This document discusses the Indianapolis Museum of Art's use of technology and collaboration. It outlines their goals of creating a simple, clean reading experience for both scholars and general audiences across multiple platforms. It describes their use of Drupal for content management and HTML5/CSS for multi-device formatting without pages. It also mentions their support for PDF/ePub outputs and offline access. The document discusses the Mobile Content Collaboration (TAP) initiative and its goals of easy authoring, reuse of content across museums, and leveraging existing systems. It lists several museum partners and provides an overview roadmap for the further development of standards and tools.
This one hour workshop was delivered as part of a series of lunchtime mobile sessions at the University of Sheffield. The session explored different apps that could be used to support fieldwork activities, these ools included Junaio, ARIS and Polleverywhere.
Museum Based Learning – Pride, Joy and Engagement, Michael Koh, Chief Executive Officer, National Heritage Board, Singapore.
Presented at the 5th Asia-Europe Museum Network (ASEMUS) Meeting General Conference 2012, Seoul, Korea.
http://asemus.museum
This one hour workshop was delivered as part of a series of lunchtime mobile sessions at the University of Sheffield. The session explored different apps that could be used to support fieldwork activities, these ools included Junaio, ARIS and Polleverywhere.
Museum Based Learning – Pride, Joy and Engagement, Michael Koh, Chief Executive Officer, National Heritage Board, Singapore.
Presented at the 5th Asia-Europe Museum Network (ASEMUS) Meeting General Conference 2012, Seoul, Korea.
http://asemus.museum
A presentation by Bruce Wyman and Rob Stein at the Museums and the Web 2014 conference in Baltimore, MD. The presentation documents the first year of operations and strategy for the DMAFriends program at the Dallas Museum of Art
Using Linked Data: American Art Collaborative, Oct. 3, 2016David Newbury
Linked Data is a interesting topic in museums, but how do we actually use it? This talk profiles several ways the Carnegie Museum of Art uses Linked Data, and talks about when and where Linked Data can be useful.
Museums, libraries, art institutes, and many other types of organizations need online exhibits - websites that mimic the experience of walking through a gallery discovering interesting and beautiful objects. Dumbarton Oaks Research Library and Collection recently completed a major website redesign, with Plone as their chosen CMS, and online exhibits are an important part of the new site. They wanted many features, but they also wanted online exhibits to be easy for content editors - even interns - to create.
In this talk Sally Kleinfeldt and Alec Mitchell describe collective.exhibit the new open source Plone add-on for online exhibits that we have created for Dumbarton Oaks and for the Plone community. Sally will provide background about what Dumbarton Oaks wanted in their online exhibits. Alec will describe our implementation, covering our use of Dexterity content types, bulk content creation, and how we used templates to provide a rich feature set while still making it easy for inexperienced content editors to create exhibits.
Got Tech? How Small-town museums and historical sites can go digitalBluecadet
Community pillars and repositories of history and memory, many museums are struggling the face of an ever evolving technological landscape. Consultants for local museums have commented that small museums “lack all of the new technology platforms” and as a result these museums will “most likely fall further behind the industry and become less relevant to the intended audience.” By looking at recent digital initiatives from across the country, this panel will highlight ways in which museums can use this opportunity to not only jump on the digital bandwagon, but also reach a new and larger audience.
The Smithsonian Institution, the Center for Public History + Digital Humanities, and the Florida Humanities Council are a few of the national and statewide institutions that are partnering with small town museums and historic sites through new digital initiatives. We will discuss twenty-first century solutions for museums and historic sites by examining interactive experiences that explore how we can leverage current collections/resources and thus highlight the pivotal role these institutions can play within the larger community.
A presentation by Bruce Wyman and Rob Stein at the Museums and the Web 2014 conference in Baltimore, MD. The presentation documents the first year of operations and strategy for the DMAFriends program at the Dallas Museum of Art
Using Linked Data: American Art Collaborative, Oct. 3, 2016David Newbury
Linked Data is a interesting topic in museums, but how do we actually use it? This talk profiles several ways the Carnegie Museum of Art uses Linked Data, and talks about when and where Linked Data can be useful.
Museums, libraries, art institutes, and many other types of organizations need online exhibits - websites that mimic the experience of walking through a gallery discovering interesting and beautiful objects. Dumbarton Oaks Research Library and Collection recently completed a major website redesign, with Plone as their chosen CMS, and online exhibits are an important part of the new site. They wanted many features, but they also wanted online exhibits to be easy for content editors - even interns - to create.
In this talk Sally Kleinfeldt and Alec Mitchell describe collective.exhibit the new open source Plone add-on for online exhibits that we have created for Dumbarton Oaks and for the Plone community. Sally will provide background about what Dumbarton Oaks wanted in their online exhibits. Alec will describe our implementation, covering our use of Dexterity content types, bulk content creation, and how we used templates to provide a rich feature set while still making it easy for inexperienced content editors to create exhibits.
Got Tech? How Small-town museums and historical sites can go digitalBluecadet
Community pillars and repositories of history and memory, many museums are struggling the face of an ever evolving technological landscape. Consultants for local museums have commented that small museums “lack all of the new technology platforms” and as a result these museums will “most likely fall further behind the industry and become less relevant to the intended audience.” By looking at recent digital initiatives from across the country, this panel will highlight ways in which museums can use this opportunity to not only jump on the digital bandwagon, but also reach a new and larger audience.
The Smithsonian Institution, the Center for Public History + Digital Humanities, and the Florida Humanities Council are a few of the national and statewide institutions that are partnering with small town museums and historic sites through new digital initiatives. We will discuss twenty-first century solutions for museums and historic sites by examining interactive experiences that explore how we can leverage current collections/resources and thus highlight the pivotal role these institutions can play within the larger community.
Making the Black Hole Gray: Implementing the Web Archiving of Specialist Art ...The Frick Collection
Report on the New York Art Resources Consortium's investigation into web archiving born-digital art research materials.
Presented at the Archive-It Partner Meeting, Salt Lake CIty, Utah, November 12, 2013
GOALS: Putting Data at the Heart of your MuseumRobert J. Stein
As part of the Digital Museum Planning book published by Lord and Associates. This presentation covers ways that museum staff can structure their work around goal-setting and learning
A Body in Balance - Imagining and Ecology of MuseumsRobert J. Stein
A talk for the 2016 Visitor Experience Conference in Philadelphia, PA.
Museums are places that we all believe can change the world, but how does that really happen? Change - if it is to happen at all - has to start very close to home.
If museums hope to change the world, we have to begin by changing museums.
Museums and Big Data — Supporting Exploration, Innovation, and Audience Engag...Robert J. Stein
Today’s museums are awash in data. With so many sources of information available, an organization can be drowning in numbers, but starved for real insight. Robert Stein, former Deputy Director of the Dallas Museum of Art (DMA), will examine how museums can begin to collect and analyze data to illuminate their practice and enhance their impact on visitors. Using a unique visitor loyalty program at the DMA as a case study, he will raise questions about what “big data” in the cultural sector looks like and what insights it might provide.
A keynote for the 2015 We are Museums Conference in Berlin, Germany.
Museums… why should we care? Much has been written about the changes our culture is experiencing as institutions that once held a place of primary esteem have now somehow become less important than they once were. Museums are at the crux of this change and are wondering how we might preserve and bottle the relevance we hold with our audiences. At the same time, we find that relevance to be changing, ephemeral, and eroding.
How should museums answer these fundamental questions about our impact and why we matter at all? When challenged to defend the public investment and trust that we have stewarded for so many years, are we prepared to give a good account?
In this talk, Rob will expand on his seminal article about museum impact, Museums… So What? and will provide new insights and opportunities for museums to look towards to document and demonstrate actual real impact that museums provide and the tangible benefits museums can bring to their communities.
“Museums… so what?” will follow up on his much discussed article from the CODE|WORDS series on Medium.
https://medium.com/code-words-technology-and-theory-in-the-museum/
Charting the Course: Using Data in the Museum to Explore, Innovate, and Reach...Robert J. Stein
This talk was presented at the We Are Museums Conference in May-June 2015 in Berlin, Germany.
It seems that today’s museums are awash in data. With so many sources of data available to us, museums can easily feel that they’re drowning in numbers, but starved for real insight. This talk will present practical ways that museums can begin to collect and analyze data to help illuminate their own practice and impact with visitors. Using a unique visitor loyalty program at the Dallas Museum of Art as a case study, this talk will raise questions about what “big data” in the cultural sector really looks like and what insights it might provide to museums.
Learn more about the DMA Friends program
https://www.dma.org/visit/dma-friends
Read the article of Robert Stein about the DMA Friends programme http://rjstein.com/portfolio/dma-friends/
Desperately Seeking Innovation: Making Connections Between Art and ScienceRobert J. Stein
Growing up, our schools instill a clas- sical distinction between the arts and sciences, and as adults, our professional training continues to reinforce those barriers. Yet as we seek a culture of innovation and creativity, those boundaries between art and science are becoming more and more artificial, and perhaps even detrimental to a comprehensive view of the world that allows for out-of-the-box solutions to this generation’s most pressing issues.
Connecting the Dots: How Digital Methods Become the Glue that Binds Cultural ...Robert J. Stein
The growth and scale of the world’s cities is exploding at an amazing rate. By some counts, the population of cities is growing at nearly 1 million people every week and will top seven billion by the middle of the century. At the same time, popular culture’s fascination with technology, mobile devices, digital media, and social networking seems to pose a significant threat to the appreciation and relevance of cultural heritage in our contemporary society.
Considering these two factors together forces us to ask some concerning questions about what place culture will have in tomorrow’s cities. Are mobile devices killing museum experiences as some have asserted? Does the cultural heritage field’s current fascination with participation and engagement actually endanger cultural appreciation and learning? The answers to these questions have become polarizing in the press and among professionals in museums, but the answer does not need to be either one or the other.
This presentation will suggest a practical and balanced approach to adopting digital platforms and practices in museums that focus the experience on a personal and aesthetic appreciation of cultural heritage. Furthermore, the talk will examine the potential role cultural heritage organizations can play within a city to engage a local audience in common experiences in a manner that can begin to address the social frictions and disparities that exist among the world’s major cities.
Reading the Tea Leaves: Global Trends and Opportunities for Tomorrow's MuseumsRobert J. Stein
A presentation to the 2014 Communicating the Museum conference in Sydney, Australia.
As our society becomes increasingly more intertwined, it is evident that global trends that once seemed remote are having a deep impact on our local communities. These same trends play out in museums around the globe as we reflect our communities both past and present. The museum audience is inherently submerged in this current of cultural change. Without pretending to predict the entire future, there are strong signals that a few important global trends will persist. What are those trends and how can museums begin to take advantage of those likely shifts to promote, advocate, and enhance their relevance to a global audience?
Experience Mining: Understanding Cultural Participation in MuseumsRobert J. Stein
Is it possible to design a platform that can collect information about cultural participation of Museums? How might we design a tool that can help inform our Museum staff about the experiences and cultural consumption of visitors in the Museum. Rather than purely counting attendance as the best measure of Museum success, how might we move towards a behavioral analysis of visitor participation and how might this change museum practice?
Global Cities are growing at an amazing place and are changing the ways in which we live, work, play, and relate to each other. The term Smart Cities describes a movement to apply new technological developments towards the development of these cities, but does doing so create a city that we actually want to live in? This presentation will address the role of culture and artists in creating a dynamic "place" and the role that Museums might play in promoting a cultural dialog within their local communities
Participation at Scale: Leveraging incentive and gamification to promote muse...Robert J. Stein
A talk to MuseumNext 2013, Amsterdam describing the work of the Dallas Museum of Art in establishing the DMA Friends platform for participatory engagement.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
Hollywood Actress - The 250 hottest galleryZsolt Nemeth
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_7 OTT App Builders to Support the Development of Your Video Applications_.pdfMega P
Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
Matt Rife Cancels Shows Due to Health Concerns, Reschedules Tour Dates.pdfAzura Everhart
Matt Rife's comedy tour took an unexpected turn. He had to cancel his Bloomington show due to a last-minute medical emergency. Fans in Chicago will also have to wait a bit longer for their laughs, as his shows there are postponed. Rife apologized and assured fans he'd be back on stage soon.
https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
Modern Radio Frequency Access Control Systems: The Key to Efficiency and SafetyAITIX LLC
Today's fast-paced environment worries companies of all sizes about efficiency and security. Businesses are constantly looking for new and better solutions to solve their problems, whether it's data security or facility access. RFID for access control technologies have revolutionized this.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
240529_Teleprotection Global Market Report 2024.pdfMadhura TBRC
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Meet Dinah Mattingly – Larry Bird’s Partner in Life and Loveget joys
Get an intimate look at Dinah Mattingly’s life alongside NBA icon Larry Bird. From their humble beginnings to their life today, discover the love and partnership that have defined their relationship.
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
Experience the thrill of Progressive Puzzle Adventures, like Scavenger Hunt Games and Escape Room Activities combined Solve Treasure Hunt Puzzles online.
1. TECHNOLOGY &
COLLABORATION
AT THE INDIANAPOLIS MUSEUM OF ART
ROBERT STEIN
Deputy Director for Research,
Technology, and Engagement
Indianapolis Museum of Art
24. • We’ve tested this on all size screens
– Iphone
– Flatpanels 1,2,3, 4, column
– 3-screen
– Tiled display wall
25.
26. PDF / ePub Support
– Support static catalogues
via PDF / ePub
– Fixed versions of
interactives
– Fixed layout based on
page size
– Endnotes instead of inline
footnotes/figures
37. TAP/TourML
Collaborators
Museums
• Balboa Park Online • National Air and Space
Collaborative Museum
• Dallas Museum of Art • National Museum of the
• The Eiteljorg Museum of American Indian
Native American and Western • The Art Institute of Chicago
Art Vendors
• Indianapolis Museum of Art • AdLib Systems
• GuideByCell
• The Metropolitan Museum of
• Imagineear
Art
• MyTours
• Minnesota Historical Society • NOUS Guides
• Museum of Contemporary • Tristan Systems
Art, San Diego
• Museum of Fine Arts, Boston
40. • Create easy ways to author
mobile content
• Finalize the TourML Specification
• Create Mobile User-Interfaces
• Create a validation tools for
TourML
• Integrate with third-party tools
• Test tools with museum content
collaborators
TAP ROADMAP
55. THANK YOU!
QUESTIONS?
ROBERT STEIN
Deputy Director for Research,
Technology, and Engagement
Indianapolis Museum of Art
Editor's Notes
The Dakota War of 1862, also known as the Sioux Uprising, (and the Dakota Uprising, the Sioux Outbreak of 1862, theDakota Conflict, the U.S.–Dakota War of 1862 or Little Crow's War) was an armed conflict between the United States and several bands of the eastern Sioux. It began on August 17, 1862, along the Minnesota River in southwest Minnesota. It ended with a mass execution of 38 Dakota men on December 26, 1862, in Mankato, Minnesota.Throughout the late 1850s, treaty violations by the United States and late or unfair annuity payments by Indian agents caused increasing hunger and hardship among the Dakota. Traders with the Dakota previously had demanded that the government give the annuity payments directly to them (introducing the possibility of unfair dealing between the agents and the traders to the exclusion of the Dakota). In mid-1862 the Dakota demanded the annuities directly from their agent, Thomas J. Galbraith. The traders refused to provide any more supplies on credit under those conditions, and negotiations reached an impasse.[2]On August 17, 1862, one young Dakota with a hunting party of three others killed five settlers while on a hunting expedition. That night a council of Dakota decided to attack settlements throughout the Minnesota River valley to try to drive whites out of the area. There has never been an official report on the number of settlers killed, although as many as over 800 settlers have been cited and is not out of line. Further consideration is given to maybe just as many settlers being taken captive as slaves, if not tortured to death as was customary.[citation needed]Over the next several months, continued battles between the Dakota against settlers and later, the United States Army, ended with the surrender of most of the Dakota bands.[3] By late December 1862, soldiers had taken captive more than a thousand Dakota, who were interned in jails in Minnesota. After trials and sentencing, 38 Dakota were hanged on December 26, 1862, in the largest one-day execution in American history. In April 1863 the rest of the Dakota were expelled from Minnesota toNebraska and South Dakota. The United States Congress abolished their reservations.
The Dakota War of 1862, also known as the Sioux Uprising, (and the Dakota Uprising, the Sioux Outbreak of 1862, theDakota Conflict, the U.S.–Dakota War of 1862 or Little Crow's War) was an armed conflict between the United States and several bands of the eastern Sioux. It began on August 17, 1862, along the Minnesota River in southwest Minnesota. It ended with a mass execution of 38 Dakota men on December 26, 1862, in Mankato, Minnesota.Throughout the late 1850s, treaty violations by the United States and late or unfair annuity payments by Indian agents caused increasing hunger and hardship among the Dakota. Traders with the Dakota previously had demanded that the government give the annuity payments directly to them (introducing the possibility of unfair dealing between the agents and the traders to the exclusion of the Dakota). In mid-1862 the Dakota demanded the annuities directly from their agent, Thomas J. Galbraith. The traders refused to provide any more supplies on credit under those conditions, and negotiations reached an impasse.[2]On August 17, 1862, one young Dakota with a hunting party of three others killed five settlers while on a hunting expedition. That night a council of Dakota decided to attack settlements throughout the Minnesota River valley to try to drive whites out of the area. There has never been an official report on the number of settlers killed, although as many as over 800 settlers have been cited and is not out of line. Further consideration is given to maybe just as many settlers being taken captive as slaves, if not tortured to death as was customary.[citation needed]Over the next several months, continued battles between the Dakota against settlers and later, the United States Army, ended with the surrender of most of the Dakota bands.[3] By late December 1862, soldiers had taken captive more than a thousand Dakota, who were interned in jails in Minnesota. After trials and sentencing, 38 Dakota were hanged on December 26, 1862, in the largest one-day execution in American history. In April 1863 the rest of the Dakota were expelled from Minnesota toNebraska and South Dakota. The United States Congress abolished their reservations.
The Dakota War of 1862, also known as the Sioux Uprising, (and the Dakota Uprising, the Sioux Outbreak of 1862, theDakota Conflict, the U.S.–Dakota War of 1862 or Little Crow's War) was an armed conflict between the United States and several bands of the eastern Sioux. It began on August 17, 1862, along the Minnesota River in southwest Minnesota. It ended with a mass execution of 38 Dakota men on December 26, 1862, in Mankato, Minnesota.Throughout the late 1850s, treaty violations by the United States and late or unfair annuity payments by Indian agents caused increasing hunger and hardship among the Dakota. Traders with the Dakota previously had demanded that the government give the annuity payments directly to them (introducing the possibility of unfair dealing between the agents and the traders to the exclusion of the Dakota). In mid-1862 the Dakota demanded the annuities directly from their agent, Thomas J. Galbraith. The traders refused to provide any more supplies on credit under those conditions, and negotiations reached an impasse.[2]On August 17, 1862, one young Dakota with a hunting party of three others killed five settlers while on a hunting expedition. That night a council of Dakota decided to attack settlements throughout the Minnesota River valley to try to drive whites out of the area. There has never been an official report on the number of settlers killed, although as many as over 800 settlers have been cited and is not out of line. Further consideration is given to maybe just as many settlers being taken captive as slaves, if not tortured to death as was customary.[citation needed]Over the next several months, continued battles between the Dakota against settlers and later, the United States Army, ended with the surrender of most of the Dakota bands.[3] By late December 1862, soldiers had taken captive more than a thousand Dakota, who were interned in jails in Minnesota. After trials and sentencing, 38 Dakota were hanged on December 26, 1862, in the largest one-day execution in American history. In April 1863 the rest of the Dakota were expelled from Minnesota toNebraska and South Dakota. The United States Congress abolished their reservations.