The document discusses Joseph Beuys' vision of social sculpture where every person becomes an artist and sculptor that helps shape society. Beuys believed that only through radically redefining art to dismantle repressive social systems could art become the evolutionary power needed to build a new social organism. This would fulfill the goals of participation emphasized by movements like Fluxus and Happenings. Art would thus be used as a tool to build community and social change through collaboration.