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David L. Burrows &   Eleanor Stubley A  Group C   review…
David L. Burrows Book:   Sound, Speech, and Music ,[object Object],[object Object]
HUMAN BODY is “center” EVERYTHING ELSE is “periphery” EVERYTHING ELSE is “periphery” EVERYTHING ELSE is “periphery” EVERYTHING ELSE is “periphery”
Experiential fields of  CENTER/PERIPHERY   scheme ,[object Object],[object Object],[object Object]
In other words…. Field 1  – the view from here… Field 2   – the view from anywhere you can  imagine … Field 3   – The view from everywhere…
SOUND ,[object Object],[object Object],But why  sound   and not  sight ?
Sight…   vs … Sound ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Sound is more intimate ,[object Object],[object Object],[object Object]
Sound is more unifying ,[object Object],[object Object]
Sound is more human ,[object Object]
VOICE ,[object Object],[object Object],Anybody  HEAR   themselves  SPEAK   lately?
Why do people enjoy humming? ,[object Object],[object Object]
Innocence LOST ,[object Object],[object Object],[object Object]
THE  PROBLEM  WITH  PHILOSOPHICAL DESCRIPTION “ Verbal accounts — the stuff of philosophy — endeavor to explore both music's acoustic and experiential dimensions, yet encounter an immense gap when they encounter  music's dynamic, processual character .  Music… is like  "an ongoing experiment in pushing change as far as it can coherently be taken":  a fact that invariably frustrates the human need to fix and locate things.”
Innocence FOUND! ,[object Object],[object Object]
Eleanor Stubley ,[object Object],[object Object]
BODY ,[object Object],VOICE ,[object Object]
At the  HEART   of music… ,[object Object]
BODY and MUSIC inform each other in the act of music-making ,[object Object],[object Object],[object Object]
Stubley emphasizes the importance of personal experience and argues for our BODIES as a central element in musical experience… … is there a term for this approach?
“ PHENOMOLOGY” ,[object Object],[object Object],[object Object],[object Object]
[object Object],NOTE:
“ PHENOMOLOGY” ,[object Object],[object Object]
MARK JOHNSON: A phenomological philosopher    ,[object Object],[object Object]
A stinging critique of the OBJECTIVIST approach ,[object Object]
[object Object],[object Object],So where does the BODY fit in?
SENSE vs. REASON ,[object Object]
The importance of “PHENOMOLOGY” ,[object Object],[object Object]
THE END “ David L. Burrows &  Eleanor Stubley” A  Group C   review… Thanks for viewing…
 

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Burrows & Stubley

  • 1. David L. Burrows & Eleanor Stubley A Group C review…
  • 2.
  • 3. HUMAN BODY is “center” EVERYTHING ELSE is “periphery” EVERYTHING ELSE is “periphery” EVERYTHING ELSE is “periphery” EVERYTHING ELSE is “periphery”
  • 4.
  • 5. In other words…. Field 1 – the view from here… Field 2 – the view from anywhere you can imagine … Field 3 – The view from everywhere…
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14. THE PROBLEM WITH PHILOSOPHICAL DESCRIPTION “ Verbal accounts — the stuff of philosophy — endeavor to explore both music's acoustic and experiential dimensions, yet encounter an immense gap when they encounter music's dynamic, processual character . Music… is like "an ongoing experiment in pushing change as far as it can coherently be taken": a fact that invariably frustrates the human need to fix and locate things.”
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20. Stubley emphasizes the importance of personal experience and argues for our BODIES as a central element in musical experience… … is there a term for this approach?
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29. THE END “ David L. Burrows & Eleanor Stubley” A Group C review… Thanks for viewing…
  • 30.