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The theorist Carol Vernallis is known for her theory on music videos 
editing. 
Her theory focuses on four key points which are: 
 Narration 
 Editing 
 Camera Movement and Framing 
 Diegesis
Carol Vernallis suggests the video is a visual response to the 
narration. So whatever happens on screen reflects the choice of lyrics 
sung by the artist. However, Vernallis goes on to state that this may 
not always be true as the video could be completely 
disjointed/disconnected missing fragments from the lyrics entirely.
Carol Vernallis explains that the way some music videos are edited can 
disrupt or break the conventions of continuity editing. 
Editing can also be brought the foreground making it more visible 
apposed to the invisible style of continuity editing. 
For example: 
 Jump cuts are often used 
 Cutting out the lyrics 
 Juxtaposed frames 
 Graphic Matches 
 Some edits may even be so obvious just to draw attention to 
themselves
 Vernallis that establishes that one of the key camera features are 
master shots are which are frequently used in music videos just like 
close ups which are for revealing emotions of the artist to the 
audience. Master shots show the specific location of where the video 
is being filmed. Also, the camera moves in time with the music. 
 Likewise, the style of framing is very distinctive to the video .
 Carol Vernallis says that diegesis is is the world within music 
videos. She also explains that diegesis will be revealed quite slowly. 
 There will be too many repetitions throughout the video making 
some frames seems more important than others due to the way they 
where shot.

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Carol vernallis

  • 1.
  • 2. The theorist Carol Vernallis is known for her theory on music videos editing. Her theory focuses on four key points which are:  Narration  Editing  Camera Movement and Framing  Diegesis
  • 3. Carol Vernallis suggests the video is a visual response to the narration. So whatever happens on screen reflects the choice of lyrics sung by the artist. However, Vernallis goes on to state that this may not always be true as the video could be completely disjointed/disconnected missing fragments from the lyrics entirely.
  • 4. Carol Vernallis explains that the way some music videos are edited can disrupt or break the conventions of continuity editing. Editing can also be brought the foreground making it more visible apposed to the invisible style of continuity editing. For example:  Jump cuts are often used  Cutting out the lyrics  Juxtaposed frames  Graphic Matches  Some edits may even be so obvious just to draw attention to themselves
  • 5.  Vernallis that establishes that one of the key camera features are master shots are which are frequently used in music videos just like close ups which are for revealing emotions of the artist to the audience. Master shots show the specific location of where the video is being filmed. Also, the camera moves in time with the music.  Likewise, the style of framing is very distinctive to the video .
  • 6.  Carol Vernallis says that diegesis is is the world within music videos. She also explains that diegesis will be revealed quite slowly.  There will be too many repetitions throughout the video making some frames seems more important than others due to the way they where shot.