Audience and industries
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This document discusses UK cinema admissions and audiences from 2001-2013. It finds that cinema admissions were generally steady over this period, declining slightly in recent years. London has the highest rate of cinema attendance. The gender of audiences depends on the genre, with action films tending to attract more male viewers. Television remains the most common way for people to watch films, though online viewing is growing in popularity, especially among teenagers. Technology like pirating poses challenges to the film industry's profits by providing alternatives to cinema viewing or paid streaming/downloading services. The most lucrative cinema audiences are males aged 15-24 who enjoy action films.
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Universal Pictures is an American studio owned by Comcast that produced box office hits like Jaws, E.T. and Jurassic Park. Fox Searchlight Pictures is a subsidiary of 20th Century Fox that has produced award-winning films including Slumdog Millionaire, which won Best Picture and earned over $377 million on a $15 million budget. Warner Bros is a major American studio that has distributed films in many genres such as Harry Potter, The Dark Knight, and Slumdog Millionaire. Lionsgate is a North American independent studio known for drama, horror, and action movies like Rambo, Saw, and Kick Ass.
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The document discusses the process of distributing a film production. It explains that distribution companies first establish a budget based on factors like the cast/crew, release timing, certification, audience research, and estimated rental fees from theaters. They then account for the cost of prints to determine how widely to release the film. Taking all factors into consideration, the distribution company sets a final budget and develops a marketing plan to promote the film to its target audience and convince them to see it opening weekend, when box office revenues will be highest.
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The document discusses the process of distributing a film production. It explains that distribution companies first establish a budget based on factors like the cast/crew, release timing, certification, audience research, and estimated rental fees from theaters. They then account for the cost of prints to determine how widely to release the film. Taking all factors into consideration, the distribution company sets a final budget and develops a marketing plan to promote the film to its target audience and convince them to see it opening weekend, when box office revenues will be highest.
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Film piracy involves illegally copying and distributing movies through various means. It is a popular way for people to access movies cheaper or for free, but it costs the film industry an estimated ยฃ500 million per year in lost revenue. While piracy provides free access to movies, it has significant negative consequences for the film industry through reduced profits. This can damage filmmakers' ability to fund future projects and put jobs in the film industry at risk long-term. Some evidence also suggests links between film piracy and organized crime or terrorist groups that use it to generate illegal profits.
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A paper presented at the Avishkar 2011 Competition held at Shivaji University, Kolhapur during the period of 13th January to 15th January 2012
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This document discusses the issue of film piracy in the UK and its effects. It provides information on what film piracy is, statistics on its prevalence in the UK, and discusses the short-term and long-term effects it has on the film industry. Specifically, it notes that almost 30% of the UK population watches pirated films online, costing the film industry ยฃ500 million per year. It also explains how film piracy reduces the potential earnings of films and can negatively impact future production budgets and employment in the industry over time.
Film Piracy Powerpoint
Film piracy involves illegally copying and distributing movies through various means. It has become popular in Britain as a cheap or free way to watch films. While it provides advantages to consumers, film piracy has negatively impacted the film industry over the past 5-10 years by reducing profits, potentially leading to higher prices, lower quality films, and job losses in the long term as funding for projects decreases. Examples of short term effects include lost potential earnings from blockbuster films and fewer people watching in cinemas.
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This document provides guidance and sample questions for a film studies exam revision session. It outlines the exam format, including section lengths and assessment criteria. Sample questions are provided for two sections: Section A focuses on representation, messages/values, genre, narrative, and style in two contemporary English language films - Super 8 and Moonrise Kingdom. Section B covers key contexts and topics for cinema in context, including the rise of the blockbuster, developments in digital cinema and the internet, and the 3D revival. Guidance is given on expected responses, including referencing relevant frameworks, films, and technical analysis.
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The document provides guidance for answering an essay question on two contemporary English language films, Super 8 (2011) and Moonrise Kingdom (2012). It outlines the assessment criteria and advises discussing representation, messages/values, genre, narrative, theme, or style in the films using detailed analysis of cinematography, editing, sound, and mise-en-scene. Key points of analysis for the films are provided for each concept.
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The Dark Knight had an elaborate viral marketing campaign to promote the film. Warner Bros. created fake websites related to the plot and characters that fans could interact with online. They also held real-world scavenger hunts where fans searched cities for clues. This generated buzz and encouraged fans to share information about the film through word-of-mouth and online discussions. The viral campaign helped The Dark Knight become a box office success and one of the most profitable superhero films ever made.
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This document discusses film consumption patterns in the UK. It finds that on average Brits watch almost 7 films per month through various platforms like cinema, TV, DVDs, and online/mobile devices. Younger demographics aged 7-34 make up 64% of cinema audiences. In 2009, most film viewings (75%) occurred on TV, followed by DVD (20%), cinema (4%), and video-on-demand (1%). However, illegal piracy remains a major issue, with 95 million films downloaded illegally in the UK in 2007 compared to just 158,000 legal downloads. Efforts are underway to promote legal online options to combat piracy.
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The document discusses several key aspects of the British film industry in 2013:
1) The UK film industry generated over ยฃ4 billion in revenues and contributed ยฃ2.9 billion to the British economy. UK films earned 11.4% of the global box office, down from 15% the prior year.
2) Data showed UK films had an 8% market share in China and 12% in Russia, earning $266 million and $164 million respectively in these growing markets.
3) Animation was the highest earning genre in the UK in 2013, accounting for 21% of box office receipts despite being only 5% of releases.
4) Tax relief plays a major role in attracting international productions
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The overall trend in UK film consumption has increased since 2002, as evidenced by the rising number of cinema sites. Films are most popular among those aged 15-25 and 30+, while both males and females watch films depending on the intended audience. The majority of UK film audiences are white. Technology plays a significant role in how people access films, through online streaming/rental services and television, reducing cinema admissions. Larger Hollywood studios produce the most popular films in the UK. The types of films enjoyed depends on the audience's socioeconomic group.
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This document discusses various aspects of film exhibition and consumption, including:
1) Traditional theatrical exhibition in cinemas is the main distribution model, but new technologies like home cinema and digital media are providing alternative models of consumption.
2) Multiplex cinemas with multiple screens are now common and can accommodate large audiences, while independent theaters face challenges in marketing themselves and competing.
3) Factors like the growth of home entertainment options on disc and digital formats are changing audience viewing habits and posing challenges for theatrical exhibition. Exhibitors are trying different strategies to adapt to these trends.
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The document discusses the impact of streaming services like Netflix, Hulu, and Amazon Prime Video on the traditional movie theater industry. It notes that the popularity and convenience of streaming services has led many people to watch movies and shows at home instead of in theaters, resulting in declining theater attendance. The shift toward streaming was further accelerated by the COVID-19 pandemic, which forced theater closures and made home entertainment more appealing. Research in the document found viewers strongly prefer streaming services over theaters due to their convenience and lower costs compared to going to the movies.
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This document discusses various aspects of film exhibition and consumption, including:
1) Traditional theatrical exhibition in cinemas is the main initial way films reach audiences, but new home technologies now provide alternative options.
2) Multiplex cinemas with multiple screens are now common and can accommodate thousands of people, while independent theaters face challenges in marketing themselves differently.
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This document provides an overview of the film industry, including production, distribution, and exhibition. It discusses how a small number of major film distributors dominate the UK market and primarily distribute Hollywood blockbusters. This limits the variety of films shown in cinemas. Despite increasing screens, fewer films are being distributed. Digital distribution is important for independent films as it reduces costs compared to physical film prints. Hollywood films are very popular in the UK market, but this dominance poses challenges for British film producers.
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The TV landscape has changed significantly in recent years with the rise of streaming services like Netflix and new ways to watch TV. A recent survey found that Netflix and YouTube are now among the top networks for total hours watched per week and are considered two of the coolest brands, surpassing many traditional networks. While live TV viewing is still preferred overall, 4 in 10 viewers now prefer watching on demand or delayed, with Millennials being more likely to watch this way than older generations. However, most people still prefer to watch TV shows on their TV set rather than other devices. The shift to new viewing options has allowed for more binge watching of shows.
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This document provides information on various case studies of films, including their production budgets, release dates, producers, distributors, and box office performance in the UK. It compares lower budget independent films like "The Angels Share" and "A Field in England" to larger blockbuster films like "Taken 2" and "Man of Steel." The independent films struggled at the UK box office due to limited distribution and screenings, but used alternative distribution methods like video-on-demand to find audiences. In contrast, the blockbuster films were hugely successful in theaters due to widespread distribution through major studios and large marketing campaigns. The document also provides context on trends in the UK film industry and changing technologies.
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This document provides definitions and examples of key terms related to the film industry. It discusses concepts like vertical integration, where a company owns different parts of the production and distribution process. It gives examples of major studios like Disney and mini-majors like Lionsgate. It also examines how technological changes have led to convergence, with films being distributed through multiple platforms. Examples are given of both large Hollywood films and smaller independent British films.
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The document discusses the British film industry, including the organizations that oversee its production and promotion, major production companies, and how British films compete globally. It provides statistics on box office performance of various films in the UK and discusses how genres and movie stars are used to appeal to audiences and ensure box office success. It highlights the critical and commercial success of Slumdog Millionaire as an example of an internationally successful British film.
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Advancements in viewing technology and increased competition for eyeballs have resulted in a more fragmented environment where consumers can watch TV from a wide array of devices and access content from countless sources. Led by certain segments of the population, most notably Millennials, consumers have quickly adapted to this new environment and are drastically changing their viewing patterns at an accelerating rate. In this report, we asked more than 1,000 Americans about their TV viewing behaviors to provide context for the shifts in their consumption habits and better understand viewing audiences.
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This document discusses the rapid digitization of UK cinema screens between 2010-2013, with nearly 40% digital in 2010 and a projected 90% by end of 2012. It also notes the importance of community cinemas in providing communal experiences and access to films. The conclusion recommends increasing access to British and specialized films across the UK, and supporting local film societies. Key recommendations include recognizing the goal of connecting wide UK audiences with a range of films, tackling copyright infringement, balancing BFI funding between production and culture, incentivizing producer-distributor partnerships, and supporting inward film investment.
The uk film industry as film studies
Here is a draft response to the question using the provided material and case studies:
There are several key factors that influence the kinds of films that get made today. One major influence is the target audience and who is most likely to see films in cinemas. As shown in the table of cinema-going by age, the largest audience is those aged 15-24, which is the target demographic for many blockbuster films.
Properties that already have brand recognition and a built-in fanbase are attractive to studios as they are seen as less risky investments. For example, the Hannah Montana website example demonstrates the huge popularity of that franchise among young girls. Similarly, the X-Men comic and films show how comic book properties with loyal
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This document provides an overview and analysis of the film industry in the UK in 2012. Some key points:
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- UK cinema admissions totalled 172.5 million, the third highest in the past 40 years, showing the resilience of theatrical exhibition.
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Preparing for q1a r&p
- Research is important before making a media production to understand the product and industry conventions as well as how the production fits in the market.
- Different types of research include primary, secondary, qualitative, and quantitative research. Forms of research include internet research, focus groups, interviews, and book research.
- Internet research and focus groups were the most useful forms of research for understanding genre conventions and getting audience feedback to develop plans.
G325 scetion b mark scheme
This document outlines a mark scheme for assessing responses to a question about media theory. It divides responses into four levels based on explanation/analysis/argument, use of examples, and use of terminology. Level 1 answers lack clarity or relevance and make minimal use of theory. Level 2 answers show basic understanding but limited relevance, examples, history, or future discussion. Level 3 answers are clearly relevant and develop a proficient argument using examples, history and the future. Level 4 answers offer a clear and fluent discussion integrating theory, examples, history and the future throughout the response.
Theorist fact files
Web 2.0 has had a huge impact by enabling user generated content, wisdom of crowds, vast data, participation architecture, network effects and openness. It has shifted culture and economy away from mainstream products towards niche markets in the "long tail". Examples include niche games online rather than console games, and niche films on sites like Kickstarter rather than mainstream films in stores. More people can now participate in and contribute to culture online through collaboration and sharing. Examples include music streaming sites like iTunes where people can publish, buy and comment on music.
Web 2.0 six big ideas
Web 2.0 has led to an ever-increasing amount of data online from both professional producers and consumers. This data is highly valuable to many web applications but some fear we may drown in data. Web 2.0 also utilizes the "wisdom of crowds" where large groups of internet users can collaboratively create accurate information like on Wikipedia. Many web 2.0 sites also use open collaboration models like wikis and blogs that allow open participation. As more people use networks, their value increases through network effects and users are more likely to find useful information due to power laws and the long tail effect.
History of internet
The document provides a brief history of the development of the Internet from its origins in the 1960s with ARPANET to modern technologies and websites. It traces major developments like the creation of email in 1971, the world wide web in 1991, popularization of web browsing in the 1990s, and the rise of social media sites from the 2000s like Facebook, YouTube, and Twitter. The document also includes definitions of Web 2.0 that emphasize user interactivity, collaboration, and sharing of user-generated content online.
Evaluation question 2 (A2)
The document summarizes the creation and evaluation of promotional materials for a teen drama film, including a teaser trailer, poster, and magazine cover. The key elements that linked the materials together included consistent fonts, color schemes, characters, and slogans. Audience feedback indicated the poster was most effective at promoting the film due to its bold design and appeal to the target genre, while the magazine cover was less successful and could be improved by incorporating consistent colors and links to drive online engagement. Overall, the typography and color schemes best conveyed the connection between the promotional pieces, according to feedback.
Image manipulation 2
These images are suitable for magazine covers and thumbnails as they were taken with natural or film noir lighting fitting the realistic or thriller tones. The costumes, props, and expressions fit the genres portrayed. When editing the images, techniques used included removing backgrounds, airbrushing faces, removing red-eye, adding blurs to make certain elements stand out, adjusting saturation, and shaping thumbnails into circles. Stickers were also edited by rotating, selecting parts to peel up, adding shadows and warps to make them appear folded.
Image manipulation
These images are suitable for magazine covers and thumbnails based on their lighting and composition. The first three images taken in natural lighting would work well as main covers, while the fourth noir-style image could be used as a thumbnail. The costumes, props, and expressions capture the tone of the portrayed film well.
Production diary
The document describes the steps taken to design a magazine cover in Adobe InDesign. These steps include:
1) Creating a silver border and pale blue background rectangle.
2) Inserting a masthead created using Dafont and placing it on the background.
3) Adding a barcode and information box created from an online generator.
4) Adding a tagline above the masthead using alternating colors.
5) Using a bucket list image to create a gradient effect on the masthead.
6) Adjusting and placing the main text block.
Task 1
This document defines key terms used in magazine design and layout. The masthead contains the magazine title and is the most eye-catching element. Cover lines draw audience attention and inform them of magazine contents. The main cover line anchors the meaning of the main image, usually featuring the lead article. Additional design elements include thumbnail images to generate interest, buzzwords to attract attention, and information bars with issue details. Header and footer bars highlight magazine content.
Test shot 9
This shot was taken for camera set-up and evaluation purposes. The lighting in the shot was deemed to be bad, and the content cannot be seen clearly. The lighting of the scene will need to be reconsidered for the actual production.
test shot 8
This shot shows characters on a sofa near a computer by a window and is an interesting angle, but the camera may need adjusting to be properly framed. Pairing this shot with another could make the activity clearer, and a similar shot will likely be used in the production.
Test shot 7
This scene shows characters running towards the camera near a lake and provides some context for their actions, but it may need to be paired with another shot of them jumping in the lake to make their purpose clear. The shot is also a bit long so it would need to be shortened if used. Overall, it is likely this shot will be used in the production.
Test shot 6
This shot shows characters completing an activity by a lake but the zoom is not successful and the clip is too long for a teaser trailer where clips should be short. While the shot will likely be used in the production, the distance will need adjustment and the zoom will need more care.
Test shot 5
This shot is suitable for their video blog because it shows both the person participating in the activity of skateboarding and the other person filming, clearly establishing that they are making a video blog. It also has good framing that captures both the skateboarder and the skateboard in the shot. They will likely use similar scenes in their own production.
Test shot 4
This shot is suitable for the production as the camera angle shows another character recording the event. There is good framing and focus on the main character Bethany. The shot length is also suitable for a teaser trailer as it isn't too long. This shot will likely be used in the production.
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(๐๐๐ ๐๐๐) (๐๐๐ฌ๐ฌ๐จ๐ง ๐)-๐๐ซ๐๐ฅ๐ข๐ฆ๐ฌ
๐๐ข๐ฌ๐๐ฎ๐ฌ๐ฌ ๐ญ๐ก๐ ๐๐๐ ๐๐ฎ๐ซ๐ซ๐ข๐๐ฎ๐ฅ๐ฎ๐ฆ ๐ข๐ง ๐ญ๐ก๐ ๐๐ก๐ข๐ฅ๐ข๐ฉ๐ฉ๐ข๐ง๐๐ฌ:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
๐๐ฑ๐ฉ๐ฅ๐๐ข๐ง ๐ญ๐ก๐ ๐๐๐ญ๐ฎ๐ซ๐ ๐๐ง๐ ๐๐๐จ๐ฉ๐ ๐จ๐ ๐๐ง ๐๐ง๐ญ๐ซ๐๐ฉ๐ซ๐๐ง๐๐ฎ๐ซ:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
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ูุฑ ุจุณูููู.pdf
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ูุฑ ุจุณูููู.pdfุณู
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Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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skeleton System.pdf (skeleton system wow)
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2- ุชุญุชูู ุนูู 78 ุฑุณู
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Audience and industries
- 2. UK Cinema Admissions In the period between 2001 โ 2013, the number of Cinema admissions was generally steady with slight dips and inclines in certain periods. The 165.5 million cinema tickets sold in the UK in 2013 represented a 4% decline from the number of admissions in 2012.
- 3. Audience According to BFI the region where cinema is most popular is around London
- 4. Gender
- 5. The gender depends on the gender of the film as different genres attract different genders. Table 15.7 Audience gendersplit,2013 top 20 filmsand top UK films Significantgreater male audience share Male % Female % CaptainPhillips(UK) 69 31 Star Trek IntoDarkness 69 31 AlanPartridge:AlphaPapa(UK) 69 31 Man of Steel 68 32 DjangoUnchained 68 32 Kick-Ass2(UK) 67 33 Significantgreater female audience share Male % Female % One Direction:ThisIsUs (UK) 15 85 AboutTime (UK) 27 73 Frozen 34 66 Sunshine onLeith(UK) 35 65 Les Misรฉrables(UK) 39 61 Philomena(UK) 39 61 Genderdifference notsignificant Male % Female % Filth(UK)1 61 39 Rush(UK) 59 41 Trance (UK) 52 48 Wreck-ItRalph 49 51 The Hunger Games:CatchingFire 48 52 Jack the Giant Slayer(UK) 47 53
- 6. Genre and Ratings In 2013 with gross box office, action is the most popular genre in the UK. Most films that did best in box office were rated 15.
- 7. 0 5 10 15 20 25 30 Action Animation Comedy Documentary Fantasy Music/dance Sci-fi War %ofboxoffice All films UK films UK independent films
- 9. Top 20 film in the UK box office 1989 - 2013
- 10. Exhibition Most people watch films on the TV over other forms of exhibition
- 11. Promotion Table 9.9 Estimated advertising spend, 2003 and 2007-2013 (ยฃ million) Medium 2003 2007 2008 2009 2010 2011 2012 2013 TV 61.2 74.1 79.3 74.3 76 90.8 89.1 89.2 Outdoor 46.6 65.3 56.2 57 61 69.1 67.2 71.2 Press 30.1 27 22.6 19.9 19.9 22 21.5 20.7 Radio 9.7 8.4 9.4 10.7 7.6 6.8 6.8 5.9 Internet - 4.7 4.5 6.4 6.1 8.5 4 2.5 Total 147.6 179.5 172 168.3 170.6 197.2 188.6 189.4
- 12. Technology Figure 12.4 Claimedconsumptionofaudiovisual content by online viewersaged15+ 0 10 20 30 40 50 60 Video clips either streamed or downloaded Catch up TV services either streamed or downloaded TV and film services eg Netflix/LOVEFiLM % % of online viewers
- 13. Analysis - Which audience groups are the most lucrative? The audience that would bring most profit from box office are those who enjoy genres such as Action as this was the most profitable genre in past years. The most profitable age range for the UK would be 15 โ 24 and these are majority male. The most lucrative socio-economic group is C1 โ lower middle class. These are due to the interests of the age group as well as having a lot of disposable income
- 14. Analysis - What strategies should be used to promote films? Due to age of the most lucrative audience the most successful methods of promotion would be social media and in cinemas as these are common interests in that audience. The most common form of advertising in 2013 was televisions as it can reach a wide audience.
- 15. Analysis - The importance of technology now and in the future Online viewing is becoming a popular form of exhibition especially with teenage audience. Pirating is making profit difficult as many can just watch the films which causes a decline in the overall profit of films and the industries. More people now watch movies on the go instead of going to the cinema by using websites such as Showbox and Netflix.