SlideShare a Scribd company logo
Borderlands/La frontera
The New Mestiza (1987)
by Gloria Anzaldúa
Borderlands/La frontera
Which are the borderlands this
book deals with?
“The Homeland, Aztlán”
1,950 mile-long open wound (2)
This is my home
this thin edge of
barbwire. (3)
“The Homeland, Aztlán”
This land was Mexican once,
was Indian always
and is.
And will be again. (3)
“The Homeland, Aztlán”
“El otro México” por Los Tigres del Norte
http://www.youtube.com/watch?v=_x0N6Ki58Jg
“The Homeland, Aztlán”
“El destierro/The Lost Land”
 The History of the Southwest:
 Anglo migration into Texas in the 1800s
 The Battle of the Alamo
 The Republic of Texas (1836)
 The Mexican-American war
 The Treaty of Guadalupe-Hidalgo (1848)
“The Homeland, Aztlán”
“The Gringo, locked into the fiction of
white superiority, seized complete
political power, stripping Indians and
Mexicans of their land while their feet
were still rooted in it.” (7)
“My grandmother lost all her cattle,
they stole her land.” (8)
“The Homeland, Aztlán”
“El cruzar del mojado/Illegal crossing”
“Today we are witnessing la migración de los
pueblos mexicanos, the return odyssey to the
historical/mythological Aztlán.” (11)
http://www.borderfilmproject.com/en/
“Movimientos de rebeldía y las
culturas que traicionan”
What is Gloria Anzaldúa’s
rebellion against?
“Movimientos de rebeldía y las
culturas que traicionan”
The choice for women of color is to “feel
victim where someone else is in control
and therefore responsible and to blame
[…], or to feel strong, and, for the most
part, in control” (21).
“Movimientos de rebeldía y las
culturas que traicionan”
“Not me sold out my people but they me.
(21, 22)”.
“How to Tame a Wild Tongue”
Which connections does Anzaldúa
establish between language,
identity and oppression?
“How to Tame a Wild Tongue”
“Racially, culturally and linguistically
somos huérfanos—we speak an
orphan tongue.” (58)
“How to Tame a Wild Tongue”
The languages of the Mexican-
American border:
 Standard English
 Working class and slang English
 Standard Spanish
 Standard Mexican Spanish
 North Mexican Spanish dialect
 Chicano Spanish
 Tex-Mex
 Pachuco
“How to Tame a Wild Tongue”
What is the impact of popular
culture and literature on identity?
http://www.youtube.com/watch?v=Zg9MOB71tWY
“La conciencia de la
mestiza/Towards a New
Consciousness”
 How is “mestizaje” defined?
 What is the path and the challenge for
the new mestiza?
 Which images are used by Anzaldúa to
describe the new mestiza?
 What is her explanation of Mexican
machismo?

More Related Content

What's hot

This Land Was Mexican Once
This Land Was Mexican OnceThis Land Was Mexican Once
This Land Was Mexican Once
Enrique Allen
 
American Dream Quotes
American Dream QuotesAmerican Dream Quotes
American Dream Quotes
Gary Heisserer
 
Race, settler colonialism and Indigenous resistance
Race, settler colonialism and Indigenous resistanceRace, settler colonialism and Indigenous resistance
Race, settler colonialism and Indigenous resistance
Alana Lentin
 
Harvest of Empire Essay
Harvest of Empire EssayHarvest of Empire Essay
Harvest of Empire Essay
Jaime Johnston
 
The US Spanish Language Telenovela as a Globalized Genre
The US Spanish Language Telenovela as a Globalized GenreThe US Spanish Language Telenovela as a Globalized Genre
The US Spanish Language Telenovela as a Globalized Genre
Juan Ramos
 
Freedom.
Freedom.Freedom.
Freedom.
Tomás Servide
 
The Slavery in the USA
The Slavery in the USAThe Slavery in the USA
The Slavery in the USA
Luisa María Taravilla Carrascosa
 

What's hot (7)

This Land Was Mexican Once
This Land Was Mexican OnceThis Land Was Mexican Once
This Land Was Mexican Once
 
American Dream Quotes
American Dream QuotesAmerican Dream Quotes
American Dream Quotes
 
Race, settler colonialism and Indigenous resistance
Race, settler colonialism and Indigenous resistanceRace, settler colonialism and Indigenous resistance
Race, settler colonialism and Indigenous resistance
 
Harvest of Empire Essay
Harvest of Empire EssayHarvest of Empire Essay
Harvest of Empire Essay
 
The US Spanish Language Telenovela as a Globalized Genre
The US Spanish Language Telenovela as a Globalized GenreThe US Spanish Language Telenovela as a Globalized Genre
The US Spanish Language Telenovela as a Globalized Genre
 
Freedom.
Freedom.Freedom.
Freedom.
 
The Slavery in the USA
The Slavery in the USAThe Slavery in the USA
The Slavery in the USA
 

Viewers also liked

Gloria anzaldua borderlands-la frontera
Gloria anzaldua   borderlands-la fronteraGloria anzaldua   borderlands-la frontera
Gloria anzaldua borderlands-la frontera
Fabiana Carvalho
 
El sonovabitche
El sonovabitche El sonovabitche
El sonovabitche
jordanlachance
 
Learning and living pedagogies of the home
Learning and living pedagogies of the homeLearning and living pedagogies of the home
Learning and living pedagogies of the home
Thanh Nguyen
 
Drown 4
Drown 4Drown 4
Drown 4
vgrinb
 
Poverty, injustice and the ecological crisis
Poverty, injustice and the ecological crisisPoverty, injustice and the ecological crisis
Poverty, injustice and the ecological crisis
vgrinb
 
Gender roles in Junot Díaz' Drown
Gender roles in Junot Díaz' DrownGender roles in Junot Díaz' Drown
Gender roles in Junot Díaz' Drown
vgrinb
 
Drown - Part III: Masculinity
Drown - Part III: Masculinity Drown - Part III: Masculinity
Drown - Part III: Masculinity
vgrinb
 
I am joaquín
I am joaquínI am joaquín
I am joaquín
vgrinb
 
Tradition & transformation in la music amd salsa
Tradition & transformation in la music amd salsaTradition & transformation in la music amd salsa
Tradition & transformation in la music amd salsa
vgrinb
 
The American Dream revisited in Drown
The American Dream revisited in DrownThe American Dream revisited in Drown
The American Dream revisited in Drown
vgrinb
 
Drown - Part 1
Drown - Part 1Drown - Part 1
Drown - Part 1
vgrinb
 
Popular Culture in Latin America
Popular Culture in Latin AmericaPopular Culture in Latin America
Popular Culture in Latin America
vgrinb
 
Jose muñoz
Jose muñozJose muñoz
Jose muñoz
Angelica Daza
 
Exploring perspectives in poetry and songs - Year 7
Exploring perspectives in poetry and songs - Year 7 Exploring perspectives in poetry and songs - Year 7
Exploring perspectives in poetry and songs - Year 7
jmkearney123
 
Tocopilla Norte: imágenes y memoria
Tocopilla Norte: imágenes y memoria Tocopilla Norte: imágenes y memoria
Tocopilla Norte: imágenes y memoria
Damir Galaz-Mandakovic
 
Lecture about "The General in his Labyrinth"
Lecture about "The General in his Labyrinth"Lecture about "The General in his Labyrinth"
Lecture about "The General in his Labyrinth"
vgrinb
 
ประเภทของกฏหมาย
ประเภทของกฏหมายประเภทของกฏหมาย
ประเภทของกฏหมาย
nongnoon
 
Ask these 5 awesome questions to win sales
Ask these 5 awesome questions to win salesAsk these 5 awesome questions to win sales
Ask these 5 awesome questions to win sales
KUMAR LANG
 
Roots of independence
Roots of independenceRoots of independence
Roots of independence
vgrinb
 

Viewers also liked (20)

Gloria anzaldua borderlands-la frontera
Gloria anzaldua   borderlands-la fronteraGloria anzaldua   borderlands-la frontera
Gloria anzaldua borderlands-la frontera
 
El sonovabitche
El sonovabitche El sonovabitche
El sonovabitche
 
Learning and living pedagogies of the home
Learning and living pedagogies of the homeLearning and living pedagogies of the home
Learning and living pedagogies of the home
 
Drown 4
Drown 4Drown 4
Drown 4
 
Poverty, injustice and the ecological crisis
Poverty, injustice and the ecological crisisPoverty, injustice and the ecological crisis
Poverty, injustice and the ecological crisis
 
Gender roles in Junot Díaz' Drown
Gender roles in Junot Díaz' DrownGender roles in Junot Díaz' Drown
Gender roles in Junot Díaz' Drown
 
Drown - Part III: Masculinity
Drown - Part III: Masculinity Drown - Part III: Masculinity
Drown - Part III: Masculinity
 
I am joaquín
I am joaquínI am joaquín
I am joaquín
 
Tradition & transformation in la music amd salsa
Tradition & transformation in la music amd salsaTradition & transformation in la music amd salsa
Tradition & transformation in la music amd salsa
 
The American Dream revisited in Drown
The American Dream revisited in DrownThe American Dream revisited in Drown
The American Dream revisited in Drown
 
Drown - Part 1
Drown - Part 1Drown - Part 1
Drown - Part 1
 
Popular Culture in Latin America
Popular Culture in Latin AmericaPopular Culture in Latin America
Popular Culture in Latin America
 
Jose muñoz
Jose muñozJose muñoz
Jose muñoz
 
Exploring perspectives in poetry and songs - Year 7
Exploring perspectives in poetry and songs - Year 7 Exploring perspectives in poetry and songs - Year 7
Exploring perspectives in poetry and songs - Year 7
 
Tocopilla Norte: imágenes y memoria
Tocopilla Norte: imágenes y memoria Tocopilla Norte: imágenes y memoria
Tocopilla Norte: imágenes y memoria
 
Lecture about "The General in his Labyrinth"
Lecture about "The General in his Labyrinth"Lecture about "The General in his Labyrinth"
Lecture about "The General in his Labyrinth"
 
ประเภทของกฏหมาย
ประเภทของกฏหมายประเภทของกฏหมาย
ประเภทของกฏหมาย
 
บทที่ ๔ (จริง)
บทที่ ๔ (จริง)บทที่ ๔ (จริง)
บทที่ ๔ (จริง)
 
Ask these 5 awesome questions to win sales
Ask these 5 awesome questions to win salesAsk these 5 awesome questions to win sales
Ask these 5 awesome questions to win sales
 
Roots of independence
Roots of independenceRoots of independence
Roots of independence
 

Similar to Borderlands/La Frontera

The Lipan Apache's Final Battle
The Lipan Apache's Final BattleThe Lipan Apache's Final Battle
The Lipan Apache's Final Battle
BernardoLopez820
 
August 22
August 22August 22
August 22
Frank Schiro
 
LatinX Literature
LatinX LiteratureLatinX Literature
LatinX Literature
judyhubbard
 
Elit 48 c class 19 post qhq 2016 revised version
Elit 48 c class 19 post qhq 2016 revised versionElit 48 c class 19 post qhq 2016 revised version
Elit 48 c class 19 post qhq 2016 revised version
jordanlachance
 
Elit 48 c class 19 post qhq 2015 version
Elit 48 c class 19 post qhq 2015 versionElit 48 c class 19 post qhq 2015 version
Elit 48 c class 19 post qhq 2015 version
jordanlachance
 
Latinas in literature
Latinas in literature Latinas in literature
Latinas in literature
judyhubbard
 
WST . Chapter # 3.rtfdTXT.rtf‪The Gendering of Human Rights‬.docx
WST . Chapter # 3.rtfdTXT.rtf‪The Gendering of Human Rights‬.docxWST . Chapter # 3.rtfdTXT.rtf‪The Gendering of Human Rights‬.docx
WST . Chapter # 3.rtfdTXT.rtf‪The Gendering of Human Rights‬.docx
odiliagilby
 
final
finalfinal
Racism In Wide Sargasso Sea
Racism In Wide Sargasso SeaRacism In Wide Sargasso Sea
Racism In Wide Sargasso Sea
NidhiDave30
 
The system today
The system todayThe system today
The system today
robert_tamang
 
Mexico
MexicoMexico
Elit 48 c class 36
Elit 48 c class 36Elit 48 c class 36
Elit 48 c class 36
jordanlachance
 
Understanding Indigenous Literature in the United States
Understanding Indigenous Literature in the United StatesUnderstanding Indigenous Literature in the United States
Understanding Indigenous Literature in the United States
hanchaisson
 
Elit 48 c class 36 post qhq
Elit 48 c class 36 post qhqElit 48 c class 36 post qhq
Elit 48 c class 36 post qhq
jordanlachance
 
Final voices of immigration in usa
Final voices of immigration in  usaFinal voices of immigration in  usa
Final voices of immigration in usa
Sole Loutayf
 
Final voices of immigration in usa
Final voices of immigration in  usaFinal voices of immigration in  usa
Final voices of immigration in usa
Sole Loutayf
 
Bordering
BorderingBordering
Bordering
carillo16
 
Afrolatinos
AfrolatinosAfrolatinos
Afrolatinos
Margaret Wright
 
Post Colonial study of "The reluctant fundamentalist"
Post Colonial study of "The reluctant fundamentalist"Post Colonial study of "The reluctant fundamentalist"
Post Colonial study of "The reluctant fundamentalist"
Muhammad Azam Sarwar
 

Similar to Borderlands/La Frontera (19)

The Lipan Apache's Final Battle
The Lipan Apache's Final BattleThe Lipan Apache's Final Battle
The Lipan Apache's Final Battle
 
August 22
August 22August 22
August 22
 
LatinX Literature
LatinX LiteratureLatinX Literature
LatinX Literature
 
Elit 48 c class 19 post qhq 2016 revised version
Elit 48 c class 19 post qhq 2016 revised versionElit 48 c class 19 post qhq 2016 revised version
Elit 48 c class 19 post qhq 2016 revised version
 
Elit 48 c class 19 post qhq 2015 version
Elit 48 c class 19 post qhq 2015 versionElit 48 c class 19 post qhq 2015 version
Elit 48 c class 19 post qhq 2015 version
 
Latinas in literature
Latinas in literature Latinas in literature
Latinas in literature
 
WST . Chapter # 3.rtfdTXT.rtf‪The Gendering of Human Rights‬.docx
WST . Chapter # 3.rtfdTXT.rtf‪The Gendering of Human Rights‬.docxWST . Chapter # 3.rtfdTXT.rtf‪The Gendering of Human Rights‬.docx
WST . Chapter # 3.rtfdTXT.rtf‪The Gendering of Human Rights‬.docx
 
final
finalfinal
final
 
Racism In Wide Sargasso Sea
Racism In Wide Sargasso SeaRacism In Wide Sargasso Sea
Racism In Wide Sargasso Sea
 
The system today
The system todayThe system today
The system today
 
Mexico
MexicoMexico
Mexico
 
Elit 48 c class 36
Elit 48 c class 36Elit 48 c class 36
Elit 48 c class 36
 
Understanding Indigenous Literature in the United States
Understanding Indigenous Literature in the United StatesUnderstanding Indigenous Literature in the United States
Understanding Indigenous Literature in the United States
 
Elit 48 c class 36 post qhq
Elit 48 c class 36 post qhqElit 48 c class 36 post qhq
Elit 48 c class 36 post qhq
 
Final voices of immigration in usa
Final voices of immigration in  usaFinal voices of immigration in  usa
Final voices of immigration in usa
 
Final voices of immigration in usa
Final voices of immigration in  usaFinal voices of immigration in  usa
Final voices of immigration in usa
 
Bordering
BorderingBordering
Bordering
 
Afrolatinos
AfrolatinosAfrolatinos
Afrolatinos
 
Post Colonial study of "The reluctant fundamentalist"
Post Colonial study of "The reluctant fundamentalist"Post Colonial study of "The reluctant fundamentalist"
Post Colonial study of "The reluctant fundamentalist"
 

More from vgrinb

Humor, grotesco, ironía
Humor, grotesco, ironíaHumor, grotesco, ironía
Humor, grotesco, ironía
vgrinb
 
cuento afrohispano
cuento afrohispanocuento afrohispano
cuento afrohispano
vgrinb
 
La palabra feminista en el cuento hispanoamericano
La palabra feminista en el cuento hispanoamericanoLa palabra feminista en el cuento hispanoamericano
La palabra feminista en el cuento hispanoamericano
vgrinb
 
Microcuento
MicrocuentoMicrocuento
Microcuento
vgrinb
 
El realismo mágico en dos cuentos hispanoamericanos
El realismo mágico en dos cuentos hispanoamericanosEl realismo mágico en dos cuentos hispanoamericanos
El realismo mágico en dos cuentos hispanoamericanos
vgrinb
 
Lo fantástico en "La isla a mediodía"
Lo fantástico en "La isla a mediodía"Lo fantástico en "La isla a mediodía"
Lo fantástico en "La isla a mediodía"
vgrinb
 
El realismo social en los cuentos de Carmen Lyra
El realismo social en los cuentos de Carmen LyraEl realismo social en los cuentos de Carmen Lyra
El realismo social en los cuentos de Carmen Lyra
vgrinb
 
Borges cuentista
Borges cuentistaBorges cuentista
Borges cuentista
vgrinb
 
Del decadentismo al criollismo
Del decadentismo al criollismoDel decadentismo al criollismo
Del decadentismo al criollismo
vgrinb
 
Transnational political identities
Transnational political identitiesTransnational political identities
Transnational political identities
vgrinb
 
Decadentismo
DecadentismoDecadentismo
Decadentismo
vgrinb
 
Cuento modernista
Cuento modernistaCuento modernista
Cuento modernista
vgrinb
 
Tango and National Identity
Tango and National IdentityTango and National Identity
Tango and National Identity
vgrinb
 
Communication, culture, hegemony 2
Communication, culture, hegemony 2Communication, culture, hegemony 2
Communication, culture, hegemony 2
vgrinb
 
Communication, culture, hegemony 1
Communication, culture, hegemony 1Communication, culture, hegemony 1
Communication, culture, hegemony 1
vgrinb
 
Realismo y naturalismo
Realismo y naturalismoRealismo y naturalismo
Realismo y naturalismo
vgrinb
 
Del costumbismo al criollismo
Del costumbismo al criollismoDel costumbismo al criollismo
Del costumbismo al criollismo
vgrinb
 
El matadero
El mataderoEl matadero
El matadero
vgrinb
 
The Popol Vuh and its Legacy
The Popol Vuh and its LegacyThe Popol Vuh and its Legacy
The Popol Vuh and its Legacy
vgrinb
 

More from vgrinb (19)

Humor, grotesco, ironía
Humor, grotesco, ironíaHumor, grotesco, ironía
Humor, grotesco, ironía
 
cuento afrohispano
cuento afrohispanocuento afrohispano
cuento afrohispano
 
La palabra feminista en el cuento hispanoamericano
La palabra feminista en el cuento hispanoamericanoLa palabra feminista en el cuento hispanoamericano
La palabra feminista en el cuento hispanoamericano
 
Microcuento
MicrocuentoMicrocuento
Microcuento
 
El realismo mágico en dos cuentos hispanoamericanos
El realismo mágico en dos cuentos hispanoamericanosEl realismo mágico en dos cuentos hispanoamericanos
El realismo mágico en dos cuentos hispanoamericanos
 
Lo fantástico en "La isla a mediodía"
Lo fantástico en "La isla a mediodía"Lo fantástico en "La isla a mediodía"
Lo fantástico en "La isla a mediodía"
 
El realismo social en los cuentos de Carmen Lyra
El realismo social en los cuentos de Carmen LyraEl realismo social en los cuentos de Carmen Lyra
El realismo social en los cuentos de Carmen Lyra
 
Borges cuentista
Borges cuentistaBorges cuentista
Borges cuentista
 
Del decadentismo al criollismo
Del decadentismo al criollismoDel decadentismo al criollismo
Del decadentismo al criollismo
 
Transnational political identities
Transnational political identitiesTransnational political identities
Transnational political identities
 
Decadentismo
DecadentismoDecadentismo
Decadentismo
 
Cuento modernista
Cuento modernistaCuento modernista
Cuento modernista
 
Tango and National Identity
Tango and National IdentityTango and National Identity
Tango and National Identity
 
Communication, culture, hegemony 2
Communication, culture, hegemony 2Communication, culture, hegemony 2
Communication, culture, hegemony 2
 
Communication, culture, hegemony 1
Communication, culture, hegemony 1Communication, culture, hegemony 1
Communication, culture, hegemony 1
 
Realismo y naturalismo
Realismo y naturalismoRealismo y naturalismo
Realismo y naturalismo
 
Del costumbismo al criollismo
Del costumbismo al criollismoDel costumbismo al criollismo
Del costumbismo al criollismo
 
El matadero
El mataderoEl matadero
El matadero
 
The Popol Vuh and its Legacy
The Popol Vuh and its LegacyThe Popol Vuh and its Legacy
The Popol Vuh and its Legacy
 

Borderlands/La Frontera

  • 1. Borderlands/La frontera The New Mestiza (1987) by Gloria Anzaldúa
  • 2. Borderlands/La frontera Which are the borderlands this book deals with?
  • 3. “The Homeland, Aztlán” 1,950 mile-long open wound (2) This is my home this thin edge of barbwire. (3)
  • 4. “The Homeland, Aztlán” This land was Mexican once, was Indian always and is. And will be again. (3)
  • 5. “The Homeland, Aztlán” “El otro México” por Los Tigres del Norte http://www.youtube.com/watch?v=_x0N6Ki58Jg
  • 6. “The Homeland, Aztlán” “El destierro/The Lost Land”  The History of the Southwest:  Anglo migration into Texas in the 1800s  The Battle of the Alamo  The Republic of Texas (1836)  The Mexican-American war  The Treaty of Guadalupe-Hidalgo (1848)
  • 7. “The Homeland, Aztlán” “The Gringo, locked into the fiction of white superiority, seized complete political power, stripping Indians and Mexicans of their land while their feet were still rooted in it.” (7) “My grandmother lost all her cattle, they stole her land.” (8)
  • 8. “The Homeland, Aztlán” “El cruzar del mojado/Illegal crossing” “Today we are witnessing la migración de los pueblos mexicanos, the return odyssey to the historical/mythological Aztlán.” (11) http://www.borderfilmproject.com/en/
  • 9. “Movimientos de rebeldía y las culturas que traicionan” What is Gloria Anzaldúa’s rebellion against?
  • 10. “Movimientos de rebeldía y las culturas que traicionan” The choice for women of color is to “feel victim where someone else is in control and therefore responsible and to blame […], or to feel strong, and, for the most part, in control” (21).
  • 11. “Movimientos de rebeldía y las culturas que traicionan” “Not me sold out my people but they me. (21, 22)”.
  • 12. “How to Tame a Wild Tongue” Which connections does Anzaldúa establish between language, identity and oppression?
  • 13. “How to Tame a Wild Tongue” “Racially, culturally and linguistically somos huérfanos—we speak an orphan tongue.” (58)
  • 14. “How to Tame a Wild Tongue” The languages of the Mexican- American border:  Standard English  Working class and slang English  Standard Spanish  Standard Mexican Spanish  North Mexican Spanish dialect  Chicano Spanish  Tex-Mex  Pachuco
  • 15. “How to Tame a Wild Tongue” What is the impact of popular culture and literature on identity? http://www.youtube.com/watch?v=Zg9MOB71tWY
  • 16. “La conciencia de la mestiza/Towards a New Consciousness”  How is “mestizaje” defined?  What is the path and the challenge for the new mestiza?  Which images are used by Anzaldúa to describe the new mestiza?  What is her explanation of Mexican machismo?