
Objects evaluated for conservation needs; treatments undertaken minimal (minor dusting/cleaning) to extensive.
Must have at least one image
Photo studio captures objects
Most archival imaging done via rapid capture with copy stand and mounted camera.
One-offs, on-demand (incl. outside requests), and some transparent archival materials are captured with a flatbed scanner
For AV, volunteer currently performs most AV capture fr original physical media to digital files. Have general standards but still ways to go in ramping up volume and establishing best practices.
Metadata follows two streams
For objects and some archival material, we use the Cataloging Cultural Objects (CCO) standard used by many in the cultural heritage community,
Also use a more minimal approach to some archival items: titles, subjects, etc. applied en masse based on collection’s finding aid and/or applied at a folder level. Balance between findability and access.
Optional details we create for certain collections:
Narratives = 60-word descriptions adding context re: historical significance to about 60% of digitized objects
Specifications = Additional rubricked information for certain types of objects—e.g horsepower or miles per gallon for cars; stitches per inch for quilts.
360° files for about 30 cars—allow user to virtually “sit inside” vehicle.
Quick look at how digitized content is created : metadata stored in EMu; every two weeks exported to SQL db. SQL database and APIs fuel 3 end-uses:
20 touchscreen kiosks in Driving America on Museum floor containing whole dig collection, incl all DA artifacts
mobile collections site (mc.thehenryford.org)
collections website (collections.thehenryford.org)
Each interface has diff features (some only available in one) & displays different fields--capture info once and use slightly differently in different circumstances
Now, some of our 2014 projects (just a sampling)
Project was suggestion from archivist as “hidden collection”
John Burroughs: Naturalist, friends w/ Henry Ford, member of “Vagabonds” camping trips (w/ Henry, Harvey Firestone, Thomas Edison).
Have digitized ~250 artifacts, particularly photos and letters, thus far and about 75 or so still to come
2013 = awarded $150K, 2-year grant from IMLS to conserve, catalog, photograph, rehouse some communications collex.
All located in one storage area that had past issues with climate control and mold; not reviewed in many years.
Previously considered this second-rung communications equipment (primary stuff in another location), but found highly significant equipment we weren’t aware we had. One example is “maser” in the upper left—presentation version of a laser that predates the use of the term “laser.” Finding lots of gems.
Have digitized about 400 objects so far; 1000 by end of 2015.
Project that started with internship--grad student worked w/ curators this summer to create centralized documentation for 80 historic structures. As part of project, we digitized photos of bldgs on original sites, photos of dedication ceremonies, images of people related to building.
Only tackled a handful so far, but will continue through at least some of remainderNote: bored kid at Ackley.
Another intern project—student met at Network Detroit last year cataloged some of our political button collection. Note: Hazen Pingree.
Big fave of mine
Jenny Young Chandler = 25-year-old widow in 1890, began to support herself & infant son working as photojournalist for New York Herald
Have ~800 of her glass plate negatives, which intimately depict everyday life on the streets of Brooklyn, New York.
Wonderful images of children; also different cultures and ethnicities
Digitized ~300 images thus far from collection & continuing with remainder
Good example “random acts of digitization”—were imaged about 8 yrs ago, but housed locally & only avail thru Reading Room. Now “rediscovered” and have been adding to our website.
Project tackled because shelving and exhibit labels in silver/pewter exhibit in Museum were being redone.
Not every piece in exhibit was digitized (challenging/laborious to photograph because it’s reflective), but we did about 160 pieces, about 30%.
Dave Friedman collection = auto racing collection containing hundreds of thousands of photographs, slides, negatives, documents, programs, & published material, incl many prev digitized by donor
Tens of thousands on Flickr; ~7500 on collections website
Digitizing upon request—if researcher/curator is interested in a race, we’ll post that set (fr few doz to few thousand imgs)
Captured w/ the more minimal metadata style—note titles based on finding aid hierarchical metadata, to folder level
Also interesting re: copyright--some photos were taken by Dave Friedman, who gave us rights, but others are third party photographers (e.g. LA Times, etc.). Limits what we can do with them and sometimes whether we post online.
Shameless plug—our new TV show THF’s Innovation Nation premieres on CBS TOMORROW morning, 8:00 AM in Detroit (diff times in other markets). Hosted by Mo Rocca, and one segment in each show takes place on campus, with other segments filmed around the country on stories of innovation.
In advance, curators/archivists looked at material, esp photographs, on previous television endeavors
Digitized about 60 images covering variety of TV at THF, incl. 1989 laser light show at Menlo Park Lab in the Village (fave)
Another example of laborious project—only have few dozen firearms in digital collections—photography is challenging because of shape/materials. Took excellent detail shots.
From current state to where we’re headed…. Just about to start (next week!) project to develop a “digital content engine.”
Taking our digitized collections beyond database to provide more synthesized context and stories for objects—how they relate to other objects, places, people, etc. and why they’re significant.
Want to allow users to form their own connections with our digital content—to understand, to share socially, to interact in new ways—e.g. 3D printing, crowdsourcing annotations or tagging.
Want to think more broadly about “digital content”—come up with coordinated content plans to define how and what we’re creating for all interfaces—blog, Flickr, YouTube, our main website, our collections website, our magazine, our e-mail lists, etc.
One output eventually will be new, more robust collections website (no sooner than 2015)
Some challenges we’re still working through (and will continue to)….
Balancing mass digitization/access with more labor-intensive, “special” treatments to showcase items.
Balancing our internal needs and industry standards with what the average user might want or expect.
How to take advantage of curators’ expertise, but also allow users to share their stories or information—and stay comfortable with this.
As museum and archives, how to allow users to navigate seamlessly between related photos, documents, and objects—but still highlight unique value of each type of object? Also want to integrate finding aids with individual archival items we’ve digitized. Project last year made this work in our collections management system, but haven’t yet translated to web.
Related: how to support both scholars and general public?
When to tackle something in-house and when to partner with another org (for-profit or nonprofit)? Hoping we’ll be able to increase digitization bandwidth through such partnerships.
Opportunities for students--couple of funded positions every year:
Simmons Internship, 3 month internship for grad students with stipend. 2014 Simmons intern just finished researching and documenting a new clothing collection we recently acquired. 2015 program should be opening for applications before too long.
Clark grant, focused on our automotive collections; researcher has to publish or publicly present findings, comes with travel money. Applications are due for 2015 by November 15.
Also provide customized opportunities for students through for-credit or volunteer projects: Let us know if you’re interested in THF--will see if we can find an appropriate project.
Additional info on both the funded opportunities on our website; also will have handouts throughout the day with more details and sample projects so see me if you’d like one.
That’s it! Couple of ways to contact me--feel free to contact me with questions today or any time. Thanks so much!