Shefqet Avdush Emini is an internationally recognized Kosovar artist born in 1957. He studied visual arts at the Art Academy of Pristina and has worked as an artist and art teacher in Kosovo and other countries. For the past two decades, he has lived in the Netherlands with his family. Emini is able to live and work as an artist around the world while remaining connected to his roots in Kosovo, as seen in his works exploring these themes. He has had many solo and group exhibitions in museums and galleries worldwide and is a member of several artist organizations.
Колекция интересна главным образом тем, что все работы подписаны с указанием года и, что является большой редкостью, места написания работы.
В колекции работы 20х-30х-40х-50х годов и несколько работ последних лет жизни 1976-1978.
Особенно интересны романтические работы латгальского цикла и пейзажи рижских окрестностей 30х годов.
Колекция когда то была подарена художником другу и соседу Вальфреду Пуке у которого и хранилась до последнего времени.Сохранились каталог 1925 года о персональной выставке художника в Рижском замке на немецком языке и пригласительные на эту выставку.
Цена одной работы - 515 EUR
При покупке всей колекции максимальная скидка 10%
Эдуард Метузалс
(1889-1978)
Художник родился 10 марта 1889 года в Риге.
Работал главным образом пастелью, писал пейзажи, фигуральные композиции и портреты. Учился в Рижской вечерней школе рисования Общества поощрения живописцев (1908-1910), после её окончания стал специалистом по художественной интерьерной росписи. Одновременно с 1907 года учился на вечерних курсах живописи Б.Борхерта.
В 1910 году эмигрировал в Западную Европу, работал грузчиком в порту Брюсселя, зарабатывал на хлеб малярными работами в Кёльне, в Германии начал писать заказные портреты.
С 1912 года жил главным образом в Швеции, был знаком с Райнисом и Аспазией, много их писал.
В 1921 году вернулся в Латвию.Получил зарубежную стипендию Фонда культуры и после этого путешествуя по Италии создал замечательный цикл итальянских пейзажей, наполненных солнцем и воздухом.
В выставках участвовал с 1912 года. С 1914 года регулярно экспонировал свои работы на выставках «Kunsthaus» в Цюрихе.
Персональные выставки организованны в Риге ( 1921, 1922, 1925, 1970, 1976), в Таллине ( 1923), Финляндии ( 1923), Кокнесе ( 1969).
Колекция интересна главным образом тем, что все работы подписаны с указанием года и, что является большой редкостью, места написания работы.
В колекции работы 20х-30х-40х-50х годов и несколько работ последних лет жизни 1976-1978.
Особенно интересны романтические работы латгальского цикла и пейзажи рижских окрестностей 30х годов.
Колекция когда то была подарена художником другу и соседу Вальфреду Пуке у которого и хранилась до последнего времени.Сохранились каталог 1925 года о персональной выставке художника в Рижском замке на немецком языке и пригласительные на эту выставку.
Цена одной работы - 515 EUR
При покупке всей колекции максимальная скидка 10%
Эдуард Метузалс
(1889-1978)
Художник родился 10 марта 1889 года в Риге.
Работал главным образом пастелью, писал пейзажи, фигуральные композиции и портреты. Учился в Рижской вечерней школе рисования Общества поощрения живописцев (1908-1910), после её окончания стал специалистом по художественной интерьерной росписи. Одновременно с 1907 года учился на вечерних курсах живописи Б.Борхерта.
В 1910 году эмигрировал в Западную Европу, работал грузчиком в порту Брюсселя, зарабатывал на хлеб малярными работами в Кёльне, в Германии начал писать заказные портреты.
С 1912 года жил главным образом в Швеции, был знаком с Райнисом и Аспазией, много их писал.
В 1921 году вернулся в Латвию.Получил зарубежную стипендию Фонда культуры и после этого путешествуя по Италии создал замечательный цикл итальянских пейзажей, наполненных солнцем и воздухом.
В выставках участвовал с 1912 года. С 1914 года регулярно экспонировал свои работы на выставках «Kunsthaus» в Цюрихе.
Персональные выставки организованны в Риге ( 1921, 1922, 1925, 1970, 1976), в Таллине ( 1923), Финляндии ( 1923), Кокнесе ( 1969).
boris dubrov, dan, dan groover, dennis bacchus, ed grossman, eduard grossman, gendelman, groover, groover dan, illustration, israeli art, jewish artists, jewish gallery, jewish painters, jewish painting, josephus flavius, Joshua Neustein, Judaic Art, judaica art, judaica art michael rozenvain, michael rozenvain, michael rozenvein, noach lubin, noah lubin, religion, theology, travel
Réalisation d'un dossier de présentation de l'événement d'art contemporain - Art Encounters". Réalisation d'interviews, bénévolat en tant que médiatrice culturelle.
Dans le cadre d'une année erasmus à l'université de l'ouest de Timisoara (Roumanie), cours de management de projet culturel.
Réalisé en anglais.
Nergis orhon soydaner she gives hare opinion on the artist from the netherla...Shefqet Avdush Emini
Nergis Orhon Soydaner she gives hare opinion on the Artist from the Netherlands Shefqet Avdush Emini
Nergis Orhon Soydaner jep mendimin e tij për Artistin nga Hollanda Shefqet Avdush Emini
Elba mabel alarcon she gives hare opinion on the artist from the netherlands...Shefqet Avdush Emini
Elba Mabel Alarcon she gives hare opinion on the Artist from the Netherlands Shefqet Avdush Emini
Elba Mabel Alarcon jep mendimin e tij për Artistin nga Hollanda Shefqet Avdush Emini
Galileo gives his opinion on the artist from the netherlands shefqet avdush e...Shefqet Avdush Emini
Galileo gives his opinion on the Artist from the Netherlands Shefqet Avdush Emini
Galileo jep mendimin e tij për Artistin nga Hollanda Shefqet Avdush Emini
Opinion per artistin Shefqet Avdush Emini nga Holanda 2020
Te faleminderit shume artiste e poete e shkelqyer Flutura Maci
Opinion on the artist Shefqet Avdush Emini from the Netherlands 2020
Thank you to many excellent artists and poets Flutura Maci
Embracing GenAI - A Strategic ImperativePeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
The French Revolution, which began in 1789, was a period of radical social and political upheaval in France. It marked the decline of absolute monarchies, the rise of secular and democratic republics, and the eventual rise of Napoleon Bonaparte. This revolutionary period is crucial in understanding the transition from feudalism to modernity in Europe.
For more information, visit-www.vavaclasses.com
3. Biografie:
Shefqet Avdush Emini, een internationaal erkende kunstenaar, geboren in Davidovc in
Kosovo op 2 juni 1957. Hij studeerde beeldende kunst als een jonge man aan de
kunstacademie in Pristina (Kosovo) en werkte, na het beëindigen van zijn opleiding, als een
kunstenaar en kunst leraar in diverse steden in Kosovo. Sinds twee decennia, toen de oorlog
uitbrak in Kosovo, is Shefqet Avdush Emini woonachtig in Nederland, samen met zijn familie.
Hij is als een kunstenaar en kunst leraar kunnen wonen en werken over de hele wereld,
hoewel hij altijd zal worden verbonden met zijn wortels naar Kosovo. In verscheidene werken
van zijn hand zal u zitten kundig voor ontdekken deze wortels en zijn gemengde gevoelens
van in het buitenland wonen. Shefqet Avdush Emini is een academisch geschoolde
kunstenaar die ontwikkelde zijn eigen stijl, zijn eigen 'handtekening', die hem beroemd
gemaakt. De lijst van tentoonstellingen van zijn kunstwerken in musea en kunstgalerieën
4. wereldwijd is lang. Sweden, Denmark, Turkije, Egypte, Morocco,China, Oostenrijk,
Nederland, Germany, Italy, Groot Brittannië, Portugal, Spain, France (Luver), België,
Romania, Bulgarie, Macedonië, Slovenie, Kroatië, Servië, Bosnië, Kosovo, Albanië, Brazi,
Washington,Kuwait. Bovendien, is hij regelmatig uitgenodigd om kunst symposia waar lokale
en internationale kunstenaar samenkomen om te maken kunst en laat je inspireren. Shefqet
is ook verbonden met de Filarski Academie, een particuliere Academy in Nederland
opgericht door de kunstenaar Marian Filarski, als leraar voor master classes in de
schilderkunst.
November 2011, Ina Eskes MA of Art history
http://www.youtube.com/watch?v=e8IxIbs-zwE
http://www.youtube.com/watch?v=rkQ0eoQqOPk&feature=relmfu
Biography:
Shefqet Avdush Emini, an international recognized artist, is born in Davidovc in Kosovo on 2 June 1957. He
studied Visual Arts as a young man at the Art Academy in Pristina (Kosovo) and worked, after finishing his
education, as an artist and art teacher in several towns in Kosovo. Since two decennia, when war broke out
in Kosovo, Shefqet Avdush Emini is living in the Netherlands, together with his family. As an artist and art
teacher he is able to live and work all over the world, though he always will be connected with his roots to
Kosovo. In several works of his hand you will be able to discover these roots and his mixed feelings of living
abroad. Shefqet Avdush Emini is an academically educated artist who developed his own style, his own
„signature‟, which made him famous. The list of exhibitions of his artworks in museums and art galleries
worldwide is long. Zweden, Denemarken, Turkije, Morocco,Egypte, China, Oostenrijk, Nederland, Duitsland,
Italië, Groot Brittannië, Spanje, Portugal, Frankrijk (Luver), België, Roemenië,Bulgarie, Macedonië,
Slovenie, Kroatië, Servië, Bosnië, Kosovo , Albanië, Brazi,Washington,Kuwait. Besides, he is regular invited
to join art symposia where local and international artist do come together to create art and get inspired.
Shefqet is also connected to the Filarski Academy, a private.
November 2011, Ina Eskes MA of Art history Academy
Biografi:
I lindur në Davidovc- Kosovë. jeton dh e punon në Holandë. Pas studimeve tëkryera në
5. Akademinë Arteve në Prishtinë-Kosovë punoi si mësimdhënës i artit figurativ. Këto dy
decenie të fundit jeton dhe punon në Holandë si artist I pavarur. Njohësit e artit e kanë
përshkruar punën e Shefqet Avdush Eminit si“art figurativ abstrakt ekspresionizëm”. Një
punë artistike që përfshinë një gamë të gjallë ekspresive dhe një lojë unike të kolorit.
Përdorja e vajit në pëlhurë ka qenë më e përdorur për t’i shprehur ndjenjat ekspresive në
turbullira abstrakte me elemente figurative. Përdorimi i brushës është I guximshëm dhe
autonom, kurse fuqia dhe liria e kolorit në pikturë është ajo që e bën të pranohet në muze
dhe galeri të shumta në botë siç janë: Suedi, Danimarkë,Turqi,
Egjipt,MarokoKinë,Austri,Holandë,Gjermani, Itali, Angli, Spanjë, Portugali,Belgjikë, Rumani,
Bulgari, Maqedoni, Slloveni, Kroaci, Serbi, Bosnje, Kosovë,
Shqipëri,Brazil,Vashington,Kuvait. Shefqet Avdush Emini është një artist që tërë energjinë
jetësore i kakushtuar veprimtarisë krijuese: pikturës dhe skulpturës.
http://shefqetemini.webs.com/
http://shefqetavdushemini.blogspot.com/
Member:
Permanent collection of the Modern Art Museum,Kuwait 2012
Permanent collection of the Museum MAC Brazil 2011
Permanent collection of the Gallery Tetovo, Macedonia 2010
Permanent collection of the Gallery Aiud, Romania 2010
Permanent collection of the Museum Tepecik,turkey 2010
Aperon Art Plus Gallery, Istanbul 2010
Gallery Tornby Denmark 2010; RKD as from2003;
Foundation Symbiose Sittard as from 2003;
6. Foundation art centre keeps out 2003;
Aida as from 1994 Stichting
Kunstcentrum Weert as from 2003;
Permanent collection of the National Gallery of art in Tirana 1999
Artist figurative association of the Kosovo as from1989;
President of the foundation 'Zef Kolombi ' Ferizaj Kosovo as from 1988-1992
Member of foundation art centre ' Zef Kolombi ' Ferizaj Kosovo as from 1982;
Exhibitions:
2012.Exhibition Hotel Prishtina,Kosovo
2012.Exhibition Hamam Prizeren,Kosovo
2012.Exhibition in museum Antalya,Turkey
2012.Exhibition at the cultural complex in Alhoceima,Morocco
2012.Exhibition in KTO Karatay University,Konya,Turkey
2012.Exhibition at the cultural Russian center Rabat ,Morocco
2012.Ekshibition in Kuwait
2012.Exhibition in Atelier Oosterbosch (Gallery) Amsterdam
2012 EPK, DLUM Galley, Slovenia
2011.Sharm El Sheikh,Egypte
2011.Inter-Art Exhibition in Washington D.C.U
2011.Solo exhibition: Atrium the Hague,Netherland
2011 International Gallery bienaal festival of portrait,drawings tuzla , Bosnia and Hercigovina.
2011 Show Your Hope,Lublana,Slovenia
2011 Mozes en aaronkerk te Amsterdam
2011 Solo exhibitions Gallery Diversity & Art,Amsterdam,Netherlands
2011 Museum Antalya,Turkey
2011 Art Gallery, Sofia, Bulgaria
2011 Exhibition Geshaview Bulgaria
2011E art for heart,hannover,Germany
2011 Pallati i kulturës Tetovë,Macedonia
2010 Gallery Berat,Albania
2010 Aperon Art Plus Gallery,Istanbul
2010 Torbny Gallery,Denmark
2010 Art Fair Istanbul,
2010 Wall for peace - w -afpiaap - sanski/ Sarajevo / Bosnia – Hercegovina
2010 Drawings Biennale,Museum,Romania,
2010 Artist for freedom rathaus Bensberg, Bergisch-Gladbachþ,Germany
2010 Art Fair China, world trade center Beijing's
2010“Inter-art” foundation,Romania,Gallery
2010 Amsterdam Rembrandplein
2010 Culturel and artfestival, Tepecik, Turkey
2010 Koloni Tetov, Macedonie, Gallery
2010 Louver Paris,France
2010 Artist for freedom galileo-park in Lennestadt Germany
2010 Sharm Ell Sheikh,Egypt
2010 Museum of Portalegre,Portugal
2010 Mannheim,Galerie Bohner,Germany
2010 Vigo,club financiero de vigo, the architect palacios Gallery, Spain
2010 Biennale in London Gagliardi Gallery, a group exhibition of selected artist from the Biennale of
7. Chianciano 2009,England
2009 Exhibition National Museum Cotroceni Bucharest,Romania
2009.Exhibition circulating in few balkan countries Melenia art Gallery Bucharest,Romania
2009 Biennale of Chianciano,Italie-the art Museum of Chianciano Terme,Italy
2009 Jma Gallery Vienna, Austria
2008 Private Salon Weert, Netherlands
2008 Private Salon Kinrooi, Belgium
2008 Gallery Drente in hooghalen,Netherlands
2008 Gallery Sigvardson 08. maj Denmark
2008 Van Munster complex in Amersfoort The Netherlands group Gallery
2008 Gallery Sigvardson 02 februari Denmark
2007 Art process Trapani Sicilia Italy Gallery group
2006 Stichting Kunstcentrum Weert,The Netherlands group
2006 Paterskerk Weert,The Netherlands Gallery group
2006 Cigarenfabriek Delft , The Netherlands Gallery group
2006 Molenhof, The Netherlands group Gallery
2005 Paterskerk, The Netherlands group
2005 Molenhof, The Netherlands solo gallery
2005 Marziart Hamburg, Germany group Gallery
2005 Stichting Kunstcentrum Weert solo private
2005 Reasons to love the earth Utrecht group Museum
2005 Molenhof group Gallery
2004 Royal Schouwburg the Hague group or museum
2004 Vredenburg Utrecht group or Museum
2004 Arti et amicitiae Amsterdam group Museum
2004 Atelier route solo
2004 Kunstuitleen Tienschuur group Museum
2003 OBS ' graswinkel' government
2003 Atelier route solo
2003 Kunstuitleen Tienschuur group Museum
2003 Fontys end courts solo government
2003 Public library Nederweert solo government
2002 St. Teunis Kapele vault keeps out solo government
2000 Town hall keep out solo government
2000 Old café keep out the currency private solo
1999 Molenhof keep out solo Gallery
1997 Wommat District Duurstede ate solo Gallery
1997 Rural church abc-old one group or Gallery
1997 Peace church Utrecht group or Gallery
1997 Buurthuis the toll Utrecht group government
1997 Church Utrecht group or Gallery
1996 FNV Utrecht solo government
1996 EKKO Utrecht solo government
1996 Reception centre Utrecht group government
1996 Wommat district Duurstede ate solo Gallery
1996 Peace church Utrecht solo Gallery
1996 Park eye in already Utrecht group government
1996 Triumfatokerk Utrecht solo Gallery
1995 Reception Centre Utrecht solo government
1993 Unaryd Gallery Sweden group
1993 Bank government Unaryd Sweden solo
1992 Home of culture Shtimje Kosovo solo
1991 Theatre fair Pristine Kosovo group
1990 XVII fair Gallery Pristine Kosovo group jumps
1990 Autumn 16de Biennale Pristine Kosovo group
1988 Home of culture Shtimje Kosovo solo
1987 VII Biennale Drawing Pristine Kosovo group
1985 Private Gallery Pristine Kosovo group
1984 Autumn Fair Gallery Pristine Kosovo group
1984 Fair Gallery Pristine Kosovo group
1983 Sarajevo Gallery ex - Jugoslavia group
1983 Zagreb Gallery ex - Yugoslavia group
1983 Belgrade Gallery ex - Yugoslavia group
1983 Private Gallery Ferizaj group
8. 1982 Zef Kolombi Gallery Ferizaj Kosovo group
1981 Zef Kolombi Gallery Ferizaj Kosovo group
Publications:
2012 Faruk Tasholli Bota Sot newspaper
2011 Review Ina Eskes MA of Art history
2011 Remzi Limani, Ese Kritike, Book
2010 Egyptian art critic: Talaat Tbdul Aziz
2010 Interview: Michele Andree
2010 Review from Remzi Limani
2010 Interview: Natasha Gunn
2009 Genius Book
2008 Tirsdag newspape 29.januar
2006 June news the exactly Albart
2006 May newspaper Bota Sot diaspora
2006 May newspaper Zëri diaspora
2006 May newspaper Lajmi
2006 May newspaper Bota Sot diaspora
2006 May newspaper Bota Sot
2006 March newspaper Zëri diaspora
2006 February newspaper Bota Sot diaspora
2006 February newspaper Zëri diaspora
2006 January news the exactly Albart
2006 January 1. news the exactly Albart
2006 January 2.news the exactly Albart
2005 December newspaper Zëri diaspora
2005 December Book bald branch sing for green
2005 november newspaper sunday news
2005 October news the exactly Albart
2005 October newspaper Zëri diaspora
2005 October newspaper Bota Sot
2005 September newspaper Hamburg Abendblatt
2005 August newspaper Hoheluftbrucke
2005 August newspaper Hamburg live
2005 August newspaper Zëri diaspora
2005 August news the exactly Albart
2005 July newspaper Epoka e re
2005 July newspaper Land van Weert
2005 July newspaper the Trumpet
2003 July newspaper Koha Ditore
2003 July newspaper Fontys
2003 April newspaper the Trumpet
2003 May documentation and information of foundation centre
2003 March newspaper Fontys
9. 2003 April Book Album Artium
2002 April newspaper country
1999 December newspaper daily the Limburger
1999 November Television TV keeps out interview
1997 Profession booklet cultural rondje
1996 Utrecht Television reportage
1996 February profession booklet cultural
1996 March Radio first left third right
1996 Newspaper Utrechts nieuwsblad
1995 March Television TV the Netherlands 2 reportage
1995 March Television TV the Netherlands 2 reportage
1994 Book Drite ne Lirikum
1990 Newspaper Rilindja
1987 June newspaper Rilindja
1983 Newspaper Rilindja
1983 Newspaper Z ëri i Rinis
1982 October newspaper Rilindja
Publications
International ArtistPublications
30. London Kennington station for 2 weeks, between 11th-25th April.
Shefqet Avdush Emini is the first artist to represent BOA on posters,
currently in London. The Kosovan born artist, now lives in Holland
and works as a lecturer between painting his „figurative abstract
expressionism.‟ Shefqet has exhibited his beautiful oil-on-canvas
masterpieces all over the world, including the Musée du Louvre, Paris.