Cinematography Micro Analysis - The Descent
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1) The document analyzes the cinematography of 14 shots from the film The Descent. 2) The shots use different camera techniques like tracking shots, close-ups, and wide shots to convey meaning and emotion. They manipulate elements like color, movement, focus, and point of view. 3) Key shots show the protagonist Sarah's dream-like memories, her confusion in the hospital, and her fear of the darkness chasing her, leaving the viewer to question what is real.
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Mise en-scene micro analysis - The Descent
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This document summarizes 6 scenes from a film clip. Scene 1 uses a tracking shot to focus on a child blowing out birthday candles. Scene 2 shows the main character, Sarah, waking up confused in a hospital bed. Scene 3 uses an establishing shot and zoom to create tension as darkness approaches Sarah. Scene 4 is a chase scene where Sarah runs from the darkness in a wide shot. Scene 5 shows Sarah colliding with another woman in a hug. Scene 6 has a close-up of the woman crying and uses a walking away steadicam shot.
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The opening sequence of The Woman in Black establishes tension and confusion through its unconventional shots and ominous soundtrack. It begins with a close-up of children's toys which seems creepy and foreshadows that children will be involved. Shots of the children playing are interrupted by their blank expressions looking out a window. Zooms and shots imply something is compelling them towards danger. The children synchronize opening windows and jumping to their deaths, as the soundtrack cuts out, mirroring the audience's shock. A scream reveals their mother witnessed this, eliciting sympathy. Finally, a black veil entering the frame introduces The Woman in Black, suggesting she causes death, focusing the audience's emotions.
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01. mise en scene notes sheet
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Thriller opening conventions typically set the scene and mood through dark, cryptic images and low lighting that create a sense of mystery and tension. Slow-paced or static visuals and unsettling nondiegetic music further the atmosphere as the credits roll, introducing the audience to the thriller's mystery through intentionally confusing elements meant to intrigue viewers.
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The document discusses various camera shots and techniques used in a film scene. A wide shot is used to foreshadow events and reveal a birthday cake. A medium close up tilts the camera down, making the subject look weak and vulnerable. A mid shot opens up to show the room and exaggerate the seriousness of the situation. A cutaway to a heart monitor builds tension as the monitor stops beeping. A mid shot allows the viewer to see the subject's expression but also the background as lights start going out, creating dramatic irony. A wide shot emphasizes there are only two ways to go and the subject looks lost.
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Here is my analysis for the psychological thriller, 'The Butterfly Effect'.
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The document discusses different cinematic camera shots used in a hospital scene from the film The Descent. It describes shots including a trombone shot that zooms out while tracking forward to show a character's scared face and dark background. A close-up shot shows the character's heartbreak over loss. A mid-shot introduces the character in the hospital setting, showing half her body and location. It also discusses a steadicam shot that moves smoothly like a track shot, as well as wide shots to establish the scene and extreme close-ups that focus on a single facial feature to create tension.
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The document discusses different types of camera shots that can be used in cinematic photography for a hospital scene in a film. It describes a trombone shot that zooms out while moving forward to show emotion on a character's face. A close-up shot shows detail of a character's heartbreak. A mid-shot introduces a woman in a hospital from a medium distance. It also explains a steadicam shot that moves the camera smoothly without visible supports, as well as wide shots to establish background and extreme close-ups that fill the frame with a body part or facial feature.
Descent camera shots
The document describes various camera shots used in a scene from the film Descent. It begins with close up shots of a birthday cake and Sarah in a hospital bed, indicating it may be a flashback to a birthday. Later shots include a mid shot of Sarah waking from a dream, an establishing shot of her in a deserted hospital corridor looking confused, a trombone shot zooming in on her facial expression showing discomfort, and a steadicam shot following Sarah as she runs down the corridor in fright. An arc shot is also used to get tight close shots of two subjects interacting in a tight space.
A01 b cinematography the descent
This document analyzes and describes several cinematography techniques used in the film The Descent. It discusses shots including a wide shot that tracks into focus on a birthday cake to set the dark tone of the film. Mid shots emphasize a character suddenly waking in a hospital bed. A trombone shot is used to show the expression of terror on a character's face. Wide steadicam shots show a character running down a darkening corridor as the lights go out, with another from the point of view of the darkness chasing her. Close-up and 360 track shots combine views of two characters' facial expressions as the world falls apart around one of them. A close-up of another character shows their reaction to a loss.
cinematography
This document summarizes various camera shots and techniques used in the film "The Hospital" to convey meaning and transition between scenes. A close up shot shows the daughter Jessica to represent the birthday and life Sarah has lost. An extreme close up of the heart monitor verifies the hospital setting and shows Sarah's condition worsening. A high angle shot depicts Sarah's vulnerability and weakness in the hospital. A trombone zoom elongates the hallway to illustrate Sarah's realization of her situation and PTSD. Steadicam shots follow Sarah down the hallway as she fights her demons, with added darkness from low lighting. An arc shot places Sarah at the center to show her realization that her family is gone and she is alone. A pulling out Steadic
Cinematography the descent
The document discusses and analyzes various shots from the film "The Descent". It describes the first shot as a POV showing Sarah's deceased daughter Jessica blowing out candles on a birthday cake, representing Sarah's hallucination and mourning. Subsequent shots are described as showing Sarah's reaction and panic after waking from a car accident that killed her family, utilizing close-ups to emphasize her fear of the dark. Wide shots and tracking shots are also discussed to convey Sarah's panic and escape from the dark into Beth's arms at the end of the clip.
The descent cinematography
The document discusses various cinematography techniques used in the film The Descent. It provides examples of shots including close-ups used to show detail of characters' emotions, mid-shots at angles to show surroundings and tie reactions to environments, wide shots to depict multiple characters and settings, trombone shots to convey a character's fear of an escalating situation, steadicam shots to show characters running and escalating danger, and arc shots on tracks to reveal full body language and emotion. These shots are used to further the plot, develop characters, and create atmosphere such as darkness and nightmare-like settings.
Analysis of The Descent's Cinematography
This document analyzes and summarizes various shots from a film clip. A mid shot shows the protagonist's daughter with a birthday cake, indicating she is dreaming of her late daughter. An angled close up makes the viewer feel like they are looking down on the helpless character. An extreme close up of medical equipment shows the character's heart beat slowing, indicating she is near death. A wide shot establishes the surreal green-toned location as a hospital corridor, expressing the protagonist's loneliness after losing her family.
Micro LO1
This document analyzes the cinematography techniques used in the film The Hospital (The Descent). It summarizes the purpose and effect of several shot types: close-ups are used to show a transition from a car crash to a hospital and indicate a character's deteriorating health; high-angled shots convey vulnerability; trombone shots elongate hallways to illustrate realization and darkness; steadicam shots follow the character and add to feelings of escaping demons; arc shots center the character to show realization of being alone; and a steadicam-out shot transitions to the future by tracking away from the character.
The decent micro LO1
This document analyzes and summarizes different camera shots used in the film The Hospital (The Descent). It discusses several close-up shots that are used to convey Sarah's vulnerability in the hospital after a car crash and show her declining health. It also analyzes medium shots that show her realization of being alone after her family's death. Tracking shots like the Steadicam shot follow Sarah as she tries to escape her demons and convey her fight for purity. The arc shot centers on Sarah's realization that her family is gone. Finally, a Steadicam-Out shot is used to transition away from Sarah's current life, fading her out as the viewer walks away.
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Magazine cover
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Cinematography Micro Analysis - The Descent
- 1. Task 2 – Unit 1 THE DESCENT - CINEMATOGRAPHY MICRO ANALYSIS
- 2. SHOT 1 This is a slow paced tracking shot that comes out of focus , then focuses on the cake & then becomes more clear. It moves towards to cake & the writing upon it, then cuts away to Sarah in hospital. The zoom & focus slowly reveals what is happening in the shot. This shot seems very surreal due to the orange glow of the cameras and the glare & out-of-focus blur of the candles.
- 3. SHOT 2 The hospital shot is of a blue/green tint, which indicates loneliness, harshness and brutality. This makes the scene seem very real and different from shot 1, in the fact that the colour scheme is the polar opposite & she is covered with medical equipment and wounds.
- 4. SHOT 3 This shot shows Sarah’s dead daughter, Jessie, blowing out the candles on her 5th birthday cake. It is a POV (Point of View) shot from Sarah looking at her daughter. It is a static & surreal shot, allowing the viewer to see the surroundings from Sarah’s view.
- 5. SHOT 4 This is a very short close-up static shot of the last candle on the cake before it goes out. This indicates the metaphorical death of her child and the end of her dream in her coma (The light going out). She then wakes up.
- 6. SHOTS 5 & 6 These 2 shots show Sarah in her hospital bed, back in ‘reality’, and they are both at a cantered angle. Shot 5 is a close-up of Sarah’s face and her expression as the tried to understand what is going on, then Shot 6 is a mid-shot in which some of the background is revealed to the viewer & we see that something is not right.
- 7. SHOT 7 This shot is a close-up of the heart monitor, which is revealed when Sarah’s out of focus head moves away. We also see her reflection in the monitor as she walks away – the shot is once again at a cantered angle & with a green tint, to give the impression that something is not right.
- 8. SHOT 8 This is a static mid shot, in which Sarah enters from the right hand side with a confused face. The focus changes from the doors at the back of the shot to the foreground in which Sarah is situated – this draws the viewer’s attention to Sarah.
- 9. SHOT 9 This shot is zoomed out from shot 8, and is a wide shot. It shows more of the hospital corridor. We see the lights going off in the background before Sarah does – this is an example of a different kind of horror in which the viewer knows that is coming.
- 10. SHOT 10 This is a close-up Trombone shot. The camera physically tracks towards Sarah, but it zooms out giving the effect that the background is moving away from the camera. The movement of the background gives the impression that the character feels more isolated.
- 11. SHOT 11 This is a steadicam wide shot, which is moving backwards away from Sarah as she runs away from the darkness approaching her down the hallway. This shows that the is afraid of the dark(ness) and shadows. A steadicam allows for smoother camera movement that is more portable than tracks.
- 12. SHOT 12 This is a wide POV shot of from whatever is chasing Sarah, and we do not find out what it is. It could be the personification of Sarah’s fear of the darkness, and whatever she may think is behind her. This gives a scary reality and personality to the darkness chasing her.
- 13. SHOT 13 This is a dynamic 360’ mid shot, which is most likely filmed with a steadicam. It serves as a dynamic dramatic shot showing both peoples’ facial expressions and reaction, whilst also showing that Sarah running from the darkness was all a hallucination – it also serves as an establishing shot for reality.
- 14. SHOT 14 This is a reaction shot of Juno, Sarah’s friend. It is a close-up of her crying facial expression and serves the classic purpose of a reaction shot – to add to the emotional impact of something by showing Juno reacting to Sarah’s meltdown.