The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters which include prisoners like Carla and her gang, as well as guards like Mr. Watson. In the first scene, Carla establishes dominance over the new prisoners and intimidates them. One new prisoner, Yasmine, claims she was wrongly convicted of murder. In the second scene, the corrupt prison governor Ms. Sullivan manipulates guard Boris McKenzie into spying on the other guards for her in exchange for her favor with Mr. Watson.
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters, including the leader of a gang named Carla and three new inmates. In the first scene, Carla establishes dominance over the new inmates and warns them of the rules. One new inmate, Yasmine, claims she was wrongly convicted of murder. In the second scene, the governor asks a guard named Boris to spy on the other guards in exchange for her favor with the lead guard, Mr. Watson.
(To Carla) Let's try to listen respectfully and give others a chance to share.
Moorland: Nicole, please continue. How does the lack of respect make you feel?
Nicole: It makes me feel angry and frustrated. Like no one cares about me or
what I want. I'm always being told what to do.
Moorland: I understand, that's a very common feeling. But reacting in anger or
violence will only breed more negativity. We have to find healthier ways to gain
respect and feel heard. Does anyone have any ideas?
Yasmine: Maybe we could try listening to each other more and being kind?
Mo
1) The prisoners are meeting with their therapist Mr. Moorland for a session on respect. However, some of the prisoners like Carla are bored with the topic and want to move on.
2) When Mr. Moorland asks why respect is important, Nicole responds that the prisoners don't have respect and never will because they are now seen as criminals.
3) Carla remains disinterested and is looking at her nails, not engaged in the discussion. Sasha warns through gestures that Carla could get angry if pushed further on the topic.
1) Ms. Sullivan calls Boris into her office to ask him to find dirt on one of the prisoners to spread around the prison in order to liven things up.
2) Boris is hesitant as this would go against the rules, but Ms. Sullivan persuades him by giving him a shoulder massage.
3) Boris agrees to find the dirt in order to please Ms. Sullivan and get her to tell Mr. Watson what a good boy he is. Ms. Sullivan manipulates Boris into breaking the rules for her own amusement.
Cell Block 33 introduces the cast of characters for a prison drama, including the prisoners and guards. Carla is established as the leader of a gang who intimidates the new prisoners. One new prisoner, Yasmine, claims she was wrongly convicted of murder. The governor asks Boris to dig up dirt on a prisoner in exchange for praise from his crush, Mr. Watson, testing his willingness to break the rules.
The document provides a script for a play set in a women's prison, introducing the main characters including prisoners like Carla, Nicole, and Yasmine as well as guards. It describes interactions between the prisoners as new inmates are introduced, scenes with the governor and therapist, and Yasmine being shown to her new cell by the aggressive guard Watson.
Okay, let's try moving our discussion in a more positive direction. What
are some small ways each of you can show respect to others here?
Carla: I ain't showing respect to no one.
Moorland: Carla, respect is how you'll earn people's trust and a second chance.
Think about it - how can you start respecting others, just a little?
Carla sighs loudly but doesn't respond. The other inmates are also silent.
Moorland: Alright, let's end here for today. Think about respect over the week.
Our time is up - I'll see you all next session.
The inmates start filing out. Moorland
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters, including the leader of a gang named Carla and three new inmates. In the first scene, Carla establishes dominance over the new inmates and warns them of the rules. One new inmate, Yasmine, claims she was wrongly convicted of murder. In the second scene, the governor asks a guard named Boris to spy on the other guards in exchange for her favor with the lead guard, Mr. Watson.
(To Carla) Let's try to listen respectfully and give others a chance to share.
Moorland: Nicole, please continue. How does the lack of respect make you feel?
Nicole: It makes me feel angry and frustrated. Like no one cares about me or
what I want. I'm always being told what to do.
Moorland: I understand, that's a very common feeling. But reacting in anger or
violence will only breed more negativity. We have to find healthier ways to gain
respect and feel heard. Does anyone have any ideas?
Yasmine: Maybe we could try listening to each other more and being kind?
Mo
1) The prisoners are meeting with their therapist Mr. Moorland for a session on respect. However, some of the prisoners like Carla are bored with the topic and want to move on.
2) When Mr. Moorland asks why respect is important, Nicole responds that the prisoners don't have respect and never will because they are now seen as criminals.
3) Carla remains disinterested and is looking at her nails, not engaged in the discussion. Sasha warns through gestures that Carla could get angry if pushed further on the topic.
1) Ms. Sullivan calls Boris into her office to ask him to find dirt on one of the prisoners to spread around the prison in order to liven things up.
2) Boris is hesitant as this would go against the rules, but Ms. Sullivan persuades him by giving him a shoulder massage.
3) Boris agrees to find the dirt in order to please Ms. Sullivan and get her to tell Mr. Watson what a good boy he is. Ms. Sullivan manipulates Boris into breaking the rules for her own amusement.
Cell Block 33 introduces the cast of characters for a prison drama, including the prisoners and guards. Carla is established as the leader of a gang who intimidates the new prisoners. One new prisoner, Yasmine, claims she was wrongly convicted of murder. The governor asks Boris to dig up dirt on a prisoner in exchange for praise from his crush, Mr. Watson, testing his willingness to break the rules.
The document provides a script for a play set in a women's prison, introducing the main characters including prisoners like Carla, Nicole, and Yasmine as well as guards. It describes interactions between the prisoners as new inmates are introduced, scenes with the governor and therapist, and Yasmine being shown to her new cell by the aggressive guard Watson.
Okay, let's try moving our discussion in a more positive direction. What
are some small ways each of you can show respect to others here?
Carla: I ain't showing respect to no one.
Moorland: Carla, respect is how you'll earn people's trust and a second chance.
Think about it - how can you start respecting others, just a little?
Carla sighs loudly but doesn't respond. The other inmates are also silent.
Moorland: Alright, let's end here for today. Think about respect over the week.
Our time is up - I'll see you all next session.
The inmates start filing out. Moorland
A fight breaks out between inmates Carla and Nicole in the prison dining hall after Yasmin accidentally bumps into Carla. Their argument escalates into a physical altercation as they start throwing punches at each other on the floor while other inmates gather around and cheer. The guards Watson and Borris rush in to separate the two fighters and take them, along with Yasmin, away to be locked in their cells for the night as punishment.
Jonas writes about an unexpected event that occurred at a community meeting. [1] The Chief Elder apologized for causing anxiety in the community, which Jonas had never witnessed before. [2] To Jonas's surprise and fear, the Chief Elder then called him on stage after apologizing. [3] She announced that Jonas had been selected as the new Receiver of Memory, a role meant for keeping the community's collective memories, replacing the previous Receiver who failed in his duties.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by a mafia led by Wendy Wilson. Jason recruits Will as a double agent to infiltrate Wendy's gang to rescue Gracie and bring down Wendy. Will meets with Wendy and impresses her with his loyalty to gain access to her gang. However, upon later confronting Jason, Will discovers files indicating Gracie may be dead, causing him to point his gun at Jason in anger and distrust.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by Wendy Wilson's mafia. Jason recruits Will, a former police officer, to go undercover and infiltrate Wendy's gang to rescue Gracie. Will impresses Wendy and passes her initiation test. However, when Will later confronts Jason, he finds files that reveal Gracie may be dead. Will points his gun at Jason in a rage, accusing Jason of lying to him all along.
Two inmates sneak into the prison administrator's office while it is empty and find files on all the inmates. They discover information about Carla that contradicts her story of why she is in prison. At recreation, the inmates confront Carla and threaten to beat her up. Nicole intervenes and gives a speech urging the inmates not to sink to Carla's level and to remember who they were before prison. Everyone disperses silently. Carla is later shown reflecting in her cell.
Four teenagers wake up in an abandoned school with no memory of how they got there. They are greeted by a distorted voice telling them they must complete deadly tests or they will die. One of the teenagers, Viktor, is found dead with a knife wound. The others suspect each other until they find a note on Viktor's body saying one of them is the killer. They realize they have been drugged and set against each other as part of a deadly game.
This document provides a template for a comprehensive psychiatric evaluation. It includes sections for subjective information such as the chief complaint, history of present illness, past psychiatric history, substance use history, and family history. Objective sections include the physical exam, diagnostic results, mental status examination, differential diagnoses, and reflections. The evaluation is to be completed for a psychiatric nursing course assignment and must follow APA style, include 5 references less than 5 years old, and have zero plagiarism.
A journalist named David interviews 10-year-old Sammie, who claims she witnessed her father Jason murder her mother in Sammie's bedroom two years ago. Sammie refuses to leave the bedroom. That night, Jason secretly moves Sammie to his bedroom while she sleeps. Sammie disappears and cuts Jason, threatening to kill him like he killed her mother. Jason searches the flat but cannot find Sammie. He is then stabbed in the living room. The ending credits reveal that David's interview with Sammie was actually recorded, and Sammie confesses to David that she plans to kill her father for murdering her mother.
Andy wakes up in a strange room where a disembodied voice tells him it has been watching him and knows all about his mistakes and wrongdoings. The voice shows Andy visions of his poor past actions through painful sensations. Andy sees how he mistreated others for his own gain. The voice explains this place is for Andy to understand himself and change. It offers Andy a chance to see the impact of his death on someone he loves. Andy is shown his own body after a car accident and his grieving wife Mary. He realizes the error of his ways. The voice tells Andy someone is waiting for him, and they walk off together as credits roll.
This document appears to be a breakup letter from a person named Andres to an unnamed recipient. Andres thanks the person for the memories but says he feels nobody and uncared for when with them. Andres reveals he has realized he never loved this person and was just seeing his dream girl Lucia in them instead. Andres states he still loves Lucia and wants to be with her, fighting for her despite her being engaged to someone else named Daniel.
David must choose which of three girls, Michal, Abigail, or Ahinoam, to eliminate and pursue a relationship with. He goes on dates with each candidate. After struggling to decide between them, David chooses to pursue both Michal and Abigail instead of eliminating one of them.
(To Carla) I understand you're bored, but respect is an important topic that can help improve relationships and the environment here. Perhaps sharing how you genuinely feel could help move the discussion forward in a meaningful way.
Carla: Fine. I don't feel respected here. The guards treat us like crap and think they can do what they want. And these so called "therapy" sessions are a joke. No one really cares what we think.
Moorland: I can understand feeling that way Carla. It's not easy being in this environment. But my role is to try and help however I can. Why don't you tell me more about what would make you feel respected? Really listening to understand different
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters, including the leader of a gang named Carla and three new inmates. In the first scene, Carla establishes dominance over the new inmates and warns them of the rules. One new inmate, Yasmine, claims she was wrongly convicted of murder. In the second scene, the governor asks a guard named Boris to spy on the other guards in exchange for her favor with the lead guard, Mr. Watson.
Okay, let's try moving our discussion in a more positive direction. What
are some small ways each of you can show respect to others here?
Carla: I ain't showing respect to no one.
Moorland: Carla, respect is how you'll earn people's trust and a second chance.
Think about it - how can you start respecting others, just a little?
Carla sighs loudly but doesn't respond. The other inmates are also silent.
Moorland: Alright, let's talk about something else then. Whitney, how are you
finding the art therapy classes? Anything you'd like to share about what you're
working on?
Whitney
Vanya introduces himself as Uncle Vanya, noting the negative connotations of the word "uncle". He describes different archetypes at a restaurant - the schlemiel who spills soup, the schlimazel it gets spilled on, and the "schmo", an uncomfortable outsider. Vanya says he's not the schmo, but rather "Yet Another Other Guy" who isn't even at the restaurant but obsessively thinks about it. The Professor, Pickles, Sonia and Ella return from a walk, with the Professor praising Sonia's garden, though noting it's not as beautiful as the Swiss Alps.
The document summarizes a scene from the play "Cell Block 33". It describes a therapy session led by Mr. Moorland in the prison. The session aims to discuss respect but the prisoners are disruptive and argue with each other. Carla and Nicole in particular get into a heated argument. Moorland tries to calm them down but ends the session frustrated, knowing he needs to find a better way to get through to the prisoners.
Maurio Coles' New Nightmare in the Hood (screenplay)Maurio Coles
Teena tells her brother Deucalion about her nightmare involving their friend Minnie's death. She describes in detail an incident she and Minnie experienced previously where they encountered a killer named Jaxon Volker at an abandoned campsite. Though they escaped, Teena has been having nightmares and a bad feeling since then. She wonders if Minnie's death could be connected to someone associated with Jaxon seeking revenge. Deucalion listens and questions if Minnie's killer could indeed be linked to the past encounter.
Detective Franklin Hall returns to work after time off to find Chief Inspector Bruce interrogating a serial killer named Benjamin En'Zolo. En'Zolo admits to killing 21 people he deemed "unclean." Hall storms out upset, but later learns from Bruce that he let En'Zolo go, believing he can help rid the city of criminals. Hall accuses Bruce of being as mad as En'Zolo and potentially causing more deaths. Bruce argues they need En'Zolo to help with criminals they cannot catch, showing he has lost faith in the system.
Detective Franklin Hall has returned to work after time off following the death of his wife. He is questioning serial killer Benjamin En'Zolo about the murders of 21 people. En'Zolo claims the victims were criminals who deserved to die. When Hall leaves upset, Chief Inspector Bruce remains behind. Bruce has secretly let En'Zolo go free, believing he is doing what the police cannot by ridding the city of dangerous criminals. Hall is furious to discover En'Zolo has escaped. Bruce admits he freed En'Zolo, feeling the killer is doing important work protecting the innocent that the police cannot always do due to rules and corruption within the force.
Detective Franklin Hall has returned to work after time off following the death of his wife. He is questioning serial killer Benjamin En'Zolo about the murders of 21 people. En'Zolo claims the victims were criminals who deserved to die. When Hall leaves upset, Chief Inspector Bruce remains behind. Bruce has secretly let En'Zolo go free, believing he is doing what the police cannot by ridding the city of dangerous criminals. Hall is furious to discover En'Zolo has escaped. Bruce admits he freed En'Zolo, arguing they cannot catch all criminals and some police are corrupt, so En'Zolo is doing what is needed to truly protect the innocent.
The group goes into the forest to celebrate the life of Ana's sister Eva, who disappeared there two years ago along with three friends. While camping near Eva's favorite oak tree, Matt tells a local legend about an asylum patient who was burned alive in the forest after murdering her family and tormenting others with an strange book. Ana becomes worried that the legend may be connected to Eva's disappearance. Later, the group decides to explore the ruins of the old asylum mentioned in the story.
A fight breaks out between inmates Carla and Nicole in the prison dining hall after Yasmin accidentally bumps into Carla. Their argument escalates into a physical altercation as they start throwing punches at each other on the floor while other inmates gather around and cheer. The guards Watson and Borris rush in to separate the two fighters and take them, along with Yasmin, away to be locked in their cells for the night as punishment.
Jonas writes about an unexpected event that occurred at a community meeting. [1] The Chief Elder apologized for causing anxiety in the community, which Jonas had never witnessed before. [2] To Jonas's surprise and fear, the Chief Elder then called him on stage after apologizing. [3] She announced that Jonas had been selected as the new Receiver of Memory, a role meant for keeping the community's collective memories, replacing the previous Receiver who failed in his duties.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by a mafia led by Wendy Wilson. Jason recruits Will as a double agent to infiltrate Wendy's gang to rescue Gracie and bring down Wendy. Will meets with Wendy and impresses her with his loyalty to gain access to her gang. However, upon later confronting Jason, Will discovers files indicating Gracie may be dead, causing him to point his gun at Jason in anger and distrust.
This screenplay summary introduces the main characters of Jason, Wendy, Gracie, and Will. Will receives a call from Jason saying Gracie has been kidnapped by Wendy Wilson's mafia. Jason recruits Will, a former police officer, to go undercover and infiltrate Wendy's gang to rescue Gracie. Will impresses Wendy and passes her initiation test. However, when Will later confronts Jason, he finds files that reveal Gracie may be dead. Will points his gun at Jason in a rage, accusing Jason of lying to him all along.
Two inmates sneak into the prison administrator's office while it is empty and find files on all the inmates. They discover information about Carla that contradicts her story of why she is in prison. At recreation, the inmates confront Carla and threaten to beat her up. Nicole intervenes and gives a speech urging the inmates not to sink to Carla's level and to remember who they were before prison. Everyone disperses silently. Carla is later shown reflecting in her cell.
Four teenagers wake up in an abandoned school with no memory of how they got there. They are greeted by a distorted voice telling them they must complete deadly tests or they will die. One of the teenagers, Viktor, is found dead with a knife wound. The others suspect each other until they find a note on Viktor's body saying one of them is the killer. They realize they have been drugged and set against each other as part of a deadly game.
This document provides a template for a comprehensive psychiatric evaluation. It includes sections for subjective information such as the chief complaint, history of present illness, past psychiatric history, substance use history, and family history. Objective sections include the physical exam, diagnostic results, mental status examination, differential diagnoses, and reflections. The evaluation is to be completed for a psychiatric nursing course assignment and must follow APA style, include 5 references less than 5 years old, and have zero plagiarism.
A journalist named David interviews 10-year-old Sammie, who claims she witnessed her father Jason murder her mother in Sammie's bedroom two years ago. Sammie refuses to leave the bedroom. That night, Jason secretly moves Sammie to his bedroom while she sleeps. Sammie disappears and cuts Jason, threatening to kill him like he killed her mother. Jason searches the flat but cannot find Sammie. He is then stabbed in the living room. The ending credits reveal that David's interview with Sammie was actually recorded, and Sammie confesses to David that she plans to kill her father for murdering her mother.
Andy wakes up in a strange room where a disembodied voice tells him it has been watching him and knows all about his mistakes and wrongdoings. The voice shows Andy visions of his poor past actions through painful sensations. Andy sees how he mistreated others for his own gain. The voice explains this place is for Andy to understand himself and change. It offers Andy a chance to see the impact of his death on someone he loves. Andy is shown his own body after a car accident and his grieving wife Mary. He realizes the error of his ways. The voice tells Andy someone is waiting for him, and they walk off together as credits roll.
This document appears to be a breakup letter from a person named Andres to an unnamed recipient. Andres thanks the person for the memories but says he feels nobody and uncared for when with them. Andres reveals he has realized he never loved this person and was just seeing his dream girl Lucia in them instead. Andres states he still loves Lucia and wants to be with her, fighting for her despite her being engaged to someone else named Daniel.
David must choose which of three girls, Michal, Abigail, or Ahinoam, to eliminate and pursue a relationship with. He goes on dates with each candidate. After struggling to decide between them, David chooses to pursue both Michal and Abigail instead of eliminating one of them.
(To Carla) I understand you're bored, but respect is an important topic that can help improve relationships and the environment here. Perhaps sharing how you genuinely feel could help move the discussion forward in a meaningful way.
Carla: Fine. I don't feel respected here. The guards treat us like crap and think they can do what they want. And these so called "therapy" sessions are a joke. No one really cares what we think.
Moorland: I can understand feeling that way Carla. It's not easy being in this environment. But my role is to try and help however I can. Why don't you tell me more about what would make you feel respected? Really listening to understand different
The document provides a script for a play set in a women's prison, Cell Block 33. It introduces the main characters, including the leader of a gang named Carla and three new inmates. In the first scene, Carla establishes dominance over the new inmates and warns them of the rules. One new inmate, Yasmine, claims she was wrongly convicted of murder. In the second scene, the governor asks a guard named Boris to spy on the other guards in exchange for her favor with the lead guard, Mr. Watson.
Okay, let's try moving our discussion in a more positive direction. What
are some small ways each of you can show respect to others here?
Carla: I ain't showing respect to no one.
Moorland: Carla, respect is how you'll earn people's trust and a second chance.
Think about it - how can you start respecting others, just a little?
Carla sighs loudly but doesn't respond. The other inmates are also silent.
Moorland: Alright, let's talk about something else then. Whitney, how are you
finding the art therapy classes? Anything you'd like to share about what you're
working on?
Whitney
Vanya introduces himself as Uncle Vanya, noting the negative connotations of the word "uncle". He describes different archetypes at a restaurant - the schlemiel who spills soup, the schlimazel it gets spilled on, and the "schmo", an uncomfortable outsider. Vanya says he's not the schmo, but rather "Yet Another Other Guy" who isn't even at the restaurant but obsessively thinks about it. The Professor, Pickles, Sonia and Ella return from a walk, with the Professor praising Sonia's garden, though noting it's not as beautiful as the Swiss Alps.
The document summarizes a scene from the play "Cell Block 33". It describes a therapy session led by Mr. Moorland in the prison. The session aims to discuss respect but the prisoners are disruptive and argue with each other. Carla and Nicole in particular get into a heated argument. Moorland tries to calm them down but ends the session frustrated, knowing he needs to find a better way to get through to the prisoners.
Maurio Coles' New Nightmare in the Hood (screenplay)Maurio Coles
Teena tells her brother Deucalion about her nightmare involving their friend Minnie's death. She describes in detail an incident she and Minnie experienced previously where they encountered a killer named Jaxon Volker at an abandoned campsite. Though they escaped, Teena has been having nightmares and a bad feeling since then. She wonders if Minnie's death could be connected to someone associated with Jaxon seeking revenge. Deucalion listens and questions if Minnie's killer could indeed be linked to the past encounter.
Detective Franklin Hall returns to work after time off to find Chief Inspector Bruce interrogating a serial killer named Benjamin En'Zolo. En'Zolo admits to killing 21 people he deemed "unclean." Hall storms out upset, but later learns from Bruce that he let En'Zolo go, believing he can help rid the city of criminals. Hall accuses Bruce of being as mad as En'Zolo and potentially causing more deaths. Bruce argues they need En'Zolo to help with criminals they cannot catch, showing he has lost faith in the system.
Detective Franklin Hall has returned to work after time off following the death of his wife. He is questioning serial killer Benjamin En'Zolo about the murders of 21 people. En'Zolo claims the victims were criminals who deserved to die. When Hall leaves upset, Chief Inspector Bruce remains behind. Bruce has secretly let En'Zolo go free, believing he is doing what the police cannot by ridding the city of dangerous criminals. Hall is furious to discover En'Zolo has escaped. Bruce admits he freed En'Zolo, feeling the killer is doing important work protecting the innocent that the police cannot always do due to rules and corruption within the force.
Detective Franklin Hall has returned to work after time off following the death of his wife. He is questioning serial killer Benjamin En'Zolo about the murders of 21 people. En'Zolo claims the victims were criminals who deserved to die. When Hall leaves upset, Chief Inspector Bruce remains behind. Bruce has secretly let En'Zolo go free, believing he is doing what the police cannot by ridding the city of dangerous criminals. Hall is furious to discover En'Zolo has escaped. Bruce admits he freed En'Zolo, arguing they cannot catch all criminals and some police are corrupt, so En'Zolo is doing what is needed to truly protect the innocent.
The group goes into the forest to celebrate the life of Ana's sister Eva, who disappeared there two years ago along with three friends. While camping near Eva's favorite oak tree, Matt tells a local legend about an asylum patient who was burned alive in the forest after murdering her family and tormenting others with an strange book. Ana becomes worried that the legend may be connected to Eva's disappearance. Later, the group decides to explore the ruins of the old asylum mentioned in the story.
The document provides an overview of three scenes from a film or story. In the first scene, a girl is running terrified through a dark forest at night, injured and lost. In the second scene, two friends prepare to go to the forest to commemorate the disappearance of one of the girl's sisters two years prior. In the third scene, a group of friends including the two girls arrive at the forest under the guise of celebration but with an underlying tension about what may have happened to the missing sister.
The document provides an overview of three scenes from a film or story. In the first scene, a girl is running terrified through a dark forest at night. She stops, calls out a name, and the camera blurs. In the second scene, Anastasia tells her friend Sophia about how her sister disappeared in the forest two years ago. In the third scene, the group has arrived at the forest to celebrate Anastasia's sister's life and in the hopes that she may return. They begin walking into the dark forest together.
This drama depicts a youth group dealing with the influence of worldly friends. Boyo warns her brother Maga and friend Frendy against hanging out with peers engaged in sinful activities like drugs, dancing, and partying. At Frendy's birthday party, Maga and the others are given drugs by Jojo and end up in dangerous condition. Frendy and a delirious Maga come to Boyo for help, showing the negative effects of disobeying biblical teachings to avoid sinful influences. Boyo prays for Maga and warns them both about the dangers of unequal yoking described in scripture.
This document provides an overview of several storylines within a Sims game. It introduces Simon, who had an ectopic pregnancy, and his daughter Sally. It also mentions Charlotte and Dante bringing home friends from school, including redheaded girls. Finally, it notes some strange glitches occurring, such as a breastfeeding censor blur involving Anne and Sally, suggesting a game rebuild is needed. The summary is wrapped up in 3 sentences or less.
Detective Franklin Hall returns to work after time off following the death of his wife. He interrogates serial killer Benjamin En'Zolo, who claims to be a "janitor" cleaning the city of sinful people. En'Zolo overpowers Chief Inspector Bruce in the interrogation. Later, Hall discovers Bruce released En'Zolo, believing he effectively cleans the streets of criminals. Hall accuses Bruce of endangering citizens by freeing the killer.
The guards were having tea and joking around. Joe spiked the tea with something to lighten the mood. Under the influence, the guards began joking harshly. Boris expressed frustration with his boss Mr. Watson, not feeling respected. Mr. Watson overheard and was angry, tearing up a certificate for Boris. He scolded the guards for slacking off. Later, Mr. Watson ran into the governor, Ms. Sullivan, and asked her out for dinner, which she accepted.
The document appears to be a script for a horror film involving three teenage girls who explore an abandoned mental hospital for fun. While conducting a prank ritual inside, strange events occur, and all three girls as well as one of the boy's friends begin experiencing frightening supernatural occurrences. They meet with a woman who claims to be able to help, but she flees, warning that they have gotten themselves into something too dark. Later, at one of the girl's homes, bizarre noises and a dark figure are seen, and the friends begin disappearing one by one.
The document appears to be a script for a horror story involving three friends - Honey, Leah, and Rebecca - who explore an abandoned mental hospital for fun. At the hospital, Rebecca suggests they perform a ritual to curse Leah's boyfriend as a prank. During the ritual, strange events occur, frightening the girls. Later, all four friends - including Leah's boyfriend Trey - experience scary encounters with a dark figure. They meet to discuss these experiences with Elise, a friend of Honey's who can supposedly help explain what is happening.
Nancy is introduced as Gerard's new transitional therapist. Gerard is reluctant to undergo the process after his wife Gloria, Nancy's mentor, died by suicide seven years ago. Nancy meets Gerard's family and tries to get him to open up about Gloria and his reluctance to succeed, but Gerard remains hostile. Their discussion reveals lingering tensions over Gloria's death and the philosophy of the Bureau of Humane Succeeding.
Cell Block 33 is a performance piece set in a prison cell block. The performers take on roles as inmates and guards confined within the space of the cell block. Through movement, dialogue, and interaction the performance explores the psychological dynamics and tensions that arise within the close quarters of the prison environment.
Cell Block 33 is a performance piece set in a prison cell block. The performers take on roles as inmates and guards confined within the space of the cell block. Through movement, dialogue and interaction the performance explores the psychological dynamics and tensions that arise within the close quarters of the prison environment.
Cell Block 33 is a performance piece set in a prison cell block. The performers take on roles as inmates and guards confined within the space of the cell block. Through movement, dialogue, and interaction the performance explores the psychological dynamics and tensions that arise within the close quarters of the prison environment.
Cell Block 33 is a performance piece set in a prison cell block. The performers take on roles as inmates and guards confined within the space of the cell block. Through movement, dialogue and interaction the performance explores the psychological tensions that arise within the close quarters of the prison environment.
This document provides links to 4 web pages for a paper week campaign website: the homepage created by Michael, an "About us" page by Nazish, a "Facts and statistics" page by Navina, and a "Contact us" page also by Michael.
The document contains questions from a questionnaire about a "Paper Week" environmental campaign. Respondents were asked about their gender, year of study, awareness and understanding of the campaign, whether it persuaded them to reduce paper waste, what they learned, which activities they enjoyed and why, something specific they learned from the website or quiz, and how the campaign could be improved.
This document summarizes the responses from a questionnaire about a "Paper Week" environmental campaign. Students provided feedback on their gender, year of study, awareness of the campaign, understanding of its purpose, whether it persuaded them to reduce paper waste, what they learned, which activities they enjoyed, and how the campaign could be improved. The key activities mentioned were an online quiz for older students and paper model making for younger students. Students reported learning the most from facts on the website and from discussing answers to the quiz questions with their form groups. Respondents suggested opening the campaign to all grade levels and promoting it more extensively around the school.
This document contains a 7 question survey about a "Paper Week" campaign aimed at reducing paper waste. The survey asks about the respondent's gender and year, their awareness and understanding of the campaign through various promotions, whether the campaign persuaded them to reduce paper waste, if they learned something new, and if they enjoyed the campaign activities.
Questionnaire for Success of 'Paper Week' CampaignNazish
This questionnaire collects feedback about a "Paper Week" campaign created by students as part of a creative media course. It asks respondents about their gender, year in school, awareness of the campaign, understanding of its purpose to reduce paper waste, whether it persuaded them to waste less paper, if they learned something new, and liked the activities, then provides free response fields to elaborate on favorite activities, new things learned, and suggested improvements.
Questionnaire for Success of 'Paper Week' CampaignNazish
This questionnaire collects information about a "Paper Week" campaign created by students for a creative media course. It asks respondents about their demographics, awareness and understanding of the campaign, whether it persuaded them to reduce paper waste and what they learned, and how the campaign could be improved. The final question thanks participants for completing the survey.
Questionnaire for Success of 'Paper Week' CampaignNazish
This questionnaire collects information about a "Paper Week" campaign created by students for a creative media course. It asks respondents about their demographics, awareness and understanding of the campaign, whether it persuaded them to reduce paper waste, what they learned, and how they think the campaign could be improved.
Questionnaire for Success of 'Paper Week' CampaignNazish
This questionnaire collects information about a "Paper Week" campaign created by students for a creative media course. It asks respondents about their demographics, awareness and understanding of the campaign, whether it persuaded them to reduce paper waste, what they learned, and how they think the campaign could be improved.
This questionnaire collects information about a "Paper Week" campaign created as part of a Creative and Media Diploma course. It asks respondents about their gender, school year, awareness and understanding of the campaign, whether it persuaded them to reduce paper waste, what they learned, and how they think the campaign could be improved.
The document is a questionnaire about a "Paper Week" campaign created by students as part of a creative media course. The 10 question survey asks respondents about their gender, school year, awareness of the campaign, understanding of its purpose to reduce paper waste, whether it was effective or they learned something new, and how the campaign could be improved.
Questionnaire to measure success of CampaignNazish
This questionnaire collects feedback from students on a website created by the respondent for a school course project on stopping paper waste. It asks about the student's gender and school year, their opinions on the ease of use and effectiveness of the website in conveying the campaign's purpose and persuading people to reduce paper usage. It also requests they identify their favorite page, why they liked it, something new they learned, and suggestions for improvement.
The document describes the process of creating a website page about treats. It discusses selecting a layout with text on one side and an image/video on the other. The creator found adding a video easy but changing text box colors difficult. Images were added but some were too large, so different images were chosen. The layout and colors were adjusted until a final pleasing design was achieved, with text and images arranged neatly with an additional corner image.
The document describes the process of creating a website page using the Wix website builder. It discusses selecting layouts, adding images, video and text, and customizing colors and fonts. Creating the basic page structure was straightforward, while changing text box colors and resizing images required more trial and error. The final layout places text at the top and images/video below, which the author is pleased with as it looks neat and presentable.
This document aims to raise awareness about the importance of paper recycling and reducing waste. It notes that many students waste paper by not using every page, making paper balls, and not recycling. The campaign wants to encourage people to reuse, recycle and reduce paper usage, as paper production harms the environment by cutting down trees. Recycling paper saves trees and the environment by providing oxygen for humans to survive.
Monitoring and Managing Anomaly Detection on OpenShift.pdfTosin Akinosho
Monitoring and Managing Anomaly Detection on OpenShift
Overview
Dive into the world of anomaly detection on edge devices with our comprehensive hands-on tutorial. This SlideShare presentation will guide you through the entire process, from data collection and model training to edge deployment and real-time monitoring. Perfect for those looking to implement robust anomaly detection systems on resource-constrained IoT/edge devices.
Key Topics Covered
1. Introduction to Anomaly Detection
- Understand the fundamentals of anomaly detection and its importance in identifying unusual behavior or failures in systems.
2. Understanding Edge (IoT)
- Learn about edge computing and IoT, and how they enable real-time data processing and decision-making at the source.
3. What is ArgoCD?
- Discover ArgoCD, a declarative, GitOps continuous delivery tool for Kubernetes, and its role in deploying applications on edge devices.
4. Deployment Using ArgoCD for Edge Devices
- Step-by-step guide on deploying anomaly detection models on edge devices using ArgoCD.
5. Introduction to Apache Kafka and S3
- Explore Apache Kafka for real-time data streaming and Amazon S3 for scalable storage solutions.
6. Viewing Kafka Messages in the Data Lake
- Learn how to view and analyze Kafka messages stored in a data lake for better insights.
7. What is Prometheus?
- Get to know Prometheus, an open-source monitoring and alerting toolkit, and its application in monitoring edge devices.
8. Monitoring Application Metrics with Prometheus
- Detailed instructions on setting up Prometheus to monitor the performance and health of your anomaly detection system.
9. What is Camel K?
- Introduction to Camel K, a lightweight integration framework built on Apache Camel, designed for Kubernetes.
10. Configuring Camel K Integrations for Data Pipelines
- Learn how to configure Camel K for seamless data pipeline integrations in your anomaly detection workflow.
11. What is a Jupyter Notebook?
- Overview of Jupyter Notebooks, an open-source web application for creating and sharing documents with live code, equations, visualizations, and narrative text.
12. Jupyter Notebooks with Code Examples
- Hands-on examples and code snippets in Jupyter Notebooks to help you implement and test anomaly detection models.
Letter and Document Automation for Bonterra Impact Management (fka Social Sol...Jeffrey Haguewood
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We believe integration and automation are essential to user experience and the promise of efficient work through technology. Automation is the critical ingredient to realizing that full vision. We develop integration products and services for Bonterra Case Management software to support the deployment of automations for a variety of use cases.
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Interested in deploying letter generation automations for Bonterra Impact Management? Contact us at sales@sidekicksolutionsllc.com to discuss next steps.
TrustArc Webinar - 2024 Global Privacy SurveyTrustArc
How does your privacy program stack up against your peers? What challenges are privacy teams tackling and prioritizing in 2024?
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See how organizational priorities and strategic approaches to data security and privacy are evolving around the globe.
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Let's Integrate MuleSoft RPA, COMPOSER, APM with AWS IDP along with Slackshyamraj55
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Have you ever been confused by the myriad of choices offered by AWS for hosting a website or an API?
Lambda, Elastic Beanstalk, Lightsail, Amplify, S3 (and more!) can each host websites + APIs. But which one should we choose?
Which one is cheapest? Which one is fastest? Which one will scale to meet our needs?
Join me in this session as we dive into each AWS hosting service to determine which one is best for your scenario and explain why!
Ivanti’s Patch Tuesday breakdown goes beyond patching your applications and brings you the intelligence and guidance needed to prioritize where to focus your attention first. Catch early analysis on our Ivanti blog, then join industry expert Chris Goettl for the Patch Tuesday Webinar Event. There we’ll do a deep dive into each of the bulletins and give guidance on the risks associated with the newly-identified vulnerabilities.
Main news related to the CCS TSI 2023 (2023/1695)Jakub Marek
An English 🇬🇧 translation of a presentation to the speech I gave about the main changes brought by CCS TSI 2023 at the biggest Czech conference on Communications and signalling systems on Railways, which was held in Clarion Hotel Olomouc from 7th to 9th November 2023 (konferenceszt.cz). Attended by around 500 participants and 200 on-line followers.
The original Czech 🇨🇿 version of the presentation can be found here: https://www.slideshare.net/slideshow/hlavni-novinky-souvisejici-s-ccs-tsi-2023-2023-1695/269688092 .
The videorecording (in Czech) from the presentation is available here: https://youtu.be/WzjJWm4IyPk?si=SImb06tuXGb30BEH .
Salesforce Integration for Bonterra Impact Management (fka Social Solutions A...Jeffrey Haguewood
Sidekick Solutions uses Bonterra Impact Management (fka Social Solutions Apricot) and automation solutions to integrate data for business workflows.
We believe integration and automation are essential to user experience and the promise of efficient work through technology. Automation is the critical ingredient to realizing that full vision. We develop integration products and services for Bonterra Case Management software to support the deployment of automations for a variety of use cases.
This video focuses on integration of Salesforce with Bonterra Impact Management.
Interested in deploying an integration with Salesforce for Bonterra Impact Management? Contact us at sales@sidekicksolutionsllc.com to discuss next steps.
Ocean lotus Threat actors project by John Sitima 2024 (1).pptxSitimaJohn
Ocean Lotus cyber threat actors represent a sophisticated, persistent, and politically motivated group that poses a significant risk to organizations and individuals in the Southeast Asian region. Their continuous evolution and adaptability underscore the need for robust cybersecurity measures and international cooperation to identify and mitigate the threats posed by such advanced persistent threat groups.
Skybuffer AI: Advanced Conversational and Generative AI Solution on SAP Busin...Tatiana Kojar
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With Skybuffer AI, various AI models can be integrated into a single communication channel such as Microsoft Teams. This integration empowers business users with insights drawn from SAP backend systems, enterprise documents, and the expansive knowledge of Generative AI. And the best part of it is that it is all managed through our intuitive no-code Action Server interface, requiring no extensive coding knowledge and making the advanced AI accessible to more users.
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Predictive maintenance is a proactive approach that anticipates equipment failures before they happen. At the forefront of this innovative strategy is Artificial Intelligence (AI), which brings unprecedented precision and efficiency. AI in predictive maintenance is transforming industries by reducing downtime, minimizing costs, and enhancing productivity.
Digital Marketing Trends in 2024 | Guide for Staying AheadWask
https://www.wask.co/ebooks/digital-marketing-trends-in-2024
Feeling lost in the digital marketing whirlwind of 2024? Technology is changing, consumer habits are evolving, and staying ahead of the curve feels like a never-ending pursuit. This e-book is your compass. Dive into actionable insights to handle the complexities of modern marketing. From hyper-personalization to the power of user-generated content, learn how to build long-term relationships with your audience and unlock the secrets to success in the ever-shifting digital landscape.
A Comprehensive Guide to DeFi Development Services in 2024Intelisync
DeFi represents a paradigm shift in the financial industry. Instead of relying on traditional, centralized institutions like banks, DeFi leverages blockchain technology to create a decentralized network of financial services. This means that financial transactions can occur directly between parties, without intermediaries, using smart contracts on platforms like Ethereum.
In 2024, we are witnessing an explosion of new DeFi projects and protocols, each pushing the boundaries of what’s possible in finance.
In summary, DeFi in 2024 is not just a trend; it’s a revolution that democratizes finance, enhances security and transparency, and fosters continuous innovation. As we proceed through this presentation, we'll explore the various components and services of DeFi in detail, shedding light on how they are transforming the financial landscape.
At Intelisync, we specialize in providing comprehensive DeFi development services tailored to meet the unique needs of our clients. From smart contract development to dApp creation and security audits, we ensure that your DeFi project is built with innovation, security, and scalability in mind. Trust Intelisync to guide you through the intricate landscape of decentralized finance and unlock the full potential of blockchain technology.
Ready to take your DeFi project to the next level? Partner with Intelisync for expert DeFi development services today!
Nunit vs XUnit vs MSTest Differences Between These Unit Testing Frameworks.pdfflufftailshop
When it comes to unit testing in the .NET ecosystem, developers have a wide range of options available. Among the most popular choices are NUnit, XUnit, and MSTest. These unit testing frameworks provide essential tools and features to help ensure the quality and reliability of code. However, understanding the differences between these frameworks is crucial for selecting the most suitable one for your projects.
Introduction of Cybersecurity with OSS at Code Europe 2024Hiroshi SHIBATA
I develop the Ruby programming language, RubyGems, and Bundler, which are package managers for Ruby. Today, I will introduce how to enhance the security of your application using open-source software (OSS) examples from Ruby and RubyGems.
The first topic is CVE (Common Vulnerabilities and Exposures). I have published CVEs many times. But what exactly is a CVE? I'll provide a basic understanding of CVEs and explain how to detect and handle vulnerabilities in OSS.
Next, let's discuss package managers. Package managers play a critical role in the OSS ecosystem. I'll explain how to manage library dependencies in your application.
I'll share insights into how the Ruby and RubyGems core team works to keep our ecosystem safe. By the end of this talk, you'll have a better understanding of how to safeguard your code.
1. Cell Block 33 1
Cell Block 33
Cast:
Prisoners:
Carla–Laden
Carla Gang:
Sasha – Zahra Printer
Tasha - Gabriella
Basha - Deborah
Nicole–Sara Khan
Yasmine– Prableen
Andi –Navina
Cash – Hazel
Whitney–Najma
Newbie 1 – SathmaNugera
Newbie 2 – NazishHussain
Inmate 1 – Marie Hughes
Inmate 2–Yasmine
Inmate 3 – Khatra
Inmate 4 – Payal
Inmate 5 – Sahi
Inmate 6 – Salma
Guards:
Ms Stella Sullivan–ParnyanIslamzadeh
Mr. Mitchell Watson–George Streather
Mr.Rajan Chandra–Jay Gohil
Mr. Joe Strang–Hassan
Mr. Boris McKenzie–Logan Jones
Therapist – Mr. Moorland–Michael McCauley
Extras:
Victim – Kate –
Boyfriend– Zak - Michael McCauley
Edited By George Streather (Director) and NazishHussain (Assistant Director)
2. Cell Block 33 2
Cell Block 33
Pre Show – JOE patrols up and down the balcony whilst BORIS walks up and down
the centre of the stage. A few prisoners hang around in various places on the stage
giving evil looks.
Scene 1– Marie
Welcome Song
You get 10 to 20 or life here, for murder in the first degree you will never get free
from cell block 33.
Guards:
We are guards here and we are disgusted
But we work here by force
And we get paid a lot
So we are
Saving you life
Welcome to our fine institution! Discipline works here, rewards make us all stay in line.
Welcome to the great justice system! We all behave now but watch out because we'll
get out in time.
1.
On the inside just one thing will matter, Hold your head up and don't be afraid. Stay
alert, watch for blades.
We will cut you and eat out your liver or threaten your children and friends if you end up
inside Watch your behind.
Guards:
We are guards here and we are disgusted
But we work here by force
And we get paid a lot
So we are
Saving your life
Welcome to our fine institution! Discipline works here, rewards make us all stay in line.
Welcome to the great justice system! We all behave now but watch out We all behave
now but watch out We all behave now but watch out Cause we'll get out in time!
WATSON and CHANRA enter with the 3 newbie’s.
Watson :(to the prisoners) Oi Ladies, fresh meat!
WATSON starts to walk out butCHANDRA is day dreaming.
Watson:Chandey… Chandey… Chandey!!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
3. Cell Block 33 3
Chandra: Oh sorry, I wasn’t listening.
Watson:(Points and shout)Pay more attention Chandey!
Chandra: It’s Chandra sir.
Watson: It’s all the same isn’t it! Come on let’s leave them to it!
Chandra: Bye ladies enjoy your day and may I just say how wonderful you all
look in your outfits and-
Watson:-CHANDREY!
Chandra: Coming Sir…
CHANDRA runs after WATSON and exits.
CARLA and her gang start to surround the NEWBIES in a rotating circle. CARLA
steps forward so she’s face to face with the 3 girls and circles them.
YASMINE hides behind other NEWBIES and isn’t noticed by CARLA.
Carla:Oi you(To newbie 1) what you in for?
Tasha: She said what you in for?
Newbie 1:(Confidently) Murder
Carla:Not Bad. (Looking pleased)
Sasha: Not bad at all!
Carla:what about you?(looks at newbie 2)
Newbie 2:(Embarrassed) Drink driving
Carla and her gang start to laugh. When Carla stops laughing her gang stop
laughing too, except one who Carla looks at and she stops.
Carla: Listen yeh, this is MY territory, I rule this place no one else!
All the newbie’s look scared
Carla: Do you understand me?!
No one reply’s
Sasha: Do you understand her?
Carla:(Gets in one of the newbie’sfaces, angry voice) I said do you understand me?!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
4. Cell Block 33 4
(All the newbie’s):YES, YES DEFINITELY!
Carla:(Aggressive)I’m Carla yeah. This is (Points to other 3 girls)Sasha, Tasha
and (Pause) Basha.
Tasha moves forward to hit Newbie 1 but Carla grabs her.
Carla: What the hell you doing?
Tasha: You said bash her!
Carla: Na! That’s her name (Pointing to Basha.
Tasha: Oh yeah, soz I forgot.
Carla: You Twit!
Newbie 1 laughs
Sasha: What the hell you laughing at?
Newbie 1:(Scared) Nothing Sorry.
Carla: Whatever! Just a few rules so you don’t get in my way…When I arrive for
meals, you move out the way ,if I ask you for something you give it to me and if i
say something funny, you BLOODY laugh. And if you don’t do any of these, your
dead meat! GOT IT?
Tasha: Got it have you!
All newbie’s shake their heads up and down.
Carla:Good, enjoy your stay losers! And watch it!(smirking)
Sasha: Yeah, Just watch it!
CARLA and Gang leave followed by the other prisoners. Only the 3 Newbie’s remain
on stage.
New 1:(sarcastically) well they seem nice.
New 2: Shut the hell up would you. God how we gonna survive in this place?
New 1: Yea, (Looking at Yasmine)and how come she missed you out?
Yasmine:(Scared) just lucky I guess.
New 1: What you in here for anyway?
Edited By George Streather (Director) and NazishHussain (Assistant Director)
5. Cell Block 33 5
Yasmine:(quietly) murder
New 2:(looking her up and down) you don’t seem the type.
Yasmine:I’m innocent… It wasn’t me, I’m not meant to be in here. I didn’t
murder anyone!
New 1:(sarcastically) yea, sure you didn’t
Yasmine: But I didn’t… I wouldn’t… I couldn’t.
New 2: So what happened then?-
New 1:-Yea, how can you get nicked for something you didn’t do?
Yasmine stand silently, fumbling with her hands
New 2: Oh come on…(getting annoyed)
Yasmine: I was just walking home and I heard this scream-so I ran over and
foundthis person lying on the floor…She was still alive you see, so I knelt down
and held her and she died in my arms (puts her hand to head, and turns away
momentarily from the newbies) The next thing I know there’s Police all around
me and they arrested me. (Crying) They put me in here(points to the floor) and I
didn’t do it… I honestly didn’t do it …and I’m going to be stuck in here for life.
Yasmine breaks down into tears
New 2: Look (goes over to Yasmine, and puts hand on her shoulder to comfort her)
maybe someone will find something-
New 1:You just have to keep your head down. That Carla really does look vicious.
Watson, Joe and Boris walk into the room.
Watson: Right you two, (To Newbie’s) go with Joe and Boris. You(looks at
Yasmine), what’s your name?
Yasmine:Yasmine sir.
Watson: You come with me. The Governor wants a word.
They all exit in opposite directions.
Scene 2 – Logan
Edited By George Streather (Director) and NazishHussain (Assistant Director)
6. Cell Block 33 6
Governor’s office;Ms SULLIVAN (the Governor) sitsat her desk looking very bored
and wants something exciting to happen. BORISenters the room.
Boris: You wanted to see me Governor?
Sullivan:Yes I did McKenzie, please take a seat and please, call me Ms.
Sullivan.
Boris: Oh! Ok you can call me Boris if you like?
Sullivan:(Sniggers to herself) I’d rather not thank you. (Gesturing to chair)Please
take a seat.
Boris:Thank you Ms. Sullivan (Sits down)
There is an awkward silence, which makes BORIS uncomfortable.Ms SULLIVAN
finally starts to speak.
Sullivan: Ok I’m going to get to the point and tell you why I’ve sent for you.
She stands up from her desk and starts to walk around the room.
Sullivan:You have been working for us for a while and according to Mr. Watson-
As soon as she says Mr. WATSON, BORIS jumps out of his seat and becomes excited
like a puppy
Boris: - MR. WATSON!!! What did he say about me? Did he say he was impressed
with my skills? Did he say I gave him sharp answers in best training? Or did he
say how much I remind him of himself in his younger days?
Sullivan:(sarcastically)Let me think ummmm… NO (gets serious) He actually said
you’re a show off and that you are nothing but a useless pathetic swine who does
nothing but follow him around all day.
Boris:(shocked) Mr. Watson said that?
BORIS is shocked and then bursts into tears. Ms. SULLIVAN comforts him by putting
his head on her chest and holds him.
Sullivan: There, there; it will be all right, Ms. Sullivan will make everything
better. (She starts stroking his hair.)
Boris:(Boris starts sobbing like a pathetic child) I just wanted him to like me Ms.
Sullivan, is that too much to ask?
Sullivan: Of course not McKenzie; I tell you what, if you do something for me I
will put in a good word with Mr. Watson.Howdoes that sound?
Edited By George Streather (Director) and NazishHussain (Assistant Director)
7. Cell Block 33 7
Boris:What do I need to do?
Sullivan:(Ms. Sullivan is still stroking his hair) Oh nothing much.Just keep an eye
out for anything the other guards are up to that isn’t f the other guards are up to
that isn’t quite in the rule book. Especially Joe!
Boris: but, but …. That’s like spying! They don’t tell us to do that in ‘best
training’. What if Mr. Watson finds out, what if……
Ms. SULLIVAN smoothly puts her finger on BORIS mouth so he knows she wants
him to be quiet
Sullivan:(Sexy tone of voice) you do want to make me happy don’t you McKenzie
Boris:(Boris hesitates) but…. but…. Mr. Watson? What if he-
Ms. SULLIVAN feels Boris’s hand
Sullivan:-Oh my goodness!! You poor dear, you’re shaking like a leaf, let me help
you relax…
Boris:Ms. Sullivan I am sorry but, but,
SULLIVAN interrupts BORIS
Sullivan:(flirtatiously) you know young man; I alwaysget what I want!
Boris: Oh I bet you do Ms Sullivan!!! (Boris is enjoying the massage)
Sullivan: You do want to make me happy and make me tell Mr. Watson what a
good boy you are? Right…
Boris:Ohhhhhhhhh YES Ms Sullivan!!! (Boris is REALLY enjoying the massage)
Sullivan:Get out of here and keep your eyes open!
Boris:Ohhhhhhhmyyyy god yes, yes, yes! (He pulls out his note book with a pen
and runs off)
Exit BORIS
WATSON and YASMINE enter the office. Ms SULLIVAN goes back to her desk and
sits down.
Sullivan: Oh, I see and what’s her name?
Yasmine: My name is Yasmine!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
8. Cell Block 33 8
Watson:(Shouting at Yasmine.) Only speak if the Governor asks you to speak you
stupid piece of-
WATSON was about to hit her but SULLIVAN interrupts him so he stops himself, he
smiles at the Governor
Sullivan: -It’s okayMr Watson; I’ll let it slide this time.
Watson:(nervously) as you wishMs Sullivan (Watson smiles at Ms Sullivan)
Sullivan: Well Yasmine,now you’re in my prison, all I ask of you is to behave and
keep your nose clean and keep away from Carla, She is the worstone to get
involved with. Now any questions?
Yasmine:No Miss.
Sullivan: Mr. Watsonpleases would you show our new guest to her cell...
Watson: My pleasure Ms Sullivan, okay you, get a move on now. I don’t have all
day!
WATSON pushes YASMINE out the door. SULLIVAN puts her hand on his shoulder
and he turns round. She straitens out his collar.
Sullivan: There, we don’t want you looking untidy do we Mr. Watson.
They stand face to face about to kiss. YASMINEsays something before they do.
Yasmine: Are we going then?
Watson: Yes, yes off we go.
He hurries YASMINE out the door and both exit. Mr. SULLIVAN smiles to herself and
exits in opposite direction.
Scene 3 -Sathma
Edited By George Streather (Director) and NazishHussain (Assistant Director)
9. Cell Block 33 9
Girls sit around the therapist’s room waiting for Mr MOORLAND to arrive.
MOORLAND walks in the room and sits down. He takes a deep breath and begins to
speak.
Moorland:Hello ladies, who wants to start us off today? Is there anything anyone
wants to share?
Andi:I had toast for breakfast, with jam on top, yummy....
Moorland:Thank you Andi but that's not quite what I meant. Last session we
were talking about respect.
Andi:(Towards Audience) so it’s about Respect this week!
Whitney:Yes I loved that session!
Andi:Oh Whitney, can you stop flirting with Mr. Moorland and stop talking about
respect. (Sarcastically)We can always see it when we’re in our cells, (To
Audience)especially between Carla and Nicole.
Nicole:Oi, if you gotta say something just say it out loud,init!
Carla:I’m getting bored, can we just carry on-
Moorland:-Yes thank you! So we were talking about respect. How to get it, what
it means and how we feel about it. Has anyone had any thoughts?
Nicole:(Aggressive tone) Yeah. We don't have it and it’s never going to happen-
Carla:(towards audience) I swear I just said I’m getting bored so why is he
carrying on this respect thing?
Sasha: (To audience) you don’t want to see her when she gets mad.
Moorland:-And why is that?
Carla:Cause we're nothing but criminals now.-(Looking at nail tips not actually
interested)
Whitney:I’m not a criminal!
Nicole:Oh just shut up!
Moorland:-That’s not true; you’ve all got a second chance!
Carla:Oh Really? You think anyone is going to give me,(Pointing at herself) me a
chance when I get out of here? You're dreaming man!
Andi:(looking confused)(To audience)Now it’s about dreaming?
Edited By George Streather (Director) and NazishHussain (Assistant Director)
10. Cell Block 33 10
Moorland:You have to earn a second chance. Start by learning respect, you know
what they say;respect is the key to success.
Cash: Yeah well somebody stole the key.
Whitney:Considering your history, are you sure it wasn't you?
Cash:Are you accusing me of nicking stuff?
Nicole:(Laugh out loud) I swear that’s why you're in here?
Cash:Mistaken identity. dahh
Whitney:Tell it to the judge.
Cash:I did!
Nicole:Yea, after you bloody nicked his wallet.
Carla: Shut up you idiot.
Nichole:How about you shut up first.
Carla: Do you want a punch in the face.
Sasha: (To Nicole) Back off or well get you!
Tasha: Just watch!
Nicole can’t be bothered to start and sits down kissing her teeth.
Moorland:Ladies, LADIES! Keep it together. Look, I know you're angry but
fighting each other is not going to help! Respect is the key... (To audience) No let’s
not start all that again.
Carla:Why the heck am I even in here?
Nicole:Shut up you knows why you’re in here!
Sasha:You can’t talk to her like that!
Nicole:I am, do you have a problem with that?
Carla:I do init!
Moorland:Alright ladies cut it out, God I need to get a vacation. Look, that's the
end of the session today but maybe next week we can talk about writing a letter
to the Governor about conditions? We can try to make a positive change.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
11. Cell Block 33 11
Carla:Whatever
Nicole:Get lost Carla!
NICOLE and CARLA storm out in opposite different directions. Others follow. Mr
MOORLAND holds his head in his hand.
Moorland: Oh GOD!
Lights black out.
Scene 4 –Navina
Edited By George Streather (Director) and NazishHussain (Assistant Director)
12. Cell Block 33 12
YASMINE has been dismissed from Ms SULLIVAN’S office and is now being taken by
WATSON to her new cell. YASMINEwalks slowly through the corridor looking
around.
WATSON turns around and looks at YASMINE with an aggressive face.
Watson:(Angrily) come on there! Walk a bit faster, don’t dilly dally.
YASMINE gets scared on hearing WATSON’S angry voice and quickly stops looking
around; instead she looks down and starts to walk faster to catch up with
WATSON.WATSON angrily holds YASMINE’S arm and pulls her to walk at the same
speed as him. Once they reach the cell, Watson lets go of YASMINE’S arm and
*kicks open the cell door.
Watson: Right, come on in then
WATSON goes inside the dark cell and tries to find the light switch.
EnterYASMINE, as the lights are being switched on. She hears a noise.
Yasmine: What’s this weird noise?
Watson: What noise?(Looks around)
Yasmine: Can’t you hear it? It’s like someone’s breathing heavily and it’s coming
from this direction.
YASMINE points and moves towards the direction, from where she could hear the
noise. The noise gradually gets louder.All the lights are fully on now. YASMINE
stops walking towards the direction and gazes at the person who is sleeping and
snoring in front of her.
Yasmine: Who is she?(Shocked)
Watson:(points at Nicole and smugly)that’s who you’re sharing this cell with
Yasmine: What…but…
Watson: Shut it and no moaning. At the moment all the cells are taken, so you’ll
stay here till we find you another cell… which will take us a while. (Pause) Right
then! (To Nicole) Come on, wake up you lazy git.
After yawning and stretching, NICOLE opens her eyes fully and stares at YASMINE,
who is standing just a few steps away from her.
Nicole: Who’s she? (Looks Yasmine up and down)And what do you want? (Kisses
her teeth and gives evil looks to both Yasmine and Watson.)
Watson: Say hello to your new cell mate – Yasmine!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
13. Cell Block 33 13
Nicole: Ugh, what, that’s not fair, why’s she in here, put her in with Gracieor
someone?
Watson:Now you know why we don’t put anyone in with Gracie…I don’t want
any fuss in here.
Watson:Now settle in and I better see you two for the drill at 11 sharp!
WATSON leaves the cell. YASMINEwalks over and sits on the bottom bunk.There is
a moments silence after WATSON leaves.
Nicole: Why you in ‘ere then ‘ey?
Yasmine: I don’t know why I’m in here. It just wasn’t my fault okay(Soft voice)
YASMINE just sits for a few moments and looks around the room. Inmate 2 and 4
walk intothe cell.
Inmate 2: Alright Nicole?
Nicole: Yea, been worse.
Inmate 4: You know there’s gonna be a fight?
Nicole:Aint been one of them for a while.
Inmate 4: You comin?
Nicole:Na, can’t be asked!
Inmate 2 stares at Yasmine
Inmate 2: New cell mate?
Nicole:(passively) yea she just arrived
Inmate 2: You better watch yourself in here!
Inmate 4: Yeah, we aint had a really good punch up for a while now.
Inmate 2: She’s got one of those faces that could do with a bit of alteration.
Nicole jumps down from the bunk bed
Nicole:Oi, don’t you lay a finger on her, alright? She’s in my cell now so you don’t
touch her, you know the rules!
Inmate 2: Yea what ever. Catch you later Nic!
Edited By George Streather (Director) and NazishHussain (Assistant Director)
14. Cell Block 33 14
Nicole grabs Inmate 2 by the throat.
Nicole: It’s Nicole to you yea, say Nic again and I’ll break it!
She lets go and they run away.
Yasmine:(sheepishly) Thanks.
Nicole:Don’t get too happy, it’s just the rules; youHAVE to look after your cell
mate.
Yasmine begins to read. Nicole goes to pour some water from a jug.
Nicole:What you reading?
Yasmine:Beatrix Potter.
Nicole: I used to read loads before I came in here. Mine got taken away.
Yasmine: Why?
Nicole: I kept throwing them at Watson.
Yasmine laughs and Nicole laughs too.
Nicole:(Sighs)Anyway I aint got any more books with me.
Yasmine:Well if you ever want to borrow mine you can. Just whenever you feel
like reading, ask me if I’m around or just take it.But DON’T throw the at anyone
(smiles)
Nicole:Really? Thanks!
Freeze Frames,mimeshowing developing friendship between Yasmine
Song:
Nicole:
I see the old me in you
Making a change was the bad thing to do
Feeling broken and so bruised
I wish I could go back and become someone new
I was Just like you, just had to tell you
Yasmin
I thought I would never get a friend
Edited By George Streather (Director) and NazishHussain (Assistant Director)
15. Cell Block 33 15
Because I was so afraid
Didn’t know what to do
But now I feel safe
Just make a change
And you might hit fame
Never put yourself down
Or call yourself lame
We are just the same
We are just the same
The buzzer for the inspection rings.
Nicole: Hey, Yasmine …
Yasminecuts through Nicole’s dialogue.
Yasmine: Just call me Yas! (Smiles at Nicole)
Nicole:(Smiles back at Yasmine.)Yas, that was the buzzer for the inspection.Come
let’s go.
They walk around the stage and walk down to the court yard.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
16. Cell Block 33 16
Scene 5 –Nazish
All the girls stand around the stage, where WATSON and CHANDRA are standing.
Whilst, WATSON and CHANDRA are talking amongst themselves, NICOLE sneaks
YASMINEaway with her, as she’s not keen on the inspection, and they get away.
Watson: Alright Ladies shut your gobs! (All the girls stop talking)I don’t have
enough time to waste on this inspection, so that’s why you’re going to be
inspected by Mr Chandra (Chandra waves at the girls and they start laughing,
which makes Watson angry) SHUT IT! I have more important things to do as I
have a very important meeting with Ms Sullivan (He starts smiling)
Carla:(shouts out from crowd) I bet it is VERY important.
Girls whistle and laugh CHANDRA joins in.
Watson:(Looks at Chandra) Think that’s funny, do you?
Chandra: I’m so sorry, I didn’t-
WATSON doesn’t let CHANDRA finish what he’s saying and storms off
Chandra:(smiles at the girls) let’s carry on. (Looks really confused)What were we
supposed to do again? Oh yes, the inspection thing followed by some PE. Listen
up ladies, would you mind awfully, standing in nice three neat rows, quick as you
can now…
Carla:(sarcastically) Okay, watch us make the prettiest lines ever Mr Kanda!
Chandra: Oh my gosh, Carla, do you still not know how to say my name? IT’S
CHANDRA!
Inmate 1: It’s a difficult name to say Changrey
Chandra:Let’s just try to get it right shall we. On the count of three would you all
mind just shouting ‘Chandra’ as loud as you possibly can, then we can all get it
right. Ok? One, two, three!
All girls:(Shouting)CHANDRA!
Chandra:Now, enough of this nonsense, let’s get this check over and done with
before Watson comes back, otherwise all of us will be in an awful lot of trouble.
Carla:(sarcastically laughs) did you not hear where he said he’s going,Ms
Sullivan’s office! (Pause) He won't be coming back for a while.
All the girls start laughing
Chandra:(daydreams) Ahhh…he’s such a lucky guy. (Stops daydreaming) Now
Edited By George Streather (Director) and NazishHussain (Assistant Director)
17. Cell Block 33 17
come on, didn't I tell you girls to get in a nice line? Come on then…
Routine in mime to music showing inspection and exercise.
Girls get into 3 lines
Lighting begins to dim on CHANDRA and the girls.Exit CHANDRA and INMATES.
The spotlight changes to the rear of the stage, Enter NICOLE and YASMINE. NICOLE
sits on her bed and YASMINE walks up and down their cell room.
Nicole:(looks at Yasmine) what’s up with you?
Yasmine: I don’t get it, why are you so relaxed about sneaking out of the
inspection I mean-
Nicole: - Oh shut up! Nothing will happen. You know Mr Chandra, he’s a nice guy
but he lives in a fantasy world. He doesn’t know about anything that goes on in
here.
Yasmine: (interferes) – yeah but-
Nicole: -Just stop worrying, and seriously stop walking up and down, its making
me feel giddy. Just sit down.
NICOLE takes out beers from under her bed.
Yasmine:(Worryingly)What’s that?
Nicole: Ah, here we go again. Relax already. (Opens up a beer can) You know, Joe?
-he brings us these(holds up beer can) So it’s okay. You’re such a worrier (shakes
her head from side to side)
Yasmine:(does a sarcastic laugh) just pass one here.
Nicole:Oooh, good girl gone bad eh?
Laughs and throws a beer can to YASMINE, and takes a sip of beer herself.
Nicole:Ahh, this reminds me so much of the good times. Being out, being free,
and doing what you wanted and when you wanted.
(Pause)
Yasmine:(starts thinking) I hope you don’t mind me asking but how did you get
in here?
YASMINE gets up, goes and sits beside NICOLE on her bed, after seeing her eyes
water, NICOLEmoves towards her.
Yasmine: Come on, you can trust me. I won’t tell anyone- and even if I wanted
Edited By George Streather (Director) and NazishHussain (Assistant Director)
18. Cell Block 33 18
to,who would I tell?
Nicole:(sniffs and pretends to laugh)Hmm, well, around 4 years ago, me and Carla
(pauses)
Yasmine:You and Carla ….I swear you guys hate each other, don't you?
Nicole: Just listen will you? (Getting a little angry)
Yasmine: But I don't get it-
Nicole: (angry tone) -WHAT'S UP WITH YOU? I SAY ONE THING; YOU ASK A
MILLION QUESTIONS AND THEN YOU-
Yasmine:-Sorry. Calm down.
Nicole calms down
Nicole:Me and her were such good friends, we used to do everything together.
Suddenly she just completely changed. And it all started on that day, that day…..
Lights begin to dim to the sound of music, Blackout. Exit YASMINE and NICOLE.
Scene 6 – Michael
Edited By George Streather (Director) and NazishHussain (Assistant Director)
19. Cell Block 33 19
Flashback
Enter on stage NICOLE, walks towards sofa, and sits down.
NICOLE is sitting at home when CARLA bursts through the door.
Carla: That stupid girl, cheated behind my back…with my boyfriend, he cheated
on me, me and it’s all that idiots fault, that Kate. (Paces up and down quickly)
Carla’s Boyfriend, ZAK runs in the room
Zak: Carls listen!
Carla: Just go away would you!
Zak: Listen...
Michael Rap
I used to love you but I’ve moved on now
I’m with someone else
In a relationship
We got something new don’t get me wrong I love you to
Just as a friend I hope that’s cool
You must be over me I’m just a fool
Carla: I just want you to go and I don’t want you to come back.
Zak: I’m really sorry Carls.
ZAK holds her hand.
Carla: JUST GO!
ZAK walks out.
Nicole: What are you going to do then? I told you he was a no good for nothing
liar.
Carla: I know Nicole; I should have listened to you.
Nicole: Told ya so.
Long pause, CARLA realises something and turns round to NICOLE.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
20. Cell Block 33 20
Carla:Kate’s going to get it, she’ll get it back hard - and I mean hard.
Backstabbing me, how dare she. Ohhh just wait till I get my hands on her.
Nicole: Carla you’re not going to kill her are you?
Carla:Don’t worry I just want to scare her off. (getting frustrated Carla turns
away from Nicole)She ruined my relationship and (sadly)broke my heart
(aggressively and turns towards Nicole) Do you understand?
Nicole: Yeah, I do… but violence isn’t the way. (Mumbles and looks scared)
Promise me you won’t seriously hurt her. Promise me you won’t kill her.
Carla:Alright, we’ll just shake her up? Help me please?
Both CARLA and NICOLEleave the house
Nicole:(Checks phone)Julie just texted me (Shows Carla her phone) she’s at the
park.
Carla:Right, let’s pay her a visit.(begins to walk)
NICOLE and CARLAarrive at the park and see KATE who’s sitting on the bench
Carla:Oi you.
Kate: Are you talking to me love, I’m waiting for someone.
Carla: Yeah,MY Boyfriend.
Nicole: You filthy little brat we know about(prods Kate) you.
Carla: Do you have any last words to say?(Carla clinches her knuckles)
Kate: Leave me alone, I didn’t even do any….
CARLA interrupts and swings a punch at her face.
Carla: That’s right shut your mouth
Fight scene. CARLA pulls out knife and stab’s KATE. KATE falls to the ground still
moving. NICOLE is so shocked she just stares at KATE and can’t move.
Carla:(looks at Nicole)Come on, let’s get out of here (grabs onto her hand to run
away)
Nicole:(gets free of Carla’s hand)I’m going home.
Carla:She got what she deserved.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
21. Cell Block 33 21
Nicole: You stabbed her. We said scare not stab, you psycho!
CARLA grabs NICOLE by the hand
Carla: We need to get out of here! Come on!
Police Sirensring and a load of armed, police officers approach the girls. NICOLE
gives up but CARLA makes a run for it but is police tackled to the floor.
Court Room
CARLA is sentenced to seven years and NICOLE is sentenced to five years as KATE
survived.
Judge voice over: I sentence you Carla Louise Hughes to seven years in prison
for the stabbing of an innocent girl. I sentence you Nicole Harper to five years in
jail for GBH and assisting a stabbing.
Both girls are being taken to different police vans and look each other
Lights begin to dim. Exit CARLA, NICOLE, and POLICE OFFICERS.
Back out of flash back
Enter NICOLE and YASMINE, both are sitting in their cell.
Nicole: So that’s why I’m in here…
Yasmine: But why is everybody scared of Carla.
Nicole: She made up all sorts of lies to make her seem worse than she really is.
Yasmine: So why not tell the others?
Nicole: Coz I made a promise a long time ago that I would never go against her.
I’m going to get some fresh air.(Pointing to beer can and walks out)
YASMINE sits for a moment trying to take in what NICOLE just said
Lights Black Out
Scene 7 –Parnyan
Edited By George Streather (Director) and NazishHussain (Assistant Director)
22. Cell Block 33 22
Several of the guards sit around in the officers mess room whilst JOE, CHANDRA
and BORIS are standing over by the sink.
Joe:Cup of tea for you all (said suspiciously) and something interesting to go with
it.
Chandra: oh really? (Wide smile)I’m really excited what is it?
Joe:You’ll know once you taste it
Mckenzie: No, I’m not up for anything like that, Mr Watson wouldn’t like it.
Joe: You guys need to know how to have REAL FUN! Changra, here have some.
Chandra: Its Chandra not Changra and thanks(takes a cup of tea from JOE)
BORIS, JOE and CHANDRA drink the tea with a mixture of something else and it has
an effect on them. The three guards laugh and get out of control.
MOORLAND enters the room
Moorland: Alright guys?
Boris: Tea?
Moorland: No thanks, where do you lot see yourself in fiveyear’s time?
Joe:Random question but I’ll be long gone, in a job where people don’t hate you.
Boris: Better not become a banker though!
Moorland: What about you Chandra, here in five years?
Chandra:Oh no, I see myself with a perfect wife, with seven perfect children and
a perfect job (not this one) NOT THIS ONE!
Joe: Oh really, but you missed out on the bit where your wife’s blind and doesn’t
know who on earth she’s married to(smirks)
Chandra: (Punch Joe)
(JOE gives and awkward look to CHANDRA)
Moorland: I need to get away for a vacation. I can’t stand being here anymore.
Chandra: Why not move to India?
Moorland: I couldn’t stand the heat.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
23. Cell Block 33 23
Joe:Boris why are you so quiet? (Confused)
Boris: Well I want to have the same status as Mr Watson and dothings very
differently to impress him, but he’s not willing to give me a chance
CHANDRA and JOEsee Mr WATSON coming and deliberately make BORIS insult MR
WATSON
Joe: That’s really shocking to hear, tell us more!
Boris:He is the worst creature God has ever created; I mean he looks like
medusa, with the snakes hissing at everyone they see.
Chandra: He is a wonderful boss to us, I don’t understand why you’re saying
this?
Joe: Mr Watson always has control over everything
Boris: Are you all feeling alright, he treats us all with no respect, so the next time
I see him, I will say no to whatever he demands for and stand up for
myself(stands up and points at guards) you all just watch!
Watson: Very interesting Boris, I was about to give you a certificate on how
supportive you are of me. May be not now!
Mr WATSON tears up the certificate in front of BORIS and throws it up in the air
Watson: Now you all pay attention.I’m going to start the Best Training class right
now.
Boris: But sir...
Watson:Shut up Boris! Now my lecture today will start with how to deal with
fight situations. I hope you’re all making notes on this (waves a pen at them)
Chandra: Oh I don’t like fighting Mr Watson. Somebody might get hurt (looks
around sheepishly)
Watson: No you idiot not how to get into a fight, how to stop it!
All Guards: Ahhh!
Watson: God give me strength. Now I would like a volunteer (looks at the guards,
but stops at Boris)Hmm, Boris you’ll do. Chandra you stand behind me. I want
you to do this. Stand with your back to me(Chandra stands with his back to
Watson) Yes that’s right. Now I need you to fall back and I’ll catch you. (To
Chandra) I’ll do it first then you can have a go. Just lean back on the count of
three; one-two three...
Edited By George Streather (Director) and NazishHussain (Assistant Director)
24. Cell Block 33 24
Just before BORIS leans back SULLIVAN enters the room. WATSON moves quickly
towards her and BORIS falls. CHANDRA manages to catch him but they both fall.
Sullivan:(Seductively) Hello Watson, I just wondered if I could have a word.
(Looks back at CHANDRA and BORIS who have fallen on the floor)Oh my god,
what’s going on here?
Watson: Well, I was just teaching them to trust each other. I just wanted them to
have faith in each other.
Sullivan: Wow, I’ve never seen such a wonderful man who worries about his
colleagues so much. What a lovely man you are Mr Watson!
WATSON smiles and bows
Watson:(flirty tone) Please call me Mitchell or Michy for short
Moorland: Do you need me sir because I just need to go and buy a gun and a
length of rope.
Watson:Oh, I’m sorry I completely forgot about you all (looks towards Sullivan
and smiles, and then looks back at guards)you can all go.
All the GUARDSexit
Sullivan: how sweet, Michy. You’re such a sweetheart.
Ms Stella Sullivan’s papers fall to the floor and they both kneel to get it, Ms Sullivan
and Mr Watson makes close eye contact.
Watson: Allow me to pick up your papers, my lady
Sullivan:You’re such a gentleman!
Mr Watson on one knee gives the papers to Ms Sullivan
Sullivan: What are your plans for today?
Watson: Well nothing much, but I was thinking we could go somewhere for
dinner.
Sullivan: That’s really nice, so your paying for it cherry-pie, right?
Watson: Anything you want
Song:
Edited By George Streather (Director) and NazishHussain (Assistant Director)
25. Cell Block 33 25
Verse (Guard)
Every day I look at you
I wonder if you look back.
Do you feel the way I feel for you?
In my heart I wonder that.
Verse (Governor)
Never new I’ll find love here
I wonder if he knows that
In my heart there are some feelings
I’m falling that’s a fact
Corus (Both)
I know I feel something strange
I don’t know if you feel the same
But honestly if I agree
It will be plain to see,
That I’m falling for you.
Both lean in for kiss and lights black out.
Scene 8 -Sara
Edited By George Streather (Director) and NazishHussain (Assistant Director)
26. Cell Block 33 26
The bell rings for dinner and all the inmates come marching in a sequence. At one
end of the concert hall 3 dinner ladies are standing waiting to serve the inmates
with WATSON on one side and BORIS on the other.
Watson: COME ON LADIES!Chop, chop now get in line and get your slop!
Boris: YEA! You heard him, don’t waste our time!
Inmate 3: How’s about you just shut it, we don’t take orders from a(looks Boris
up and down) little man like you.
Watson: Alright then, listen to a big man like me! So as he said, get a move on!
Inmates:Whatever
Boris: Um, Mr Watson. You’ve got some Lipstick on your mouth.
Watson:(touches his lips) Just-um- trying on some disguises.
Tannoy announcement.
Sullivan’s Voice:Could all guards report my office immediately please?
Watson:Come on Boris.
The guards leave unnoticed.
As all the inmates sit down in lines to eat their food .YASMINE walks to the canteen
after everyone’s sat down then CARLA walks in and over to the canteen followed by
NICOLE a few minutes later. YASMINE looks around the dining hall to see where
she can sit, after other inmates showing her that she is not welcome to sit anywhere
she slips and falls into CARLA.
Carla:(stands up) whatthe...
CARLA takes a deep breath and looks down at herself, while all of the inmates look
at them in the middle of the dining hall in shock whispering to each other and
moving away from them, YASMINE is stuck on the spot, really scared and speaking
with a stutter.
Yasmine:Oh my god I’m, I’m so, so, so sorry!
Sasha: What have you done you idiot?
Carla:Yea you will besorrywhen I’m finished with you, you lil brat...
Yasmine: I didn’t mmm…Mean it!
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27. Cell Block 33 27
Carla:(closes fists) Well I’ll mean every single bruise and cut I leave on your
body!
Sash:Basha. BASH HER.
Tasha:(To audience)Now you know why she’s called Basha!
SASHAgrabs YASMINE by the hair and CARLA starts to speak to the other inmates
as they gather around.
Carla:(Trying to mimic her sweet voice)new girl wants to know what it’s really
like in here, don’t you.
Sasha: She wants to be taught a lesson.
Tasha: We’ll show her one she’ll never forget!
NICOLE walks over and pushes people out the way and shouts out
Nicole:Oiiii, why don’t you mess with someone your own size!
All inmates move right back now even more shocked and completely silent to what
has just happened. CARLA lets go and pushes YASMINE, who falls to the floor hurt,
and looks up slowly at NICOLE who are now facing each other at a distance in the
middle of the hall.
Carla:Excuse me?
Nicole:You heard me, why are you acting like your something big, you worthless,
bag of filth!
Tasha:(points at Nicole) watch your mouth!
Carla:Oh …so big man decides to speak up now yea? Just get out of here before I
do some real harm!
CARLA looks at the other inmates smiling and shaking her head left and right.
NICOLE starts walking in circles around CARLA.
Nicole:Well we all know what you can do, don’t we! We all know how messed up
that mind of yours is! How many gruesome murders you’ve committed!
NICOLE’S tone in voice changes to a much softer and hurtful tone
Carla: Shut up Nicole, just stop right there.
Nicole:Why what are you afraid of, that I’ll tell everyone what a big lie it is, how
you betrayed your best friend, how you’ve never really killed a single person.
How all of this is just for show.
Edited By George Streather (Director) and NazishHussain (Assistant Director)
28. Cell Block 33 28
Tasha: Shut up that aint true.
Nicole: Don’t you want to know how she sent me down, by lying to me all for one
pathetic guy.
Carla:You knew how much he meant to me! How can some random nobody
come along and decide to try it with my man, I thought you would understand.
Nicole: I guess I thought our friendship meant more to you. Well you know
what,I’m doing much better without you.
NICOLE turns around to walk away when CARLA mutters a comment about her.
Carla:You are nothing and never will be.
NICOLE forgets about everything that just happens and thinks about the last words
CARLA just said and turns around, leaping onto CARLA from behind. Here both
CARLA and NICOLE are fighting and ripping, scratching and punching each other
on the floor.
Inmates are now gathered around shouting and cheering at both girls on the
floor.WATSON, BORIS and JOE now re-enter the hall, realising what is happening
and running in at the same time calling for back up.
WATSON grabs CARLA and BORIS grabs NICOLE
The prisoners are still too shocked to move
Song:
(Nicole)
Before I got to prison, I lived a good life,
It was Carla who then pulled out the knife.
It’s her fault I’m here, yet she doesn’t care,
Why all the betrayal, it’s just not fair.
(Chorus)
I’m living my life; I’m living in hell,
I’m living in prison and I’m here to tell.
It’s bad in here I’m in so much pain,
It’s such a shame, no one knows my name.
(Carla)
I don’t care about her; I am who I am,
It’s not my fault; it’s just the way I am.
I know it was a mistake, yet there’s no turning back,
Edited By George Streather (Director) and NazishHussain (Assistant Director)
29. Cell Block 33 29
And from my mistakes, I’m learning that,
(Chorus)
I’m living my life; I’m living in hell,
I’m living in prison and I’m here to tell.
It’s bad in here I’m in so much pain,
It’s such a shame, no one knows my name.
(Yasmin)
Forget about the past, it’s all about now,
The hard bit is figuring a way out.
You were both good friends, what went wrong.
It’s about time, you both get along.
(Chorus)
I’m living my life; I’m living in hell,
I’m living in prison and I’m here to tell.
It’s bad in here I’m in so much pain,
It’s such a shame, no one knows my name.
Scene 9 –Zahra
Carla: (Stands Up)WHAT THE HELL IS GOING ON AROUND HERE?
Edited By George Streather (Director) and NazishHussain (Assistant Director)
30. Cell Block 33 30
Inmate 1:(Viciously sits Carla down.) You best shut your mouth.
Inmate 6:(To Carla) what was it again you’re in here for?
Carla: I’ve told you all before already…Murder.
Everyone starts laughing and then suddenly stop.
Inmate 3: (Holding Carla’s neck from the back.) Wrong answer, try again.
CARLA gets more and more nervous.
Carla:Okay, Okay… I only stabbed the damn girl now get the hell off me.
Inmate 4: Uh, not so fast. Now you see; you’ve been a right cow around here.
Things are about to change!
Inmate 2: A girl with only one record of stabbing someone has been messing
with the wrong bunch of girls.
Inmate 1: Girls! Let’s say we show little miss bad girl, what it really means to be
bad.
Freeze the scene with INMATE 2 holding the back of CARLA’S head whilst INMATE
1 is about to violently punch her, meanwhile everyone else is gathered round
cheering and yelling abuse at CARLA.
Scene cuts to Yasmine and Nicole
Yasmine: Nicole, look at this, is this really what you want to happen to your best
friend?
Nicole:She’s not my best friend and never will be; no friend of mine would do the
thingsshe did.
Yasmine:I know your upset at her and I know you have no intensions of
becoming friends again. But there’s no harm in trying.
Nicole:You would never understand how it felt; to see your own friend lie and
set you up. It’s all her fault I’m stuck in here!
Yasmine:You’re right. I won’t ever understand, but I do know deep inside, you
want to go and help her right now. It’s never too late to change things between
you two andholding a grudge against her won’t ever change what’s happened.
NICOLE sighs and realises the right thing to do. Girls unfreeze, yelling abuse and
cheering on INMATE 1, who is about to punch CARLA.
Newbie 1: PUNCH HER! WHAT YOU WAITING FOR!
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31. Cell Block 33 31
Inmate 3:Carla you’re a liar!
All inmates are now getting very aggressive.
All Inmates: PUNCH HER! PUNCH HER! PUNCH HER!
Nicole: (Stands Up)STOP!
Everyone stops suddenly and turns around.
Inmate 1:SHUT UP!
Nicole:Oi just listen to me for two minutes.
Cash:Go on then, this better be worth it.
Nicole: (Takes a deep breath)How is beating up Carla, going to solve anything.
Don’t you realise by acting this way you’re becoming everything that you hated
about Carla and the way she treated you. Carla was only as petrified as you all
were when you first came here. We all made stupid mistakes and tried covering
up how scared we were by putting on this fake shield that truly doesn’t need to
be there. If you lot feel that the onlyway left is to stoop to Carla’s level, then we’re
all only as bad as her. Just take a second to think about who you all werebefore
you came here, I know that I for one have become so different from the person I
used to be. I barley recognise myself. Maybe we all need to look hard to find our
true selves.
There’s a silence within the group, everyone is left speechless. WATSON and
CHANDRA enter.
Watson:Okay you lot; now get to your cells.
Everyone goes without a single word; NICOLE and CARLA exit last, each looking at
each other in disbelief.CARLA is now shown in her cell thinking about what’s just
happened.
Then lights begin to dim.
Scene 10 – Rajan
Chandra walks past inmates who are standing around and talking.
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32. Cell Block 33 32
Newbie 1: You know Watsons dating Sullivan don’t you?
Andi: Really?
Newbie 2: Yea! She’s all over him.
Inmate 3:Oh, do you think Chandra knows about it. The poor guys besotted.
Whitney: Don’t know; let’s find out, it’ll be fun!
They all look at Chandra
Andi: Hey, Mr Chandra, I heard Ms Sullivan likes you.
Chandra: Don’t be silly, why would she like me.
Whitney: She does, she told me.
Chandra: Well it would be nice for someone to care for me, other than my
mother (shakes head in shame)
Cash:Why not try and ask her out?
Chandra: Oh no, I couldn’t possibly! She’d think I was being silly.
Andi:You should go for it, she REALLY likes you!
Chandra:(With excitement)does she really?
All Girls: YES!
Chandra:Maybe I should try then!
Inmate 4:Yea you should.
Andi: Go,for it
Chandra: But I really don’t know what to say!
Andi starts to write on Chandra’s hand.
Andi: Just say that and you’ll be fine.
Chandra: Wish me luck girls and try not to do anything too naughty whilst I’m
gone.
CHANDRA walks quickly and nervously toward the governor’s office. He arrives at
the office and knocks on the door. There’s no answer so he just opens the door and
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33. Cell Block 33 33
walks in. He glances at SULLIVAN and starts to read the words of his hand not
looking up.
Chandra:(rushing)Ms Sullivan I need to tell you something…no don’t stop me,I
love you and I always have and I think you feel the same way actually I know you
do and I love you and I want to spend long evenings by the fire with you and...
CHANDRA looks and sees SULLIVAN with WATSON who she has just been kissing.
Chandra: Oh, I’m terribly sorry I didn’t know you had someone with you.
Sullivan: Oh dear, this is a bit sticky isn’t it. You see Chaudry...
Chandra: Chandra!
Sullivan: Chandra, I’m with Watson. I’m very sorry.
Chandra:(Sad) No, I understand. I’m sorry, sorry
CHANDRA walks towards the door, he opens it, looks over his shoulder at
SULLIVAN, pulls a handkerchief out of his pocket, wipes his eyes and leaves.
SULLIVAN and WATSON freeze for a few moments; look at each other and start to
kiss again.
Lights Black out
Scene 11–George
Edited By George Streather (Director) and NazishHussain (Assistant Director)
34. Cell Block 33 34
JOE is sitting in the officers mess room singing along to ‘Singing in the Rain’ on his
portable radio. He mimics the dance from the film and WATSON walks in followed
by NICOLE.
WATSON and NICOLE stand in the door way for a few moments until Watson
speaks.
Watson:(Trying not to laugh) what the hell are you doing?
Joe:(Stunned and embarrassed) Oh, sorry sir, I was just… just practicing my
routine for the PE session tomorrow.
Watson: But you don’t take the PE class tomorrow!
Joe: No…well… I was working on it for Friday.
Watson: (Sarcastically) Yes. (Gets serious)Anyway,Nicole wants a word with you
Joe, I said you weren’t busy.
Joe: Nono,I’m free.
Watson:(To Nicole). Well I’ll leave you in Joe’s capable hands.
Nicole:(Realising what’s she’s done),Thanks MR. Watson.
WATSON gives NICOLE and JOE a disapproving look and leaves.
Nicole: Joe I need to speak to you...
Joe: Now listen, (Very defensive)I can explain about the beer, see my friend
shipped...
Nicole: No it’s not about the beer!
Joe: Fags?
Nicole: Just listen for crying out loud! Right…
JOE gets upand pours himself a glass of water and begins to drink
Nicole: I’d like to go on one of the Education courses...
As she says education Joe spits out his water in shock! He turns round and stares at
NICOLE.
Joe:(SHOCKED) you what?
Nicole: Well I didn’t pass my A levels!
Joe:Right, well that’s a huge change what were you thinking you’d you like to do,
A level Maths, English, Drama...
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35. Cell Block 33 35
Nicole: English! I want to write a book.
Joe: Oh really, what kind of book?
Nicole: A book about my life!
Joe: Right, well, that should be an interesting read! I tell you what; I’ll have a
word with Ms Sullivan and get you on it as soon as I can… Ok?
Nicole: Cheers Joe, I owe you one.-
Joe:-Two in fact.
Nicole: What?
Joe: You still haven’t paid for those beers!
BORIS walks in.
Boris: What’s this then, ay Joe? Smuggling to the prisoners?(Getting excited)I’ve
got you this time; I’ve waited ages for this and now it’s finally here! I’m going to
take this to the top. All illegal I bet?
Joe: Yep, yep they are!
Boris: Brilliant, I’ll probably get a promotion out of this!
Joe: Boris?
Boris: No Joe…don’t try and wheedle out of it because you won’t change my
mind.
Joe: Where did you get the bottle of Whiskey?
Boris:(Not realising) off (Realises) you! Oh my GOD!
Joe: Yes! So unless you want Sullivan or Watson to find out about this, I’d keep
your mouth shut. Ok?
Boris:(Annoyed)You, you, you. I’ll get you one day you, you! Ahhhrrrr!
BORIS storms out
Joe: That’s the way to handle that little,(He looks at Nicole)man. (Pause) Right,
get on your way now.
Nicole: Cheers Joe! See ya!
Scene 12– Sara and Zahra
Edited By George Streather (Director) and NazishHussain (Assistant Director)
36. Cell Block 33 36
All the INMATES are in the recreation room during their free time. Scene begins
with CARLA’S and a few inmates arm wrestling, CARLA has just won the game.
Carla: Thrashed you all…AGAIN!
Sasha: She beat you, she beat you!
Inmate 3: What, you cheated!
Tasha: She didn’t cheat!
She gets up and starts to boast
Carla:Better luck next time!
Inmate 3: Whatever.
Carla: Who’s next?
Basha: I’ll play with you.
Carla: No thanks Bash! How about you go play hopscotch or something. So who
want a go then?
NICOLE at this point is observing what is happening and smiling at how CARLA is
showing off , and walks up to the group, and sits in front of CARLA.
Nicole: Round 4(smirks)
Carla: bring it on(Smirks back)
Game carries on, all inmates gather round eager to see the outcome of this game.
NICOLE wins
Carla:(disappointed)what?
Nicole: Game over!
NICOLE gets up with a smirk on her face while everyone’s turns silent.
Carla: That doesn’t change the past, remember how I used thrash you(Almost
laughing)
NICOLE turns around with a soft smile
Nicole: Yeah how we used to argue about it, then 10 seconds later laugh about it?
CARLA’S face drops
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37. Cell Block 33 37
Carla: (To other prisoners) go do something somewhere else (TURNS BACK TO
NICOLE)I hear your getting out soon?
Nicole: Yea, 3 weeks?
Carla: You told Yasmine?
Nicole: Not yet.
Carla: She’s done a lot for you, you know. And for me.
Nicole:You’ll look after her won’t you?
Carla: Yeah, sure!
Spot light on CARLA
Carla: I’m starting to realise that being together with everyone even Nicole is not
so bad, I actually miss my times with Nicole and I guess I’ve been too big headed
to actually admit that I was wrong all along and Nicole wouldn’t be here if it
wasn’t for me, but there is no going back so I guess I should make the most of
these moments.
Spotlight now turns onto NICOLE
Nicole: Why wasn’t it like this from the beginning, even though so much has
happened, I can’t go back and change things and I really do miss my best friend?,
I’m gonna make sure before I go it’s never too late…
Carla: What do you think you’ll do when you get out?
Nicole: Thinking of writing a book.
Carla: What you going to call it?
Nicole: The Promise …I’ll send you a copy when it’s done.
Carla:(Smiling)you better. I’m so sorry I let you down.
Nicole: Hey, the past is forgotten, so don’t worry bout it.
Carla: Friends again?
Nicole: Of course we are!
NICOLE and CARLA hug
Lights fade out.
Scene 13–Parnyan
Edited By George Streather (Director) and NazishHussain (Assistant Director)
38. Cell Block 33 38
Yasmine: Are you alright? You don’t look too good.
Nicole: look Yasmine, I just want you to know that I will always be your friend
and no matter what I will always remember you as a sister.
Yasmine: something is wrong isn’t it, just tell me, please, is it me, are you
planning on…
Nicole:Yasmine listen!
NICOLE and YASMINE look at each other for a few seconds and they both look very
upset
Nicole: I’m leaving, I’ve done my time and now it’s time for me to go and make
something out of myself.
Yasmine: Nicole I’m so proud of you.
Nicole:I couldn’t have done it without you. Yas you’re a brilliant mate and you’ll
be fine. You taught me a lot of things I will always remember, no matter where or
who I’m with.
Song BetweenYasmine and Nicole
First verse
I started of confused, not knowing what to do,
Giving up on hope realising I couldn’t cope
I was betrayed and I try to move on
But that wasn’t the case, I’m far from gone
Second verse
You changed me for the best, didn’t care about the rest,
Now I’m standing here, thinking you’re so blessed,
My time has come, were near to an end,
But don’t believe I’m not here till the end
Chorus
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
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39. Cell Block 33 39
Forever I’ll remember you in my prayers
Third Verse
I’ve waited so long to find a friend
I guess we got to part Cuss it’s our final bend,
I don’t want you to go and I’ll miss you so
We made it for a reason only time will show
Chorus
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
Forever I’ll remember you in my prayers
Fourth verse
You got to make the most of the freedom that will come
So make sure you say Hi to my mum,
Jokes now aside, should have never lied
Baby you know you’re one of a kind
Chorus
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
Forever I’ll remember you in my prayers
Chorus (Acapella)
Goodbye my Friend, good bye my angel
You made me be who I am today
Goodbye my inmate, Goodbye my miracle
Forever I’ll remember you in my prayers
Song finishes and NICOLE turns away then runs to hug YASMINE
Edited By George Streather (Director) and NazishHussain (Assistant Director)
40. Cell Block 33 40
Light black out.
Mime scene with music to show Nicole saying final goodbye’s and leaving.
All the prisoners sing the final song!
We know we can be strong
We know we were here so long
Giving up isn’t our game
We are bursting like flames
At first we were not coping
But we kept on Hoping
Now we have come to an End
Now we can no longer blend
Freedom we scream
Freedom we Yell
Freedom is what we have achieved
We Know we were here so long
we know we can be strong
we are bursting like a flame
giving up isn’t our game
At first we were hoping
but now we are coping
We are no longer blending
we have come to an End, End, and End
THE END
Edited By George Streather (Director) and NazishHussain (Assistant Director)