This document provides branding guidelines for a music artist. It includes sections on positioning the artist's image, biography, awards, fan demographics, strategic decision making, comparing the artist's image to a brand, describing the tone of communication and artist's interests. It also includes lists of songs, albums, video clips and visual assets as well as brand colors, fonts and formatting guidelines for digital media. The purpose is to establish a consistent brand identity and strategy for marketing the artist.
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Bands & Brands: A Guide to Experiential Activations at Music FestivalsPBJS
Music festivals are a great opportunity not just for bands, but for brands to reach new audiences. So how do companies avoid getting lost in the crowd?
In our guide to experiential activations at music festivals, we cover the current landscape and our five keys to making a lasting impression at fests large and small, along with shout-outs to companies who've crushed it at events like Lollapalooza, Coachella, Outside Lands and SXSW.
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A Market Analysis Report for Atlantic RecordsNeyaLashae1
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Bands & Brands: A Guide to Experiential Activations at Music FestivalsPBJS
Music festivals are a great opportunity not just for bands, but for brands to reach new audiences. So how do companies avoid getting lost in the crowd?
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In 2017, the global recorded music market grew by 8.1%. This was the third consecu- tive year of global growth and one of the highest rates of growth since IFPI began tracking the market in 1997. Revenues increased in most markets and in eight of the global top 10 markets.
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How does one license their music? There are seemingly endless options these days! You can sign with a music provider like a music library, publishing company or record label. You might have an agent who pitches your music to TV, film or marketers on your behalf. You might even be savvy enough to shop your music on your own. This industry pressures artists to feel the need to be “represented”; that it’s necessary. Regardless, the prevailing trend in artists’ approach to earning compensation and exposure for their work is that of a DIY mindset.
In this panel, we will explore the fundamental steps of the complete music licensing process. We will examine the differing approaches to licensing music and lead you on a detailed journey, from when and why the music is created to how it’s placed in a TV show, film or commercial. We’ll discuss different pitching methodologies and how to foster and maintain relationships with industry professionals. This panel serves to examine the whole licensing process through the lenses of the music creators, purveyors and the industry’s top professionals.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
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Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
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1. BRANDBOOK
OF MUSIC ARTIST
MARKETING GUIDE FOR EFFECTIVE MANAGEMENT
& MUSICIANS’ IMAGE FORMATION
RUCOMRUSSIAN COMMUNICATION HOLDING
Photo: billboard.com
2. MARKETING GUIDE
FOR EFFECTIVE MANAGEMENT &
MUSICIANS’ IMAGE FORMATION
V 1.0 / MONTH YEAR
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
3. INTRO
This document is a detailed description of philosophy, mission and
other basic constants for music artist.
It includes thoroughly researched information about ways of
musician's image creation and their efficient implementation to life.
It’s a solid intangible asset for building strong emotional connections
– the pure base for artist’s marketing strategy development.
It makes no doubt that accurate, strict and systematic following of
these standards will help to generate high loyalty level for artist’s
personal brand from the audience.
CONTENT
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
4. Try to describe the world of a musician. For example:
o very sensitive, romantic but with irony hints;
o enjoys his colorful life and wants his audience to feel the same via his songs;
o personally believes that his work is so multifaceted to inspire people for joy
or grief, loneliness or cheerful hangouts with friends etc.;
o easy perception of everything is his absolute religion;
o relaxed lifestyle, says NO – to conflicts, YES – to a huge share of humor in
every day's routine.
BRIEFLY ABOUT THE WORLD OF A MUSIC ARTIST…
INTRO
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
5. 1.0 POSITIONING
1.1 MANIFESTO TO THE WORLD
1.2 BIOGRAPHY
1.3 AWARDS
1.4 FANS MAP AROUND THE WORLD
1.5 STRATEGIC DECISION-MAKING MATRIX
1.6 IN A UNIVERSE OF BRANDS…
1.7 FAN’S PORTRAIT
1.8 TONE AND MANNER OF COMMUNICATION
1.9 INTERESTS
PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
HTTP://WWW.SINGER.COMCopyright and Legal MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COM
6. This musician is a bright representative of Indie-pop-rock.
Live instruments, elegant sounds without any noise and aggression.
All tracks are full of deep dream poetry which positively inspires people.
1.0 POSITIONING / 1.9
PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
7. For example:
«Musician’s image says «No» to social laws and regulations.
Everything in this world goes its way. Everybody has its own role.
There is always a place for good and evil, sweet and bitter, day and night.
Patience is a virtue. You should not fight the world – more important is
to think how you live and what you bring there.
I create bright emotional music which can touch your soul and can
inspire even people in grief.
1.1 MANIFESTO / 1.9
PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
8. Musician is the author and producer of all his compositions.
Was born in X month XXXX year in town N.
In XXXX he relocated to another town;
In XXXX he returns back and starts a new group "X" in Indie style;
In XXXX he disbands "X" and goes solo;
In XXXX he starts a new music project AA with his former colleague Y in X group;
In XXXX - release of the first album of AA;
In XXXX Y leaves AA group for art career.
1.2 BIOGRAPHY / 1.9
PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
9. Description of musician’s biography:
1.2 BIOGRAPHY / 1.9
PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
10. 1. Award #1 - MTV
2. Award #2 - BILLBOARD
3. Award #3 - MUSIC BOX
4. Award #4 - МУЗТВ
5. Award #5 – The Voice
6. Award #6 - X
7. Award #7 - Y
8. Award #8 - Z
9. Award #9 - N
10. Award #10 - P
Worked with:
• Producer Name Family
• Artist
• Artist
• Artist
• Artist
• Artist
• Artist
1.3 AWARDS / 1.9
PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
11. PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
1.4 FANS MAP/ 1.9
1. Russian Federation 9. Spain
2. Germany 10. France
3. United States 11. England
4. United Kingdom 12. Ireland
5. Thailand 13. Canada
6. Mongolia 14. Israel
7. Mexico 15. Latvia
8. Holy See (Vatican City State)
TO GET A CARD, PLEASE LINK SOCIAL ACCOUNTS OF
MUSICIAN TO THE SYSTEM: HTTP://NEXTBIGSOUND.COM
12. PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
1.5 STRATEGIC DECISION-MAKING MATRIX / 1.9
What complements
the existing image?
Does it strengthen
the existing image?
Does it dominate in
existing image?
Fame
Visual perception
Quality of perception
Distribution
13. 1.5 / STRATEGIC DECISION-MAKING MATRIX / 1.9
Does it complement
the existing image?
Does it strengthen
the existing image?
Does it dominate in
existing image?
Fame
Yes. Growth of artist’s brand
awareness due to Y fans
activities
Yes. Synergy of both artists’
images positively influences
on their music
performances.
Yes. The main thing is
support of desirable image
of two musicians.
Visual perception
Quality of perception
Distribution
EXAMPLE OF FILLING IN THE FORM ON REQUEST:
«COMMON TRACK WITH ARTIST Y»
PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
14. 1.5 / STRATEGIC DECISION-MAKING MATRIX / 1.9
Does it complement
the existing image?
Does it strengthen
the existing image?
Are there any
elements of teasing,
humor or self-irony?
Fame
Visual perception
Yes – like a healthy life style
image support
Yes, by presence of mineral
water we’ll support HLS
image
Yes, if we not only
demonstrate a Product but
also build a communication
with an artist’s image.
Quality of perception
Distribution
EXAMPLE OF FILLING IN THE FORM ON REQUEST:
«PARTICIPATION IN «NESTLE PURE LIFE» AD?
PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
15. 1.6 IN A UNIVERSE OF BRANDS…/ 1.9
COMPARE YOUR ARTIST’S IMAGE TO A BRAND
PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
16. PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
Smart, self-sufficient women of
18-35.
Prioritize work over marriage.
Focused on self-development, they
have their own opinion and beliefs.
In men they appreciate sense of
humor and independence.
1.7 FAN’S PORTRAIT / 1.9
DESCRIBE YOUR ARTIST’S FAN
17. Relaxed communication style but at the same time bright with a hint of sarcasm.
Minimal seriousness.
Manner to turn everything into a joke.
Self-irony.
1.8 TONE AND MANNER OF COMMUNICATION / 1.9
PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
18. Fond of psychology and philosophy. Engaged in self-development.
Likes nature, fitness, chess. Chess means to him also a way of
solving his internal problems, not just a game.
1.9 INTERESTS / 1.9
PART 1.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
19. 2.0 LIST OF SONGS AND ALBUMS
2.1 VIDEO CLIPS
2.2 VISUAL TYPES
2.3 PHOTOS OF DESIRED IMAGE
2.4 BRAND COLORS, FONTS, MODULAR GRID
2.5 BRANDING OF DIGITAL MEDIA
PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
HTTP://WWW.SINGER.COMCopyright and Legal MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COM
20. 2.0 LIST OF SONGS AND ALBUMS / 2.4
Album:
Name (YEAR)
Name (YEAR)
Name (YEAR)
Solo albums:
Name (YEAR)
1 - Song
2 - Song
3 - Song
4 - Song
5 - Song
6 - Song
7 - Song
8 - Song
9 - Song
10 - Song
11 - Song
12 - Song
13 - Song
14 - Song
Group singles:
1. Name (YEAR)
2. Name (YEAR)
3. Name (YEAR)
4. Name (YEAR)
Single:
1. Name (YEAR)
2. Name (YEAR)
Singles by the name of Y:
1. Name (YEAR)
2. Name (YEAR)
3. Name (YEAR)
4. Name (YEAR)
5. Name (YEAR)
6. Name (YEAR)
7. Name (YEAR)
8. Name (YEAR)
PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
21. 2.1 VIDEO CLIPS / 2.4
NAME (YEAR)
(Producer X)
(link at youtube.com)
NAME (YEAR)
(Producer X)
(link at youtube.com)
NAME (YEAR)
(Producer X)
(link at youtube.com)
NAME (YEAR)
(Producer X)
(link at youtube.com)
NAME (YEAR)
(Producer X)
(link at youtube.com)
NAME (YEAR)
(Producer X)
(link at youtube.com)
NAME (YEAR)
(Producer X)
(link at youtube.com)
NAME (YEAR)
(Producer X)
(link at youtube.com)
PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
22. 2.2 PHOTOS OF DESIRED IMAGE / 2.4
+
PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
23. PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
2.2 VISUAL TYPES / 2.4
24. PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
2.3 BRAND COLORS, FONTS, MODULAR GRID / 2.4
С: 85 M: 67 Y: 43 K: 29 С: 4 M: 3 Y: 3 K: 0С: 0 M: 0 Y: 0 K: 3
HELVETICA
MAIN:
А а Б б В в Г г Д д Е е Ё ё Ж ж З з И
и Й й К к Л л М м Н н О о П п Р р С с
Т т У у Ф ф Х х Ц ц Ч ч Ш ш Щ щ Ъ ъ
Ы ы Ь ь Э э Ю ю Я я
HELVETICA CE 35 THIN
SECONDARY:
А а Б б В в Г г Д д Е е Ё ё Ж ж З з И и Й й К к Л л
М м Н н О о П п Р р С с Т т У у Ф ф Х х Ц ц Ч ч Ш
ш Щ щ Ъ ъ Ы ы Ь ь Э э Ю ю Я я
PANTONE 108 C
MAIN COLORS: EMPHASIS COLOR::
25. PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
2.3 BRAND COLORS, FONTS, MODULAR GRID / 2.4
VERTICAL
MODULAR
GRID
HORIZONTAL
MODULAR
GRID
26. PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
2.3 BRAND COLORS, FONTS, MODULAR GRID / 2.4
BACKUP PICTURE SHOULD BE TONED
BY BRAND COLOR APPROXIMATELY ON
20% - 30%.
NAME OF THE ARTIST SHOULD ALWAYS
BE PLACED HIGH
AND COVER 90% OF THE WHOLE AREA
EMPHASIS COLOR IS USED FOR
ACCENT ON THE MAIN INFO
27. 2.3 BRAND COLORS, FONTS, MODULAR GRID / 2.4
PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
28. 2.3 BRAND COLORS, FONTS, MODULAR GRID / 2.4
PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
29. 2.4 BRANDING OF DIGITAL MEDIA / 2.4
PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
30. PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
2.4 BRANDING OF DIGITAL MEDIA / 2.4
31. PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
2.4 BRANDING OF DIGITAL MEDIA/ 2.4
32. 2.4 BRANDING OF DIGITAL MEDIA / 2.4
PART 2.
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
MANAGEMENT: NAME SURNAME mob: +X (XXX) XX-XXXX | e-mail: MANAGER@SINGER.COMHTTP://WWW.SINGER.COMCopyright and Legal
33. CONCERTS ORGANIZATION
IN RUSSIA & CIS
NAME SURNAME
TEL: +7 (XXX) XXX XX XX
E-MAIL: XX@SINGER.COM
INTERNATIONAL CONCERTS
ORGANIZATION
NAME SURNAME
TEL: +7 (XXX) XXX XX XX
E-MAIL: ZZ@SINGER.COM
MANAGEMENT
NAME SURNAME
TEL: +7 (XXX) XXX XX XX
E-MAIL: YY@SINGER.COM
WELCOME TO NEW PARTNERSHIP:
FACEBOOK | INSTAGRAM | YOUTUBE | SOUNDCLOUD |
LASTFM | RDIO | TWITTER | VIMEO
CONTACT US
MUSIC ARTIST’S NAME BRANDBOOK OF MUSIC ARTIST
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