Assignment 4 a – investigating digital audio recording techniques
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This document discusses different types of audio that can be used in media. It begins by listing common audio categories like dialogue, effects, and music. It then discusses how these audio types are used across various media sectors such as broadcast, film, games, and more. Specific examples are provided from movie trailers to illustrate how different sounds create certain moods and purposes. Recommendations for audio in children's books emphasize using a calm voice and background music or sound effects to enhance the listening experience.
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Audio pro forma
The document analyzes three audio productions - the radio drama "The Archers", a haunted house soundscape, and an episode of "Doctor Who" - examining how each uses sound effects and music to set the atmosphere and advance the story. Key details analyzed include the use of background noises, music, and distorted sounds to create different moods and settings across the productions.
Audio pro forma
A man named Matt enters an abandoned house searching for his missing sister. When he enters, the door slams shut behind him, trapping him inside. He hears his sister's voice calling for help from the basement. Upon finding the basement, Matt discovers a horrific scene - a giant heart on the ceiling that turns to reveal a demonic face. The demon explains that it has consumed the souls of people for 40 years, merging their consciousnesses into one being. Matt realizes he must escape and end the demon's terror.
Audio task 2 2021
The student has chosen to base their audio story project on the story "The Hitchhiker". They plan to use a narration format which will allow creative freedom and the use of sound effects and music to build tension. Their preliminary title and logline is "The West Woods", about a veteran encountering a psycho killer in the woods. They have initial ideas for incorporating sound effects and storytelling techniques at different stages of the plot. While excited, they also feel nervous about the editing process and plan to do more research on sound recording and script construction.
Timeline of an opening
The document outlines conventions for film openings, specifically horror genre openings. It discusses how openings are used to engage audiences and provide hints about the narrative. Horror openings typically include tense, unsettling music to create mood and intrigue audiences. They often feature red-colored text and bloody imagery in the credits to signal to viewers that the film will be scary rather than happy. As an example, it analyzes the opening sequence of "The Conjuring," which uses a slow-paced montage of old pictures and articles set to tense, creepy music that gets louder and more intense, abruptly stopping at the end.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Research into specific features - sound
This document discusses different types of sound that can be used in horror movie trailers. It defines diegetic sound as sounds the characters can hear within the reality of the story. Non-diegetic sounds include soundtracks and scores that accompany the scenes but are not part of the fictional world. Voiceovers are another non-diegetic technique where a narrator speaks over scenes. After researching these sound techniques and composing own horror sounds, the author prefers using non-diegetic music rather than diegetic sounds in trailers to create more suspense.
Diegetic and non diegetic sounds
Diegetic sounds originate from within the scene and are naturally occurring, like character voices or object sounds. Non-diegetic sounds are added in post-production and don't originate from within the scene, like narration, music, or amplified sound effects. The distinction depends on the audience understanding of natural versus added sounds, and diegetic and non-diegetic conventions can be used to surprise audiences, as in comedies. Footsteps in a chase scene would be non-diegetic and recreated/amplified in post, to create a sense of panic for characters fleeing. Background music is also non-diegetic and meant to represent the teens' lives in the full film.
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Audio pro forma
The document analyzes three audio productions - the radio drama "The Archers", a haunted house soundscape, and an episode of "Doctor Who" - examining how each uses sound effects and music to set the atmosphere and advance the story. Key details analyzed include the use of background noises, music, and distorted sounds to create different moods and settings across the productions.
Audio pro forma
A man named Matt enters an abandoned house searching for his missing sister. When he enters, the door slams shut behind him, trapping him inside. He hears his sister's voice calling for help from the basement. Upon finding the basement, Matt discovers a horrific scene - a giant heart on the ceiling that turns to reveal a demonic face. The demon explains that it has consumed the souls of people for 40 years, merging their consciousnesses into one being. Matt realizes he must escape and end the demon's terror.
Audio task 2 2021
The student has chosen to base their audio story project on the story "The Hitchhiker". They plan to use a narration format which will allow creative freedom and the use of sound effects and music to build tension. Their preliminary title and logline is "The West Woods", about a veteran encountering a psycho killer in the woods. They have initial ideas for incorporating sound effects and storytelling techniques at different stages of the plot. While excited, they also feel nervous about the editing process and plan to do more research on sound recording and script construction.
Timeline of an opening
The document outlines conventions for film openings, specifically horror genre openings. It discusses how openings are used to engage audiences and provide hints about the narrative. Horror openings typically include tense, unsettling music to create mood and intrigue audiences. They often feature red-colored text and bloody imagery in the credits to signal to viewers that the film will be scary rather than happy. As an example, it analyzes the opening sequence of "The Conjuring," which uses a slow-paced montage of old pictures and articles set to tense, creepy music that gets louder and more intense, abruptly stopping at the end.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Sound planning
The document discusses non-diegetic sounds that will be used in the opening of a horror film, including production company sound, theme tune, eerie music, and heartbeat sounds. It notes that some sounds will be self-recorded while others will come from free sound effect websites. The use of sounds in horror films adds suspense, tension, and draws the audience into the action by contributing to the atmosphere and scene. Examples are given of how different horror films utilize diegetic and non-diegetic sounds differently.
Research into specific features - sound
This document discusses different types of sound that can be used in horror movie trailers. It defines diegetic sound as sounds the characters can hear within the reality of the story. Non-diegetic sounds include soundtracks and scores that accompany the scenes but are not part of the fictional world. Voiceovers are another non-diegetic technique where a narrator speaks over scenes. After researching these sound techniques and composing own horror sounds, the author prefers using non-diegetic music rather than diegetic sounds in trailers to create more suspense.
Diegetic and non diegetic sounds
Diegetic sounds originate from within the scene and are naturally occurring, like character voices or object sounds. Non-diegetic sounds are added in post-production and don't originate from within the scene, like narration, music, or amplified sound effects. The distinction depends on the audience understanding of natural versus added sounds, and diegetic and non-diegetic conventions can be used to surprise audiences, as in comedies. Footsteps in a chase scene would be non-diegetic and recreated/amplified in post, to create a sense of panic for characters fleeing. Background music is also non-diegetic and meant to represent the teens' lives in the full film.
Lesson 4 sound in tv drama
Diegetic sounds originate from within the scene and can be heard by the characters, while non-diegetic sounds are added in post-production and can only be heard by the audience. Sound is important to drama because it helps viewers understand the plot and suggests what is happening, even without visuals. Different genres of TV drama call for specific types of non-diegetic music, such as hospital dramas using somber music or police dramas employing suspenseful music.
Diegetic and non diegetic sound
The document discusses diegetic and non-diegetic sounds in films. It provides examples of each type of sound: diegetic sounds come from visible or implied sources on screen, like dialogue, footsteps, or music from a radio, while non-diegetic sounds do not come from sources on screen, such as music or narration added to set the mood. The document also explains how diegetic and non-diegetic sounds are often combined in scenes to both convey what is happening and how characters feel about it.
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The document discusses the importance of sound in film. It explains that a film's sound track is comprised of three essential elements: human voice, sound effects, and music. These three elements must be carefully mixed and balanced to effectively convey meaning, emotion, and narrative. The document then provides examples and explanations of different types of sounds used in films, including diegetic sounds, non-diegetic sounds, dialogue, silence, and music.
Evaluation question 1
This document provides an evaluation of a film opening sequence that was inspired by psychological horror films like "The Orphan" and "The Ring". It summarizes the key techniques used in the opening including: low-key lighting, a costume to convey the protagonist's isolation, non-diegetic sounds and asynchronous sounds from other horror films, a slow-paced editing style with flashbacks, and camera work like blurred shots and canted angles to imply mental instability. The goal was to challenge conventions and codes of the horror genre to create an unsettling sequence that leaves the audience with questions.
Use of music and sound in horror
Music plays an important role in horror by helping set the mood for audiences and hinting at upcoming events. Isolated instruments, long suspenseful notes, and extreme changes in pitch are commonly used techniques. Sound effects like bats, owls, and church bells also contribute to the horror genre by establishing an unsettling atmosphere. Echoed voices can intensify tension by sounding ghostly. Voices are employed to elicit emotions of fear from audiences as well, with distinctive or intimidating tones standing out among other characters.
Evaluation question 1
The document provides an evaluation of a film opening sequence that was inspired by psychological horror films like "The Orphan" and "The Ring". It summarizes the key techniques used in the opening to develop conventions of the horror genre. These include using low-key lighting, asynchronous sounds and a creepy soundtrack to set an ominous tone. Slow-paced editing with blurred shots was employed to build tension and mystery around an unstable female protagonist. Costuming and mise-en-scene clues also subtly conveyed her abandoned mental state within the confines of a hospital setting.
Q1
The document discusses how the media product uses and develops conventions of real media openings. It introduces the protagonist briefly while also showing the location, hinting at a backstory through old family photos. Eerie shots and a color scheme of black, white and red establish a mood, as do sound effects and scary music. A voiceover at the end sounds shocked and scared, setting the tone and emphasizing the genre of horror.
Summary of trailers
Trailers typically follow a three-part structure: establishing equilibrium by showing characters enjoying life, introducing disequilibrium through a problem that changes everything, and not revealing the new equilibrium as it is meant to entice viewers to watch the film. They are usually 2-3 minutes long to avoid giving too much away and use different songs - one upbeat at first and then a more tense one when problems occur. Editing is slow at first but speeds up when issues are discovered, mirroring the pace of the soundtrack to effectively set the mood and build tension.
Sound research
This document discusses different audio production techniques used in film, including foley effects, voice overs, and uses of non-diegetic sound. Foley effects recreate everyday sounds during post-production to enhance realism. Voice overs provide commentary or narration to give the audience additional perspective. Non-diegetic sound is added to film trailers to build tension, atmosphere, and establish plot details without being part of the visual story.
Sound planning
The document discusses the use of diagetic and non-diagetic sounds in horror film openings. It lists non-diagetic sounds that will be used such as theme music and eerie music. Both recorded and free online sounds will be used. Silence can also be effective at adding suspense. Different films use different balances of diagetic and non-diagetic sounds to immerse the audience or create strange atmospheres.
Sound for movies
Diegetic sounds originate from visible on-screen sources and are audible to both characters and viewers, such as dialogue, footsteps, or music playing from a radio. Non-diegetic sounds do not have a visible on-screen source and are only audible to viewers, used to create atmosphere, mood, or narrate the storyline. Examples include background music or sounds added during editing. The Rear Window opening uses diegetic music from a radio. Baby Driver uses the protagonist's headphones to transition non-diegetic singing into diegetic sound.
Understanding the soundtrack - Lights out
The document analyzes the soundtrack used in a movie trailer for "Lights Out." It describes how different sounds are used to set the scene, build suspense, reinforce the title, inform about characters, and set the tone. Dialogue from the trailer also helps summarize the plot about a woman who appears in the dark and feeds on people's fear.
Attract Audience
The document discusses how the filmmakers attracted and addressed their target audience of teens and young adults. They included characters of both genders to appeal to different audiences. The main character, Tabitha, is around the same age as the target audience and shares similar interests like partying and drinking to allow audiences to relate to her. Scenes were filmed in a studio with dark lighting for the climax stalking scene and in a house to depict a party atmosphere contrasting with the dark, tense street scenes. The soundtrack used eerie music for tense moments and loud party music that was muffled to convey the protagonist's feelings after being drugged. The titles had sharp, black and white lettering with red for blood to match the
Media Sound Types
This document defines and provides examples of different types of sound that can be used in films, including diegetic sound, non-diegetic sound, crescendos, diminuendos, and sforzandos. Diegetic sound comes from within the scene, while non-diegetic sound is added later. Crescendos build sound or music to imply something is about to happen, diminuendos allow sound or music to die down when a threat is gone, and sforzandos are short, loud noises used to emphasize shock or fear. Examples from films like Psycho, Jaws, The Godfather, CSI, and Paranormal Activity are provided.
Ict script
This script is about bullying and its harmful effects. It includes sound effects to set the scene of a girl getting ready at her locker when a bully insults her shirt and laughs at her. The girl is then heard weeping in pain after the incident. The narrator concludes by saying bullying has led to many teen suicides and warns that words have consequences, calling for an end to bullying before it's too late. The summary is in 3 sentences.
Walid ali work (W.A)
The document defines key terms related to understanding movie trailers including: narrative, age rating, actor's names, music, cliff hangers, references, narration, narrative exposition, genre, release date, exciting scenes, reviews, movie production details, genre-appropriate music, other works by the director, and institutional accolades/references. It also notes that trailers typically include the cast at the end.
Sound
Diegetic sounds occur naturally within a scene, while non-diegetic sounds are added later for effect. Sound effects add depth and realism, while sound motifs accompany characters. Sound bridges smoothly transition between diegetic and non-diegetic sound or between scenes. Dialogue consists of spoken words, and voiceovers feature spoken narration over images. Sound mixing combines multiple sounds, and perspective influences how sounds are heard.
Presentation lovefield
The document discusses how editing and sound techniques in a film create tension and mislead audiences. Specifically, it describes how quick, sharp shots after a supposed murder were used to stimulate tension and imply urgency. Additionally, tense music and jolting sounds led audiences to believe the film was a thriller where something bad occurred between the two characters.
Presentation of history and development editing
The document discusses the development of digital video editing technology from linear to non-linear methods. It describes how early linear editing required physically cutting and splicing film or videotape. The introduction of non-linear editing using computers in the 1990s allowed editors to access any frame in a digital video clip regardless of sequence and make edits, changes, and additions more easily without having to redo physical cuts. Non-linear editing revolutionized the video editing process by making it digital and non-sequential.
Sound in films
This document discusses different types of sound that can be used in films, including diegetic sound which comes from within the scene, non-diegetic sound which is added in post-production, crescendos which build up to signal something is about to happen, diminuendos which die down to suggest a threat has passed, and sfortzandos which emphasize shock or fear with a short, sharp loud noise. Examples are provided for each type of sound.
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sound in film is very important so if we have a good film with sound problem it will be judged as a bad film
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This document defines key technical terms related to four areas of filmmaking: camera work, editing, sound, and mise-en-scene. It provides definitions for various shots, angles, movements, cuts, transitions, sound elements, and aspects of production design. Terms defined include establishing shot, close-up, pan, dissolve, diegetic sound, soundtrack, set design, lighting, and more. The glossary offers concise explanations of essential cinematic techniques.
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Diegetic sounds originate from within the scene and can be heard by the characters, while non-diegetic sounds are added in post-production and can only be heard by the audience. Sound is important to drama because it helps viewers understand the plot and suggests what is happening, even without visuals. Different genres of TV drama call for specific types of non-diegetic music, such as hospital dramas using somber music or police dramas employing suspenseful music.
Diegetic and non diegetic sound
The document discusses diegetic and non-diegetic sounds in films. It provides examples of each type of sound: diegetic sounds come from visible or implied sources on screen, like dialogue, footsteps, or music from a radio, while non-diegetic sounds do not come from sources on screen, such as music or narration added to set the mood. The document also explains how diegetic and non-diegetic sounds are often combined in scenes to both convey what is happening and how characters feel about it.
Film sound
The document discusses the importance of sound in film. It explains that a film's sound track is comprised of three essential elements: human voice, sound effects, and music. These three elements must be carefully mixed and balanced to effectively convey meaning, emotion, and narrative. The document then provides examples and explanations of different types of sounds used in films, including diegetic sounds, non-diegetic sounds, dialogue, silence, and music.
Evaluation question 1
This document provides an evaluation of a film opening sequence that was inspired by psychological horror films like "The Orphan" and "The Ring". It summarizes the key techniques used in the opening including: low-key lighting, a costume to convey the protagonist's isolation, non-diegetic sounds and asynchronous sounds from other horror films, a slow-paced editing style with flashbacks, and camera work like blurred shots and canted angles to imply mental instability. The goal was to challenge conventions and codes of the horror genre to create an unsettling sequence that leaves the audience with questions.
Use of music and sound in horror
Music plays an important role in horror by helping set the mood for audiences and hinting at upcoming events. Isolated instruments, long suspenseful notes, and extreme changes in pitch are commonly used techniques. Sound effects like bats, owls, and church bells also contribute to the horror genre by establishing an unsettling atmosphere. Echoed voices can intensify tension by sounding ghostly. Voices are employed to elicit emotions of fear from audiences as well, with distinctive or intimidating tones standing out among other characters.
Evaluation question 1
The document provides an evaluation of a film opening sequence that was inspired by psychological horror films like "The Orphan" and "The Ring". It summarizes the key techniques used in the opening to develop conventions of the horror genre. These include using low-key lighting, asynchronous sounds and a creepy soundtrack to set an ominous tone. Slow-paced editing with blurred shots was employed to build tension and mystery around an unstable female protagonist. Costuming and mise-en-scene clues also subtly conveyed her abandoned mental state within the confines of a hospital setting.
Q1
The document discusses how the media product uses and develops conventions of real media openings. It introduces the protagonist briefly while also showing the location, hinting at a backstory through old family photos. Eerie shots and a color scheme of black, white and red establish a mood, as do sound effects and scary music. A voiceover at the end sounds shocked and scared, setting the tone and emphasizing the genre of horror.
Summary of trailers
Trailers typically follow a three-part structure: establishing equilibrium by showing characters enjoying life, introducing disequilibrium through a problem that changes everything, and not revealing the new equilibrium as it is meant to entice viewers to watch the film. They are usually 2-3 minutes long to avoid giving too much away and use different songs - one upbeat at first and then a more tense one when problems occur. Editing is slow at first but speeds up when issues are discovered, mirroring the pace of the soundtrack to effectively set the mood and build tension.
Sound research
This document discusses different audio production techniques used in film, including foley effects, voice overs, and uses of non-diegetic sound. Foley effects recreate everyday sounds during post-production to enhance realism. Voice overs provide commentary or narration to give the audience additional perspective. Non-diegetic sound is added to film trailers to build tension, atmosphere, and establish plot details without being part of the visual story.
Sound planning
The document discusses the use of diagetic and non-diagetic sounds in horror film openings. It lists non-diagetic sounds that will be used such as theme music and eerie music. Both recorded and free online sounds will be used. Silence can also be effective at adding suspense. Different films use different balances of diagetic and non-diagetic sounds to immerse the audience or create strange atmospheres.
Sound for movies
Diegetic sounds originate from visible on-screen sources and are audible to both characters and viewers, such as dialogue, footsteps, or music playing from a radio. Non-diegetic sounds do not have a visible on-screen source and are only audible to viewers, used to create atmosphere, mood, or narrate the storyline. Examples include background music or sounds added during editing. The Rear Window opening uses diegetic music from a radio. Baby Driver uses the protagonist's headphones to transition non-diegetic singing into diegetic sound.
Understanding the soundtrack - Lights out
The document analyzes the soundtrack used in a movie trailer for "Lights Out." It describes how different sounds are used to set the scene, build suspense, reinforce the title, inform about characters, and set the tone. Dialogue from the trailer also helps summarize the plot about a woman who appears in the dark and feeds on people's fear.
Attract Audience
The document discusses how the filmmakers attracted and addressed their target audience of teens and young adults. They included characters of both genders to appeal to different audiences. The main character, Tabitha, is around the same age as the target audience and shares similar interests like partying and drinking to allow audiences to relate to her. Scenes were filmed in a studio with dark lighting for the climax stalking scene and in a house to depict a party atmosphere contrasting with the dark, tense street scenes. The soundtrack used eerie music for tense moments and loud party music that was muffled to convey the protagonist's feelings after being drugged. The titles had sharp, black and white lettering with red for blood to match the
Media Sound Types
This document defines and provides examples of different types of sound that can be used in films, including diegetic sound, non-diegetic sound, crescendos, diminuendos, and sforzandos. Diegetic sound comes from within the scene, while non-diegetic sound is added later. Crescendos build sound or music to imply something is about to happen, diminuendos allow sound or music to die down when a threat is gone, and sforzandos are short, loud noises used to emphasize shock or fear. Examples from films like Psycho, Jaws, The Godfather, CSI, and Paranormal Activity are provided.
Ict script
This script is about bullying and its harmful effects. It includes sound effects to set the scene of a girl getting ready at her locker when a bully insults her shirt and laughs at her. The girl is then heard weeping in pain after the incident. The narrator concludes by saying bullying has led to many teen suicides and warns that words have consequences, calling for an end to bullying before it's too late. The summary is in 3 sentences.
Walid ali work (W.A)
The document defines key terms related to understanding movie trailers including: narrative, age rating, actor's names, music, cliff hangers, references, narration, narrative exposition, genre, release date, exciting scenes, reviews, movie production details, genre-appropriate music, other works by the director, and institutional accolades/references. It also notes that trailers typically include the cast at the end.
Sound
Diegetic sounds occur naturally within a scene, while non-diegetic sounds are added later for effect. Sound effects add depth and realism, while sound motifs accompany characters. Sound bridges smoothly transition between diegetic and non-diegetic sound or between scenes. Dialogue consists of spoken words, and voiceovers feature spoken narration over images. Sound mixing combines multiple sounds, and perspective influences how sounds are heard.
Presentation lovefield
The document discusses how editing and sound techniques in a film create tension and mislead audiences. Specifically, it describes how quick, sharp shots after a supposed murder were used to stimulate tension and imply urgency. Additionally, tense music and jolting sounds led audiences to believe the film was a thriller where something bad occurred between the two characters.
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The document discusses the development of digital video editing technology from linear to non-linear methods. It describes how early linear editing required physically cutting and splicing film or videotape. The introduction of non-linear editing using computers in the 1990s allowed editors to access any frame in a digital video clip regardless of sequence and make edits, changes, and additions more easily without having to redo physical cuts. Non-linear editing revolutionized the video editing process by making it digital and non-sequential.
Sound in films
This document discusses different types of sound that can be used in films, including diegetic sound which comes from within the scene, non-diegetic sound which is added in post-production, crescendos which build up to signal something is about to happen, diminuendos which die down to suggest a threat has passed, and sfortzandos which emphasize shock or fear with a short, sharp loud noise. Examples are provided for each type of sound.
Sound for films by ahmad aqeel
sound in film is very important so if we have a good film with sound problem it will be judged as a bad film
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This document defines key technical terms related to four areas of filmmaking: camera work, editing, sound, and mise-en-scene. It provides definitions for various shots, angles, movements, cuts, transitions, sound elements, and aspects of production design. Terms defined include establishing shot, close-up, pan, dissolve, diegetic sound, soundtrack, set design, lighting, and more. The glossary offers concise explanations of essential cinematic techniques.
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Diegetic sound refers to any audio that is present within the visuals of a trailer, such as dialogue or ambient noises. It helps audiences understand character relationships and enhances tension. Non-diegetic sound includes music and effects that are not visually sourced, which help create atmosphere and suspense. Voiceovers are sometimes used in trailers for comedies and animations to convey humor or set up plots in a way that is clearer than on-screen text alone within the limited time. Dan Skinner notes their decreased use over time in favor of graphics to guide viewers.
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Assignment 4 a – investigating digital audio recording techniques
- 2. There are many types of audio categories such as: • Dialogue- A dialogue is a conversation between two or more people as a feature of a book, play, or film. It also is a discussion between two or more people or groups, especially one directed towards exploration of a particular subject or resolution of a problem. • Effects- Is a change which is a result or consequence of an action or other cause, the state of being or becoming operative, the extent to which something succeeds or is operative, a physical phenomenon typically names after its discoverer also its an impression produced in the mind of a person. • Music- Is vocal or instrumental sound (or both) combined in such a way as to produce beauty of form, harmony, and expression of emotion.The art of science of composing or performing music, sound perceived as pleasingly harmonious. Types of audio
- 3. All of theses media sectors use the same audio types which are 1. Dialogue 2. Effects 3. Music 4. Silence 5. Noise The only thing different is that gamming uses icon sounds as well as all the others. Range of areas in this sector including: • Broadcast television • Radio • Film • Animation • Commercials • Corporate Production- using film, CD- ROM or DVD formats for training, PR and sales. • Interactive media- web and internet, off-line multimedia, electronic games and interactive TV. Media Sectors
- 4. In the game call of duty modern warfare 2 trailer there are a lot of different sound effects such as explosions, gun shots , narration and others. At the start of the trailer there is some intense narration, during that narration there is a slow build up of intense music assuming the person speaking is a bad person.There is are loud bursts of gun shots and explosions throughout the rest of the trailer, but it begins to die down as another new person Begins to speak, as that narration is taking place there is a different kind of music, a less intense and a more enjoyable tone of music this must show that there is a battle between to people good and bad where they are both trying to kill each other. During the trailer there are many Diegetic sounds where you can hear and see explosions and gun shots where the game becomes more instance. From the start to the finish of the trailer there is a non-diegetic sound which is the narration of the two explaining what is happening. https://www.youtube.com/watch?v=XWIJTydRLt8 GameTypes of audio
- 5. SoundType Purpose Source Talking. Narration of the trailer Non-Diegetic Gun-Shots. To show the gun is being shot Diegetic Explosions. To tell us it is an explosion Diegetic Heavy Breathing. Imply someone is hurt Diegetic Shouting. Give a more intense feel Non-Diegetic Purposes of Audio.
- 6. In the trailer Poltergeist there are a lot of different sounds used to create the scene such as screaming, music, crying etc. At the beginning of the trailer it starts of as people being happy as a family moves into there knew home but then the whole trailer changed by a little boy thinking there is a storm coming and him becoming scared and upset then he hears laughing which sounded like a clown so he moves towards it and then he screams assuming he is scared of clowns. Through out the trailer there are different Digetic sounds played to cause the viewer to feel as if they are in the trailer and feeling the same emotions as the person. There is narration going on through the trailer which creates more of a scene and gives more of a story to the film. Ambience is used to create a more intense and scary moment during the trailer. As the mood changes the music does which also lets us know it is getting scary or happy. There are voiceovers in the trailer to tell us what's happening which is non- diegetic. There isn't really any non-Diegetic sounds during the trailer but when there is its mainly music during an intense moment to create more of a scary theme to the trailer its self. https://www.youtube.com/watch?v=ag8Lm6H-oWc FilmTypes of audio
- 7. SoundType Purpose Source Screaming. To show the person screaming is scared and afraid. Diegetic Talking To tell us what is going on during the film Diegetic Music TO create more of a scene Non-Diegetic Sound effects EG. Doors closing windows shutting etc. TO show these objects are either being smashed, closed opened etc. Diegetic Purposes of Audio
- 8. Audio Recommendations for a children's audio book: • Male or Female with a calm friendly voice. • A person with a good clarity of voice. • Someone who can speak properly (No ‘ums’ and ‘errs’). • A microphone that picks up speaking. • Someone who can maintain the same tone and pitch for a long time. • Low pitched calm song playing in the background to make the audio book more enjoyable. • Sound effects to create ambience from an intense or happy moment appears in the book. • Slow steady Rhythm/Beat. • Jingles at the start and or end.. • Introduction to the audio book. Audio Recommendations