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Protocols	are	most	powerful	and	effective	when	used	within	an	ongoing	professional	learning	community	such	as	a	Critical	Friends	Group®	and	facilitated	
by	a	skilled	coach.	To	learn	more	about	professional	learning	communities	and	seminars	for	new	or	experienced	coaches,	please	visit	the	National	School	
Reform	Faculty	website	at	www.nsrfharmony.org.
National	
School	
Reform	
Faculty
Harmony	
Education	
Center
www.nsrfharmony.org
Adapted	from	Bloom	et.	al.,	1956,	by	Deborah	Bambino,	2005.
Since	we	all	profess	a	commitment	to	critical	thinking	examining	the	questions	we	ask	seems	like	a	natural	
winner.	This	is	an	easy	way	to	get	everyone	to	bring	an	example	of	their	work,	or	current	work	from	their	
school,	to	the	table.	If	you	repeated	this	process	periodically	and	documented	your	findings,	you	could	
track	changes	over	time.	
Part	I
•	 Invite	all	members	of	your	group	to	bring	a	written	copy	of	a	current	question(s)	they	have	posed	to	
their	students.	Administrators	or	external	coaches	might	collect	questions	as	they	visit	classrooms.
•	 Chart,	or	pass	the	questions	around	and	examine	them	with	the	following	prompts	in	mind:
—	 What	do	you	see?	(Describe	w/o	evaluation.)
—	 What	questions	does	your	review	of	this	sampling	raise	for	you?
—	 What	are	the	implications	for	your	focus	on	higher	order	questioning?
Part	II
•	 Select	a	question	and	“tune”	it	with	a	partner.	Offer	at	least	two	ways	the	question	could	be	phrased	to	
take	students	to	a	higher	level	of	thinking.	
•	 Debrief	the	process	and	content	of	this	experience.
—	 Will	this	help	you	with	your	questioning	strategies?
—	 How	will	you	share	this	experience	with	your	colleagues,	students…?
—	 What	else	can	we	do	to	develop	“rich”	questions?
Extension:	Have	students	keep	track	of	the	questions	they	have	been	asked	and	then	go	through	the	
process	with	them.	Have	students	examine	the	kinds	of	questions	they	are	asking	in	class	and	then	have	
them	practice	tuning	their	own	questions.
Blooming	Questions
Protocols	are	most	powerful	and	effective	when	used	within	an	ongoing	professional	learning	community	such	as	a	Critical	Friends	Group®	and	facilitated	
by	a	skilled	coach.	To	learn	more	about	professional	learning	communities	and	seminars	for	new	or	experienced	coaches,	please	visit	the	National	School	
Reform	Faculty	website	at	www.nsrfharmony.org.
National	
School	
Reform	
Faculty
Harmony	
Education	
Center
www.nsrfharmony.org
	
From	Bloom,	et	al.,	1956	
As	teachers	we	tend	to	ask	questions	in	the	“knowledge”	category	80%	to	90%	of	the	time.	These	
questions	are	not	bad,	but	using	them	all	the	time	is.	Try	to	utilize	higher	order	level	of	questions.	These	
questions	require	much	more	“brain	power”	and	a	more	extensive	and	elaborate	answer.	Below	are	the	six	
question	categories	as	defined	by	Bloom.	
Knowledge	
	 •	 remembering;	
	 •	 memorizing;	
	 •	 recognizing;	
	 •	 recalling	identification	and	
	 •	 recall	of	information	
	 	 —	 Who,	what,	when,	where,	how	...?	
	 	 —	 Describe	
Comprehension	
	 •	 interpreting;	
	 •	 translating	from	one	medium	to	another;	
	 •	 describing	in	one’s	own	words;	
	 •	 organization	and	selection	of	facts	and	ideas	
	 	 —	 Retell...	
Application	
	 •	 problem	solving;	
	 •	 applying	information	to	produce	some	result;	
	 •	 use	of	facts,	rules	and	principles	
	 	 —	 How	is...an	example	of...?	
	 	 —	 How	is...related	to...?	
	 	 —	 Why	is...significant?	
Analysis
	 •	 subdividing	something	to	show	how	it	is	put	together;	
	 •	 finding	the	underlying	structure	of	a	communication;	
	 •	 identifying	motives;	
	 •	 separation	of	a	whole	into	component	parts	
	 	 —	 What	are	the	parts	or	features	of...?	
	 	 —	 Classify...according	to...	
	 	 —	 Outline/diagram...	
	 	 —	 How	does...compare/contrast	with...?	
	 	 —	 What	evidence	can	you	list	for...?	
Blooming	Questions	Appendix	I
Bloom’s	Taxonomy:	Sample	Questions
Protocols	are	most	powerful	and	effective	when	used	within	an	ongoing	professional	learning	community	such	as	a	Critical	Friends	Group®	and	facilitated	
by	a	skilled	coach.	To	learn	more	about	professional	learning	communities	and	seminars	for	new	or	experienced	coaches,	please	visit	the	National	School	
Reform	Faculty	website	at	www.nsrfharmony.org.
Synthesis
•	 creating	a	unique,	original	product	that	may	be	in	verbal	form	or	may	be	a	physical	object;	
•	 combination	of	ideas	to	form	a	new	whole	
—	 What	would	you	predict/infer	from...?	
—	 What	ideas	can	you	add	to...?	
—	 How	would	you	create/design	a	new...?	
—	 What	might	happen	if	you	combined...?	
—	 What	solutions	would	you	suggest	for...?	
Evaluation	
•	 making	value	decisions	about	issues;	
•	 resolving	controversies	or	differences	of	opinion;	
•	 development	of	opinions,	judgements	or	decisions	
—	 Do	you	agree...?	
—	 What	do	you	think	about...?	
—	 What	is	the	most	important...?	
—	 Place	the	following	in	order	of	priority...	
—	 How	would	you	decide	about...?	
—	 What	criteria	would	you	use	to	assess...?
Protocols	are	most	powerful	and	effective	when	used	within	an	ongoing	professional	learning	community	such	as	a	Critical	Friends	Group®	and	facilitated	
by	a	skilled	coach.	To	learn	more	about	professional	learning	communities	and	seminars	for	new	or	experienced	coaches,	please	visit	the	National	School	
Reform	Faculty	website	at	www.nsrfharmony.org.
National	
School	
Reform	
Faculty
Harmony	
Education	
Center
www.nsrfharmony.org
Blooming	Questions	Appendix	II
Procedure
For	any	assigned	reading	selection,	develop	questions	that	reflect	the	progression	of	thinking	and	
responding	from	the	literal	level	to	the	evaluative.	Not	all	levels	need	to	be	developed	for	every	selection.	
Consider	a	range	that	will	lead	the	student	to	the	greater	purpose	of	reading.
Each	level	of	Bloom’s	original	taxonomy	has	been	restated	for	clarity	and	simplification.	Examples	of	
appropriate	questions	or	directives	are	given	to	illustrate	each	level.	The	story	of	Goldilocks	and	the	Three	
Bears	was	used	for	general	understanding.
Knowledge the	recall	of	specific	information
Who	was	Goldilocks?	
Where	did	she	live?	With	whom?
What	did	her	mother	tell	her	not	to	do?
Comprehension an	understanding	of	what	was	read
This	story	was	about	__________.	(Topic)	
The	story	tells	us	________.	(Main	Idea)
Why	didn’t	her	mother	want	her	to	go	to	the	forest?
What	did	Goldilocks	look	like?
What	kind	of	girl	was	she?
Application the	converting	of	abstract	content	to	concrete	situations
How	were	the	bears	like	real	people?	
Why	did	Goldilocks	go	into	the	little	house?
Write	a	sign	that	should	be	placed	near	the	edge	of	the	forest.
Draw	a	picture	of	what	the	bear’s	house	looked	like.
Draw	a	map	showing	Goldilock’s	house,	the	path	in	the	forest,	the	bear’s	
house,	etc.
Show	through	action	how	Goldilocks	sat	in	the	chairs,	ate	the	porridge,	etc.
Protocols	are	most	powerful	and	effective	when	used	within	an	ongoing	professional	learning	community	such	as	a	Critical	Friends	Group®	and	facilitated	
by	a	skilled	coach.	To	learn	more	about	professional	learning	communities	and	seminars	for	new	or	experienced	coaches,	please	visit	the	National	School	
Reform	Faculty	website	at	www.nsrfharmony.org.
Analysis the	comparison	and	contrast	of	the	content	to	personal	experiences
How	did	each	bear	react	to	what	Goldilocks	did?	
How	would	you	react?
Compare	Goldilocks	to	any	friend.
Do	you	know	any	animals	(pets)	that	act	human?
When	did	Goldilocks	leave	her	real	world	for	fantasy?	How	do	you	know?
Synthesis the	organization	of	thoughts,	ideas,	and	information	from	the	content
List	the	events	of	the	story	in	sequence.	
Point	out	the	importance	of	time	sequence	words	by	asking:	What	happened	
after	Goldilocks	ate	the	Baby	Bear’s	porridge?	What	happened	before	
Goldilocks	went	into	the	forest?	What	is	the	first	thing	she	did	when	she	went	
into	the	house?
Draw	a	cartoon	or	stories	about	bears.	Do	they	all	act	like	humans?
Do	you	know	any	other	stories	about	little	girls	or	boys	who	escaped	from	
danger?
Make	a	puppet	out	of	one	of	the	characters.	Using	the	puppet,	act	out	his/her	
part	in	the	story.
Make	a	diorama	of	the	bear’s	house	and	the	forest.
Evaluation the	judgment	and	evaluation	of	characters,	actions,	outcome,	etc.,	for	
personal	reflection	and	understanding
Why	were	the	bear’s	angry	with	Goldilocks?
Why	was	Goldilocks	happy	to	get	home?
What	do	you	think	she	learned	by	going	into	that	house?
Do	you	think	she	will	listen	to	her	mothers’s	warnings	in	the	future?	Why?
Do	parents	have	more	experience	and	background	than	their	children?
Would	you	have	gone	in	the	bear’s	house?	Why	or	why	not?
Do	you	think	this	really	happened	to	Goldilocks?	Why?
Why	would	a	grown-up	write	this	story	for	children	to	read?
Why	has	the	story	of	Goldilocks	been	told	to	children	for	many,	many	years?

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Blooming questions