SlideShare a Scribd company logo
LLP Comenius Multilateral Partnership 2013-2015
Material prepared by:
Mihaela Ţurcănaşu (Teacher of
History)
Daniela Livadaru (Teacher of
Religion)
Students:
Sorana Tucaliuc – 12th
Grade
Ana Toporeţ – 11th
GradeProject Meeting in Palermo, Italy
- the 16th
– the 21st
of October 2014 -
 one of the greatest composers of
the 20th
Century;
 he was a violinist, pianist,
conductor, and teacher as well;
 Born on the 19th
of August, 1881,
in Liveni, Romania, he was
considered a wonder child; as
early as the age of five, he
dreamed to be a composer;
 He started his musical career
very early, in 1886, at the advise
of Eduard Caudella, composer
and professor at the
Conservatoire in Iasi;
His first attempts as composer
 Between 1888 and 1894, George Enescu
was studying at the Vienna
Conservatoire (the youngest student
ever) with renowned professors of the
time.
 In 1891, the ten-year-old Enescu gave a
private concert at the Court of Vienna,
in the presence of Emperor Franz
Joseph.
 He continued his studies at the Paris
Conservatoire (1895 – 1899) under the
guidance of remarkable professors of
violin, composition, harmony, andA virtuoso violin player
 The four “school symphonies” date
back from the period he spent
studying in Paris, among which
The Romanian Poem Op. 1 (1898)
is the most famous one and
brought the young composer the
acknowledgement.
 George Enescu participated in
violin competitions at the
Conservatoire in Paris, winning
the second prize (1898) and the
first prize (1899); for this, he was
offered a precious Bernardel violin
with his name engraved on it.
He was “the only one [student] who
truly had ideas and spirit.“
(André Gedalge, harmony teacher)
 On the 6th
of February 1898, at the
age of only 16, George Enescu
presented in Paris his first mature
work, The Romanian Poem,
played by the Colonne Orchestra
(at the time, one of the most
prestigious in the world) and
conducted by Édouard Colonne.
 The Romanian folk music was a
source of inspiration for George
Enescu, such as in The Romanian
Rhapsodies (1901-1902) and in
Sonata for Violin and Piano.
 As a violin teacher, he mentored
Yehudi Menuhin, who continued to
cite Enescu as a major influence all
his life, and other legendary players.
 After the war, he resumed his tours
as a violinist and a much-admired
conductor in USA, Switzerland,
France, Holland, Spain, Portugal,
Canada etc.
 An esteemed musicologist and a
tireless organizer, he took on
spectacular tasks such as forming a
Philharmonic Orchestra, the
Romanian National Opera and a
Composers' Society in Romania.
George Enescu in 1930
 The international
acknowledgement and fame
brought George Enescu numerous
occasions to give music
interpretation courses, stylistic,
analysis and musical forms classes
worldwide.
 Due to the Communist regime,
George Enescu spent his last years
in France.
 On his death in 1955, George
Enescu was interred in Père
Lachaise Cemetery in Paris.
Grave of George Enescu
 The memory of the great Romanian
musician is revived by the biannual
International Festival that bears his
name, as well as by symposiums
taking place in Romania and abroad
and, not in the least, by the
specialized writings, the
exhibitions, and the concerts
organized by “George Enescu”
National Museum in Bucharest.
 Romania's greatest musical force
and a significant mind of the 20th
Century, George Enescu succeeded
in incorporating Romanian
spirituality into worldwide culture.
He was "the most extraordinary
human being, the greatest musician
and the most formative influence.”
Yehudi Menuhin
 one of the most influential
sculptors of the 20th
Century;
 a complex personality, he was a
painter and photographer as
well;
In Paris, 1905
 Born on the 19th
of February, 1876, in
Hobiţa, Romania, he displayed since
childhood an aptitude for carving
wooden tools.
 His parents Nicolae and Maria
Brâncuși were poor peasants who
earned a meager living through back-
breaking labour; from the age of
seven, Constantin herded the family's
flock of sheep.
 Formal studies took him first to
Bucharest , then to Munich, and to
the École des Beaux-Arts in Paris
from 1905 to 1907.
 He worked for two years in the workshop
of Antonin Mercié of the École des Beaux-
Arts, and was invited to enter the
workshop of Auguste Rodin;
 After leaving Rodin's workshop, Brâncuși
began developing the revolutionary style
for which he is known. His first
commissioned work, "The Prayer", was
part of a gravestone memorial. It depicts a
young woman crossing herself as she
kneels, and marks the first step toward
abstracted, non-literal representation; it
shows his drive to depict "not the outer
form but the idea, the essence of things“.
Mademoiselle Pogany II, 1925
polished bronze
Most works by Constantin Brâncuşi are currently exhibited
in museums and top collections all over the world.
Madame L.R.
 ‘Head’, ‘Mademoiselle Pogany II’, ‘The
Newborn’, ‘Sleeping Muse II’, and the ‘Fish’
are the five bronze masterpieces on display
which testify to Brâncuşi’s unsurpassed
sculptural frugality and witness how much he
was inspired by the Romanian folk art and
African sculpture.
 As for his relevance in today’s art world, suffice
it to say that on the 23rd
of February 2009, his
rare wooden ‘Madame L.R. ’ sculpture sold for
$37.6 million at the Yves Saint Laurent/Pierre
Bergé sale at Christie's in Paris, hitting number
eight in the list of the ten highest prices ever
paid for a sculpture as of November 2013.
Sleeping Muse
Endless Column
 In 1938, he finished the World
War I monument in Târgu-Jiu
where he had spent much of
his childhood. "Table of
Silence", "The Gate of the
Kiss", and "Endless
Column" commemorate the
courage and sacrifice of
Romanian civilians who in
1916 fought off a German
invasion. The restoration of
this ensemble was
spearheaded by the World
Monuments Fund and was
The Gate of the Kiss
Fish, 1926
The Kiss
“Simplicity is
complexity resolved”
“We do not see real life except by it’s
reflection” wrote Brâncuşi in 1919.
Brâncuși died on the 16th
of March, 1957, aged 81.
He was buried in the Cemetière du Montparnasse
in Paris.
 He looked for new means of
expression and followed the
trend of en plein air painting;
 He identified and brought to
light the profound characteristic
values of the Romanian
spirituality;
 He was born in Pitaru, Dâmboviţa
County, Wallachia.
 In 1843 the family moved to
Bucharest.
 At a young age (between 1846 and
1850), he became an apprentice at
the workshop of the painter Anton
Chladek and created icons for the
church of Băicoi and the monastery
of Căldăruşani.
 In 1856-1857 he painted the new
church of Zamfira Monastery
(Prahova County), then, until 1861,
the church of Agapia Monastery.
 Attracted by the artistic outlooks of the Barbizon School, he
would settle down in this place, achieving his pictorial
education by assimilating the experience of such artists as
Jean-François Millet, Camille Corot, Gustave Courbet.
Maidens at the entrance
 In the autumn of 1861, young
Grigorescu left for Paris,
where he was admitted to the
School of Fine Arts, attending
Sébastien Cornu's workshop
(1804-1870), where he was a
fellow student of Auguste
Renoir (1841-1919).
 He participated in the Universal
Exhibition of Paris (1867) with seven
paintings, and exhibited the Young
Gypsy Girl painting at the 1868 at Paris
Salon.
 Grigorescu returned to Romania several
times and, starting with 1870, he
participated in the Living Artists'
Exhibitions and in those organized by
the Society of the Fine Arts' Friends.
 In 1873-1874, he took study trips to Italy
(Rome, Naples, and Pompei), Greece
and Vienna.
Young Gypsy Girl
The Fisherwoman in Granville
 The same originality is evident in his series of Carts Pulled by
Oxen, in the landscapes painted in the country or during his
journeys abroad (At Posada, Earthen House in the Forest,
Flower-strewn Path, The Fisherwoman in Granville, City
Crossroad at Vitré).
The Attack on Smârdan
 Aspects of a completely
original style and vision claim
recognition in his portraits,
in compositions inspired by
his experience of participating
in the War of Independence
(The Attack on Smârdan,
Soldier in the Cavalry Troops
on Horseback).
Nicolae Grigorescu caused a fundamental change
in the evolution of painting and artistic taste in
Romania. A strong and complex temperament,
lyrical through his nature, endowed with a
sensitivity that enabled him to adapt the poetic
idealization inspired by the Barbizon School to the
Romanian environment and landscape, he remains
the first Romanian painter of European circulation.
Sales prices for Grigorescu’s paintings increased from September 2010, when the famous “Ox cart“ was amounted to EUR
155,000 and then last year’s December when the “Shepherdess” was sold to EUR 175,000 at the Artmark auctions.
“Nicolae Grigorescu is Romanian with all his heart and throughout his work.
(…) His friendship with French artists failed to tear him away from Romanian
meditation, from the memory of doinas, from the image of the vast Danube Plain,
silvered with dust, from this sweet country of hillocks, with vineyards and shingle-
covered little houses.”
Henri FOCILLON
Ox cartShepherdess
 One of the best sopranos of the
world;
 She is following the tradition of
great Romanian opera singers
(Hariclea Darclée , Mariana
Nicolescu, Viorica Cortez etc.)
 Angela Gheorghiu was born on the
7th
of September, 1965 in Adjud,
Romania.
 She attended the Music School in
Bucharest and at the age of 14
enrolled at the Bucharest Music
Academy, where she studied with
the famous music teacher Mia
Barbu.At Peleş Castle, Romania, on
the 8th
of January 2013
 The same year, she debuted at the Metropolitan Opera in New
York, as Mimi in La Bohème and at the Vienna State Opera, as
Adina in L’Elisir d’Amore.
 Two years later, she imposed herself as one of the greatest
sopranos when she performed the Violleta role in La Traviata,
at the Royal Opera House.
 In 1992, she made her
international debut at the Royal
Opera House in London, as
Zerlina in Don Giovanni.
 Since then, she gave concerts in opera
houses and concert halls around the
world;
 Her opera repertoire includes roles
such as Mimi in La Bohème, Violetta
in La Traviata, Adina in L’Elisir
d’amore, Liù in Turandot, Micaela in
Carmen, Juliette in Roméo and Juliette,
Magda in La Rondine, Suzel in
L’Amico Fritz, Zerlina in Don
Giovanni, Manon in Manon and
Charlotte in Werther.
 Her discography primarily recorded
with EMI Classics and Decca includes
Angela Gheorghiu as Floria Tosca at
San Francisco Opera, November 2012
 Divorced from her first husband,
from whom she retained her
surname, Gheorghiu married tenor
Roberto Alagna in 1996.
 The couple have sung together often
on stage and on studio recordings. In
October 2009, Alagna said in an
interview in Le Figaro that he and
Gheorghiu had separated.
 However, in January 2013, she
announced that they had agreed to
divorce.
Angela Gheorghiu and
Roberto Alagna
 Ms. Gheorghiu was honoured with “La Medaille Vermeille de la Ville
de Paris” and she was appointed an “Officier de l’Ordre des Arts et
Lettres” and “Chevalier de l’Ordre des Arts et Lettres” by the French
Ministry of Culture and by her native country Romania.
 In December 2010 she was awarded the honorific title of “Doctor
Honoris Causa” by the University of Arts in Iasi (Romania) and the
“Star of Romania”, the highest decoration given by the by the President
of Romania.
 In October 2012 she was conferred the “Nihil Sine Deo” royal
decoration from His Majesty King Michael I for promoting Romanian
cultural values abroad.
 All these performances and recitals
have confirmed Ms. Gheorghiu’s
status as one of the most beloved
stars of opera.
Ro   personalities in arts

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Ro personalities in arts

  • 1. LLP Comenius Multilateral Partnership 2013-2015 Material prepared by: Mihaela Ţurcănaşu (Teacher of History) Daniela Livadaru (Teacher of Religion) Students: Sorana Tucaliuc – 12th Grade Ana Toporeţ – 11th GradeProject Meeting in Palermo, Italy - the 16th – the 21st of October 2014 -
  • 2.  one of the greatest composers of the 20th Century;  he was a violinist, pianist, conductor, and teacher as well;
  • 3.  Born on the 19th of August, 1881, in Liveni, Romania, he was considered a wonder child; as early as the age of five, he dreamed to be a composer;  He started his musical career very early, in 1886, at the advise of Eduard Caudella, composer and professor at the Conservatoire in Iasi; His first attempts as composer
  • 4.  Between 1888 and 1894, George Enescu was studying at the Vienna Conservatoire (the youngest student ever) with renowned professors of the time.  In 1891, the ten-year-old Enescu gave a private concert at the Court of Vienna, in the presence of Emperor Franz Joseph.  He continued his studies at the Paris Conservatoire (1895 – 1899) under the guidance of remarkable professors of violin, composition, harmony, andA virtuoso violin player
  • 5.  The four “school symphonies” date back from the period he spent studying in Paris, among which The Romanian Poem Op. 1 (1898) is the most famous one and brought the young composer the acknowledgement.  George Enescu participated in violin competitions at the Conservatoire in Paris, winning the second prize (1898) and the first prize (1899); for this, he was offered a precious Bernardel violin with his name engraved on it. He was “the only one [student] who truly had ideas and spirit.“ (André Gedalge, harmony teacher)
  • 6.  On the 6th of February 1898, at the age of only 16, George Enescu presented in Paris his first mature work, The Romanian Poem, played by the Colonne Orchestra (at the time, one of the most prestigious in the world) and conducted by Édouard Colonne.  The Romanian folk music was a source of inspiration for George Enescu, such as in The Romanian Rhapsodies (1901-1902) and in Sonata for Violin and Piano.
  • 7.  As a violin teacher, he mentored Yehudi Menuhin, who continued to cite Enescu as a major influence all his life, and other legendary players.  After the war, he resumed his tours as a violinist and a much-admired conductor in USA, Switzerland, France, Holland, Spain, Portugal, Canada etc.  An esteemed musicologist and a tireless organizer, he took on spectacular tasks such as forming a Philharmonic Orchestra, the Romanian National Opera and a Composers' Society in Romania. George Enescu in 1930
  • 8.  The international acknowledgement and fame brought George Enescu numerous occasions to give music interpretation courses, stylistic, analysis and musical forms classes worldwide.  Due to the Communist regime, George Enescu spent his last years in France.  On his death in 1955, George Enescu was interred in Père Lachaise Cemetery in Paris. Grave of George Enescu
  • 9.  The memory of the great Romanian musician is revived by the biannual International Festival that bears his name, as well as by symposiums taking place in Romania and abroad and, not in the least, by the specialized writings, the exhibitions, and the concerts organized by “George Enescu” National Museum in Bucharest.  Romania's greatest musical force and a significant mind of the 20th Century, George Enescu succeeded in incorporating Romanian spirituality into worldwide culture. He was "the most extraordinary human being, the greatest musician and the most formative influence.” Yehudi Menuhin
  • 10.  one of the most influential sculptors of the 20th Century;  a complex personality, he was a painter and photographer as well;
  • 11. In Paris, 1905  Born on the 19th of February, 1876, in Hobiţa, Romania, he displayed since childhood an aptitude for carving wooden tools.  His parents Nicolae and Maria Brâncuși were poor peasants who earned a meager living through back- breaking labour; from the age of seven, Constantin herded the family's flock of sheep.  Formal studies took him first to Bucharest , then to Munich, and to the École des Beaux-Arts in Paris from 1905 to 1907.
  • 12.  He worked for two years in the workshop of Antonin Mercié of the École des Beaux- Arts, and was invited to enter the workshop of Auguste Rodin;  After leaving Rodin's workshop, Brâncuși began developing the revolutionary style for which he is known. His first commissioned work, "The Prayer", was part of a gravestone memorial. It depicts a young woman crossing herself as she kneels, and marks the first step toward abstracted, non-literal representation; it shows his drive to depict "not the outer form but the idea, the essence of things“. Mademoiselle Pogany II, 1925 polished bronze
  • 13. Most works by Constantin Brâncuşi are currently exhibited in museums and top collections all over the world.
  • 14. Madame L.R.  ‘Head’, ‘Mademoiselle Pogany II’, ‘The Newborn’, ‘Sleeping Muse II’, and the ‘Fish’ are the five bronze masterpieces on display which testify to Brâncuşi’s unsurpassed sculptural frugality and witness how much he was inspired by the Romanian folk art and African sculpture.  As for his relevance in today’s art world, suffice it to say that on the 23rd of February 2009, his rare wooden ‘Madame L.R. ’ sculpture sold for $37.6 million at the Yves Saint Laurent/Pierre Bergé sale at Christie's in Paris, hitting number eight in the list of the ten highest prices ever paid for a sculpture as of November 2013. Sleeping Muse
  • 15. Endless Column  In 1938, he finished the World War I monument in Târgu-Jiu where he had spent much of his childhood. "Table of Silence", "The Gate of the Kiss", and "Endless Column" commemorate the courage and sacrifice of Romanian civilians who in 1916 fought off a German invasion. The restoration of this ensemble was spearheaded by the World Monuments Fund and was The Gate of the Kiss
  • 16. Fish, 1926 The Kiss “Simplicity is complexity resolved” “We do not see real life except by it’s reflection” wrote Brâncuşi in 1919. Brâncuși died on the 16th of March, 1957, aged 81. He was buried in the Cemetière du Montparnasse in Paris.
  • 17.  He looked for new means of expression and followed the trend of en plein air painting;  He identified and brought to light the profound characteristic values of the Romanian spirituality;
  • 18.  He was born in Pitaru, Dâmboviţa County, Wallachia.  In 1843 the family moved to Bucharest.  At a young age (between 1846 and 1850), he became an apprentice at the workshop of the painter Anton Chladek and created icons for the church of Băicoi and the monastery of Căldăruşani.  In 1856-1857 he painted the new church of Zamfira Monastery (Prahova County), then, until 1861, the church of Agapia Monastery.
  • 19.  Attracted by the artistic outlooks of the Barbizon School, he would settle down in this place, achieving his pictorial education by assimilating the experience of such artists as Jean-François Millet, Camille Corot, Gustave Courbet. Maidens at the entrance  In the autumn of 1861, young Grigorescu left for Paris, where he was admitted to the School of Fine Arts, attending Sébastien Cornu's workshop (1804-1870), where he was a fellow student of Auguste Renoir (1841-1919).
  • 20.  He participated in the Universal Exhibition of Paris (1867) with seven paintings, and exhibited the Young Gypsy Girl painting at the 1868 at Paris Salon.  Grigorescu returned to Romania several times and, starting with 1870, he participated in the Living Artists' Exhibitions and in those organized by the Society of the Fine Arts' Friends.  In 1873-1874, he took study trips to Italy (Rome, Naples, and Pompei), Greece and Vienna. Young Gypsy Girl The Fisherwoman in Granville
  • 21.  The same originality is evident in his series of Carts Pulled by Oxen, in the landscapes painted in the country or during his journeys abroad (At Posada, Earthen House in the Forest, Flower-strewn Path, The Fisherwoman in Granville, City Crossroad at Vitré). The Attack on Smârdan  Aspects of a completely original style and vision claim recognition in his portraits, in compositions inspired by his experience of participating in the War of Independence (The Attack on Smârdan, Soldier in the Cavalry Troops on Horseback).
  • 22. Nicolae Grigorescu caused a fundamental change in the evolution of painting and artistic taste in Romania. A strong and complex temperament, lyrical through his nature, endowed with a sensitivity that enabled him to adapt the poetic idealization inspired by the Barbizon School to the Romanian environment and landscape, he remains the first Romanian painter of European circulation.
  • 23. Sales prices for Grigorescu’s paintings increased from September 2010, when the famous “Ox cart“ was amounted to EUR 155,000 and then last year’s December when the “Shepherdess” was sold to EUR 175,000 at the Artmark auctions. “Nicolae Grigorescu is Romanian with all his heart and throughout his work. (…) His friendship with French artists failed to tear him away from Romanian meditation, from the memory of doinas, from the image of the vast Danube Plain, silvered with dust, from this sweet country of hillocks, with vineyards and shingle- covered little houses.” Henri FOCILLON Ox cartShepherdess
  • 24.  One of the best sopranos of the world;  She is following the tradition of great Romanian opera singers (Hariclea Darclée , Mariana Nicolescu, Viorica Cortez etc.)
  • 25.  Angela Gheorghiu was born on the 7th of September, 1965 in Adjud, Romania.  She attended the Music School in Bucharest and at the age of 14 enrolled at the Bucharest Music Academy, where she studied with the famous music teacher Mia Barbu.At Peleş Castle, Romania, on the 8th of January 2013
  • 26.  The same year, she debuted at the Metropolitan Opera in New York, as Mimi in La Bohème and at the Vienna State Opera, as Adina in L’Elisir d’Amore.  Two years later, she imposed herself as one of the greatest sopranos when she performed the Violleta role in La Traviata, at the Royal Opera House.  In 1992, she made her international debut at the Royal Opera House in London, as Zerlina in Don Giovanni.
  • 27.  Since then, she gave concerts in opera houses and concert halls around the world;  Her opera repertoire includes roles such as Mimi in La Bohème, Violetta in La Traviata, Adina in L’Elisir d’amore, Liù in Turandot, Micaela in Carmen, Juliette in Roméo and Juliette, Magda in La Rondine, Suzel in L’Amico Fritz, Zerlina in Don Giovanni, Manon in Manon and Charlotte in Werther.  Her discography primarily recorded with EMI Classics and Decca includes Angela Gheorghiu as Floria Tosca at San Francisco Opera, November 2012
  • 28.  Divorced from her first husband, from whom she retained her surname, Gheorghiu married tenor Roberto Alagna in 1996.  The couple have sung together often on stage and on studio recordings. In October 2009, Alagna said in an interview in Le Figaro that he and Gheorghiu had separated.  However, in January 2013, she announced that they had agreed to divorce. Angela Gheorghiu and Roberto Alagna
  • 29.  Ms. Gheorghiu was honoured with “La Medaille Vermeille de la Ville de Paris” and she was appointed an “Officier de l’Ordre des Arts et Lettres” and “Chevalier de l’Ordre des Arts et Lettres” by the French Ministry of Culture and by her native country Romania.  In December 2010 she was awarded the honorific title of “Doctor Honoris Causa” by the University of Arts in Iasi (Romania) and the “Star of Romania”, the highest decoration given by the by the President of Romania.  In October 2012 she was conferred the “Nihil Sine Deo” royal decoration from His Majesty King Michael I for promoting Romanian cultural values abroad.  All these performances and recitals have confirmed Ms. Gheorghiu’s status as one of the most beloved stars of opera.