The history of photography began in ancient times with the use of camera obscuras to project images. In the early 19th century, Nicรฉphore Niรฉpce and Louis Daguerre developed early photographic processes allowing the creation of permanent images. William Henry Fox Talbot's invention of the calotype process in the 1840s allowed for the mass-production of photographs. In 1888, George Eastman introduced the Kodak camera, making photography widely popular. Throughout the 20th century, technological advances such as roll film, 35mm cameras, and digital cameras transformed photography.
Photography has evolved significantly since its invention in the early 19th century. Early methods like the daguerreotype required exposures of up to 8 hours, but advances like the use of film by George Eastman and 35mm cameras made photography faster and more accessible. The development of digital photography in the 1980s transformed the industry, allowing photos to be instantly captured, edited, and shared. While photography was once a complex chemical process, today's digital cameras make it possible to take high-quality photos with a smartphone in seconds.
The camera has evolved greatly over centuries from early prototypes like the camera obscura to modern digital cameras. The camera obscura provided the first means to project images but could not capture them permanently. The daguerreotype introduced in 1830 was the first true camera, using a copper plate to capture light, though exposures took 15 minutes. Advances like emulsion plates, dry plates, and flexible film made cameras more portable and practical. In the modern era, digital cameras replaced film and made photography accessible to all with instant previews and easy editing of photos. Cameras continue to evolve with new technologies.
Digital photography and camera phones have changed the definition of art and the role of the photographer. While art was traditionally defined by its ability to transmit ideas and cultural context through mastery of elements like line, shape, and color, new technologies and social media apps have made photography accessible to amateurs. Some question whether everyday photos taken on phones can be considered art. However, others argue that intent and how photos convey personal expression or commentary can qualify phone photos as art. Social media in particular has given rise to new forms of self-portraiture and autobiographical photography that document modern life and help shape collective memory and history.
This document provides a history of cameras from 1814 to today. It discusses the first camera obscura in 1814 and the development of film and digital cameras over time, including the first 35mm still camera in 1913-1914. The document also describes different types of cameras such as SLR, DSLR, and point and shoot cameras. It notes that SLR and DSLR cameras give photographers more freedom than point and shoot cameras. In conclusion, the document quotes that a camera should become an extension of one's heart by fitting their lifestyle and being reliable.
HUMAN100: Introduction to Humanities --- Visual Arts: Photography. This includes the ff:
1. History of Photography
2. Art Movements in Photography
3. Basic Parts of the Camera
4. Different Camera Angles
5. Elements of a good Photograph
6. Photography Rules
A basic course in the fundamentals of photography: Aperture, exposure and shutter speed, and how you can get them to work together to deliver the result you want. Thanks to Flickr and Penmachine.com for their good picture examples.
The document discusses various aspects of digital photography including exposure controls like aperture, shutter speed, and ISO and how they impact photographs. It explains different camera modes like portrait, landscape, and macro mode and how they set the appropriate exposure settings for different types of subjects. The document also explores concepts like depth of field and includes exercises to demonstrate how changing the aperture can impact the area of the photograph that is in focus.
The history of photography began in ancient times with the use of camera obscuras to project images. In the early 19th century, Nicรฉphore Niรฉpce and Louis Daguerre developed early photographic processes allowing the creation of permanent images. William Henry Fox Talbot's invention of the calotype process in the 1840s allowed for the mass-production of photographs. In 1888, George Eastman introduced the Kodak camera, making photography widely popular. Throughout the 20th century, technological advances such as roll film, 35mm cameras, and digital cameras transformed photography.
Photography has evolved significantly since its invention in the early 19th century. Early methods like the daguerreotype required exposures of up to 8 hours, but advances like the use of film by George Eastman and 35mm cameras made photography faster and more accessible. The development of digital photography in the 1980s transformed the industry, allowing photos to be instantly captured, edited, and shared. While photography was once a complex chemical process, today's digital cameras make it possible to take high-quality photos with a smartphone in seconds.
The camera has evolved greatly over centuries from early prototypes like the camera obscura to modern digital cameras. The camera obscura provided the first means to project images but could not capture them permanently. The daguerreotype introduced in 1830 was the first true camera, using a copper plate to capture light, though exposures took 15 minutes. Advances like emulsion plates, dry plates, and flexible film made cameras more portable and practical. In the modern era, digital cameras replaced film and made photography accessible to all with instant previews and easy editing of photos. Cameras continue to evolve with new technologies.
Digital photography and camera phones have changed the definition of art and the role of the photographer. While art was traditionally defined by its ability to transmit ideas and cultural context through mastery of elements like line, shape, and color, new technologies and social media apps have made photography accessible to amateurs. Some question whether everyday photos taken on phones can be considered art. However, others argue that intent and how photos convey personal expression or commentary can qualify phone photos as art. Social media in particular has given rise to new forms of self-portraiture and autobiographical photography that document modern life and help shape collective memory and history.
This document provides a history of cameras from 1814 to today. It discusses the first camera obscura in 1814 and the development of film and digital cameras over time, including the first 35mm still camera in 1913-1914. The document also describes different types of cameras such as SLR, DSLR, and point and shoot cameras. It notes that SLR and DSLR cameras give photographers more freedom than point and shoot cameras. In conclusion, the document quotes that a camera should become an extension of one's heart by fitting their lifestyle and being reliable.
HUMAN100: Introduction to Humanities --- Visual Arts: Photography. This includes the ff:
1. History of Photography
2. Art Movements in Photography
3. Basic Parts of the Camera
4. Different Camera Angles
5. Elements of a good Photograph
6. Photography Rules
A basic course in the fundamentals of photography: Aperture, exposure and shutter speed, and how you can get them to work together to deliver the result you want. Thanks to Flickr and Penmachine.com for their good picture examples.
The document discusses various aspects of digital photography including exposure controls like aperture, shutter speed, and ISO and how they impact photographs. It explains different camera modes like portrait, landscape, and macro mode and how they set the appropriate exposure settings for different types of subjects. The document also explores concepts like depth of field and includes exercises to demonstrate how changing the aperture can impact the area of the photograph that is in focus.
High School Photography Lesson, Rule of thirdsMeredith Hudson
ย
The rule of thirds is a guideline for composing visual images that divides the image into nine equal parts using two horizontal lines and two vertical lines, not through the center. Examples show how placing the subject along these lines or their intersections can create a more powerful composition than centering the subject. As an exercise, photographers are assigned to take 10-15 outdoor photos applying the rule of thirds.
A presentation on the evolution of still cameraPalash Awasthi
ย
The document summarizes the evolution of still cameras from their origins in the camera obscura to modern digital cameras. It traces key developments such as the daguerreotype in 1839, the introduction of dry plates in the 1850s which improved on the wet plate process, the popularization of film and handheld cameras with George Eastman's Kodak in the late 1880s, and the emergence of digital cameras in the 1980s. The document provides an overview of the major technological advances that have occurred in camera technology over centuries to enable portable photography.
The document discusses key concepts of composition in photography including the differences between snapshots and photographs, the elements that composition depends on such as structure, balance and dynamic, and guidelines for effective composition including the rule of thirds and use of lines and shapes. Specific techniques are described like using horizontal, vertical and diagonal lines to guide the viewer's eye and create a sense of movement or dynamic within the frame. Tips are provided such as focusing on the background, keeping the image simple, getting close to the subject, and always being ready to capture photos.
The document provides a history of photography from its origins to its widespread adoption in the late 1800s. It describes how the camera obscura was used by early artists before the invention of photography. Joseph Nicephore Niepce created the first permanent photograph in 1826 and Louis Daguerre later invented the daguerreotype process in 1839, which became very popular for portraits. William Henry Fox Talbot also developed the calotype process using negatives. The American Civil War was a turning point where photography was used extensively to document battles and soldiers.
Photography - Composition. Leading lines, framing and rule of thirds.Betty Lowrance
ย
Composition involves arranging subjects or objects in art. Leading lines help guide the viewer's eyes around the photograph towards a clear focal point. Framing uses borders or frames to direct attention to the subject, while the rule of thirds imagines dividing the image into thirds to place the main subject at the intersections for improved composition.
- Photography was invented in 1839 when Joseph Nicephore Niepce created the first photograph by exposing a plate coated with bitumen in a camera obscura for eight hours.
- Louis Daguerre later improved the process by using silver-coated copper plates and developing the first practical photographic process known as the daguerreotype.
- In the late 1880s, George Eastman developed roll film and introduced the Kodak camera, making photography widely accessible to the public. Since then, technological advances like color film, digital cameras, and camera phones have made photography ubiquitous.
Photography has its origins in the 4th century BCE when a Chinese philosopher discovered the pinhole camera. In the 17th century the portable camera obscura was developed. The first permanent photograph was taken by Joseph Niepce in 1826 called View from the Window. In 1839 Louis Daguerre published a manual describing the daguerreotype process, an early photographic process using silver-plated copper sheets. Henry Talbot invented the calotype process in 1841, creating the first negative images.
The history of photography began in the 15th century with the camera obscura. In the 19th century, Nicephore Niepce created the first permanent photograph in 1826 and the daguerreotype process was announced in 1839. Major developments included the calotype process by Henry Talbot in 1841, wet plate collodion by Frederick Scott Archer in 1851, and roll film technology by George Eastman in 1888 that led to the popular Kodak camera. The first digital camera was invented in 1988.
The document discusses various compositional techniques in images including line, shape, space, perspective, texture, color, value, and form. It provides examples and definitions for each technique. Key points covered are that lines can vary properties in an image, shapes take up positive space and can be geometric or organic, and perspective creates an illusion of depth through arrangement and negative space.
Photography has evolved significantly since its origins in the early 19th century. Early forms included the camera obscura and experiments capturing images on light-sensitive surfaces. The first permanent photograph was taken by Nicephore Niepce in 1826 using a process called heliography. Louis Daguerre later refined the process, known as the daguerreotype. William Fox Talbot invented the calotype process, allowing prints from negatives. George Eastman developed roll film and simplified cameras like the Kodak and Brownie, making photography accessible to the masses. Throughout its history, photography has been used for art, social documentation, science and industry, and new digital technologies continue its advancement.
This document provides a history of photography and cameras. It discusses how photography originated from the camera obscura and the earliest photographs taken in the 1820s. It summarizes key early developments like the first color photograph in 1861 and first high speed photograph in 1878. The document then describes the basic parts and working of a camera, including the lens, viewfinder, shutter speed dial, and aperture ring. It outlines different types of cameras like folding cameras, box cameras, and view cameras. Finally, it discusses camera lenses and the effects of focal length on field of view, magnification and depth of field.
The document summarizes the history of color photography, beginning with the first permanent color photograph taken in 1861 using three black and white photos with red, green, and blue filters. It discusses early pioneers in color photography techniques in the late 1800s. The document also notes the first 3D color stereoscopic photos taken after the 1906 San Francisco earthquake and the first commercially successful color photography process introduced in 1907. The rest of the document focuses on color models and terms used in digital design, including RGB, CMYK, hue, saturation, temperature, and value.
This document discusses the rules of composition in photography. It begins by quoting two photographers who argue that rules prevent progress and that there are no rules for good photographs. It then defines composition as the arrangement of elements in a work of art to form a harmonious whole. The rest of the document lists various compositional techniques for photographers to consider when taking pictures such as subject matter, camera position, use of negative space and the rule of thirds. It encourages breaking rules at times and ends by providing the author's Flickr page for more information.
This document discusses the elements and principles of art as they relate to photography composition. The elements are line, shape, space, value, texture, and color. The principles are emphasis, balance, unity, contrast, movement/rhythm, and pattern/repetition. Understanding and using these elements and principles allows photographers to make intentional compositional choices that make their photographs more visually interesting and impactful.
Chuck Close is an American painter and photographer known for his photorealistic portraits. He uses a grid system to enlarge photographs onto large-scale canvases. His portraits are highly detailed yet lack traditional details about the subjects' lives. After suffering a spinal injury in 1988, Close continued painting from his wheelchair using specialized equipment. He is driven to paint faces because he believes they profoundly impact how people relate to each other.
This document provides an overview of different types of cameras and camera components. It discusses early camera types like the camera obscura and daguerreotype. It then covers the development of film cameras from Kodak and the introduction of 35mm film. Instant cameras and the first SLR cameras are also summarized. The document outlines point-and-shoot, bridge, DSLR and mirrorless digital camera types as well as the evolution of smartphone cameras. Key components like pixels, megapixels, and the factors that influence exposure - aperture, shutter speed and ISO - are defined in less than 3 sentences each. The learning goals are to understand camera types and exposure fundamentals.
Photography was independently invented in 1839 by Louis Daguerre and William Fox Talbot through the daguerreotype and calotype processes. Daguerreotype used polished metal plates to create positive images while calotype used paper negatives to allow reproduction. Daguerreotype became more popular until the 1851 invention of the wet collodion process using glass plates coated in chemicals. This led to the 1856 tintype which used iron plates for inexpensive portraits. George Eastman further advanced photography in the late 1880s through roll film and his Kodak camera, developing the first color film Kodachrome in 1935. Digital photography originated from video technology in the 1950s and advanced through space exploration, commercial cameras in 1984
Perspective in photography refers to the sense of depth created by the spatial relationships between objects in an image based on the camera position. There are two main types of perspective: 2D perspective, where horizontal lines vanish toward two points on the horizon line but vertical lines do not follow those rules; and 3D perspective, where lines vanish toward points both above and below the horizon line. Perspective photography uses techniques like converging parallel lines to give the viewer a sense of depth in an image by scaling objects in the foreground against those in the background.
This document discusses techniques for capturing movement in photography. It defines key terms like blur and freeze. It explains that movement can be captured by freezing action with a fast shutter speed, blurring motion with a slow shutter speed, or panning to follow a moving subject. Historical figures like Eadweard Muybridge, Harold Edgerton, and Ernst Haas pioneered techniques for photographing motion through high-speed photography and creative uses of blur and color.
This document provides guidance for capturing motion in photographs using different shutter speeds. It explains that slower shutter speeds will blur moving objects while faster shutter speeds freeze motion. Various techniques are covered such as panning with a moving subject, freezing an entire scene, and digitally merging multiple photos. Tips are provided like determining the proper shutter speed based on the speed and distance of the subject, and addressing potential issues with excess light entering long exposures. The overall aim is to help beginner photographers learn how to convey movement through intentional blurring or freezing of objects in their photos.
High School Photography Lesson, Rule of thirdsMeredith Hudson
ย
The rule of thirds is a guideline for composing visual images that divides the image into nine equal parts using two horizontal lines and two vertical lines, not through the center. Examples show how placing the subject along these lines or their intersections can create a more powerful composition than centering the subject. As an exercise, photographers are assigned to take 10-15 outdoor photos applying the rule of thirds.
A presentation on the evolution of still cameraPalash Awasthi
ย
The document summarizes the evolution of still cameras from their origins in the camera obscura to modern digital cameras. It traces key developments such as the daguerreotype in 1839, the introduction of dry plates in the 1850s which improved on the wet plate process, the popularization of film and handheld cameras with George Eastman's Kodak in the late 1880s, and the emergence of digital cameras in the 1980s. The document provides an overview of the major technological advances that have occurred in camera technology over centuries to enable portable photography.
The document discusses key concepts of composition in photography including the differences between snapshots and photographs, the elements that composition depends on such as structure, balance and dynamic, and guidelines for effective composition including the rule of thirds and use of lines and shapes. Specific techniques are described like using horizontal, vertical and diagonal lines to guide the viewer's eye and create a sense of movement or dynamic within the frame. Tips are provided such as focusing on the background, keeping the image simple, getting close to the subject, and always being ready to capture photos.
The document provides a history of photography from its origins to its widespread adoption in the late 1800s. It describes how the camera obscura was used by early artists before the invention of photography. Joseph Nicephore Niepce created the first permanent photograph in 1826 and Louis Daguerre later invented the daguerreotype process in 1839, which became very popular for portraits. William Henry Fox Talbot also developed the calotype process using negatives. The American Civil War was a turning point where photography was used extensively to document battles and soldiers.
Photography - Composition. Leading lines, framing and rule of thirds.Betty Lowrance
ย
Composition involves arranging subjects or objects in art. Leading lines help guide the viewer's eyes around the photograph towards a clear focal point. Framing uses borders or frames to direct attention to the subject, while the rule of thirds imagines dividing the image into thirds to place the main subject at the intersections for improved composition.
- Photography was invented in 1839 when Joseph Nicephore Niepce created the first photograph by exposing a plate coated with bitumen in a camera obscura for eight hours.
- Louis Daguerre later improved the process by using silver-coated copper plates and developing the first practical photographic process known as the daguerreotype.
- In the late 1880s, George Eastman developed roll film and introduced the Kodak camera, making photography widely accessible to the public. Since then, technological advances like color film, digital cameras, and camera phones have made photography ubiquitous.
Photography has its origins in the 4th century BCE when a Chinese philosopher discovered the pinhole camera. In the 17th century the portable camera obscura was developed. The first permanent photograph was taken by Joseph Niepce in 1826 called View from the Window. In 1839 Louis Daguerre published a manual describing the daguerreotype process, an early photographic process using silver-plated copper sheets. Henry Talbot invented the calotype process in 1841, creating the first negative images.
The history of photography began in the 15th century with the camera obscura. In the 19th century, Nicephore Niepce created the first permanent photograph in 1826 and the daguerreotype process was announced in 1839. Major developments included the calotype process by Henry Talbot in 1841, wet plate collodion by Frederick Scott Archer in 1851, and roll film technology by George Eastman in 1888 that led to the popular Kodak camera. The first digital camera was invented in 1988.
The document discusses various compositional techniques in images including line, shape, space, perspective, texture, color, value, and form. It provides examples and definitions for each technique. Key points covered are that lines can vary properties in an image, shapes take up positive space and can be geometric or organic, and perspective creates an illusion of depth through arrangement and negative space.
Photography has evolved significantly since its origins in the early 19th century. Early forms included the camera obscura and experiments capturing images on light-sensitive surfaces. The first permanent photograph was taken by Nicephore Niepce in 1826 using a process called heliography. Louis Daguerre later refined the process, known as the daguerreotype. William Fox Talbot invented the calotype process, allowing prints from negatives. George Eastman developed roll film and simplified cameras like the Kodak and Brownie, making photography accessible to the masses. Throughout its history, photography has been used for art, social documentation, science and industry, and new digital technologies continue its advancement.
This document provides a history of photography and cameras. It discusses how photography originated from the camera obscura and the earliest photographs taken in the 1820s. It summarizes key early developments like the first color photograph in 1861 and first high speed photograph in 1878. The document then describes the basic parts and working of a camera, including the lens, viewfinder, shutter speed dial, and aperture ring. It outlines different types of cameras like folding cameras, box cameras, and view cameras. Finally, it discusses camera lenses and the effects of focal length on field of view, magnification and depth of field.
The document summarizes the history of color photography, beginning with the first permanent color photograph taken in 1861 using three black and white photos with red, green, and blue filters. It discusses early pioneers in color photography techniques in the late 1800s. The document also notes the first 3D color stereoscopic photos taken after the 1906 San Francisco earthquake and the first commercially successful color photography process introduced in 1907. The rest of the document focuses on color models and terms used in digital design, including RGB, CMYK, hue, saturation, temperature, and value.
This document discusses the rules of composition in photography. It begins by quoting two photographers who argue that rules prevent progress and that there are no rules for good photographs. It then defines composition as the arrangement of elements in a work of art to form a harmonious whole. The rest of the document lists various compositional techniques for photographers to consider when taking pictures such as subject matter, camera position, use of negative space and the rule of thirds. It encourages breaking rules at times and ends by providing the author's Flickr page for more information.
This document discusses the elements and principles of art as they relate to photography composition. The elements are line, shape, space, value, texture, and color. The principles are emphasis, balance, unity, contrast, movement/rhythm, and pattern/repetition. Understanding and using these elements and principles allows photographers to make intentional compositional choices that make their photographs more visually interesting and impactful.
Chuck Close is an American painter and photographer known for his photorealistic portraits. He uses a grid system to enlarge photographs onto large-scale canvases. His portraits are highly detailed yet lack traditional details about the subjects' lives. After suffering a spinal injury in 1988, Close continued painting from his wheelchair using specialized equipment. He is driven to paint faces because he believes they profoundly impact how people relate to each other.
This document provides an overview of different types of cameras and camera components. It discusses early camera types like the camera obscura and daguerreotype. It then covers the development of film cameras from Kodak and the introduction of 35mm film. Instant cameras and the first SLR cameras are also summarized. The document outlines point-and-shoot, bridge, DSLR and mirrorless digital camera types as well as the evolution of smartphone cameras. Key components like pixels, megapixels, and the factors that influence exposure - aperture, shutter speed and ISO - are defined in less than 3 sentences each. The learning goals are to understand camera types and exposure fundamentals.
Photography was independently invented in 1839 by Louis Daguerre and William Fox Talbot through the daguerreotype and calotype processes. Daguerreotype used polished metal plates to create positive images while calotype used paper negatives to allow reproduction. Daguerreotype became more popular until the 1851 invention of the wet collodion process using glass plates coated in chemicals. This led to the 1856 tintype which used iron plates for inexpensive portraits. George Eastman further advanced photography in the late 1880s through roll film and his Kodak camera, developing the first color film Kodachrome in 1935. Digital photography originated from video technology in the 1950s and advanced through space exploration, commercial cameras in 1984
Perspective in photography refers to the sense of depth created by the spatial relationships between objects in an image based on the camera position. There are two main types of perspective: 2D perspective, where horizontal lines vanish toward two points on the horizon line but vertical lines do not follow those rules; and 3D perspective, where lines vanish toward points both above and below the horizon line. Perspective photography uses techniques like converging parallel lines to give the viewer a sense of depth in an image by scaling objects in the foreground against those in the background.
This document discusses techniques for capturing movement in photography. It defines key terms like blur and freeze. It explains that movement can be captured by freezing action with a fast shutter speed, blurring motion with a slow shutter speed, or panning to follow a moving subject. Historical figures like Eadweard Muybridge, Harold Edgerton, and Ernst Haas pioneered techniques for photographing motion through high-speed photography and creative uses of blur and color.
This document provides guidance for capturing motion in photographs using different shutter speeds. It explains that slower shutter speeds will blur moving objects while faster shutter speeds freeze motion. Various techniques are covered such as panning with a moving subject, freezing an entire scene, and digitally merging multiple photos. Tips are provided like determining the proper shutter speed based on the speed and distance of the subject, and addressing potential issues with excess light entering long exposures. The overall aim is to help beginner photographers learn how to convey movement through intentional blurring or freezing of objects in their photos.
1) The document discusses shutter speeds and panning techniques in photography. It explains that shutter speed controls the duration that light strikes the sensor or film, with faster shutter speeds freezing motion and slower shutter speeds blurring it.
2) Panning involves following a moving subject with the camera using a slower shutter speed than would otherwise be needed if the camera was static. This allows the subject to remain in focus while the background blurs.
3) The exercise recommends taking photos at different shutter speeds - fast speeds to freeze motion, slow speeds to blur motion, and panning shots between 1/15-1/125 sec to follow a moving subject.
The document discusses shutter speed and its effect on photographs. It explains that shutter speed is measured in seconds and determines how long the shutter is open to expose the sensor to light. Faster shutter speeds freeze motion while slower speeds blur motion. The appropriate shutter speed depends on the desired effect and subject motion. Very fast subjects require faster shutter speeds to freeze them. Developing an intuition for proper shutter speeds takes practice experimenting. Fast shutter speeds can freeze water droplets while slow shutter speeds often require a tripod to avoid camera shake from movement. The document provides examples of shutter speeds used in different types of photography and assigns a task to experiment with a range of shutter speeds.
The document discusses controlling a camera's shutter speed and its effects on photographs. It explains that a slow shutter speed will result in motion blur while a fast shutter speed can capture motion without blur. Aperture and focal length also impact depth of field and zoom level. Guidelines are provided for shutter speeds needed to freeze motion at different distances. Panning and timing shots at the peak of motion can help minimize required shutter speed. Leaf shutters are in lenses while focal-plane shutters are in cameras.
Shutter speed and aperture are tools that photographers can adjust to control the amount of light entering the camera and how motion is depicted. Shutter speed refers to how long the shutter is open and impacts whether motion is frozen, blurred, or has a sense of movement. Aperture, measured in f-stops, controls the size of the lens opening and determines depth of field. Photographers are challenged to create a series of photos telling a narrative story using different shutter speeds to show stopped, blurred, and panned action.
Shutter speed and aperture are tools that photographers can adjust to control the amount of light entering the camera and how motion is depicted. Shutter speed refers to how long the shutter is open and impacts whether motion is frozen, blurred, or has a sense of movement. Aperture, measured in f-stops, controls the size of the lens opening and determines depth of field. Photographers are challenged to create a series of photos telling a narrative story using different shutter speeds to show stopped, blurred, and panned action.
The document discusses shutter speed, which is the amount of time the camera shutter remains open, allowing light to pass through to the image sensor. Shutter speed is measured in fractions of a second and determines how movement is rendered - faster shutter speeds "freeze" motion while slower shutter speeds blur motion. The appropriate shutter speed depends on the desired effect and how fast the subject is moving. Very fast shutter speeds are often used for sports photography, while slower shutter speeds can be used to blur water or for night photography if using a tripod to avoid camera shake. The document provides examples of shutter speeds and their effects and suggests assignments involving practicing with different shutter speeds.
The document summarizes a teen photography class that introduces basic concepts of photography. It defines photography and outlines what will be covered, including the basics of photography like camera parts, different types of photography like portraits and landscapes, and components like lighting, lenses, and focal length. The class then discusses specific topics like the first photograph taken, parts of the camera, types of photography like portraits and landscapes and examples, and components like lighting, lenses, focal length, and the rule of thirds composition technique. The document concludes by announcing the class will conclude with hands-on photo taking and that session II will cover editing, mixed media editing, and social media presence for photography.
1. Conditions to continue to the next level include 100% attendance, completing a stop motion project, and completing a summer project.
2. Stop motion is an animation technique where objects are moved in small increments between individually photographed frames to create the illusion of movement. Time-lapse is taking still photographs of a live scene at regular intervals to compress time.
3. Students are tasked with planning and storyboarding their own stop motion project in groups, considering the resources, roles, and technical skills needed such as lighting, angles, and camera settings.
There were four major shifts in the development of photography. The first was in the 1500s when scientists like Aristotle and Leonardo Da Vinci experimented with the camera obscura. The second shift occurred in the early 1800s when techniques like the Daguerreotype and Calotype were developed to permanently capture images. The third shift was the introduction of roll film and dry plates, making photography more portable and accessible. The fourth shift was the development of smaller, more portable cameras like the 35mm Leica in the 1920s.
The document discusses various camera controls for depth of field, close-up photography, and blurring including aperture, shutter speed, and ISO. It provides information on how different aperture settings and shutter speeds can be used to achieve different depth of field and motion blur effects. Instructions are also given for hands-on assignments involving manipulating depth of field and capturing motion blur through adjusting camera settings.
A presentation about film and digital photography. The history of photography will be described, along with the process of developing film and prints, and the parts of a camera. The benefits of using digital cameras will be discussed as well. There are also examples of various kinds of photography and cameras.
A presentation about both digital and film photography, which describes the history of photography, the parts of a camera, the film and print developing process, and the benefits of digital photography. There are also examples of different cameras throughout history and different kinds of photography.
Introduction to camera & its major partsanshula garg
ย
The document discusses the history and components of cameras, from early camera obscuras to modern digital cameras, and covers the basic parts and functions of cameras like lenses, shutters, and apertures, as well as photographic techniques like depth of field, camera angles, and camera movements.
The document discusses shutter speed, which is the amount of time the camera shutter remains open, allowing light to pass through to the image sensor. Shutter speed is measured in fractions of a second and determines how motion is rendered - faster shutter speeds "freeze" motion while slower shutter speeds blur motion. The appropriate shutter speed depends on the desired effect and how fast the subject is moving. Very fast shutter speeds are often used for sports photography, while slower speeds can be used to blur water or for night photography effects. Developing an intuition for matching shutter speed to different subjects takes practice.
The document discusses shutter speed and its effect on photographs. It explains that shutter speed is measured in seconds and determines how long the shutter is open to let in light. A faster shutter speed will freeze motion while a slower shutter speed will blur motion. The appropriate shutter speed depends on the desired effect and how fast the subject is moving. Very fast shutter speeds are used for sports photography to freeze action, while slower speeds can be used to blur water or for night photography when using a tripod. The document provides examples of shutter speeds and techniques such as panning to achieve different effects.
Camera parts and function (Types of Camera)eldredlastima
ย
The document discusses the key parts and functions of a camera, including the lens, aperture, shutter, exposure, ISO, megapixels, depth of field, shutter speed, aperture, meter, and different types of cameras like DSLR, point and shoot, as well as various camera settings and modes. It provides information on how camera parts work together to capture light and exposure an image, and the impact of settings on the final photo.
1) The document provides tips for using digital cameras, including always having your camera with you, taking advantage of features like burst mode to ensure good group shots, and framing photographs by including natural frames like windows or doors.
2) It discusses different exposure settings like spot metering to focus attention on important elements of the photo by properly exposing for the light on the subject rather than the entire scene.
3) Panning is described as a technique to blur the background while keeping a moving subject in focus, which requires practice to master and is easier with a digital camera that allows many shots without cost.
Similar to Capturing Motion in Still Photography (20)
Elements of Art & Principles of Design PresentationProfessor Bauer
ย
The document outlines the basic elements of art and principles of design. It discusses the key elements - line, shape, form, space, texture, value, color - and how artists use them. It then explains the principles of design - pattern/repetition, contrast, proportion, alignment, balance, movement, emphasis, and unity - which are ways of combining elements to create a more powerful composition. The document provides examples and definitions for each element and principle.
Elements and Principles of Art - Art 101 @ MCCProfessor Bauer
ย
The document discusses the elements and principles of art. It defines the elements of art as the physical parts that make up a work of art, including line, shape, form, space, texture, value, color, and time. It then defines principles of art as the ways in which the elements are arranged, including unity/variety, balance, contrast, emphasis, movement, rhythm, and pattern. It proceeds to provide examples and explanations for each individual element of art.
This document provides an overview of what art is and can be. It discusses that art can be 2, 3, or 4 dimensional, including paintings, sculptures, performances, and time-based works. Art is found in museums, galleries, streets, fields, and caves. The document then explores the purpose of art, how it expresses culture and ideals of beauty, and how our relationship with art changes over time. It aims to introduce the reader to appreciating art through exploring its varied forms and purposes.
The document discusses the elements and principles of art, defining the elements as the physical parts of a work including line, shape, form, space, texture, value, color, and time, and the principles as the ways these elements are arranged, including unity/variety, balance, contrast, emphasis, movement, rhythm, and pattern.
This document discusses the nature of art and what constitutes art. It notes that art can take many forms, including 2D works like paintings, 3D sculptures, time-based works, and more. Art is found in places like museums, streets, natural landscapes, and caves. The document also examines how ideas about artists and the purpose of art have changed over time and vary across cultures. It suggests that art expresses culture, ideals of beauty, beliefs, and the human story, and that both art and how people view art evolves.
The document discusses common types of textbook graphics and how to interpret them, including tables for raw data, bar charts for comparing quantitative data over time, line charts for illustrating trends, pie charts for showing distributions, maps for geographic information, photographs for emphasizing ideas, illustrations for explaining parts, and flow charts or diagrams for processes. When viewing these graphics, the reader is advised to consider what data points stand out, how changes may occur, and how elements are distributed, connected, or compared.
This document provides an overview of the typical sections found in textbooks and their purposes. It describes sections like the preface, foreword, author profile, table of contents, chapter previews, introductions, applied practice elements, chapter summaries, review material, endnotes and bibliographies. The document explains what each section contains and why students might find it helpful for understanding the content and perspective of the textbook.
The document discusses various page layout techniques including the Gutenberg diagram, F-layout, Z-layout, rule of thirds, and the golden ratio. The Gutenberg diagram shows how the eye tracks across a page from top left to bottom right, paying less attention to areas in between. The F-layout and Z-layout are modern variations that chart eye movement on web pages and pages with large central images, respectively. The rule of thirds suggests placing subjects along an imaginary three-by-three grid for a visually pleasing composition. The golden ratio involves a specific mathematical proportion used in layout grids.
According to Aristotle, there are three artistic proofs of rhetoric: ethos, logos, and pathos. Ethos is an appeal to credibility or character. Logos is an appeal to logic or reason. Pathos is an appeal to emotion. The document then provides definitions and examples of additional rhetorical devices such as allusion, amplification, analogy, hyperbole, metaphor, oxymoron, personification, simile, and understatement. These devices can be used to emphasize ideas, draw connections, explain concepts, and grab attention.
The document outlines the graphic design process from initial sketches to final layout. It begins with thumbnail sketches created by hand to explore initial concepts without detail. These are followed by rough renderings of top concepts to further develop forms and compositions. Comprehensive digital layouts are then created to present the final design to clients for approval, featuring finished visual elements in their proper layout. The document stresses starting with quick, hand-drawn thumbnails to allow for unlimited creative exploration before committing to any single concept or style.
The document discusses various visual elements of design including line, shape, space, texture, value, and color. It defines different types of lines such as static, dynamic, and leading lines. It explains the differences between shapes and forms, as well as positive and negative space. The document also covers texture, value, color theory including complementary, analogous, warm, and cool colors.
This document discusses six design principles for combining visual elements: pattern/repetition, contrast, proportion, alignment, balance, and movement. It defines each principle and provides an example image to illustrate it. The principles are pattern/repetition of recurring elements, contrast through differences in values, size, color or shape, proportion relating to relative sizes of elements, alignment along lines, balance with symmetrical or asymmetrical arrangements, and movement through implied or literal representations. Unity occurs when all elements support the overall theme rather than distracting the viewer.
Ethical Considerations for Visual Media Makers.pptxProfessor Bauer
ย
This document discusses several ethical considerations for visual media makers regarding invasion of privacy, responsibility to subjects, use of graphic or staged photos/videos, and manipulation of images. It provides guidance from codes of ethics on getting consent from subjects, avoiding exploitation, providing context, not sensationalizing or stereotyping, and not digitally altering photos in a misleading way. Examples are given of controversies over graphic photos published without consent, a staged "milkman" photo from WWII, and darkened skin tone in OJ Simpson's mugshot on a magazine cover.
The document discusses various examples of deceptive, misleading, and harmful advertising techniques throughout history. It provides cases where companies used mock-ups and simulations to exaggerate product qualities, including using Plexiglas coated in sand to simulate a shaving product and marbles to keep soup ingredients suspended. It also discusses lawsuits around health claims of food products and regulations on tobacco advertising. Finally, it touches on disguised ads and native advertising that masquerade content to seem like news or information rather than paid advertisements.
This document discusses how new technologies have increased the power of information over time. It begins with the first newspapers in the 1600s and discusses how the invention of photography in the 1800s allowed newspapers to provide undisputed proof of events. The development of radio in the 1920s allowed people to remotely listen to live events. Television and film in the mid-1900s added a visual dimension to reporting. The moon landing in 1969 was a seminal event watched live on TV worldwide. More recently, smartphones and social media have enabled real-time sharing of news, photos and videos, changing politics and amplifying the spread of misinformation. Social media also expects photographic proof from its users.
15 tips for taking smartphone photos for social mediaProfessor Bauer
ย
The document provides 15 tips for taking better smartphone photos for social media. Some key tips include following the rule of thirds when composing photos, using leading lines and finding interesting perspectives by shooting from above or below eye level. Photographers should also simplify backgrounds, use natural lighting when possible, and experiment with different techniques like filling the frame or capturing candid moments. Overall, the tips encourage taking advantage of composition techniques and lighting conditions to create more engaging photos for sharing on social media.
This document provides tips for designing graphics for social media. It recommends keeping designs simple with minimal text and using negative space. Elements should be balanced using contrasting colors, fonts, and graphics. The rule of thirds suggests placing the subject along the horizontal and vertical grid lines or at their intersections. Visual hierarchy uses size and color to show importance. Serif fonts contain extra marks and sans serif fonts are best for social media. Color choices should harmonize and high contrast between text and background aids readability. Complimentary colors make each other brighter while analogous colors create harmony. Warm colors excite and cool colors calm.
To create a post in WordPress, click the "Write" button to open the post editor. Enter a clear title and write the post using blocks like paragraphs, headings, images and lists. Options are available to format blocks, insert hyperlinks, photos and alt text. Assign categories and tags before publishing the post live on the site.
This document provides tips for securing your Facebook account in 8 steps:
1. Check your privacy settings and limit who can see your past and future posts.
2. Review your timeline and tagging preferences to control who can post to your timeline and tag you.
3. Check your public posts settings to ensure only what you want is publicly visible.
4. Block users as needed from seeing your profile or sending you requests.
5. Consider who can share your stories on Facebook.
6. Keep your location private.
7. Check where you're logged in and remotely close sessions for security.
8. Opt out of having your interests used in Facebook ads.
The document discusses different types of camera shots defined by how much of the subject or scene is included in the frame. Shots range from close-ups of just the face to long shots or extreme long shots that show the full body or more of the surrounding environment. It also covers different camera angles like eye-level, high-angle, and low-angle shots. Compositions can combine shots, like an establishing long shot followed by a close-up, or use techniques like over-the-shoulder shots or rule of thirds placement of the subject.
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the bodyโs response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
Level 3 NCEA - NZ: A Nation In the Making 1872 - 1900 SML.pptHenry Hollis
ย
The History of NZ 1870-1900.
Making of a Nation.
From the NZ Wars to Liberals,
Richard Seddon, George Grey,
Social Laboratory, New Zealand,
Confiscations, Kotahitanga, Kingitanga, Parliament, Suffrage, Repudiation, Economic Change, Agriculture, Gold Mining, Timber, Flax, Sheep, Dairying,
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
ย
(๐๐๐ ๐๐๐) (๐๐๐ฌ๐ฌ๐จ๐ง ๐)-๐๐ซ๐๐ฅ๐ข๐ฆ๐ฌ
๐๐ข๐ฌ๐๐ฎ๐ฌ๐ฌ ๐ญ๐ก๐ ๐๐๐ ๐๐ฎ๐ซ๐ซ๐ข๐๐ฎ๐ฅ๐ฎ๐ฆ ๐ข๐ง ๐ญ๐ก๐ ๐๐ก๐ข๐ฅ๐ข๐ฉ๐ฉ๐ข๐ง๐๐ฌ:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
๐๐ฑ๐ฉ๐ฅ๐๐ข๐ง ๐ญ๐ก๐ ๐๐๐ญ๐ฎ๐ซ๐ ๐๐ง๐ ๐๐๐จ๐ฉ๐ ๐จ๐ ๐๐ง ๐๐ง๐ญ๐ซ๐๐ฉ๐ซ๐๐ง๐๐ฎ๐ซ:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
This presentation was provided by Rebecca Benner, Ph.D., of the American Society of Anesthesiologists, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
Gender and Mental Health - Counselling and Family Therapy Applications and In...PsychoTech Services
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A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
ย
Ivรกn Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
How Barcodes Can Be Leveraged Within Odoo 17Celine George
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In this presentation, we will explore how barcodes can be leveraged within Odoo 17 to streamline our manufacturing processes. We will cover the configuration steps, how to utilize barcodes in different manufacturing scenarios, and the overall benefits of implementing this technology.
1. โPhotography takes an instant out of
time, altering life by holding it still.โ
- Dorothea Lange
Capturing Motion in Still
Photography
2. Eadweard Muybridge
April 9, 1830 โ May 8, 1904
Harold Edgerton
April 6, 1903 โ January 4, 1990
Pioneers of Capturing Motion
3. Early experiments with
photography, time, and motion
Eadweard Muybridge
experimented with
photography and time,
producing famous
studies of human and
animal motion.
His work conclusively
proved that when
horses gallop, all four
hooves leave the
ground.
4. Early experiments with
photography, time, and motion
How did he do it?
Originally, Muybridge
lined up a series of
cameras next to each
other.
As the horse galloped
past, it would trigger
strings stretched
across the track and
connected to each
individual camera.
5.
6. Early experiments with
photography, time, and motion
Eventually he perfected
this process and
created a camera with
multiple lenses and
plates. He would use
several of these
cameras, all controlled
by a single mechanism.
8. The Zoopraxiscope
The images were
painted on glass disks,
which were then spun
and projected.
This early work in
photography and the
capturing of motion led
to other forms of
rudimentary animation.
9. Kineograph/Flip Books
Created by John
Barnes Linnett (1868)
A series of drawings in
a book that appeared
to move when the
pages were quickly
flipped.
These inventions all led
to the development of
motion pictures.
10. Capturing What the Eye Cannot
See
Harold Edgerton
wanted to push
Muybridgeโs work to a
new level.
Many of Edgerton's
photographs show a
split second not
viewable by the naked
eye.
11.
12.
13. Edgerton and Strobe Photography
Photography has the
capability of capturing a
small fraction of time,
but it also has the
ability to show the
passage of time in one
photograph.
Unlike Muybridge's
work, this photograph
shows motion in one
frame, rather than
through a series of
photographs.
17. โBullet Timeโ
Photography and Motion Pictures
Muybridge & Edgerton
Today
The makerโs of The
Matrix set up hundreds
of still cameras and
pieced the images
together to make a
moving image.
Unlike Muybridgeโs,
these cameras were
activated electronically
by computer.
19. โA still photograph is called a still photograph because
the picture doesnโt move, not because the objects in the
picture are not in motion. The photographer's mission,
should he decide to accept it, is to capture motion with
stillness.โ - Vincent Versace
How to Capture Motion in
Still Photographs
20. Shutter Speed
โ There are two things to remember:
โ The faster the shutter speed, the sharper the focus on
your subject.
โ A shutter speed slower than 1/60th of a second will blur a
moving object.
21. Freezing a Moment in Time
Use a fast shutter
speed (1/500th of a
second or less)
As you increase
shutter speed, you will
need to let more light
into the camera by
either opening the
aperture or increasing
the ISO.
Ideal conditions for this
type of photo are very
bright.
22. Blurred Subject With the
Background in Focus
To capture this picture,
you would place the
camera on the tripod
and take a picture with
long exposure.
(In other words, a slow
shutter speed - usually
more than one
second.)
23. Blurred Background With the
Subject/Foreground in Focus
Again, place the
camera on the tripod
and take a picture with
long exposure.
If your subject is a
person, make sure they
stay completely still
while you take the
picture.
24. Capturing Fireworks
Use a tripod.
Set your ISO to 50-200.
Close your aperture to
f8-f16.
Set your shutter speed
at 2-6 seconds.
Adjust the exposure
triangle until you get the
shot you want.
25. Panning With the Subject
This kind of photo also
uses a slow shutter
speed, but you pan the
camera with the
moving object so it
stays in focus, while
the background
appears blurred.
http://www.digitalcameraworld.com/2014/04/02/street-photography-projects-every-first-timer-should-try/5/
26. Digitally Merging Photographs
(modern-day Edgerton strobe photography)
You can take a series
of photographs and
digitally merge them
using Adobe
Photoshop, or other
photo-editing software.
To take this kind of a
picture, shoot with a
fast shutter speed, and
use a tripod so that the
background in each
picture is the same.
http://12kadrov.com/fotonastroenie/seriya-v-odnom-kadre/