Cinemmatogrophy
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This document discusses different camera shot types including extreme long shots, long shots, medium long shots, medium close-ups, close-ups, and extreme close-ups. It provides examples of each shot type, noting that an extreme long shot shows subjects who have traveled a long way, a medium close-up shows a serious expression while looking down, and an extreme close-up depicts eyes looking ready for a fight.
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Cinemmatogrophy
The document describes different types of camera shots including extreme long shots, long shots, medium long shots, medium close-ups, close-ups, and extreme close-ups. It provides examples of each shot type and analyzes the emotions and perspectives conveyed by characters' facial expressions in some of the close-up shots.
Conventions of a music video a2
This document analyzes and summarizes various shots from Miley Cyrus's "Wrecking Ball" music video and Sinead O'Connor's "Nothing Compares 2 U" music video. For Miley's video, shots are discussed that focus on her face, body, and positioning on a wrecking ball which symbolize strength and sexuality. Shots of Sinead give direct address to the audience and emphasize her emotions through facial expressions and muted makeup and clothing. Both artists use close-up, mid, and long shots that place them in positions of power or vulnerability through their visual representation and body language within the shots.
Shot list
The document is a shot list for a film. It describes 57 shots showing a man who has been drinking heavily passing out, being found by his girlfriend who calls an ambulance, and then returning home where he has flashbacks to physically assaulting his friends while drinking. Overcome with guilt and isolation, the shots culminate with the man committing suicide by hanging himself with an electrical cable.
Lyrics and images for music vide2
The document is a shot-by-shot description of a music video. It follows a boy (Boy1) as he wakes up remembering a girl (Girl1). He sees Girl1 in a cafe with another boy (Boy2). Later, Boy1 sees Girl1 with yet another boy (Boy3), realizing she has been cheating on him. Boy1 runs away distressed. Another girl (Girl2) comforts Boy1. Boy1 and Girl2 connect and she helps mend his broken heart as they share a kiss, while Girl1 watches from a distance.
Shot list
The document provides a shot list for a music video. It describes various shots including establishing shots of a basketball court, mid shots of a guy and girl looking at each other, and close up shots of the girl singing in different locations including in the woods. It also describes continuous shots of the girl taking the basketball from the guy and making a shot, as well as shoving a guy away when he gets too close to her.
Presentation for a2 media
This storyboard outlines 29 shots for a music video about a couple going through a breakup. The shots begin with the couple arguing in black and white. Later shots show the girl on a date with someone new and the boy looking through old photos alone. The storyboard then follows the boy as he walks through a field and tunnel trying to get the girl back by texting her. The video ends with the boy arriving at the girl's house and grabbing her as the music fades out.
Pre-Production - Shot List
This shot list outlines 39 shots needed to film a short thriller film. It begins with establishing shots of a forest and a girl waking up confused in the woods. She sees a boy approaching her and begins to run away, but trips and the boy catches up to her. Earlier shots will show the girl and boy arguing at a house before she drives off upset. The shot list provides detailed descriptions of camera angles, movements, and transitions needed to tell the story.
55555
This document provides examples of different types of conditional sentences in English and exercises to complete them:
- Type I conditional sentences refer to possible real situations using the simple present and future tenses.
- Type II conditional sentences refer to unlikely or improbable present/future situations using the simple past and conditional tense.
- Type III conditional sentences refer to unlikely or improbable past situations using the past perfect and conditional perfect tenses.
- There are also examples requiring the reader to identify and complete conditional sentences using the correct tense/form for types I, II or III.
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Cinemmatogrophy
The document describes different types of camera shots including extreme long shots, long shots, medium long shots, medium close-ups, close-ups, and extreme close-ups. It provides examples of each shot type and analyzes the emotions and perspectives conveyed by characters' facial expressions in some of the close-up shots.
Conventions of a music video a2
This document analyzes and summarizes various shots from Miley Cyrus's "Wrecking Ball" music video and Sinead O'Connor's "Nothing Compares 2 U" music video. For Miley's video, shots are discussed that focus on her face, body, and positioning on a wrecking ball which symbolize strength and sexuality. Shots of Sinead give direct address to the audience and emphasize her emotions through facial expressions and muted makeup and clothing. Both artists use close-up, mid, and long shots that place them in positions of power or vulnerability through their visual representation and body language within the shots.
Shot list
The document is a shot list for a film. It describes 57 shots showing a man who has been drinking heavily passing out, being found by his girlfriend who calls an ambulance, and then returning home where he has flashbacks to physically assaulting his friends while drinking. Overcome with guilt and isolation, the shots culminate with the man committing suicide by hanging himself with an electrical cable.
Lyrics and images for music vide2
The document is a shot-by-shot description of a music video. It follows a boy (Boy1) as he wakes up remembering a girl (Girl1). He sees Girl1 in a cafe with another boy (Boy2). Later, Boy1 sees Girl1 with yet another boy (Boy3), realizing she has been cheating on him. Boy1 runs away distressed. Another girl (Girl2) comforts Boy1. Boy1 and Girl2 connect and she helps mend his broken heart as they share a kiss, while Girl1 watches from a distance.
Shot list
The document provides a shot list for a music video. It describes various shots including establishing shots of a basketball court, mid shots of a guy and girl looking at each other, and close up shots of the girl singing in different locations including in the woods. It also describes continuous shots of the girl taking the basketball from the guy and making a shot, as well as shoving a guy away when he gets too close to her.
Presentation for a2 media
This storyboard outlines 29 shots for a music video about a couple going through a breakup. The shots begin with the couple arguing in black and white. Later shots show the girl on a date with someone new and the boy looking through old photos alone. The storyboard then follows the boy as he walks through a field and tunnel trying to get the girl back by texting her. The video ends with the boy arriving at the girl's house and grabbing her as the music fades out.
Pre-Production - Shot List
This shot list outlines 39 shots needed to film a short thriller film. It begins with establishing shots of a forest and a girl waking up confused in the woods. She sees a boy approaching her and begins to run away, but trips and the boy catches up to her. Earlier shots will show the girl and boy arguing at a house before she drives off upset. The shot list provides detailed descriptions of camera angles, movements, and transitions needed to tell the story.
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This document provides examples of different types of conditional sentences in English and exercises to complete them:
- Type I conditional sentences refer to possible real situations using the simple present and future tenses.
- Type II conditional sentences refer to unlikely or improbable present/future situations using the simple past and conditional tense.
- Type III conditional sentences refer to unlikely or improbable past situations using the past perfect and conditional perfect tenses.
- There are also examples requiring the reader to identify and complete conditional sentences using the correct tense/form for types I, II or III.
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This document outlines 5 stages of falling in love for men: 1) Appreciation based on physical attraction, 2) Infatuation where a man tries to get a woman's attention, 3) Attraction where a connection forms if the woman shows interest back, 4) Impression where the man decides if he wants to pursue a relationship after winning her over, and 5) Love where the man knows he wants to be with the woman and falls in love. The stages assume no outside pressures, consistent intensity of feelings, no second thoughts, restricted emotions only to each other, and no undesirable behaviors.
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The storyboard document outlines 16 shots for a film called "Fair Play". It describes scenes where a hero protagonist leaves the police station and walks along annoyed after losing his job. He then meets a child character and receives a call about a mission to rescue a kidnapped colleague. The hero takes the child along and shows him his home, including a wall of guns. They work to rescue the hostage from a villain, with scenes of fighting and the child using laser powers. The storyboard ends with the child trying to sneak off with a gun after their mission is complete.
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Video analysis sail awolination
This document analyzes different shot types from a music video. It summarizes three shots in order of appearance:
1) An extreme close-up shot of a character running in tense emotion, intended to startle the viewer.
2) A mid shot showing the character constantly looking around in fear and tension, seeming scared of himself as reflected in a mirror.
3) A mid-close up of the character leaning against a wall, having given up and recording a message for loved ones, indicating he intends to kill himself.
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Textural analysis the fray
The video uses symbolism and camera techniques to represent the emotional journey of coping with loss. Shots include a fragile heart held in black hands, representing hope within darkness. An out of focus subject lost in the background symbolizes breakdown. Throughout, an outstretched hand offers help, connecting with the audience and symbolizing the path to recovery.
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Evaluation 1
This document discusses how the student's media product uses, develops, and challenges conventions of real music videos in the pop genre. It uses a variety of camera shots and angles to focus on the female artist and sell her music, as is common in pop videos. It challenges conventions by not including dancing or revealing clothing. The video develops conventions of the pop genre by portraying a love story in a way that is clear and relatable to audiences.
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Kiss me deadly
This document provides a series of short analyses of shots from a film scene. It examines shots of a woman running alone on a road showing her desperation and urgency. It then analyzes shots of her stopping a car for help and the expressions on her and the driver's faces, with her looking scared but finding security holding his hand. Further shots show police approaching the car, intimidating the woman as she clings to the man, and standing over them, making her feel more intimidated.
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In this scene analysis document, the author analyzes several shots from the film "Hot Fuzz" that depict characters with scared or surprised facial expressions looking at something off screen. The shots are described as being primarily medium close-ups and close-ups of the characters' faces, with the characters centered in the frame. At the end, a low angle long shot provides context for what the characters are reacting to.
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This document proposes a game concept where the player takes on the role of a record label CEO and manages the career of a pop artist named Penny. Players would assign Penny a personality profile based on scales measuring traits like extraversion and agreeableness. The game would present scenarios involving common challenges like relationships and fame that trigger reactive responses based on Penny's personality. The goal is to create an immersive story-driven experience for players to guide an artist's career from beginning to middle to end.
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Storyboard Evaluation
This document discusses various camera shots and angles used in a film trailer to convey meaning and emotion without dialog. Key shots include showing a female character's shoes and hair to suggest mystery and class without seeing her face; showing a male character's bare feet to signal he is homeless; and using close-ups, mid-shots and over-the-shoulder shots to focus on characters' facial expressions and body language as their relationship develops and later deteriorates.
Shots
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The storyboard document outlines 16 shots for a film called "Fair Play". It describes scenes where a hero protagonist leaves the police station and walks along annoyed after losing his job. He then meets a child character and receives a call about a mission to rescue a kidnapped colleague. The hero takes the child along and shows him his home, including a wall of guns. They work to rescue the hostage from a villain, with scenes of fighting and the child using laser powers. The storyboard ends with the child trying to sneak off with a gun after their mission is complete.
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This document summarizes an interview between UKIP leader Nigel Farage and Jeremy Paxman about UKIP's election manifesto. Paxman researches points to challenge Farage on and comes out aggressively using body language and assertive speech. Throughout the combative interview, both men use body language like leaning forward and hand gestures to emphasize their points or show interruption. Paxman moves quickly between topics without letting Farage deflect. He bombards Farage with questions designed to catch him and maintains a stern, controlling presence. If Farage does not answer satisfactorily or tries to change subjects, Paxman firmly repeats the question or slightly alters his wording to press Farage further.
Video analysis sail awolination
This document analyzes different shot types from a music video. It summarizes three shots in order of appearance:
1) An extreme close-up shot of a character running in tense emotion, intended to startle the viewer.
2) A mid shot showing the character constantly looking around in fear and tension, seeming scared of himself as reflected in a mirror.
3) A mid-close up of the character leaning against a wall, having given up and recording a message for loved ones, indicating he intends to kill himself.
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The narrative focuses on Person A, whose best friend Person B begins to distance himself due to depression. Person B's depression worsens until he kills himself, deeply saddening Person A. Person A struggles with sadness and isolation after the death of his friend. The ending depicts Person A calling a helpline when he reaches a low point and needs help, showing that reaching out is important when battling depression.
Textural analysis the fray
The video uses symbolism and camera techniques to represent the emotional journey of coping with loss. Shots include a fragile heart held in black hands, representing hope within darkness. An out of focus subject lost in the background symbolizes breakdown. Throughout, an outstretched hand offers help, connecting with the audience and symbolizing the path to recovery.
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The document outlines a lesson on characterizing characters through identifying their motivations, feelings, and how they influence the conflict and resolution. It provides examples of direct and indirect characterization and has students practice identifying character motivations, feelings, and how they affect conflicts through scenarios. The lesson aims to help students understand how character development impacts the plot.
Evaluation 1
This document discusses how the student's media product uses, develops, and challenges conventions of real music videos in the pop genre. It uses a variety of camera shots and angles to focus on the female artist and sell her music, as is common in pop videos. It challenges conventions by not including dancing or revealing clothing. The video develops conventions of the pop genre by portraying a love story in a way that is clear and relatable to audiences.
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A person's level of confidence or shyness is influenced by several factors. Some key things that can make a person seem more confident include their sense of humor, ability to make others laugh, and how they talk to and interact with other people. Whether using "what" as the subject or object of a clause, including a new clause after "what" requires using "that" to introduce the new information.
Kiss me deadly
This document provides a series of short analyses of shots from a film scene. It examines shots of a woman running alone on a road showing her desperation and urgency. It then analyzes shots of her stopping a car for help and the expressions on her and the driver's faces, with her looking scared but finding security holding his hand. Further shots show police approaching the car, intimidating the woman as she clings to the man, and standing over them, making her feel more intimidated.
Expressing likes and dislike pp
This document discusses the use of the word "really" as an adverb or intensifier to amplify quietness or emphasize liking and disliking in different sentences. Examples are provided of using "really" to emphasize liking soccer or hating a game, as well as a short dialogue where one person emphasizes being crazy about political reads while another emphasizes really liking fiction.
Presentation1
This document discusses different camera shots used in film openings. It describes an extreme close up that foreshadows the emotion of an upcoming film by showing a character looking deep in thought and unhappy. It also describes a medium close up that shows emotion and passion in a person's speech while also allowing the audience to see hand movements and costume, revealing the person is a high-ranking official through both emotion and costume.
Hot fuzz pp
In this scene analysis document, the author analyzes several shots from the film "Hot Fuzz" that depict characters with scared or surprised facial expressions looking at something off screen. The shots are described as being primarily medium close-ups and close-ups of the characters' faces, with the characters centered in the frame. At the end, a low angle long shot provides context for what the characters are reacting to.
Communication Styles
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The Road To A Storyline
This document proposes a game concept where the player takes on the role of a record label CEO and manages the career of a pop artist named Penny. Players would assign Penny a personality profile based on scales measuring traits like extraversion and agreeableness. The game would present scenarios involving common challenges like relationships and fame that trigger reactive responses based on Penny's personality. The goal is to create an immersive story-driven experience for players to guide an artist's career from beginning to middle to end.
Call sheet
This document contains descriptions of 59 shots that would be used to film a short film about a man who has issues with alcohol abuse. The shots include various angles and perspectives showing the man passed out drunk, being found by his girlfriend, going to a clinic, trying to reconnect with friends who reject him, looking back on fights he had with friends while drunk, and ultimately hanging himself in his room. The shots provide details on lighting, locations, characters' appearances and emotions to understand the scenes and progression of the story being told through cinematography.
Analysis
This document analyzes clips from the film Shutter Island and discusses the main character's facial expressions and demeanor in various scenes. It notes that he looks determined but scared, demonstrating he will face challenges. His clothing also suggests he is middle or upper class. Another clip shows him distressed and anxious, taking on the role usually played by women in thrillers. Overall, the document concludes most of the female roles depict women in distress, reinforcing the idea that men normally play the main parts in thriller films.
Storyboard Evaluation
This document discusses various camera shots and angles used in a film trailer to convey meaning and emotion without dialog. Key shots include showing a female character's shoes and hair to suggest mystery and class without seeing her face; showing a male character's bare feet to signal he is homeless; and using close-ups, mid-shots and over-the-shoulder shots to focus on characters' facial expressions and body language as their relationship develops and later deteriorates.
Shots
The document lists 13 shots that would be used to film a scene between two characters, Hannah and Chyna. The shots include long shots, medium shots, point of view shots, close ups, and pans to capture Hannah walking into a room, sitting at a table with Chyna, their dialogue exchange, and Chyna leaving the room.
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CÁCH HỌC TIẾNG ANH THẦN KỲ của tác giả PHAN NGỌC QUỐC: phương pháp được xây dựng dựa trên những công trình khoa học, được thiết kế, hệ thống hóa tuần tự phù hợp cho mọi lứa tuổi đang rất nổi tiếng trên internet thu hút hơn 150.000 người theo học.
Website: cachhoctienganhthanky.net
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Tư Duy Thiên Tài - Doremon Nobita
Tư duy thiên tài - Học cách tư duy như một thiên tài
Cuốn sách cho bạn một góc nhìn cuộc sống thực tế, hữu ích. Sống hợp với các quy luật tự nhiên.
Mua Tư duy thiên tài, bạn có một cuốn sách.
Đọc Tư duy thiên tài, bạn có một tư tưởng sống tích cực
Hành động theo Tư duy thiên tài, bạn có một cuộc đời giàu có và hanh phúc
Thân!
Truong Do: facebook.com/mrdoquoctruong.
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population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
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Cinemmatogrophy
- 1. Extreme long shot- Long Shot- Medium long shot- Medium close-ups- Close-ups- Extreme close-ups- Panning shot- Tilt- Tracking shot-
- 3. Extreme-long shot As you can see, they look like they have travelled along way to get to the point they are at.
- 4. Long Shot
- 6. Medium close-ups This medium close up looks like he is looking down on something. His face shows that in a serious tone.
- 7. Close up In this close up he looks very angry. This is indicated from his eyes and the way his face is scrunched up.
- 8. Extreme close-ups This extreme close-up looks like he is getting reedy for a fight or something because his eyes are looking at something.