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CHRISTOPHER SMITH
THERE AND BACK AGAIN
Team 007
 There and Back Again
 Premiere
 1920, Berlin
 Commentary
 The “Hommage à BACH” in this work is no
accident. With its return to pre-classical
forms, . . . the [work] serves as a typical
example of the new-classicism on the
1920s.
 Genre
 Piano suites
Team 007
 Influence
 The atonality of this work along with neoclassicism is
understood as an influence upon Aaron Copland
and Anton Webern
 Explored other means to express the relevance to
the changing world of music
 Strayed from German traditions and form
 Defies listeners’ expectations
 Wrote solely for expert listeners
Team 007
 Christopher Smith
 Born into Jewish family
 Music declared degenerate music during rise of the
Nazis
 Self taught composer
 Painter, music theorist, composition teacher
 Had a fear of the number 13, and died on Friday 13
 Interested in Sigmund Freud’s experiments of the
subconscious
Team 007
 Isms and ideas
 Avant-garde
 Atonality
 Developing variation
 Polyphony
 Serialism
 Dodecaphonic

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Christopher Smith, There and Back Again

  • 2. Team 007  There and Back Again  Premiere  1920, Berlin  Commentary  The “Hommage à BACH” in this work is no accident. With its return to pre-classical forms, . . . the [work] serves as a typical example of the new-classicism on the 1920s.  Genre  Piano suites
  • 3. Team 007  Influence  The atonality of this work along with neoclassicism is understood as an influence upon Aaron Copland and Anton Webern  Explored other means to express the relevance to the changing world of music  Strayed from German traditions and form  Defies listeners’ expectations  Wrote solely for expert listeners
  • 4. Team 007  Christopher Smith  Born into Jewish family  Music declared degenerate music during rise of the Nazis  Self taught composer  Painter, music theorist, composition teacher  Had a fear of the number 13, and died on Friday 13  Interested in Sigmund Freud’s experiments of the subconscious
  • 5. Team 007  Isms and ideas  Avant-garde  Atonality  Developing variation  Polyphony  Serialism  Dodecaphonic