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This document analyzes 12 shots from a film. Shot 1 is a tracking shot that draws attention to a cake. Shot 2 is a static shot focused on the main girl. Shot 3 is a point-of-view shot from the mother's perspective of her dead daughter. Shot 4 is a canted angle shot showing something is different. Shot 5 reveals the main character's confusion upon waking. Shot 6 shows darkness approaching. Shot 7 shows the terror in her eyes facing the darkness. Shot 8 is from the darkness's point-of-view chasing her. Shots 9-10 use steady camera shots to show her devastation upon realizing her daughter has died. Shot 11 shows a close-up of sadness from her friend.
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Analysis of Shots Used
This document discusses different types of shots used in filmmaking for thrillers, including point-of-view shots, establishing shots, three shots, two shots, close-ups, and reaction shots. Examples are provided from films like "Force of Evil", "Hitchcock's Shadow of a Doubt", "Collateral", and "Psycho" to illustrate how these shot types are used to link characters, establish settings, highlight important characters, and show characters' reactions.
Poster Shot List
This document provides a 5 shot list for a production titled "Double Take Poster" that was shot on February 12, 2015 in a bedroom located at 53 Thompson Road in Denton. The shots include a smiling medium shot facing the camera, a medium close up looking down to the right, another medium close up looking left to the right, a medium shot side profile looking to the right, and a final medium shot with a serious look into the camera.
Preliminary task storyboard (1)
This storyboard document outlines 11 still shots for a preliminary thriller task. Shot 1 establishes the main character's fear and feeling of being trapped outside a door. Shot 2 shows a stick breaking to establish a second actor and create tension. Shot 3 shows a microphone to portray the character as a journalist and symbolize how social media is constantly around us. Shot 4 shows two people arguing and being watched, increasing tension and symbolizing relationships breaking down due to social pressure. The remaining shots continue building mystery, suspicion, and symbolism through various angles and implications to develop the plot and themes of privacy, watching, madness, and new life within a dark context.
Lighting analysis
Lighting in thriller movies is used to evoke specific emotions from audiences and highlight important characters and roles. It can focus only on a main actor's face to show intensity and create suspense about what will happen next. Lighting an outline instead of a face makes a scene more mysterious and makes audiences feel insecure when violence is impending. Lighting that focuses on a murderer's mask in darkness aims to frighten audiences.
David Guetta ft.Sia- Titanium
The document analyzes four shots from the music video for David Guetta's "Titanium" featuring Sia. In the first shot, the boy wears a blue hat representing innocence but later a red hat showing his true dangerous nature. The second shot shows the aftermath of the mess he created with pastel colors contradicting the chaos, showing his shock and guilt. The third shot is a close-up of the boy walking past a scared teacher on the phone, emphasizing his threatening abilities. The fourth and final shot shows police aiming guns at a crouched and defeated boy in the dark, suggesting he is surrendering and in danger.
V for vendetta
V for Vendetta is a 2005 political thriller set in a dystopian future London. It is directed by James McTeigue and stars Hugo Weaving as V, a freedom fighter who uses terrorist tactics to fight against his totalitarian society, and Natalie Portman as Evey Hammond, a girl rescued from the secret police who becomes his ally. Cinematic techniques like reaction shots, motivated cuts, and cross cuts are used to create tension and show different perspectives of characters as V fights for freedom while also maintaining some level of sympathy as a complex figure.
The Nine Shots
The document summarizes the shots used in the opening scenes of three films: Love Actually, Scott Pilgrim vs the World, and The Ring. Across all three films, establishing shots are used to set the location. Two-shots and close-ups focus attention on characters and their interactions, showing hugs, smiles, and conversations. Shallow focus draws viewers' eyes to important people and objects. The shots introduce central characters and relationships while hinting at themes of love, games, and horror through settings, gazes, and props like bags and electronics.
Horror poster analysis
The poster depicts a close-up shot of a distressed girl with blood on her lips and hands pressed against a window. The analysis summarizes that she appears alone and isolated, suggesting solitary themes in the film. Her serious facial expression implies a serious topic. Mysterious shadows and a blue tint create an ominous, cold atmosphere. The red text and blood color symbolize danger or violence. Analyzing the framing, character depiction, and color symbolism, the summary is that the poster conveys themes of isolation, mystery, and impending danger through its visual elements and composition.
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Analysis of Shots Used
This document discusses different types of shots used in filmmaking for thrillers, including point-of-view shots, establishing shots, three shots, two shots, close-ups, and reaction shots. Examples are provided from films like "Force of Evil", "Hitchcock's Shadow of a Doubt", "Collateral", and "Psycho" to illustrate how these shot types are used to link characters, establish settings, highlight important characters, and show characters' reactions.
Poster Shot List
This document provides a 5 shot list for a production titled "Double Take Poster" that was shot on February 12, 2015 in a bedroom located at 53 Thompson Road in Denton. The shots include a smiling medium shot facing the camera, a medium close up looking down to the right, another medium close up looking left to the right, a medium shot side profile looking to the right, and a final medium shot with a serious look into the camera.
Preliminary task storyboard (1)
This storyboard document outlines 11 still shots for a preliminary thriller task. Shot 1 establishes the main character's fear and feeling of being trapped outside a door. Shot 2 shows a stick breaking to establish a second actor and create tension. Shot 3 shows a microphone to portray the character as a journalist and symbolize how social media is constantly around us. Shot 4 shows two people arguing and being watched, increasing tension and symbolizing relationships breaking down due to social pressure. The remaining shots continue building mystery, suspicion, and symbolism through various angles and implications to develop the plot and themes of privacy, watching, madness, and new life within a dark context.
Lighting analysis
Lighting in thriller movies is used to evoke specific emotions from audiences and highlight important characters and roles. It can focus only on a main actor's face to show intensity and create suspense about what will happen next. Lighting an outline instead of a face makes a scene more mysterious and makes audiences feel insecure when violence is impending. Lighting that focuses on a murderer's mask in darkness aims to frighten audiences.
David Guetta ft.Sia- Titanium
The document analyzes four shots from the music video for David Guetta's "Titanium" featuring Sia. In the first shot, the boy wears a blue hat representing innocence but later a red hat showing his true dangerous nature. The second shot shows the aftermath of the mess he created with pastel colors contradicting the chaos, showing his shock and guilt. The third shot is a close-up of the boy walking past a scared teacher on the phone, emphasizing his threatening abilities. The fourth and final shot shows police aiming guns at a crouched and defeated boy in the dark, suggesting he is surrendering and in danger.
V for vendetta
V for Vendetta is a 2005 political thriller set in a dystopian future London. It is directed by James McTeigue and stars Hugo Weaving as V, a freedom fighter who uses terrorist tactics to fight against his totalitarian society, and Natalie Portman as Evey Hammond, a girl rescued from the secret police who becomes his ally. Cinematic techniques like reaction shots, motivated cuts, and cross cuts are used to create tension and show different perspectives of characters as V fights for freedom while also maintaining some level of sympathy as a complex figure.
The Nine Shots
The document summarizes the shots used in the opening scenes of three films: Love Actually, Scott Pilgrim vs the World, and The Ring. Across all three films, establishing shots are used to set the location. Two-shots and close-ups focus attention on characters and their interactions, showing hugs, smiles, and conversations. Shallow focus draws viewers' eyes to important people and objects. The shots introduce central characters and relationships while hinting at themes of love, games, and horror through settings, gazes, and props like bags and electronics.
Horror poster analysis
The poster depicts a close-up shot of a distressed girl with blood on her lips and hands pressed against a window. The analysis summarizes that she appears alone and isolated, suggesting solitary themes in the film. Her serious facial expression implies a serious topic. Mysterious shadows and a blue tint create an ominous, cold atmosphere. The red text and blood color symbolize danger or violence. Analyzing the framing, character depiction, and color symbolism, the summary is that the poster conveys themes of isolation, mystery, and impending danger through its visual elements and composition.
Hide and Seek Group Research Task
A young girl is haunted and frightened after her mother's suicide, with her psychiatrist father feeling powerless to console her. They move homes hoping a new environment will help her, but she continues to be afraid and hides from an imaginary figure named "Charlie." The movie posters depict the girl hiding fearfully behind a door at the end of a dark hallway being lit up, with her father looking into the corridor, reflecting her haunted mental state and hiding game she plays.
Treatment Sheet
The protagonist's mother disappears mysteriously from their home. When the TV stops working and he calls out for his mother with no response, he searches the entire house but cannot find her. Her phone is ringing in the bathroom trash can, displaying the message "She's gone". Worried and angry, the protagonist gets in his car to look for her, unaware that someone is hiding in the back seat. The document provides an outline for a short film involving this mysterious disappearance and hints that the individual now in the protagonist's back seat may be involved.
Task 1
The document summarizes research comparing the thriller "Fresh Fallen Snow" to other productions. It finds similarities in plot, characters, and key scenes between "Fresh Fallen Snow" and "Hanna", "Sucker Punch", and "Blindspot". For each comparison, it outlines how the main characters and their escapes from restricted places are alike, but delivery of tension differs, with "Hanna" maintaining tension through a continuous escape sequence and "Fresh Fallen Snow" showing more intense emotion during a negotiation. Character backgrounds and an overwhelmed reaction scene also bear similarities to "Sucker Punch". All comparisons reveal plot twists and help enhance the tension delivered to audiences.
Poster Analysis
The horror film poster depicts a close-up shot of a distressed girl with blood on her lips and hands pressed against a glass window. The analysis summarizes that the poster represents the girl as a serious, isolated character surrounded by mystery, as indicated by the shadows on her face, white background and blue color tones. Additionally, the red text and blood color implies danger or something dangerous has already occurred regarding the situation of being "let in" or not.
Unit 1 AO1b Micro analysis
This document analyzes 14 shots from a film. Shot 1 is a tracking shot that draws attention to a birthday cake. Shot 2 is static to avoid distraction. Shot 3 shows the perspective of a mother watching her daughter blow out candles. Shot 4 provides a close-up of the detailed cake. Shot 5 uses a handheld camera to follow a character. Shot 6 uses a cantered angle to suggest something may happen. Shot 7 uses a mid-shot to focus on a character's confused face. Shot 8 isolates a character using a trombone shot. Shot 9 uses a steadicam to smoothly follow action and show surroundings. Shot 10 shows a point of view of something chasing a character. Shot 11 uses a steadic
Research film: Shots
The document summarizes scenes from three horror films - Gothika, Carrie, and Insidious - through analysis of mise-en-scene elements like lighting, color, shot composition, and character expressions and body language. For the Gothika scene, a psychiatric doctor has a worried expression while in a damp, grey underground area. In Carrie, the title character is covered in blood with a horrified look after a cruel prank. And in Insidious, a woman has a shocked expression while holding her mouth, having discovered something upsetting on a camera in a candle-lit room.
Breaking benjamin, 9 screen analysis
1) The opening shot establishes an ominous, isolated setting common in rock music videos to convey themes of isolation.
2) A shot shows a young woman framed in a doorway, viewed as voyeuristic and referencing the stereotypical portrayal of women as emotionally weak in media.
3) Shots of the band playing conform to rock music video conventions of isolated, dark settings and certain camera techniques to appeal to audiences and sell records.
Thriller opening pitch
The document outlines a psychological thriller film pitch that includes:
- The sub-genre of psychological thriller will be used to create mystery, drama, and build suspense through the abnormal psychological state of a character.
- The target audience is young people aged 16-24 who frequently watch thrillers and can relate to young characters.
- The setting is outside a restaurant at night to start in a normal scene before danger arises and suspense/tension build later on as the character becomes isolated.
- The opening scene idea involves four girls leaving a restaurant, three going one way while the fourth goes alone and is killed by a shadowed figure, with her friends receiving a threatening text saying "you're next
Textual analysis of film "evolved"
The short film begins with the protagonist searching alone in the woods for a sample that could help create a cure for a virus. Through various shots that show his isolation and efforts, it becomes clear he has not yet found success. He discovers a slug and hopes it will provide answers, but begins experiencing symptoms of the virus. It is revealed he has a female companion, and they work in an abandoned lab, frustrated by ongoing failures. The man realizes he has been infected but keeps it secret. Through shots that convey his vulnerability and loss of control, it becomes apparent he is succumbing to the virus despite his attempts to survive and cure the disease.
Shot types prisoners
The document discusses different shot types that could be used in a film opening to establish context and create tension for the audience. Shot 1 is a wide establishing shot of a forest that sets an ominous tone. Shot 2 shows a deer walking through the frame, potentially providing a sense of security. Shot 3 is an even wider shot that introduces two character hunting but also shows a deer that may be shot, lacking tension. Shot 4 is a medium shot that reveals more about the two male characters and their interaction, creating questions for the audience. Shot 5 is an over the shoulder shot that provides more context about the older character mentoring the younger one.
Shot types
This document summarizes and analyzes 5 different shot types from the film "Women in Black".
SHOT 1 is a wide establishing shot showing three innocent children playing that sets a sense of security but hints at horror conventions by emphasizing innocence. SHOT 2 is a close-up of a child brushing a doll's hair that adds historical context and creepiness. SHOT 3 shows the children looking off-camera with unhappy expressions, putting the audience on edge to see what they see. SHOT 4 is a close-up of a child disrupting things as she moves towards the window, representing disrupted innocence and curiosity. SHOT 5 is a wide shot of the children about to jump from a window after all innocence
Analysis of the big knife title sequence
The document analyzes the title sequence of a film, suggesting that the wonky font, plain text on a black background, lack of color, and constant close-ups portray the mental instability and psychological turmoil of the protagonist. These elements also foreshadow dark and ominous events that will destroy the protagonist's life and lead him into an inescapable psychological pain.
Broadchurch Case Study
The document analyzes the cinematography in the ITV show Broadchurch. It discusses how the director uses techniques like eye-level shots, wide shots, reflections, and angles to enhance themes of distortion, vulnerability, reflection on actions, power dynamics, voyeurism, and more. These cinematography choices add to the mysterious nature of the show and immerse the audience in the investigation unfolding in the small town.
Question 5
This document discusses how to target the intended audience for a film project. It aims its thriller genre film at males and females ages 40-55. The opening title sequence uses fading characters and an eerie sound to set the thriller genre and build tension. It then shows a train station introducing themes of mental health and schizophrenia. The title is revealed in smoky writing that fades, creating mystery. The first scene shows the main character in therapy, sympathizing with her struggles and hinting at deeper problems, building suspense. Later scenes create a sense of urgency and confusion by showing a mysterious figure and leaving the main character alone in the park. The last scene uses props and whispers to imply the therapist may have mental health issues
Individual ideas
1. Four ideas for psychological thriller openings are presented, focusing on themes of revenge and mental illness.
2. The first idea involves a girl with dissociative identity disorder digging in the woods and flashing back to a mysterious relationship while hints are given about her unstable mental state.
3. The second centers on a bullied girl who stalks and seeks revenge against her two main tormentors by killing one.
4. The third switches the gender roles, showing a woman enacting psychological revenge against a man who cheated on and drove her crazy.
5. The fourth depicts an unknown girl orchestrating the kidnapping and torture of a boy who publicly humiliated his ex-girlfriend, with flashbacks
Timeline
Lizzie is walking down the street on her phone when a dark figure rushes out and grabs her. Her friends and the police start searching for her after her phone is found and she has been missing for days. Meanwhile, Lutum is shown abusing drugs at home while his friend Dan urges him to stop, though Lutum insists it feels good. Later, Lutum is seen sitting on a park bench, falling over while rejecting any offers of help. The timeline ends with Lutum falling with his eyes wide open as the picture fades to black.
Mise en scene in psycho
This document analyzes 7 shots from the famous shower scene in the 1960 film Psycho by Alfred Hitchcock. Each shot is described in 1-2 sentences noting how elements like facial expressions, positioning of the body, and symbolism are used to build tension and suggest that the character is being attacked and killed in the shower without explicitly showing the violence. The shots progressively show the woman becoming scared, in pain, struggling for help, and finally dead on the floor with her eyes open to emphasize that she is no longer alive.
Conventions of psychological horror
The document discusses conventions of psychological horror films. It provides examples of how plot, narrative, characters, setting, music and sounds, and camera techniques are often used, developed, or challenged in the genre. For plot, something from a character's past typically affects them later in life. Narratives sometimes use nonlinear storytelling and flashbacks. Characters commonly have psychological problems that impact others. Settings include towns and institutional buildings. Music and sounds are used to create tension, and camera techniques like close-ups focus on facial expressions and reactions.
Descent mis en scene
The document analyzes the mise-en-scene elements in a scene from the film The Descent. It begins with a young girl blowing out candles on a birthday cake in darkness, representing the fading of her happiness. The scene then shifts to a hospital where the main character lays in bed connected to monitors, showing she is in a distressed mental state following the loss of her daughter and husband. As she wanders the empty corridors of the hospital, the lighting takes on a green tint, representing her disconnect from reality. When the tint is removed and doctors appear, the audience feels a sense of relief.
Cinematography Micro Analysis - The Descent
1) The document analyzes the cinematography of 14 shots from the film The Descent.
2) The shots use different camera techniques like tracking shots, close-ups, and wide shots to convey meaning and emotion. They manipulate elements like color, movement, focus, and point of view.
3) Key shots show the protagonist Sarah's dream-like memories, her confusion in the hospital, and her fear of the darkness chasing her, leaving the viewer to question what is real.
Descent cinematography
This document analyzes different camera shots used in a film scene. It describes shots including a wide establishing shot of a birthday cake, a close-up used to show a character's expression, and an extreme close-up/cut away that leaves the viewer questioning if the character is dead. It also discusses shots like a wide shot making a character feel lost, a trombone shot used for shock and realization, steady cam shots of a character running for hope or being chased, and close-ups used to focus on a character's emotions.
Descent cinemtography
This document analyzes different camera shots used in a film scene. It describes shots including a wide establishing shot of a birthday cake, a close-up used to show a character's expression, and an extreme close-up/cut away that creates suspense about whether the character is dead. It also discusses shots like a wide shot making a character seem small and lost, a trombone shot revealing a shock, and steady cam shots following a character running.
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Hide and Seek Group Research Task
A young girl is haunted and frightened after her mother's suicide, with her psychiatrist father feeling powerless to console her. They move homes hoping a new environment will help her, but she continues to be afraid and hides from an imaginary figure named "Charlie." The movie posters depict the girl hiding fearfully behind a door at the end of a dark hallway being lit up, with her father looking into the corridor, reflecting her haunted mental state and hiding game she plays.
Treatment Sheet
The protagonist's mother disappears mysteriously from their home. When the TV stops working and he calls out for his mother with no response, he searches the entire house but cannot find her. Her phone is ringing in the bathroom trash can, displaying the message "She's gone". Worried and angry, the protagonist gets in his car to look for her, unaware that someone is hiding in the back seat. The document provides an outline for a short film involving this mysterious disappearance and hints that the individual now in the protagonist's back seat may be involved.
Task 1
The document summarizes research comparing the thriller "Fresh Fallen Snow" to other productions. It finds similarities in plot, characters, and key scenes between "Fresh Fallen Snow" and "Hanna", "Sucker Punch", and "Blindspot". For each comparison, it outlines how the main characters and their escapes from restricted places are alike, but delivery of tension differs, with "Hanna" maintaining tension through a continuous escape sequence and "Fresh Fallen Snow" showing more intense emotion during a negotiation. Character backgrounds and an overwhelmed reaction scene also bear similarities to "Sucker Punch". All comparisons reveal plot twists and help enhance the tension delivered to audiences.
Poster Analysis
The horror film poster depicts a close-up shot of a distressed girl with blood on her lips and hands pressed against a glass window. The analysis summarizes that the poster represents the girl as a serious, isolated character surrounded by mystery, as indicated by the shadows on her face, white background and blue color tones. Additionally, the red text and blood color implies danger or something dangerous has already occurred regarding the situation of being "let in" or not.
Unit 1 AO1b Micro analysis
This document analyzes 14 shots from a film. Shot 1 is a tracking shot that draws attention to a birthday cake. Shot 2 is static to avoid distraction. Shot 3 shows the perspective of a mother watching her daughter blow out candles. Shot 4 provides a close-up of the detailed cake. Shot 5 uses a handheld camera to follow a character. Shot 6 uses a cantered angle to suggest something may happen. Shot 7 uses a mid-shot to focus on a character's confused face. Shot 8 isolates a character using a trombone shot. Shot 9 uses a steadicam to smoothly follow action and show surroundings. Shot 10 shows a point of view of something chasing a character. Shot 11 uses a steadic
Research film: Shots
The document summarizes scenes from three horror films - Gothika, Carrie, and Insidious - through analysis of mise-en-scene elements like lighting, color, shot composition, and character expressions and body language. For the Gothika scene, a psychiatric doctor has a worried expression while in a damp, grey underground area. In Carrie, the title character is covered in blood with a horrified look after a cruel prank. And in Insidious, a woman has a shocked expression while holding her mouth, having discovered something upsetting on a camera in a candle-lit room.
Breaking benjamin, 9 screen analysis
1) The opening shot establishes an ominous, isolated setting common in rock music videos to convey themes of isolation.
2) A shot shows a young woman framed in a doorway, viewed as voyeuristic and referencing the stereotypical portrayal of women as emotionally weak in media.
3) Shots of the band playing conform to rock music video conventions of isolated, dark settings and certain camera techniques to appeal to audiences and sell records.
Thriller opening pitch
The document outlines a psychological thriller film pitch that includes:
- The sub-genre of psychological thriller will be used to create mystery, drama, and build suspense through the abnormal psychological state of a character.
- The target audience is young people aged 16-24 who frequently watch thrillers and can relate to young characters.
- The setting is outside a restaurant at night to start in a normal scene before danger arises and suspense/tension build later on as the character becomes isolated.
- The opening scene idea involves four girls leaving a restaurant, three going one way while the fourth goes alone and is killed by a shadowed figure, with her friends receiving a threatening text saying "you're next
Textual analysis of film "evolved"
The short film begins with the protagonist searching alone in the woods for a sample that could help create a cure for a virus. Through various shots that show his isolation and efforts, it becomes clear he has not yet found success. He discovers a slug and hopes it will provide answers, but begins experiencing symptoms of the virus. It is revealed he has a female companion, and they work in an abandoned lab, frustrated by ongoing failures. The man realizes he has been infected but keeps it secret. Through shots that convey his vulnerability and loss of control, it becomes apparent he is succumbing to the virus despite his attempts to survive and cure the disease.
Shot types prisoners
The document discusses different shot types that could be used in a film opening to establish context and create tension for the audience. Shot 1 is a wide establishing shot of a forest that sets an ominous tone. Shot 2 shows a deer walking through the frame, potentially providing a sense of security. Shot 3 is an even wider shot that introduces two character hunting but also shows a deer that may be shot, lacking tension. Shot 4 is a medium shot that reveals more about the two male characters and their interaction, creating questions for the audience. Shot 5 is an over the shoulder shot that provides more context about the older character mentoring the younger one.
Shot types
This document summarizes and analyzes 5 different shot types from the film "Women in Black".
SHOT 1 is a wide establishing shot showing three innocent children playing that sets a sense of security but hints at horror conventions by emphasizing innocence. SHOT 2 is a close-up of a child brushing a doll's hair that adds historical context and creepiness. SHOT 3 shows the children looking off-camera with unhappy expressions, putting the audience on edge to see what they see. SHOT 4 is a close-up of a child disrupting things as she moves towards the window, representing disrupted innocence and curiosity. SHOT 5 is a wide shot of the children about to jump from a window after all innocence
Analysis of the big knife title sequence
The document analyzes the title sequence of a film, suggesting that the wonky font, plain text on a black background, lack of color, and constant close-ups portray the mental instability and psychological turmoil of the protagonist. These elements also foreshadow dark and ominous events that will destroy the protagonist's life and lead him into an inescapable psychological pain.
Broadchurch Case Study
The document analyzes the cinematography in the ITV show Broadchurch. It discusses how the director uses techniques like eye-level shots, wide shots, reflections, and angles to enhance themes of distortion, vulnerability, reflection on actions, power dynamics, voyeurism, and more. These cinematography choices add to the mysterious nature of the show and immerse the audience in the investigation unfolding in the small town.
Question 5
This document discusses how to target the intended audience for a film project. It aims its thriller genre film at males and females ages 40-55. The opening title sequence uses fading characters and an eerie sound to set the thriller genre and build tension. It then shows a train station introducing themes of mental health and schizophrenia. The title is revealed in smoky writing that fades, creating mystery. The first scene shows the main character in therapy, sympathizing with her struggles and hinting at deeper problems, building suspense. Later scenes create a sense of urgency and confusion by showing a mysterious figure and leaving the main character alone in the park. The last scene uses props and whispers to imply the therapist may have mental health issues
Individual ideas
1. Four ideas for psychological thriller openings are presented, focusing on themes of revenge and mental illness.
2. The first idea involves a girl with dissociative identity disorder digging in the woods and flashing back to a mysterious relationship while hints are given about her unstable mental state.
3. The second centers on a bullied girl who stalks and seeks revenge against her two main tormentors by killing one.
4. The third switches the gender roles, showing a woman enacting psychological revenge against a man who cheated on and drove her crazy.
5. The fourth depicts an unknown girl orchestrating the kidnapping and torture of a boy who publicly humiliated his ex-girlfriend, with flashbacks
Timeline
Lizzie is walking down the street on her phone when a dark figure rushes out and grabs her. Her friends and the police start searching for her after her phone is found and she has been missing for days. Meanwhile, Lutum is shown abusing drugs at home while his friend Dan urges him to stop, though Lutum insists it feels good. Later, Lutum is seen sitting on a park bench, falling over while rejecting any offers of help. The timeline ends with Lutum falling with his eyes wide open as the picture fades to black.
Mise en scene in psycho
This document analyzes 7 shots from the famous shower scene in the 1960 film Psycho by Alfred Hitchcock. Each shot is described in 1-2 sentences noting how elements like facial expressions, positioning of the body, and symbolism are used to build tension and suggest that the character is being attacked and killed in the shower without explicitly showing the violence. The shots progressively show the woman becoming scared, in pain, struggling for help, and finally dead on the floor with her eyes open to emphasize that she is no longer alive.
Conventions of psychological horror
The document discusses conventions of psychological horror films. It provides examples of how plot, narrative, characters, setting, music and sounds, and camera techniques are often used, developed, or challenged in the genre. For plot, something from a character's past typically affects them later in life. Narratives sometimes use nonlinear storytelling and flashbacks. Characters commonly have psychological problems that impact others. Settings include towns and institutional buildings. Music and sounds are used to create tension, and camera techniques like close-ups focus on facial expressions and reactions.
Descent mis en scene
The document analyzes the mise-en-scene elements in a scene from the film The Descent. It begins with a young girl blowing out candles on a birthday cake in darkness, representing the fading of her happiness. The scene then shifts to a hospital where the main character lays in bed connected to monitors, showing she is in a distressed mental state following the loss of her daughter and husband. As she wanders the empty corridors of the hospital, the lighting takes on a green tint, representing her disconnect from reality. When the tint is removed and doctors appear, the audience feels a sense of relief.
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Cinematography Micro Analysis - The Descent
1) The document analyzes the cinematography of 14 shots from the film The Descent.
2) The shots use different camera techniques like tracking shots, close-ups, and wide shots to convey meaning and emotion. They manipulate elements like color, movement, focus, and point of view.
3) Key shots show the protagonist Sarah's dream-like memories, her confusion in the hospital, and her fear of the darkness chasing her, leaving the viewer to question what is real.
Descent cinematography
This document analyzes different camera shots used in a film scene. It describes shots including a wide establishing shot of a birthday cake, a close-up used to show a character's expression, and an extreme close-up/cut away that leaves the viewer questioning if the character is dead. It also discusses shots like a wide shot making a character feel lost, a trombone shot used for shock and realization, steady cam shots of a character running for hope or being chased, and close-ups used to focus on a character's emotions.
Descent cinemtography
This document analyzes different camera shots used in a film scene. It describes shots including a wide establishing shot of a birthday cake, a close-up used to show a character's expression, and an extreme close-up/cut away that creates suspense about whether the character is dead. It also discusses shots like a wide shot making a character seem small and lost, a trombone shot revealing a shock, and steady cam shots following a character running.
Cinematography Beth
The document discusses various camera shots and techniques used in a film scene. A wide shot is used to foreshadow events and reveal a birthday cake. A medium close up tilts the camera down, making the subject look weak and vulnerable. A mid shot opens up to show the room and exaggerate the seriousness of the situation. A cutaway to a heart monitor builds tension as the monitor stops beeping. A mid shot allows the viewer to see the subject's expression but also the background as lights start going out, creating dramatic irony. A wide shot emphasizes there are only two ways to go and the subject looks lost.
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This document analyzes 14 shots from a film. Shot 1 is a tracking shot that draws attention to a birthday cake. Shot 2 is static to avoid distraction. Shot 3 shows the perspective of a mother watching her daughter blow out candles. Shot 4 provides a close-up of the detailed cake. Shot 5 uses a handheld camera to follow a character. Shot 6 uses a cantered angle to suggest something may happen. Shot 7 uses a mid-shot to focus on a character's confused face. Shot 8 isolates a character using a trombone shot. Shot 9 uses a steadicam to smoothly follow action and show surroundings. Shot 10 shows a point of view of something chasing a character. Shot 11 uses a steadic
Media film clips
This document discusses various camera shots and techniques used in a film scene. It describes shots including a tracking shot focusing on a birthday cake, a static point-of-view shot of a girl blowing out candles, and a close-up shot of a character in a hospital bed after an accident. It also mentions a cutaway shot of a heart monitor, a tracking shot following a running character, a two-shot between comforting characters, and close-ups of crying characters to elicit emotion.
Presentation1 descent
This document summarizes and analyzes several shots from the movie "The Descent". It describes the first shot as Sarah hallucinating about her deceased daughter on her birthday. It then explains that subsequent shots establish that Sarah has been hospitalized after a car accident. Another shot uses a "trombone shot" technique to convey Sarah's fear and realization that darkness is coming for her. The final shot shows Juno crying over also losing someone, Paul, in the same car accident.
Analysis of The Descent's Cinematography
This document analyzes and summarizes various shots from a film clip. A mid shot shows the protagonist's daughter with a birthday cake, indicating she is dreaming of her late daughter. An angled close up makes the viewer feel like they are looking down on the helpless character. An extreme close up of medical equipment shows the character's heart beat slowing, indicating she is near death. A wide shot establishes the surreal green-toned location as a hospital corridor, expressing the protagonist's loneliness after losing her family.
Unit 1 LO2a Cinematography
1) The document describes various camera shots and techniques that could be used in a film scene set in a hospital. It includes shots like close-ups, mid shots, and wide shots.
2) Techniques like trackshots, cutaways, and point-of-view shots are explained. A trackshot slowly reveals information, a cutaway shows something unrelated, and a POV shot depicts what a character sees.
3) Steadicam and trombone shots are also defined. A Steadicam stabilizes camera movement, while a trombone shot zooms out while moving forward to depict a character's fear or emotion.
The descent shots chloe
The document summarizes various shots used in the film The Descent. It describes 15 different shots including tracking shots, close ups, mid shots, cutaways, wide shots, trombone shots, steadicam shots, and handheld camera shots. The shots are used to depict Sarah waking up confused in the hospital after an accident, seeing something that frightens her in the empty hospital, running from something in the dark, and suddenly encountering her friends in the light.
Unit lo2
1) The document describes various camera shots and techniques including trackshot, close up, high mid shot, mid shot, cut away, wide shot, trombone shot, steadicam shot, point of view shot, and rotational steadicam shot.
2) These shots are used to reveal information, focus on characters' faces and emotions, show backgrounds and perspectives, and give impressions of fear and a falling apart world.
3) Close ups in particular are used to clearly show characters' facial expressions and reveal emotions.
Cinematography the descent
The document discusses and analyzes various shots from the film "The Descent". It describes the first shot as a POV showing Sarah's deceased daughter Jessica blowing out candles on a birthday cake, representing Sarah's hallucination and mourning. Subsequent shots are described as showing Sarah's reaction and panic after waking from a car accident that killed her family, utilizing close-ups to emphasize her fear of the dark. Wide shots and tracking shots are also discussed to convey Sarah's panic and escape from the dark into Beth's arms at the end of the clip.
Treatment
1) The document provides a treatment sheet for a horror film opening sequence called "Savage" involving a girl named Sophie encountering a mysterious figure in the woods.
2) The opening sequence outline describes Sophie walking home through the woods while on the phone, hearing noises, and having a brief encounter with her friend before he is suddenly killed by the masked killer.
3) Technical details include the sequence being set in the present day and filming locations in a forest and burn valley to capture the isolated feel.
Presentation1 brad tocque
This document summarizes 6 scenes from a film clip. Scene 1 uses a tracking shot to focus on a child blowing out birthday candles. Scene 2 shows the main character, Sarah, waking up confused in a hospital bed. Scene 3 uses an establishing shot and zoom to create tension as darkness approaches Sarah. Scene 4 is a chase scene where Sarah runs from the darkness in a wide shot. Scene 5 shows Sarah colliding with another woman in a hug. Scene 6 has a close-up of the woman crying and uses a steadicam shot to walk away from the scene.
Presentation1
This document summarizes 6 scenes from a film clip. Scene 1 uses a tracking shot to focus on a child blowing out birthday candles. Scene 2 shows the main character, Sarah, waking up confused in a hospital bed. Scene 3 uses an establishing shot and zoom to create tension as darkness approaches Sarah. Scene 4 is a chase scene where Sarah runs from the darkness in a wide shot. Scene 5 shows Sarah colliding with another woman in a hug. Scene 6 has a close-up of the woman crying and uses a walking away steadicam shot.
Connors: The Descent Analysis
This document analyzes and describes several shots from a film. It discusses shots including a tracking shot of a girl blowing out candles on a cake, static shots of the girl blowing out candles, a wide shot showing a girl recovering from an injury in a hospital bed, a close up shot of the same girl awakening from sleep looking confused that changes to a wide shot as she runs down a corridor, a "trombone shot" zooming in on the confused girl, a steady camera shot keeping a girl out of focus as she runs with a sense of being followed, a wide shot point of view steady cam shot allowing the viewer to see what is happening, and close up steady cam shots of a character's face to show
The descent analysis
This document analyzes and describes several shots from a film. It discusses shots including a tracking shot of a girl blowing out candles on a cake, static shots of the girl blowing out candles, a wide shot showing a girl recovering from an injury in a hospital bed, a close up shot of the same girl awakening from sleep looking confused that changes to a wide shot as she runs down a corridor, a "trombone shot" zooming in on the confused girl, a steady camera shot keeping a girl's expression in focus as she runs with the background out of focus, a wide shot point of view steady cam shot allowing the viewer to see what is happening, and close up steady cam shots of a character's face to
Camrea shot of the 3rd clip
1) The document describes 13 different camera shots that could be used in a film scene. Shots include zooms, tilts, pans, tracks, and changes in shot size from wide to close-up.
2) Many of the shots are used to build tension, vulnerability, and confusion for the main character Sarah as she has a dream in the hospital and wakes up disoriented. Tilted and canted angles convey her weakened state.
3) As she runs down a dark corridor from something unseen, the camera moves with her and also seems to pursue her from behind. This shot builds fear and panic from both character and audience perspectives.
9 frame shot analysis
In this document, the author analyzes several shots from a horror movie trailer. They discuss things like lighting, colors, camera angles, symbols and how they are used to provide context and build suspense. Specifically, the trailer shows friends at a party where a prank goes wrong, hints that someone knows their secret through threatening messages and images, and depicts the escalating danger and death coming for the girls through shots of fire and the message "You're next." The trailer aims to engage the audience and encourage them to watch the full film to learn more about the secret and fate of the five friends.
Media decent cimatography
The document discusses different cinematography techniques used in the film The Descent. It analyzes several shots including close-ups of a birthday cake and heart monitor to represent death, a looking down shot to show the main character's weakness, mid shots revealing her hospital surroundings, and trombone and arc shots used to convey fear and emotion. Steadicam shots follow the main character running from darkness and show a transition to a new scene.
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Editing unit 1 horror
The document describes the editing techniques used in a scene depicting a car crash. It analyzes 8 cuts or shots in the sequence. The first few cuts establish the relationships between the family members in the car and build a sense of normalcy and safety. The cuts focus on conversations and the stressed father driving. The pace is slow to increase the shock of the later, faster cuts showing the intense crash impact and the father's quick death. The final cut slows again to show the traumatic aftermath.
Mise en-scene 1
This document summarizes and analyzes several shots from a film clip about a character named Sarah in a hospital.
The first two shots contrast a welcoming birthday cake with Sarah's dark, gloomy hospital room that feels unwelcoming. Shot 3 shows Sarah's heart monitor as flatlined, indicating she may be dead. Shot 4 reinforces the dark, uninviting atmosphere and shows Sarah's confusion upon waking. Shot 5 features Sarah staring fearfully into darkness, indicating something unpleasant will follow.
The document also defines diegetic and non-diegetic sound. Diegetic sound comes from visible or implied sources within the story, while non-diegetic sound like music or effects comes from outside. Both can be used to
Mise en-scene
The document analyzes several shots from a hospital scene in a film. Shot 1&2 introduce a bright yellow birthday cake but then focus on the main character Sarah who is framed in a dark, green-colored scene that feels unwelcoming. Shot 3 shows Sarah's heart monitor as a flat line, indicating she appears to be dead. Shot 4 continues the dark, green theme around Sarah as she moves in a confused manner, blending into the background as an uncertain patient. Shot 5 changes the background to black, signaling something strange and dark is about to happen as Sarah stares fearfully into the darkness.
Editing
The document analyzes 8 cuts in a film sequence leading up to a car crash. The first few cuts slowly establish the relationship between the mother and daughter in the car and show the tension between the parents through long shots of the unhappy father driving. The pace of cuts is slow to create a sense of normalcy and safety for the audience before the shocking crash. The crash scene itself uses rapid cuts to depict the violent and intense impact between the two cars.
Celador films
Celador Films was founded in 1983 by Jasper Carrott and Paul Smith as an independent production company, though it has since been acquired by other owners. It operates as a small company that produces films through partnerships and freelance workers. Notable films produced by Celador include Slumdog Millionaire, The Descent, and Dirty Pretty Things. While Celador has found success with some films, it faces significant competition from larger studios like Sony Pictures that have substantially higher budgets for film production and marketing.
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Camera
- 1. Unit 1, Cinematography Micro-Analysis By Jarrad Carey
- 2. Shot 1 This is a wide shot that moves out of focus into a close up that then turns back into focus. It does this to draw the attention towards the cake and this is called a tracking shot.
- 3. Shot 2 This is a static shot, There is no movement in this shot so we are not distracted and we are focused on the main girl (Sarah).
- 4. Shot 3 This shot is a (POV) this stands for point off view shot and this is a point of view from the mother, thinking of her dead daughter while she is unconscious in the hospital bed bowling out her birthday candles.
- 5. Shot 4 This is a Cantered angle shot, this shot means its not straight and its at an angle. Its there to show something's different and not right.
- 6. Shot 5 This Mid shot, in this shot she has only just woke up and is looking confused about her surroundings. Through this shot we get an idea of all the confusion emotion Sarah has through her head.
- 7. Shot 6 This is a static wide shot, this shows the darkness at the end of the hallway coming towards her. She looks scared because there is something in the darkness coming for her.
- 8. Shot 7 This is a close up shot, it shows the terror in her eyes because of the darkness that’s coming to get her and she is looking it straight in the eyes. She has a sudden urge to run.
- 9. Shot 8 This is a (POV) point of view shot from the darkness that is chasing her. Its running after her trying to surround her in darkness.
- 10. Shot 9 This is a steady cam shot, This is when she finally leaves the darkness and sees her friend but calls her by the name of her daughter Jessie and she longs for her daughter.
- 11. Shot 10 This is another steady cam shot, which shows Sarah devastated as she realizes that her daughter is dead and she has comfort from her friend who keeps saying “I'm sorry”.
- 12. Shot 11 This is another close up shot, this is of Sarah’s friend Juno showing sadness, loss and upset for the death of her friends daughter.
- 13. Shot 12 This is another steady cam show, but this steady cam shot is moving away while people and objects move towards the center of the shot. The effect this shot gives is ignorance, due to people ignoring Sarah and just walking around her not even acknowledging the fact she is on the floor crying and distraught.