Mise en-scene micro analysis - The Descent
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The document provides a mise-en-scene analysis of two clips from the film The Descent. For the hospital clip, it summarizes that Sarah is in a hospital gown in a cold, sterile environment with medical equipment, in contrast to the warm birthday scene. When she wakes up, the green tint disappears. In the cave clip, the scene is dark until Holly's night vision camera, and the green tint returns, making the cave frightening with large rocks and shadows.
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Cinematography Micro Analysis - The Descent
1) The document analyzes the cinematography of 14 shots from the film The Descent.
2) The shots use different camera techniques like tracking shots, close-ups, and wide shots to convey meaning and emotion. They manipulate elements like color, movement, focus, and point of view.
3) Key shots show the protagonist Sarah's dream-like memories, her confusion in the hospital, and her fear of the darkness chasing her, leaving the viewer to question what is real.
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The document summarizes the use of mise-en-scene elements in a hospital scene from a film. It describes how lighting emphasizes the hospital setting and makes Sarah the focus. The dark surroundings and lit-up birthday cake draw attention. The location is a hospital corridor that feels dark and haunting alone but safe with her friend. Sarah wears a hospital gown showing her physical and mental vulnerability. The heartbeat monitor startles when removed, reminding of her near-death state. Cake flashes back to her daughter's accident. Diegetic sounds include beeping monitors and dialogue while non-diegetic includes background music.
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This document summarizes 6 scenes from a film clip. Scene 1 uses a tracking shot to focus on a child blowing out birthday candles. Scene 2 shows the main character, Sarah, waking up confused in a hospital bed. Scene 3 uses an establishing shot and zoom to create tension as darkness approaches Sarah. Scene 4 is a chase scene where Sarah runs from the darkness in a wide shot. Scene 5 shows Sarah colliding with another woman in a hug. Scene 6 has a close-up of the woman crying and uses a walking away steadicam shot.
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This document analyzes and describes several cinematography techniques used in the film The Descent. It discusses shots including a wide shot that tracks into focus on a birthday cake to set the dark tone of the film. Mid shots emphasize a character suddenly waking in a hospital bed. A trombone shot is used to show the expression of terror on a character's face. Wide steadicam shots show a character running down a darkening corridor as the lights go out, with another from the point of view of the darkness chasing her. Close-up and 360 track shots combine views of two characters' facial expressions as the world falls apart around one of them. A close-up of another character shows their reaction to a loss.
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The document analyzes lighting, location, costumes, and props in two clips from a film.
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This document provides a mise-en-scene analysis of two clips from the film The Descent. For the hospital clip, it describes the cold, fluorescent lighting used and how Sarah's hospital gown suggests helplessness. It also contrasts the green-tinted hallucination with the bright white of reality. In the cave clip, it discusses the use of night vision lighting to make the cave seem frightening yet comprehensible, as well as the costumes getting more worn and bloody and props like icepicks being used to kill. Overall, the document analyzes how elements of mise-en-scene like lighting, location, costume and props are used to convey meaning and atmosphere in these scenes.
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Cinematography Micro Analysis - The Descent
1) The document analyzes the cinematography of 14 shots from the film The Descent.
2) The shots use different camera techniques like tracking shots, close-ups, and wide shots to convey meaning and emotion. They manipulate elements like color, movement, focus, and point of view.
3) Key shots show the protagonist Sarah's dream-like memories, her confusion in the hospital, and her fear of the darkness chasing her, leaving the viewer to question what is real.
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The document summarizes the use of mise-en-scene elements in a hospital scene from a film. It describes how lighting emphasizes the hospital setting and makes Sarah the focus. The dark surroundings and lit-up birthday cake draw attention. The location is a hospital corridor that feels dark and haunting alone but safe with her friend. Sarah wears a hospital gown showing her physical and mental vulnerability. The heartbeat monitor startles when removed, reminding of her near-death state. Cake flashes back to her daughter's accident. Diegetic sounds include beeping monitors and dialogue while non-diegetic includes background music.
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This document summarizes 6 scenes from a film clip. Scene 1 uses a tracking shot to focus on a child blowing out birthday candles. Scene 2 shows the main character, Sarah, waking up confused in a hospital bed. Scene 3 uses an establishing shot and zoom to create tension as darkness approaches Sarah. Scene 4 is a chase scene where Sarah runs from the darkness in a wide shot. Scene 5 shows Sarah colliding with another woman in a hug. Scene 6 has a close-up of the woman crying and uses a walking away steadicam shot.
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This document analyzes and describes several cinematography techniques used in the film The Descent. It discusses shots including a wide shot that tracks into focus on a birthday cake to set the dark tone of the film. Mid shots emphasize a character suddenly waking in a hospital bed. A trombone shot is used to show the expression of terror on a character's face. Wide steadicam shots show a character running down a darkening corridor as the lights go out, with another from the point of view of the darkness chasing her. Close-up and 360 track shots combine views of two characters' facial expressions as the world falls apart around one of them. A close-up of another character shows their reaction to a loss.
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The opening sequence of The Woman in Black establishes tension and confusion through its unconventional shots and ominous soundtrack. It begins with a close-up of children's toys which seems creepy and foreshadows that children will be involved. Shots of the children playing are interrupted by their blank expressions looking out a window. Zooms and shots imply something is compelling them towards danger. The children synchronize opening windows and jumping to their deaths, as the soundtrack cuts out, mirroring the audience's shock. A scream reveals their mother witnessed this, eliciting sympathy. Finally, a black veil entering the frame introduces The Woman in Black, suggesting she causes death, focusing the audience's emotions.
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The director uses techniques common to thrillers to effectively set the tone in the opening scenes of The Woman in Black. Slow editing and a creepy soundtrack create tension as three young girls in pink dresses silently play with toys in an old, grey house. While initially appearing innocent, their behavior seems possessed or controlled, frightening viewers by subverting expectations. Religious symbols and the color grey further a sense of impending doom, leaving viewers on edge but uncertain of exactly what has transpired.
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The document analyzes the mise-en-scene and sound design of several film clips. For a hospital clip: Green lighting suggests loneliness while orange implies happiness; harsh shadows are eliminated with pure white light. A birthday cake and heart monitor are important props. In a cave clip: Dark lighting, shadows and dripping water create tension; limited vision from night vision footage adds to fear. Diegetic sounds of water, footsteps and screams are used, along with some nondiegetic music for atmosphere.
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The document analyzes the mise-en-scène, lighting, props, costumes, locations, and sounds used in two scenes from the film The Descent. In the first scene, Jessica's birthday cake scene, the warm lighting and solitary cake represent Jessica celebrating alone after her death. The lighting then fades as the candles are blown out. In the second hospital scene, the green lighting creates an unsettling atmosphere as Sarah wakes up alone and is chased by something in the dark, represented through changing lights and sounds of her heartbeat and running.
jackery Die getic.
The document analyzes the lighting, location, costume, and props used in Clip 3 of the film Descent. The lighting creates shadows that make Sarah appear mysterious in the hospital bed, while the location of an unsupervised hospital adds to the unease. Sarah wears a casual hospital gown that, along with the lighting, builds suspense. Props like the heart rate monitor also build tension as danger looms.
Presentationmisencent
The document analyzes the mise-en-scene elements used in different scenes of a film clip. In the first scene showing a cake, the lighting makes the room feel warm but scary to represent the main character's wish to get her daughter back. In the hospital scene initially, green-blue spotlighting is used to make everything look shadowy and scary as the character is having a nightmare. Later the hospital becomes brighter to look like reality. Costumes include a child's pink top to portray the daughter and a hospital gown. Sound effects like heart monitors and breathing are used to set the mood that changes from dreamlike to realistic.
Clip 3 mise en scene_CadeemGordon
The document discusses the mise-en-scene and sound used in three parts of a scene from the movie. In the first part, set at a birthday party, dark lighting with an orange glow creates an unsettling atmosphere as Sarah wishes on a cake. The second part takes place in a nightmarish hospital scene with an eerie green tint where Sarah appears isolated and confused. The third part uses natural lighting to indicate it depicts the real hospital, contrasting with the dark tone of the previous scene.
Mise en-scene clip 3
The document analyzes the mise-en-scene elements of lighting, location, costumes, props, and sound used in three clips from a film. For the first clip, a woman in a hospital bed is lit with studio lighting and a green tint to create a lonely, industrial feeling. The second clip also uses a green tint to add loneliness and convey an abandoned feeling. In the third clip, normal lighting is used as she is no longer alone. Locations include a hospital room, corridor to create loneliness, and a birthday scene. Costumes include hospital outfits and casual wear. Props include a birthday cake, heart monitor, and medical table. Sounds include beeping from the heart monitor,
Descent mis en scene jordon jones
The document analyzes the mise-en-scene elements of lighting, location, costume, props, and sound in three key scenes from the film "Hospital Clip". In the first scene, the birthday cake is lit with a warm orange glow creating an inviting atmosphere. The second scene shows corridors with flickering lights hinting at looming shadows. In the third scene, dark green lighting makes the corridors feel eerie as shadows close in on the main character Sara. The locations and costumes are also described as being used to convey meaning and advance the plot.
Jordon
The document analyzes the mise-en-scene elements of lighting, location, costume, props, and sound in three key scenes from the film "Hospital Clip". In the first scene, the lighting of the birthday cake is warm and inviting. The second scene shows flickering lights in the hospital corridor, hinting at looming danger. In the third scene, dark green lighting makes the corridor feel eerie as Sara runs from approaching shadows. The locations and costumes are also described as being used to convey different meanings and foreshadow future events in the film.
Clip 3 mise en scene
The mise-en-scene in a hospital scene uses lighting to create different effects and atmospheres. Shadows surround the character and green lighting gives an unwelcome contrast. When candles are blown out, the scene looks warm, but shadows and green lighting earlier conveyed an unpleasant feeling. Lighting also signifies the character returning to reality as everything becomes bright. The location is a hospital hallway, but different lighting makes it feel completely different. The character wears a hospital gown to indicate she was injured in a car crash. Diegetic sounds like a heartbeat monitor and lights create tension, while non-diegetic background music adds to it.
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Siege 160301105001
The document is a radio drama script that tells the story of a joint US-UK military convoy that is ambushed in Afghanistan, with soldiers taken hostage. Over subsequent months, the hostage takers release execution videos of some of the captives. This sparks public outcry and a massive secret rescue operation by British SAS forces. The drama ends with a BBC news crew embedded near the remote compound as gunshots are heard, suggesting a battle between the SAS and hostage takers may be underway.
Radio pitch ppt
A military convoy is ambushed in Afghanistan, capturing the soldiers. As a rescue mission and news report take place, they too get captured. The radio drama is a mockumentary using news reports to follow the story of the ambushed soldiers over three weekly episodes airing in September 2016. The target audience is young men interested in military stories.
Pitch uk film
This film follows three main characters - Jason, Ben, and Leanne - surviving a zombie outbreak in London. They try to make their way back to the lab where the virus was created to retrieve a vaccine. Along the way, they encounter more zombies but also face the larger threat of bandits who roam the wasteland. After Leanne is bitten and killed by bandits, Ben loses hope until Jason convinces him to continue on to the lab. They eventually reach the lab but Ben is injured and the film ends with a standoff between the group and bandits, revealing an evil scientist who created the outbreak.
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Jordan visits his doctor for test results and learns he has terminal cancer that has spread to his organs. The doctor explains Jordan has 6 months to 4 years left and treatments can only slow the growth at this point. Jordan leaves devastated and tells his friends at school this is his last day, as he will not be returning due to his diagnosis. His friends are shocked at the news that Jordan is leaving school for good so soon.
Siege - Radio Script
The document is a radio drama script that tells the story of a joint US-UK military convoy that is ambushed in Afghanistan, with soldiers taken hostage. Over subsequent months, hostage execution videos are released by the captors, increasing pressure on governments. Finally, an SAS rescue operation is launched at a compound thought to hold the remaining captives, as gunshots are heard in the distance by reporters awaiting news of the outcome.
Deliver me from evil
The short film tells the story of Gary, a man struggling with gambling addiction who takes out a loan from a criminal organization to pay off his debts. When Gary is unable to repay the loan on time, he is kidnapped by Alexei Rascalov, the leader of the organization. Rascalov interrogates and beats Gary, blaming him for not delivering the money as promised. Rascalov then shoots Gary, leaving him to die. The film flashes back to events leading up to Gary's kidnapping and shows his regret for putting his family in danger by borrowing money from criminals.
Unit 1 LO2 - Audience Profiling PowerPoint
The document discusses conducting audience research for a horror film. It aims to understand what appeals to different types of viewers in order to tailor the film and include interests and elements that will entertain and scare audiences. The researcher asks questions to learn what people enjoy about horror films and how different demographics may appreciate different elements, such as younger viewers enjoying funny dialogue versus older viewers. Understanding the audience is important to determine if they will continue watching or turn the film off. A sample audience profile is then provided of a 19-year-old male student who enjoys horror movies, video games, and has disposable income from a student loan.
Unit 11 script PDF
Gary has gotten in debt with a criminal gang led by Alexei Rascalov. After failing to pay back the money he owes, Gary is kidnapped by Rascalov and his men. Rascalov brutally beats Gary and threatens him at gunpoint, blaming him for not being able to pay back the debt. Rascalov then shoots Gary, killing him. After his death, Gary finds himself in a mysterious smoky room experiencing flashbacks of events that led to his kidnapping and death.
Unit 11 LO2 scene by scene breakdown
The document outlines an 11-scene, 5-7 minute short film. In the first scene, a man delivers a monologue to a camera in a warehouse. Scene 2 shows an awkward family dinner. In scene 3, the father loses money gambling online and breaks his laptop in frustration. Scene 4 returns to the warehouse, where the father is duct taped to a chair as the man who loaned him money demands repayment. Scene 5 has the father promise to repay his debt. Scene 6 ends with the man shooting the father in the chest. Scenes 7-9 depict the father's experience in purgatory, reflecting on past arguments and losses, before scene 10 shows the thugs collecting his body as the loan
Surreal
This document provides analysis of two surreal photographs by Robert Jahns. The first photograph shows an astronaut taking a selfie at the International Space Station with Earth in the background. It uses scale and perspective to create a sense of awe. The second photograph shows a small forest surrounded by a field and clouds, using lighting and composition to make the forest seem vulnerable and the landscape imposing. Both photographs employ surreal techniques to create unique and thought-provoking images.
Portrait
The document analyzes two portrait photographs taken by Steve McCurry. The first photograph is his famous "Afghan Girl" photograph from 1984 showing a young Afghan refugee girl with striking eyes. The photograph captures the harsh realities of life in Afghanistan at the time through the girl's facial expression and clothing. The second photograph shows an Indian woman smoking in a small tent. It displays contrasts between Western culture and customs in India through the woman's surroundings and surprised facial expression at having her photo taken. Both photographs utilize elements like lighting, composition, and framing to draw focus to the subjects and convey meaningful narratives about their lives and cultures.
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Magazine double page spread
Adam Green is a leading rock musician who has successfully led his band through different phases of forming, disbanding for solo work, and reforming. In an interview, Green reflected that he never expected to achieve this level of success in his music career, which started as a hobby. He explained that the band was never intended to be serious but grew organically from making music with friends. Green also discussed why he broke up the band five years ago to pursue solo work but later reunited the band to raise its profile, which was successful.
Magazine cover
The document announces a music festival called TicketsToReading2015 that will feature performances from Avenged Sevenfold, Fallout Boy, and other unnamed artists. It also previews an upcoming album from musician Adam Green, questions whether modern technology has made creating music easier, and includes an exclusive interview with an unnamed "man of the hour" spanning pages 3 and 4. Additional articles discuss YouTube performances from the bands Against the Current and As It Is, as well as a feature about the return of alternative rock on page 25.
Double page spread mockup
This article profiles a person and includes a quote from their interview. It contains an image of the main subject and will be featured as a double page spread. The article provides key details about the person it is profiling through an interview and quote from them.
Surreal analysis
This document summarizes and analyzes two photographs. The first photo is a selfie taken by an astronaut aboard the International Space Station, showing the astronaut with Earth in the background. The second photo shows a small forest surrounded by a field and sky, giving a sense of the forest's vulnerability. Both photos use composition, lighting, framing, and other techniques to create a sense of scale and drama. The document examines the purpose, technical aspects, and meanings conveyed by each photo.
Portrait analysis
The document analyzes two portrait photographs taken by Steve McCurry. The first photograph is his famous "Afghan Girl" photograph from 1984 showing a young Afghan refugee girl with striking eyes. The photograph captures the harsh realities of life in Afghanistan at the time through the girl's facial expression and clothing. The second photograph shows an Indian woman smoking in a small tent. It displays contrasts between Western culture and customs in India through the woman's surroundings and surprised facial expression at having her photo taken. Both photographs utilize elements like lighting, composition, and framing to draw focus to the subjects and convey meaningful narratives about their lives and cultures.
Landscape analysis
This document analyzes two landscape photographs taken by Charlie Waite. The first photograph shows Mount Fuji towering over a hill with a lake in the foreground. It aims to capture the sheer scale of the mountain. The second photograph shows a contrast between light and dark areas of an English countryside landscape in Wiltshire. Both photos effectively use elements like framing, lighting, and the rule of thirds to highlight their subjects and convey meaning about the landscapes they depict.
Editing micro analysis
The document analyzes the editing of a scene from the film The Descent. The scene begins with a slow, 6-shot sequence over 30 seconds to convey a normal family drive through audio and acting, not fast editing. This increases the shock when the sequence cuts to a 2-second, 6-shot crash between two cars edited much faster to create a jarring sense of shock contrasting the earlier pace.
Investigate a media institute - Celador Entertainment
Celador Films was founded in 1983 by Jasper Carrott and Paul Smith and has since produced several successful films and television shows. It operates on a project-by-project basis, using profits from past successes like Who Wants to Be a Millionaire? to fund future projects with increasing budgets, such as The Descent. Notable films produced include Dirty Pretty Things, The Descent, Slumdog Millionaire, and Centurion. Though a small company, Celador has found more financial success than larger competitors like Sony and Vertigo Films with movies such as The Descent that turned higher profits than Spiderman 3 and The Football Factory.
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みなさんこんにちはこれ何文字まで入るの？40文字以下不可とか本当に意味わからないけどこれ限界文字数書いてないからマジでやばい文字数いけるんじゃないの？えこ...
ここ3000字までしか入らないけどタイトルの方がたくさん文字入ると思います。
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みなさんこんにちはこれ何文字まで入るの？40文字以下不可とか本当に意味わからないけどこれ限界文字数書いてないからマジでやばい文字数いけるんじゃないの？えこ...
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Mise en-scene micro analysis - The Descent
- 1. S The Descent: Mise-en- scene Analysis Sam Carpenter
- 2. Clip 3 - Hospital
- 3. Lighting LIGHTING: The colour of Sarah in the hospital suggests the cold loneliness, fluorescent lighting, and an abandoned, uninviting industrial feel to the scene. This contrasts to the (although dark) warm, orange glow of the opening scene with the birthday cake. The green tint is in contrast to the end of the scene where Sarah falls into Beth’s arms, where reality kicks back in and everything turns to a pure white to suggest safety and a clean environment. The green is washed away and there are no more harsh shadows like in the corridor-running scene.
- 4. Location LOCATION: The hospital at the beginning of the clip presents a surprise to the viewer. All of the medical instruments and tools in and around Sarah present a strange new environment to the viewer, and create an effect of imprisonment – or even being pulled away from the warm location with the birthday cake. In the corridor, the white walls and lack of people create an eerie, industrialised and uninviting scene. The same location was made to look so different with the green colour tint, which displays a great example of how colour can change the atmosphere of a scene.
- 5. Costume COSTUME: Sarah’s costume remains the same throughout the scene – the hospital gown suggests that she is helpless and is a patient in the hospital. We now know that she has had a bad accident and is in hospital due to that. In contrast to the hallucination scene, the gown in the reality scene suggests that she is safe in the hands of the hospital. The costumes of the people around her are typical of what would be found in a hospital, with doctors and nurses roaming around past Sarah and Beth which further cements the idea that she is back in reality.
- 6. Props PROPS: There are two props in the hospital sequence – the heart monitor and the cake. The cake symbolises Sarah’s daughter and the importance of her daughter’s birthday party that she never got. and when Sarah is dreaming, she is with her daughter. It symbolises that she could be with her daughter if she stays asleep (dies). The hear monitor as a prop the breaks that dream, and displays that Sarah is waking up and back in ‘reality’, and stops the dream. The fact that the heart monitor is showing 0 bpm could be foreshadowing to the predominant theme of death in the movie.
- 7. Clip 4 - Cave
- 8. Lighting LIGHTING: In the beginning of the scene there is only the head torch light and the darkness of the cave. Later on, the lighting becomes more effective from Holly’s camera – using the Night Vision. However, the green spooky tint returns. This was most likely done for the purpose of making sure that the audience can see the creature and it is sure to scare them. The green night-vision gives another uninviting and spooky feel to the scene, and along with the dialog creates a very tense environment.
- 9. Location LOCATION: The cave is extremely frightening – the night vision allows for the cave to be seen a lot more comprehensively – whilst still maintaining a dark feel. The large rocks, big shadows, human bones and the water create an epic and intimidating environment.