Codes and conventions for short films
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I researched and analysed different short films which gave me a great understanding on what makes a short film.
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Codes and conventions of short films
The document discusses conventions for short films, noting that they have limited time (5-15 minutes) to develop a small number (2-3) of characters and storylines without exploring background details. Due to low budgets, short films typically use 1-2 locations and have a "twist" to make the brief storyline more intriguing.
Codes and conventions of short films
In a short film between 5-15 minutes, there is little time to develop characters in depth or include many characters. As such, short films typically feature 2-3 characters that have clear intentions established quickly. They also usually include a plot twist to make the short storyline more intriguing. Due to low budgets, short films are often filmed within 1-2 everyday locations to keep costs low and the story straightforward.
Codes and conventions of short films
In a short film between 5-15 minutes, there is little time to develop characters in depth or include many characters. As such, short films typically feature 2-3 characters that have clear intentions established quickly. They also usually include a plot twist to make the short storyline more intriguing. Additionally, short films have low budgets, utilizing only 1-2 locations to keep costs down and the story straightforward, with settings commonly being everyday places like houses, schools, or warehouses.
Structure and length
A presentation which details how I have considered structure and length compared to existing products.
Screenwriting 1
The document outlines the roles and responsibilities of writers during the television and film production process. It discusses how scripts often change throughout production and that writers are responsible for drafts but directors and producers have ultimate authority. Students are tasked with generating plot ideas, developing characters, and writing a first draft of a short film script using example scripts as guides.
Codes and Conventions of Short Films
Short films typically feature 2-3 main characters with limited backstories due to their short length. They have very low budgets, using few locations and actors who often work for free. Short films are usually between 5-10 minutes, any longer and they would be considered feature length. They take everyday situations audiences can relate to and add a twist to make the story intriguing given their brevity.
The role of screenplay
This document provides an overview of the key elements that go into writing a screenplay, including concept, characters, plot, structure, character profiles, settings, and narrative structure. It discusses what screenwriters need, such as strength, speed, stamina, technique, and endurance. It also describes professional screenwriters as usually being represented by an agency, while amateur screenwriters often work for free initially. Screenwriters may also take on work as script doctors to improve scripts.
Codes and conventions of a short film
Short films are typically between 5-15 minutes in length. They have 2-3 main characters to allow viewers to relate to them in the short time. Short films almost always include a twist to make the storyline more interesting. They typically have a low budget due to independent filmmakers working with limited funding and resources. Short films take everyday situations viewers can relate to and add a twist to make them intriguing. Common uses of short films are to demonstrate a director's talents or propose a movie idea to studios.
Recommended
Codes and conventions of short films
The document discusses conventions for short films, noting that they have limited time (5-15 minutes) to develop a small number (2-3) of characters and storylines without exploring background details. Due to low budgets, short films typically use 1-2 locations and have a "twist" to make the brief storyline more intriguing.
Codes and conventions of short films
In a short film between 5-15 minutes, there is little time to develop characters in depth or include many characters. As such, short films typically feature 2-3 characters that have clear intentions established quickly. They also usually include a plot twist to make the short storyline more intriguing. Due to low budgets, short films are often filmed within 1-2 everyday locations to keep costs low and the story straightforward.
Codes and conventions of short films
In a short film between 5-15 minutes, there is little time to develop characters in depth or include many characters. As such, short films typically feature 2-3 characters that have clear intentions established quickly. They also usually include a plot twist to make the short storyline more intriguing. Additionally, short films have low budgets, utilizing only 1-2 locations to keep costs down and the story straightforward, with settings commonly being everyday places like houses, schools, or warehouses.
Structure and length
A presentation which details how I have considered structure and length compared to existing products.
Screenwriting 1
The document outlines the roles and responsibilities of writers during the television and film production process. It discusses how scripts often change throughout production and that writers are responsible for drafts but directors and producers have ultimate authority. Students are tasked with generating plot ideas, developing characters, and writing a first draft of a short film script using example scripts as guides.
Codes and Conventions of Short Films
Short films typically feature 2-3 main characters with limited backstories due to their short length. They have very low budgets, using few locations and actors who often work for free. Short films are usually between 5-10 minutes, any longer and they would be considered feature length. They take everyday situations audiences can relate to and add a twist to make the story intriguing given their brevity.
The role of screenplay
This document provides an overview of the key elements that go into writing a screenplay, including concept, characters, plot, structure, character profiles, settings, and narrative structure. It discusses what screenwriters need, such as strength, speed, stamina, technique, and endurance. It also describes professional screenwriters as usually being represented by an agency, while amateur screenwriters often work for free initially. Screenwriters may also take on work as script doctors to improve scripts.
Codes and conventions of a short film
Short films are typically between 5-15 minutes in length. They have 2-3 main characters to allow viewers to relate to them in the short time. Short films almost always include a twist to make the storyline more interesting. They typically have a low budget due to independent filmmakers working with limited funding and resources. Short films take everyday situations viewers can relate to and add a twist to make them intriguing. Common uses of short films are to demonstrate a director's talents or propose a movie idea to studios.
Ssssshort Film Codes And Conventions.pdf
Short films are typically between 5-15 minutes long. They focus on a small number of characters (usually 2-3) to efficiently tell a story in a short time. A twist is often included to intrigue viewers. Short films take everyday situations and subvert expectations. They are commonly used by directors to demonstrate their skills and potentially attract funding for larger projects. Budgets for short films tend to be small due to their independent nature.
Documentary script
This document provides an overview of how to write a documentary script. It discusses that documentary scripts are different from fiction scripts as they deal with facts rather than fiction. It also notes that documentary scripts should be written visually so that everything seen on screen can be grounded in accuracy. The document outlines the two main stages of documentary scriptwriting - the pre-shoot or shooting script created before filming begins to provide a conceptual map, and the post-shoot script finalized after filming to weave all audiovisual elements into a cinematic story. Research is emphasized as critical for documentary scripts.
A2 EVALAUATION - In what ways does your media product use, develop or challen...
The document discusses the filmmaker's short film "Lost in the Eve" and how it utilizes conventions of the short film genre. Some conventions it follows include: limiting the film to 3 characters to save time on introductions; keeping the runtime under 30 minutes as most short films are; following Tzvetan Todorov's narrative structure of equilibrium disruption, recognition, attempt to repair, and new equilibrium; using stereotypes to quickly establish characters; and having a limited budget as most short films do. It also discusses some ways the film challenges conventions, such as through its pacing and shot types.
Codes & Conventions In Our Short Film
The document discusses the codes and conventions that will be applied to a short film project. It will follow conventions in several areas:
1) It will have 3 main characters to allow audience connection without extensive character development due to the short duration.
2) The film duration will adhere to under 5 minutes, following the conventional short film length.
3) It will include a theme and moral message as many short films do, focusing on technology's impacts but not using a plot twist.
4) Credits will be included at the end in the conventional short film style, though less extensive than professional films.
5) It will be produced with a low budget using existing equipment, as is conventional for
Conventions of short films
A short film is defined as a movie with a duration that makes it distinct from a feature-length film. Short films typically only include 2-3 characters to allow for their quick establishment and understanding by the audience. Character theories, such as Goffman's, categorize characters into protagonist, secondary character, minor character, and comedic character roles. Most short films also contain a plot twist to make the story more interesting. Short films usually have low budgets, so they keep costs minimal through limited characters, locations, and sometimes unpaid acting. An engaging storyline can be developed even in an ordinary setting. Narrative theories, like Tzvetan Todorov's concept of equilibrium, conflict, and resolution, are also applicable
Greenleaf
This document discusses what the author has learned about short films so far. It covers several key points:
- The differences between short films and feature lengths, and the elements and characteristics of short films.
- The importance of twists in short films.
- Research into different short film genres, directors, funding, and awards.
- How studying narratives and filming techniques has influenced the development of their own short film idea.
Codes & conventions of short films
Short films are typically 5-10 minutes long, with 35 minutes being the maximum length. They aim to tell a story quickly and keep the number of characters low, usually 1-3 people, to avoid complications. The narrative is condensed and gets straight to the action, often taking an everyday scenario and twisting it. Most short films end with a twist or cliffhanger instead of a clear resolution due to their short duration. They are typically low-budget, independent productions shown at film festivals rather than mainstream cinemas. Narrative theories like Barthes' hermeneutic codes around suspense are often employed to engage audiences within the short time frame.
Programme doc documentary_script
This document provides guidance on writing a documentary script. It discusses how documentary scripts are different from fiction scripts in that they must deal with factual events and real people rather than fiction. It also notes that documentaries have less control over subjects and events compared to fiction films. The document outlines the key elements and stages of writing a documentary script, including pre-shoot and post-shoot scripts. It emphasizes that a script is critical for providing guidance during filming even if aspects may change, and that research is essential for documentary scripts.
My Research & Planning Powerpoint
The document provides an analysis and summary of research conducted for a media studies coursework project on short films. It includes textual analysis of sample documentary and short film texts, research on target audiences and industry conventions. Ideas for the author's own short film are presented, focusing on two characters where one disappears in a forest, leaving the other to find only his phone.
How not to make a short film
The document provides tips for how to effectively make a short film in 8 steps:
1. Keep the film short, under 10 minutes, to control costs and keep festival selectors interested. Test lengths with audiences.
2. Avoid cliches and stereotypes; tell original, personal stories that resonate with you.
3. Ensure the film has a compelling narrative with a protagonist, goal, and obstacle to engage audiences.
4. Balance visual storytelling and dialogue; use images and lack of dialogue to convey meaning.
5. Focus on a powerful single moment or conflict while avoiding too much action in too short a time.
6. Hook audiences from the start and provide a satisfying ending to keep them
Scriptwriting evaluation
The student wrote an experimental, dialogue-free film script about mental health called "SINFUL" for a class project. They researched how to write an effective film proposal to pitch the script to potential investors. Key components of the proposal included an intriguing synopsis, concise logline, outline of the three-act story structure, description of the main character, detailed treatment, and identification of the target audience. The student formatted their script as a standard master scene script to make it easy for investors to evaluate.
Evaluation 1
This document discusses the conventions of short films and how the author's media product conformed to or challenged several conventions. It notes that the film used only one main character to allow for character development within the short time frame. It incorporated a plot twist, was limited by a low budget that restricted equipment and locations, and was under 30 minutes in length, conforming to standard short film conventions. The film began in a relatable setting and introduced a situation to engage viewers, as is typical for short films.
What is a short film
A short film is typically defined as a film shorter than 40 minutes. Short films allow directors to present their creative abilities with lower budgets and production time compared to feature films. They are often used as stepping stones for directors to showcase their talent and potentially get noticed to direct feature films. Short films can also be used to send messages or promote topics. Conventions of short films include having only 1-3 main characters to connect with audiences in a short time without backstories, and often including a plot twist to make the story engaging. They tend to use everyday settings and situations that are relatable to viewers. [/SUMMARY]
Short Film Codes and conventionsalevelmedia.pptx
This document outlines some common codes and conventions of short films. It notes that short films typically run 5-15 minutes, have a low number of characters to allow for quality character development within the limited time, and always include a plot twist to keep the audience engaged. Short films also have low budgets, using a few main actors and locations to keep production costs low. They aim to depict relatable everyday scenarios but with a twist to engage viewers. The main purpose of short films is to demonstrate a director or producer's talents, not for money, but to potentially attract backing for a larger film project.
Conventions
This document discusses conventions of short films that the author plans to follow for their own short film. It covers typical elements of short films like having few characters, simple narratives with twists, low budgets, lengths of 5-15 minutes, and familiar settings/situations. The author analyzes how their short film will adhere to these conventions, such as using a limited number of student characters, keeping the narrative straightforward yet complex, including a thought-provoking twist, having no budget, clocking in at around 5 minutes, and being set in a typical home environment.
How not to make a short film
The document provides tips for making an effective short film in 8 steps. It recommends keeping the film short (under 10 minutes) to control costs and appeal to film festivals. It advises avoiding cliches and stereotypes, telling a compelling story with goals and obstacles for the protagonist. The document also suggests balancing dialog with visual storytelling, focusing a single dramatic moment with conflict and choice, engaging the audience from the start and end, using lighting and sound effectively to enhance the narrative without being too dark or loud.
In what ways does your media product use, develop or challenge forms and conv...
In this document, the author discusses how their media products for a class project used, developed, and challenged conventions of real media. For their short film "The Ordinary," they used conventions like minimal backstory and letting camerawork tell the narrative. They developed conventions by using editing to express emotions and having multiple settings, while challenging conventions like using different soundtracks for each setting. Their poster and film review page also followed conventions for those genres like simplistic designs and consistent layouts, while adding some original elements.
Script Development & The Commissioning Process
The document discusses various aspects of writing short film scripts, including:
- Short films can range from 30 seconds to 30 minutes, but festivals generally prefer under 10 minutes to keep costs lower.
- Short film scripts require getting to the core of the story quickly without unnecessary details. They must move fast while maintaining polish.
- Effective short films often focus on a single main character and explore their internal conflict visually rather than through exposition.
- Writers should stick to only what's needed for the story and not direct the audience. Format is also important for readability. Overall the document provides advice on crafting short film scripts.
Evaluation question 2
The student created a short film and ancillary tasks of a film poster and review to promote the film. The poster incorporates elements from the film like genre, plot details, and props to give audiences a first impression. Similarly, the review uses film terminology, screenshots and descriptions to depict the genre and plot. Through consistency between the ancillary tasks and film, an accurate representation is created to inform and appeal to audiences. The combination is effective promotion as the poster and review speak to audiences and prepare them for the film.
Shooting schedule
The shooting schedule outlines 7 scenes to be filmed over 5 days in January and February at various locations including Georges house, a doctor's car park, and Washbrook close. It will feature the characters of George, Matt, Joe and Peter during both day and night shoots. A post first take schedule is also planned in March to film additional scenes between George and Joe at Barton rovers and Washbrook close during the day.
More Related Content
Similar to Codes and conventions for short films
Ssssshort Film Codes And Conventions.pdf
Short films are typically between 5-15 minutes long. They focus on a small number of characters (usually 2-3) to efficiently tell a story in a short time. A twist is often included to intrigue viewers. Short films take everyday situations and subvert expectations. They are commonly used by directors to demonstrate their skills and potentially attract funding for larger projects. Budgets for short films tend to be small due to their independent nature.
Documentary script
This document provides an overview of how to write a documentary script. It discusses that documentary scripts are different from fiction scripts as they deal with facts rather than fiction. It also notes that documentary scripts should be written visually so that everything seen on screen can be grounded in accuracy. The document outlines the two main stages of documentary scriptwriting - the pre-shoot or shooting script created before filming begins to provide a conceptual map, and the post-shoot script finalized after filming to weave all audiovisual elements into a cinematic story. Research is emphasized as critical for documentary scripts.
A2 EVALAUATION - In what ways does your media product use, develop or challen...
The document discusses the filmmaker's short film "Lost in the Eve" and how it utilizes conventions of the short film genre. Some conventions it follows include: limiting the film to 3 characters to save time on introductions; keeping the runtime under 30 minutes as most short films are; following Tzvetan Todorov's narrative structure of equilibrium disruption, recognition, attempt to repair, and new equilibrium; using stereotypes to quickly establish characters; and having a limited budget as most short films do. It also discusses some ways the film challenges conventions, such as through its pacing and shot types.
Codes & Conventions In Our Short Film
The document discusses the codes and conventions that will be applied to a short film project. It will follow conventions in several areas:
1) It will have 3 main characters to allow audience connection without extensive character development due to the short duration.
2) The film duration will adhere to under 5 minutes, following the conventional short film length.
3) It will include a theme and moral message as many short films do, focusing on technology's impacts but not using a plot twist.
4) Credits will be included at the end in the conventional short film style, though less extensive than professional films.
5) It will be produced with a low budget using existing equipment, as is conventional for
Conventions of short films
A short film is defined as a movie with a duration that makes it distinct from a feature-length film. Short films typically only include 2-3 characters to allow for their quick establishment and understanding by the audience. Character theories, such as Goffman's, categorize characters into protagonist, secondary character, minor character, and comedic character roles. Most short films also contain a plot twist to make the story more interesting. Short films usually have low budgets, so they keep costs minimal through limited characters, locations, and sometimes unpaid acting. An engaging storyline can be developed even in an ordinary setting. Narrative theories, like Tzvetan Todorov's concept of equilibrium, conflict, and resolution, are also applicable
Greenleaf
This document discusses what the author has learned about short films so far. It covers several key points:
- The differences between short films and feature lengths, and the elements and characteristics of short films.
- The importance of twists in short films.
- Research into different short film genres, directors, funding, and awards.
- How studying narratives and filming techniques has influenced the development of their own short film idea.
Codes & conventions of short films
Short films are typically 5-10 minutes long, with 35 minutes being the maximum length. They aim to tell a story quickly and keep the number of characters low, usually 1-3 people, to avoid complications. The narrative is condensed and gets straight to the action, often taking an everyday scenario and twisting it. Most short films end with a twist or cliffhanger instead of a clear resolution due to their short duration. They are typically low-budget, independent productions shown at film festivals rather than mainstream cinemas. Narrative theories like Barthes' hermeneutic codes around suspense are often employed to engage audiences within the short time frame.
Programme doc documentary_script
This document provides guidance on writing a documentary script. It discusses how documentary scripts are different from fiction scripts in that they must deal with factual events and real people rather than fiction. It also notes that documentaries have less control over subjects and events compared to fiction films. The document outlines the key elements and stages of writing a documentary script, including pre-shoot and post-shoot scripts. It emphasizes that a script is critical for providing guidance during filming even if aspects may change, and that research is essential for documentary scripts.
My Research & Planning Powerpoint
The document provides an analysis and summary of research conducted for a media studies coursework project on short films. It includes textual analysis of sample documentary and short film texts, research on target audiences and industry conventions. Ideas for the author's own short film are presented, focusing on two characters where one disappears in a forest, leaving the other to find only his phone.
How not to make a short film
The document provides tips for how to effectively make a short film in 8 steps:
1. Keep the film short, under 10 minutes, to control costs and keep festival selectors interested. Test lengths with audiences.
2. Avoid cliches and stereotypes; tell original, personal stories that resonate with you.
3. Ensure the film has a compelling narrative with a protagonist, goal, and obstacle to engage audiences.
4. Balance visual storytelling and dialogue; use images and lack of dialogue to convey meaning.
5. Focus on a powerful single moment or conflict while avoiding too much action in too short a time.
6. Hook audiences from the start and provide a satisfying ending to keep them
Scriptwriting evaluation
The student wrote an experimental, dialogue-free film script about mental health called "SINFUL" for a class project. They researched how to write an effective film proposal to pitch the script to potential investors. Key components of the proposal included an intriguing synopsis, concise logline, outline of the three-act story structure, description of the main character, detailed treatment, and identification of the target audience. The student formatted their script as a standard master scene script to make it easy for investors to evaluate.
Evaluation 1
This document discusses the conventions of short films and how the author's media product conformed to or challenged several conventions. It notes that the film used only one main character to allow for character development within the short time frame. It incorporated a plot twist, was limited by a low budget that restricted equipment and locations, and was under 30 minutes in length, conforming to standard short film conventions. The film began in a relatable setting and introduced a situation to engage viewers, as is typical for short films.
What is a short film
A short film is typically defined as a film shorter than 40 minutes. Short films allow directors to present their creative abilities with lower budgets and production time compared to feature films. They are often used as stepping stones for directors to showcase their talent and potentially get noticed to direct feature films. Short films can also be used to send messages or promote topics. Conventions of short films include having only 1-3 main characters to connect with audiences in a short time without backstories, and often including a plot twist to make the story engaging. They tend to use everyday settings and situations that are relatable to viewers. [/SUMMARY]
Short Film Codes and conventionsalevelmedia.pptx
This document outlines some common codes and conventions of short films. It notes that short films typically run 5-15 minutes, have a low number of characters to allow for quality character development within the limited time, and always include a plot twist to keep the audience engaged. Short films also have low budgets, using a few main actors and locations to keep production costs low. They aim to depict relatable everyday scenarios but with a twist to engage viewers. The main purpose of short films is to demonstrate a director or producer's talents, not for money, but to potentially attract backing for a larger film project.
Conventions
This document discusses conventions of short films that the author plans to follow for their own short film. It covers typical elements of short films like having few characters, simple narratives with twists, low budgets, lengths of 5-15 minutes, and familiar settings/situations. The author analyzes how their short film will adhere to these conventions, such as using a limited number of student characters, keeping the narrative straightforward yet complex, including a thought-provoking twist, having no budget, clocking in at around 5 minutes, and being set in a typical home environment.
How not to make a short film
The document provides tips for making an effective short film in 8 steps. It recommends keeping the film short (under 10 minutes) to control costs and appeal to film festivals. It advises avoiding cliches and stereotypes, telling a compelling story with goals and obstacles for the protagonist. The document also suggests balancing dialog with visual storytelling, focusing a single dramatic moment with conflict and choice, engaging the audience from the start and end, using lighting and sound effectively to enhance the narrative without being too dark or loud.
In what ways does your media product use, develop or challenge forms and conv...
In this document, the author discusses how their media products for a class project used, developed, and challenged conventions of real media. For their short film "The Ordinary," they used conventions like minimal backstory and letting camerawork tell the narrative. They developed conventions by using editing to express emotions and having multiple settings, while challenging conventions like using different soundtracks for each setting. Their poster and film review page also followed conventions for those genres like simplistic designs and consistent layouts, while adding some original elements.
Script Development & The Commissioning Process
The document discusses various aspects of writing short film scripts, including:
- Short films can range from 30 seconds to 30 minutes, but festivals generally prefer under 10 minutes to keep costs lower.
- Short film scripts require getting to the core of the story quickly without unnecessary details. They must move fast while maintaining polish.
- Effective short films often focus on a single main character and explore their internal conflict visually rather than through exposition.
- Writers should stick to only what's needed for the story and not direct the audience. Format is also important for readability. Overall the document provides advice on crafting short film scripts.
Similar to Codes and conventions for short films (20)
A2 EVALAUATION - In what ways does your media product use, develop or challen...
A2 EVALAUATION - In what ways does your media product use, develop or challen...
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
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Evaluation question 2
The student created a short film and ancillary tasks of a film poster and review to promote the film. The poster incorporates elements from the film like genre, plot details, and props to give audiences a first impression. Similarly, the review uses film terminology, screenshots and descriptions to depict the genre and plot. Through consistency between the ancillary tasks and film, an accurate representation is created to inform and appeal to audiences. The combination is effective promotion as the poster and review speak to audiences and prepare them for the film.
Shooting schedule
The shooting schedule outlines 7 scenes to be filmed over 5 days in January and February at various locations including Georges house, a doctor's car park, and Washbrook close. It will feature the characters of George, Matt, Joe and Peter during both day and night shoots. A post first take schedule is also planned in March to film additional scenes between George and Joe at Barton rovers and Washbrook close during the day.
Storyboard
This document summarizes 16 shots from a film that tell the story of a protagonist named George who struggles with substance abuse. The shots show George waking up and going through his morning routine, being introduced to cannabis by a friend, purchasing and using cannabis with a dealer, experiencing paranoid effects from the drugs, and having an argument with the dealer the next day after not purchasing more drugs, leading George to realize he wants to quit using substances.
monotonous final script
George is struggling with drug use and becomes dependent on buying cannabis from his dealer Joe. Over time, their interactions become solely about drug transactions, angering Joe. One day after Joe rejects hanging out unless George buys more drugs, George has a moment of clarity and decides to quit by throwing out his drug paraphernalia. The short film explores how easily friendships can shift to enable addiction when drugs are involved, and the struggle to find the will to quit.
Short reveiw 3
this review is short and sweet. I believe it relied more on a star system to represent the film. I chose this as it focuses on a different audience who are not looking for a long read and just want to know if the film is good or bad. this short also focuses on the mind and by its description its very dramatic focusing on one character.
Short review 1
I focused on a professional, credited review which was thorough and imaginative. genre of thriller/drama. relates to my short due to the atmosphere this review creates.
Pitch 2
This document outlines a pitch for a short film exploring youth culture and the intersection with drugs. The genres will be thriller, drama, and social realism. The film focuses on a 17-year-old boy, George, whose daily routine revolves around sleep, drugs, and alcohol, taking a mental toll on him. Camera work and editing will convey a sense of paranoia. The target audience is 15-25 year olds from middle-class backgrounds to show a raw portrayal of modern youth culture and stereotypes. The narrative purposefully does not follow Todorov's theory of returning to equilibrium.
Representation of youth culture
Youth culture represents the norms, values, and practices shared among adolescents. Within youth culture, there are many subcultures defined by different shared behaviors. Films often negatively portray teenagers as unintelligent and inferior to adults based on the hypodermic needle theory of communication. To appeal to both youth and adult audiences, the short film will aim to avoid completely negative stereotypes about youth culture by considering camera angles, sound, and editing.
Pitch 1
This document provides a summary of a proposed short film pitch in three genres: thriller, drama, and social realism. It establishes conventions like vulgar language, violence, and the use of a hero/villain dynamic. The narrative will explore the establishment of these characters and use techniques like voiceovers, props, and mise-en-scene. The film aims to both challenge and conform to stereotypes about youth culture. Specifically stereotypes that portray youth as "Violent! Asbos! Hoodies!" and "thieving, knife-carrying troublemakers." Short films like "1150" that use continuous camera movement will inspire the style. The target audience for this niche film is 15-25 year olds
3 short examples
The document summarizes three short films and analyzes what genre elements were used in each to convey the intended genre.
For the film "Six Shooter": Sound is used to convey drama, such as when a character is told his wife has died. Mise-en-scene with a gun also conveys drama. There is a lot of drama throughout the film with unexpected events, though it does not follow a typical drama structure.
For the film "The Most Beautiful Thing": Sound and editing are used to convey drama, such as sad music and montage. The story and character emotions match a typical drama structure with ups and downs culminating in a happy ending.
For the film "Peekers
movie analysis 3
1) The document provides a detailed summary and analysis of scenes from a short film about a boy who has a crush on his teacher.
2) The opening scene establishes that the film is set in a classroom and shows the teacher saying the word "love," indicating the story will involve a love theme.
3) Later scenes show the boy's feelings for the teacher through his body language, and reveal that the teacher accepts a ring from the boy, though it is unclear if this is true love or just a childish crush.
4) The film explores the boy's disappointment when he sees the teacher with another man, and his acting out by pretending to have a gun, then pointing one at the teacher
Movie analysis 2
1) The short film begins with an ominous atmosphere established through non-diegetic sound and imagery at a petrol station.
2) Two male robbers enter a convenience store, portrayed as violent through their costumes and a gun prop. Tense music plays.
3) Humor is briefly introduced through shots of two characters in a parked car who appear to be on drugs, but the robbers' aggressive dialogue increases the hostile atmosphere. The short cuts between shots to heighten tension.
Movie analysis 1
The document provides a detailed summary of the scenes and events in a short film. It describes the camera moving outward to reveal more of the setting, including a door with a shadow of a character and a ringing phone. Dialogue reveals a sense of panic as two men with guns confront the characters. More scenes show bodies on the ground and a car crashing while music plays. The camera then shows a view from inside a surveillance van. At the end, a teenage boy on a skateboard takes a photo of the scene instead of calling for help.
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- 1. Codes and conventions for short films BY NIALL PALMER
- 2. Research Within my research I analysed multiple short films. This gave me a great understanding that they are defined by their length and that there is no precise criteria or characteristics that apply to all short films. However we can identify some codes and conventions of short productions.
- 3. Characters In my research I found that typically short films do not have many characters. Perhaps it would be 2-4 characters, this is because of the length of the features being around 5-10 minutes. There it is important to portray each characters storyline in a space of a few minutes. I believe that short films don’t always follow Vladmir Propp’s theory which classifies them in 7 broad character functions. E.g. hero, villain, donor etc.
- 4. Budget The budget is often low when directors produce a short film, due to a lack of funding they receive. However this does not affect the creative aspects of short films and this is why a lot of short films are good, they create very interesting productions at a low cost.
- 5. Creativity Many short films are artistic, not all of them but a lot of them are. Directors of these productions incorporate many aspects that do this. Camera techniques are typically a big aspect of this as in the short “unleaded” they used many different camera techniques which created a tense atmosphere and sometimes tricked the viewer. Editing is the same, post production is where a short comes together and the editor can input different features into the film.
- 6. Storyline Typically the storyline is simple so the audience can grasp the plot in the short amount of time. However in some shorts they create very complex storylines but this is usually in the art aspect of short films. When I say simple storylines I often compare it to Todorovs theory and this is usually the case, from equilibrium at the outset to a disruption and then a return to the equilibrium by the end. But like I said it’s not always the case.
- 7. Conclusion In conclusion due to my research have gathered a great understanding of short films code and conventions. Hopefully I can put my own twist on these when creating my short film whilst still following them to create a true short film.