Sound presentation in media
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The opening scene starts with a character screaming in panic, capturing the audience's attention. Slow background music then builds dramatic tension as a man is seen in panic. The crescendoing music intensifies in parallel with dramatic shots, its fast drumming symbolizing the characters' panicked heartbeats and increasing danger throughout the trailer.
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Soundtrack analysis
The document analyzes the opening soundtracks of two films - Gone Girl and The Girl with the Dragon Tattoo. For Gone Girl, the opening features ominous, eerie music over the studio logos that builds tension. A man's sinister narration hints he may threaten his wife. Quick shots show an unsettled setting. For The Girl with the Dragon Tattoo, Led Zeppelin's "Immigrant Song" plays intensely, matching dark, mysterious images. Its energy and the title scream convey an action-packed story full of drama and twists. Both soundtracks effectively set mysterious, tense atmospheres through unsettling music and imagery.
Sound
The document defines different types of sound that can be used in TV dramas, including diegetic sounds that come from within the scene and non-diegetic sounds that come from outside. It provides examples of different sound effects, music, and dialogue that can be used and how they contribute to the atmosphere, mood, and message of a scene. The purpose of sound in TV dramas is also discussed, such as using music, ambient noise, and dialogue to engage the audience and enhance the narrative.
Sound analysis
The document analyzes the use of sound in a scene from the TV show Pretty Little Liars. It discusses how non-diegetic incidental music is used to set the atmosphere and create tension. Diegetic sounds include characters' voices and ambient natural sounds of the environment. Synchronous sounds emphasize actions and arguments between characters, while asynchronous sounds provide perspective. The combination of diegetic dialogue and non-diegetic music builds drama and leaves the audience on a cliffhanger at the end.
Side effects analysis
The video analyzes the use of color, lighting, sound, and mise-en-scene in the movie trailer for Side Effects. It notes that the initial calm and natural colors establish a sense of well-being for the characters, while later greys and oranges imply a change in their situation. Sound starts peaceful but becomes tense, with diegetic dialogue revealing an emergency and cry for help. Shots of the protagonist and a prominent male character show the effects on them. The increasing sounds of urgency and a beeping noise build tension, intriguing viewers about the plot and characters.
Sound research
This document discusses different types of sound that can be used in films, including contrapuntal sound, parallel sound, diegetic sound, and non-diegetic sound. It provides examples of how the opening music of Jaws creates suspense using parallel sound, but how that suspense is transformed when different music is overlaid in a contrapuntal way. A variety of sound effects that could be used for a thriller genre film are also listed, including glass smashing, footsteps, and heartbeats. The document evaluates how sound is particularly important for thrillers to create emotions in viewers and illustrates actions through parallel sound or creates an eerie tone with contrapuntal sound.
Example media
This music video tells the narrative story of a teenager who takes drugs and experiences their effects. It shows him exchanging money for drugs with a dealer outside [1]. When he listens to music with the drugs in his system, he sees bright lights and colors and feels euphoric [2]. Over time, he becomes increasingly addicted and distressed without the drugs [3]. The video represents his drug experience through changes in lighting, camera shots, and his facial expressions.
Example media
This music video analysis compares the rapper Example to DJ Laidback Luke. It summarizes the narrative of the music video, which follows a teenager who exchanges money for drugs with a dealer. After taking the drugs, represented by plugging a USB into his computer, his pupils dilate and he experiences the effects of the drugs. Scenes then cut between him dancing wildly at a club and returning home to his worried parents. When his parents take away his laptop, he grows distressed without his "drugs." He later argues with the dealer, unable to afford more drugs. The analysis examines how lighting, shots, and symbols represent the drug experience and addiction.
Media as thriller
Thriller films aim to build suspense and fear in viewers through techniques like quick cuts, diegetic sounds, non-diegetic music, and changes in lighting and camera angles. A typical thriller features a protagonist hero battling an unexpected antagonist villain to save the day. Common story elements involve the protagonist initially struggling against the antagonist before overcoming them through bravery.
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Soundtrack analysis
The document analyzes the opening soundtracks of two films - Gone Girl and The Girl with the Dragon Tattoo. For Gone Girl, the opening features ominous, eerie music over the studio logos that builds tension. A man's sinister narration hints he may threaten his wife. Quick shots show an unsettled setting. For The Girl with the Dragon Tattoo, Led Zeppelin's "Immigrant Song" plays intensely, matching dark, mysterious images. Its energy and the title scream convey an action-packed story full of drama and twists. Both soundtracks effectively set mysterious, tense atmospheres through unsettling music and imagery.
Sound
The document defines different types of sound that can be used in TV dramas, including diegetic sounds that come from within the scene and non-diegetic sounds that come from outside. It provides examples of different sound effects, music, and dialogue that can be used and how they contribute to the atmosphere, mood, and message of a scene. The purpose of sound in TV dramas is also discussed, such as using music, ambient noise, and dialogue to engage the audience and enhance the narrative.
Sound analysis
The document analyzes the use of sound in a scene from the TV show Pretty Little Liars. It discusses how non-diegetic incidental music is used to set the atmosphere and create tension. Diegetic sounds include characters' voices and ambient natural sounds of the environment. Synchronous sounds emphasize actions and arguments between characters, while asynchronous sounds provide perspective. The combination of diegetic dialogue and non-diegetic music builds drama and leaves the audience on a cliffhanger at the end.
Side effects analysis
The video analyzes the use of color, lighting, sound, and mise-en-scene in the movie trailer for Side Effects. It notes that the initial calm and natural colors establish a sense of well-being for the characters, while later greys and oranges imply a change in their situation. Sound starts peaceful but becomes tense, with diegetic dialogue revealing an emergency and cry for help. Shots of the protagonist and a prominent male character show the effects on them. The increasing sounds of urgency and a beeping noise build tension, intriguing viewers about the plot and characters.
Sound research
This document discusses different types of sound that can be used in films, including contrapuntal sound, parallel sound, diegetic sound, and non-diegetic sound. It provides examples of how the opening music of Jaws creates suspense using parallel sound, but how that suspense is transformed when different music is overlaid in a contrapuntal way. A variety of sound effects that could be used for a thriller genre film are also listed, including glass smashing, footsteps, and heartbeats. The document evaluates how sound is particularly important for thrillers to create emotions in viewers and illustrates actions through parallel sound or creates an eerie tone with contrapuntal sound.
Example media
This music video tells the narrative story of a teenager who takes drugs and experiences their effects. It shows him exchanging money for drugs with a dealer outside [1]. When he listens to music with the drugs in his system, he sees bright lights and colors and feels euphoric [2]. Over time, he becomes increasingly addicted and distressed without the drugs [3]. The video represents his drug experience through changes in lighting, camera shots, and his facial expressions.
Example media
This music video analysis compares the rapper Example to DJ Laidback Luke. It summarizes the narrative of the music video, which follows a teenager who exchanges money for drugs with a dealer. After taking the drugs, represented by plugging a USB into his computer, his pupils dilate and he experiences the effects of the drugs. Scenes then cut between him dancing wildly at a club and returning home to his worried parents. When his parents take away his laptop, he grows distressed without his "drugs." He later argues with the dealer, unable to afford more drugs. The analysis examines how lighting, shots, and symbols represent the drug experience and addiction.
Media as thriller
Thriller films aim to build suspense and fear in viewers through techniques like quick cuts, diegetic sounds, non-diegetic music, and changes in lighting and camera angles. A typical thriller features a protagonist hero battling an unexpected antagonist villain to save the day. Common story elements involve the protagonist initially struggling against the antagonist before overcoming them through bravery.
Storyboard
The storyboard shows a man walking down the street singing along to music, with a mind bubble appearing that shows him happy with a girl. The camera then focuses on the girl's heart that grows large until being pulled back and crushed by the man. He is then distracted by a provocatively dressed girl who walks up to him and they begin to kiss. Words from the song appear on screen with the word "you" written differently. Flowers then fill the screen before blackening. The man is then shown under a street light with fireworks in the background as he closes his eyes to the music. At the end, the video rewinds frame by frame before a repeat button appears.
Sound analysis
The document analyzes the use of sound in a scene from the television show Pretty Little Liars. It discusses how non-diegetic incidental music is used to set the atmosphere and create tension. Diegetic sounds like character dialogue and ambient natural sounds are also used to inform the audience about what is happening and reflect the busy, hectic lives of the characters. Synchronous sounds like slamming doors and starting a car engine are employed to emphasize antagonism and drama between characters. The constant use of both diegetic and non-diegetic sounds keeps the audience focused on the dialogue while building suspense for what may happen next.
Question 8
The document analyzes the use of sound and music in the trailers for Horrible Bosses 2 and San Andreas. For Horrible Bosses 2, the trailer uses contrasting dark then upbeat music to shift between serious and comedic tones. Dialogue with rhymes and references to the previous film enhance comedy. San Andreas uses a slow, ominous version of "California Dreaming" to build suspense without effects initially. Slow music and shots maintain tension, while voiceover at the end enhances realism and draws the audience in. Both trailers effectively employ music and sound design to engage audiences in their respective genres.
Sound analysis
The document analyzes sound in a clip from the television drama Pretty Little Liars. It discusses the theme song that plays during the opening credits, featuring a slow pace and memorable lyrics. When the program begins, non-diegetic ambient music sets an ambiguous mood. Dialogue between characters Mona and Hanna includes an apology, though its context is unclear. The sounds of their speech and Mona's footsteps as she leaves synchronize with the corresponding visuals.
Teaser Trailer Annotation - New Moon
The trailer begins by establishing a sense of calm and normality at a party before cutting Bella's finger, increasing tension with loud music and quick cuts. It then shows Bella feeling vulnerable alone in the woods before introducing an antagonist who circles her like prey. As the antagonist approaches, a new character is seen potentially helping Bella as he runs and leaps towards the threat, transforming into a werewolf with a growl as the trailer ends dramatically.
Sound analysis
The document analyzes the sound used in a clip from the TV show Pretty Little Liars. It identifies various types of sounds used, including non-diegetic sounds like background music and train tracks, diegetic sounds like character dialogue, and synchronous sounds that match actions on screen. These sounds help set the scene and mood, from the happy party atmosphere at the beginning to the more dramatic and intense sounds later on revealing a character is in danger. The document concludes the clip effectively uses sounds like music, dialogue, and train tracks that are common in TV dramas to make the scenes feel realistic.
First love pp
The short film uses various camera techniques and shots to tell the story of a couple's relationship from their meeting to their breakup one year later. It begins with the male character alone on a bridge, then shows him meeting the female character and their relationship growing through shots of them together, texting, and developing feelings for one another. However, over time arguments start and their relationship deteriorates, shown through duller shots of them unhappy. In the end, it circles back to shots of the male alone and dejected to represent his broken bond with his former partner.
Print screeens
The document provides a series of shots from a music video. It begins with an upside down microphone, suggesting the video will be about sound. Subsequent shots show a hooded girl in different positions, building anticipation for the music to start. Later shots show the girl appearing wild like an animal escaping from a cage. She is then shown dancing freely next to speakers, representing the expressiveness and widespread reach of her music. The video builds to her removing her hood and facing the speakers, implying her music is for others to hear rather than her watching them. Explosion imagery represents her sudden arrival and the excitement she brings.
Analysis of music video structure
The document analyzes H.E.R's music video for "Slide". It notes that her videos typically feature shots of her performing in unusual places to fit the genre of her songs. For "Slide", the recurring motif is enjoying a man's company. The video contrasts colored shots of H.E.R. with black-and-white shots of featured artist YG to represent two sides of the story and reinforce the song's depth. Performance videos commonly include close-ups and visual motifs to maintain viewer interest.
Dykeenies Script/Shot List
The document provides a shot-by-shot summary for a music video. It introduces an abused girlfriend and her boyfriend. Over the course of the video, she decides to leave him. Scenes alternate between close-ups of the characters and shots of the band playing. In the end, the lead singer returns the girlfriend's scarf, suggesting support as she moves on from the abusive relationship.
Script
This document contains a script for a media production with 27 scenes. It lists the scene number, character name, shot type, camera angle, diegetic/non-diegetic sound, and brief action for each scene. The scenes establish characters at a pub and show their reactions after someone (Connie) dies during a game. The main antagonist, Nikita, is revealed at the end, looking smugly down at the other characters. Music from 30 Seconds to Mars plays throughout as the non-diegetic soundtrack.
Timed Analysis
This document provides a timed analysis and summary of a short film titled "The house at the end of the street". It analyzes the film from 0-2.30 minutes in intervals of 0.14 seconds or less. The analysis notes the shots, music, lighting, and events depicted and how they create an unsettling and creepy atmosphere. It is revealed that the main character, Carrie Anne, murders her mother and father with a hammer while exhibiting strange and inhuman behavior. The document analyzes how the film techniques used increase the suspense and scare the audience.
Timed Analysis
This document provides a timed analysis and summary of a short film titled "The house at the end of the street". It analyzes the film from 0-2.30 seconds in intervals of 0.1-0.2 seconds, describing shots, music, and how elements create an unsettling atmosphere. Key points include surreal shots of a girl and snow globe, unnatural movements and expressions that unsettle viewers, flickering lighting used to build suspense, and a psychological disorder suggested for the character Carrie Anne who attacks her family with a hammer while calm background music plays.
Research into movie sound
Thriller movies use both diegetic and non-diegetic sounds to create suspense, tension, and excitement in audiences. Diegetic sounds like bangs, ticking, and screams build suspense and tension as they are heard by both characters and audiences. Non-diegetic sounds also help set an uneasy tone, using drones and crescendos of music that increase in speed and intensity alongside rising action and tension in the film.
Script group 1 redone
This document contains a script for a television production titled "The Wells". It describes 14 scenes involving characters Holly, her parents Gloria and Alex, and a murderer. The scenes show Holly playing with a toy, witnessing a murder, dropping her toy in shock, her parents arguing, her mother putting on lipstick, her father receiving a ransom note, the murderer taking money, her father watching her mother go to the murderer's house, her father confronting the murderer, the murderer walking away and sitting on a street sign. Interspersed are title cards with words like "Pride" and "Envy" accompanied by music from Mumford & Sons.
Ana slumdog
The document analyzes and describes multiple shots from the opening scene of a film. It discusses elements like lighting, camera angles, sounds, and how they set tones and introduce ambiguity. Golden and dim lighting is used to set intimate, serious, or depressing moods. Shots change between settings quickly, confusing viewers. Close-ups on characters' faces show emotions like sorrow or distress. Sounds include diegetic conversations, breathing, and non-diegetic music at the end.
The Script- If You Could See Me Now: Analysis
The video uses various filming techniques and filters to connect the visuals to the emotional lyrics of the song. It begins with a "Parental Advisory" warning to subvert expectations of the band being family-friendly. Black and white filters are used for intimate close-up shots to emphasize emotion, while color signifies performance and interaction with fans. Shots of the singer's tattoo directly relate to the lyrics. Throughout, the video conveys the band's vulnerability in dealing with bereavement and finding success through overcoming hardship.
Warm Me Up Presentation
The video for the song "Warm Me Up" by the band The Audition tells a narrative about a group of college students who discover a new drug made by boiling a flower. They start drinking the tea and it causes them to lose control. Intercut with this narrative are shots of the band playing their instruments. The video aims to promote both the band and a new video game. It uses conventions like close-ups of the singer and band playing to engage the target teenage audience. Throughout the video, the editing, lighting and cinematography aim to create a sense of mystery and confusion representing the effects of the drugs.
Assignment 2
This document provides analysis of three music videos:
1) Future's "Mask Off" video uses dark settings, smoke, sunglasses, and masked men to create a sinister atmosphere emphasizing violence and issues in society. Close ups of Future singing show his wealth.
2) Sam Smith's "Stay With Me" video has a calm, peaceful tone through cinematic shots and a cold color tint. Medium close ups show Sam's emotions and identity as non-binary. Diversity of performers emphasizes equality.
3) Major Lazer's "Run Up" video shows people having fun, reinforcing the upbeat, energetic theme. Sexual activity and hippy outfits appeal to younger audiences and suit the artists'
Assignment 2
This document provides analysis of three music videos:
1) Future's "Mask Off" video uses dark settings, smoke, sunglasses, and masked men to create a sinister atmosphere emphasizing violence and issues in society. Close ups of Future singing show his wealth.
2) Sam Smith's "Stay With Me" video has a calm, peaceful tone through cinematic shots and a cold color tint. Medium close ups show Sam's emotions and identity as non-binary. Diversity of performers emphasizes equality.
3) Major Lazer's "Run Up" video shows people having fun, reinforcing the upbeat, energetic theme. Sexual activity and hippy outfits appeal to younger audiences and suit the artists'
Music in a trailer
The document discusses how music is used in two movie trailers to set the tone and provide context. For the first trailer, about a romantic film, the music starts calm and intensifies along with the relationship between the characters. It then reaches a climax and ends softly, leaving viewers wondering how the relationship ends. The second trailer, for a horror film, uses tense, unsettling music and sounds that build anticipation and fear in viewers. Overlapping noises create tension, and the music shifts tones to match disruptive scenes. Children's voices and nursery music are also used to generate an eerie atmosphere typical of horror trailers.
Sound mj
The document provides a sound analysis of the opening scene of the movie "Law Abiding Citizen". It summarizes:
1) The scene starts with soft country music playing on the radio to show bonding between a father and daughter, setting a calm tone.
2) Dialogue is heard between the little girl and who is presumed to be her father, establishing their connection.
3) Banging is then heard on the door, the music fades, and a woman's voice is heard - reinforcing the family is complete until danger arrives.
4) A loud bang of a baseball bat hitting someone, along with groans of pain, signal a violent impact as an intruder attacks the family.
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Storyboard
The storyboard shows a man walking down the street singing along to music, with a mind bubble appearing that shows him happy with a girl. The camera then focuses on the girl's heart that grows large until being pulled back and crushed by the man. He is then distracted by a provocatively dressed girl who walks up to him and they begin to kiss. Words from the song appear on screen with the word "you" written differently. Flowers then fill the screen before blackening. The man is then shown under a street light with fireworks in the background as he closes his eyes to the music. At the end, the video rewinds frame by frame before a repeat button appears.
Sound analysis
The document analyzes the use of sound in a scene from the television show Pretty Little Liars. It discusses how non-diegetic incidental music is used to set the atmosphere and create tension. Diegetic sounds like character dialogue and ambient natural sounds are also used to inform the audience about what is happening and reflect the busy, hectic lives of the characters. Synchronous sounds like slamming doors and starting a car engine are employed to emphasize antagonism and drama between characters. The constant use of both diegetic and non-diegetic sounds keeps the audience focused on the dialogue while building suspense for what may happen next.
Question 8
The document analyzes the use of sound and music in the trailers for Horrible Bosses 2 and San Andreas. For Horrible Bosses 2, the trailer uses contrasting dark then upbeat music to shift between serious and comedic tones. Dialogue with rhymes and references to the previous film enhance comedy. San Andreas uses a slow, ominous version of "California Dreaming" to build suspense without effects initially. Slow music and shots maintain tension, while voiceover at the end enhances realism and draws the audience in. Both trailers effectively employ music and sound design to engage audiences in their respective genres.
Sound analysis
The document analyzes sound in a clip from the television drama Pretty Little Liars. It discusses the theme song that plays during the opening credits, featuring a slow pace and memorable lyrics. When the program begins, non-diegetic ambient music sets an ambiguous mood. Dialogue between characters Mona and Hanna includes an apology, though its context is unclear. The sounds of their speech and Mona's footsteps as she leaves synchronize with the corresponding visuals.
Teaser Trailer Annotation - New Moon
The trailer begins by establishing a sense of calm and normality at a party before cutting Bella's finger, increasing tension with loud music and quick cuts. It then shows Bella feeling vulnerable alone in the woods before introducing an antagonist who circles her like prey. As the antagonist approaches, a new character is seen potentially helping Bella as he runs and leaps towards the threat, transforming into a werewolf with a growl as the trailer ends dramatically.
Sound analysis
The document analyzes the sound used in a clip from the TV show Pretty Little Liars. It identifies various types of sounds used, including non-diegetic sounds like background music and train tracks, diegetic sounds like character dialogue, and synchronous sounds that match actions on screen. These sounds help set the scene and mood, from the happy party atmosphere at the beginning to the more dramatic and intense sounds later on revealing a character is in danger. The document concludes the clip effectively uses sounds like music, dialogue, and train tracks that are common in TV dramas to make the scenes feel realistic.
First love pp
The short film uses various camera techniques and shots to tell the story of a couple's relationship from their meeting to their breakup one year later. It begins with the male character alone on a bridge, then shows him meeting the female character and their relationship growing through shots of them together, texting, and developing feelings for one another. However, over time arguments start and their relationship deteriorates, shown through duller shots of them unhappy. In the end, it circles back to shots of the male alone and dejected to represent his broken bond with his former partner.
Print screeens
The document provides a series of shots from a music video. It begins with an upside down microphone, suggesting the video will be about sound. Subsequent shots show a hooded girl in different positions, building anticipation for the music to start. Later shots show the girl appearing wild like an animal escaping from a cage. She is then shown dancing freely next to speakers, representing the expressiveness and widespread reach of her music. The video builds to her removing her hood and facing the speakers, implying her music is for others to hear rather than her watching them. Explosion imagery represents her sudden arrival and the excitement she brings.
Analysis of music video structure
The document analyzes H.E.R's music video for "Slide". It notes that her videos typically feature shots of her performing in unusual places to fit the genre of her songs. For "Slide", the recurring motif is enjoying a man's company. The video contrasts colored shots of H.E.R. with black-and-white shots of featured artist YG to represent two sides of the story and reinforce the song's depth. Performance videos commonly include close-ups and visual motifs to maintain viewer interest.
Dykeenies Script/Shot List
The document provides a shot-by-shot summary for a music video. It introduces an abused girlfriend and her boyfriend. Over the course of the video, she decides to leave him. Scenes alternate between close-ups of the characters and shots of the band playing. In the end, the lead singer returns the girlfriend's scarf, suggesting support as she moves on from the abusive relationship.
Script
This document contains a script for a media production with 27 scenes. It lists the scene number, character name, shot type, camera angle, diegetic/non-diegetic sound, and brief action for each scene. The scenes establish characters at a pub and show their reactions after someone (Connie) dies during a game. The main antagonist, Nikita, is revealed at the end, looking smugly down at the other characters. Music from 30 Seconds to Mars plays throughout as the non-diegetic soundtrack.
Timed Analysis
This document provides a timed analysis and summary of a short film titled "The house at the end of the street". It analyzes the film from 0-2.30 minutes in intervals of 0.14 seconds or less. The analysis notes the shots, music, lighting, and events depicted and how they create an unsettling and creepy atmosphere. It is revealed that the main character, Carrie Anne, murders her mother and father with a hammer while exhibiting strange and inhuman behavior. The document analyzes how the film techniques used increase the suspense and scare the audience.
Timed Analysis
This document provides a timed analysis and summary of a short film titled "The house at the end of the street". It analyzes the film from 0-2.30 seconds in intervals of 0.1-0.2 seconds, describing shots, music, and how elements create an unsettling atmosphere. Key points include surreal shots of a girl and snow globe, unnatural movements and expressions that unsettle viewers, flickering lighting used to build suspense, and a psychological disorder suggested for the character Carrie Anne who attacks her family with a hammer while calm background music plays.
Research into movie sound
Thriller movies use both diegetic and non-diegetic sounds to create suspense, tension, and excitement in audiences. Diegetic sounds like bangs, ticking, and screams build suspense and tension as they are heard by both characters and audiences. Non-diegetic sounds also help set an uneasy tone, using drones and crescendos of music that increase in speed and intensity alongside rising action and tension in the film.
Script group 1 redone
This document contains a script for a television production titled "The Wells". It describes 14 scenes involving characters Holly, her parents Gloria and Alex, and a murderer. The scenes show Holly playing with a toy, witnessing a murder, dropping her toy in shock, her parents arguing, her mother putting on lipstick, her father receiving a ransom note, the murderer taking money, her father watching her mother go to the murderer's house, her father confronting the murderer, the murderer walking away and sitting on a street sign. Interspersed are title cards with words like "Pride" and "Envy" accompanied by music from Mumford & Sons.
Ana slumdog
The document analyzes and describes multiple shots from the opening scene of a film. It discusses elements like lighting, camera angles, sounds, and how they set tones and introduce ambiguity. Golden and dim lighting is used to set intimate, serious, or depressing moods. Shots change between settings quickly, confusing viewers. Close-ups on characters' faces show emotions like sorrow or distress. Sounds include diegetic conversations, breathing, and non-diegetic music at the end.
The Script- If You Could See Me Now: Analysis
The video uses various filming techniques and filters to connect the visuals to the emotional lyrics of the song. It begins with a "Parental Advisory" warning to subvert expectations of the band being family-friendly. Black and white filters are used for intimate close-up shots to emphasize emotion, while color signifies performance and interaction with fans. Shots of the singer's tattoo directly relate to the lyrics. Throughout, the video conveys the band's vulnerability in dealing with bereavement and finding success through overcoming hardship.
Warm Me Up Presentation
The video for the song "Warm Me Up" by the band The Audition tells a narrative about a group of college students who discover a new drug made by boiling a flower. They start drinking the tea and it causes them to lose control. Intercut with this narrative are shots of the band playing their instruments. The video aims to promote both the band and a new video game. It uses conventions like close-ups of the singer and band playing to engage the target teenage audience. Throughout the video, the editing, lighting and cinematography aim to create a sense of mystery and confusion representing the effects of the drugs.
Assignment 2
This document provides analysis of three music videos:
1) Future's "Mask Off" video uses dark settings, smoke, sunglasses, and masked men to create a sinister atmosphere emphasizing violence and issues in society. Close ups of Future singing show his wealth.
2) Sam Smith's "Stay With Me" video has a calm, peaceful tone through cinematic shots and a cold color tint. Medium close ups show Sam's emotions and identity as non-binary. Diversity of performers emphasizes equality.
3) Major Lazer's "Run Up" video shows people having fun, reinforcing the upbeat, energetic theme. Sexual activity and hippy outfits appeal to younger audiences and suit the artists'
Assignment 2
This document provides analysis of three music videos:
1) Future's "Mask Off" video uses dark settings, smoke, sunglasses, and masked men to create a sinister atmosphere emphasizing violence and issues in society. Close ups of Future singing show his wealth.
2) Sam Smith's "Stay With Me" video has a calm, peaceful tone through cinematic shots and a cold color tint. Medium close ups show Sam's emotions and identity as non-binary. Diversity of performers emphasizes equality.
3) Major Lazer's "Run Up" video shows people having fun, reinforcing the upbeat, energetic theme. Sexual activity and hippy outfits appeal to younger audiences and suit the artists'
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Similar to Sound presentation in media
Music in a trailer
The document discusses how music is used in two movie trailers to set the tone and provide context. For the first trailer, about a romantic film, the music starts calm and intensifies along with the relationship between the characters. It then reaches a climax and ends softly, leaving viewers wondering how the relationship ends. The second trailer, for a horror film, uses tense, unsettling music and sounds that build anticipation and fear in viewers. Overlapping noises create tension, and the music shifts tones to match disruptive scenes. Children's voices and nursery music are also used to generate an eerie atmosphere typical of horror trailers.
Sound mj
The document provides a sound analysis of the opening scene of the movie "Law Abiding Citizen". It summarizes:
1) The scene starts with soft country music playing on the radio to show bonding between a father and daughter, setting a calm tone.
2) Dialogue is heard between the little girl and who is presumed to be her father, establishing their connection.
3) Banging is then heard on the door, the music fades, and a woman's voice is heard - reinforcing the family is complete until danger arrives.
4) A loud bang of a baseball bat hitting someone, along with groans of pain, signal a violent impact as an intruder attacks the family.
Sound analysis
The document analyzes the opening sequences of the films Submarine and The Graduate. In Submarine, ambient sounds of the sea and seagulls are used to establish the seaside setting. Voiceover from the main character Oliver Tate is used to introduce him as an introspective narrator. In The Graduate, dramatic sound effects play during the opening credits to draw attention, and plane ambient sounds set the scene of the main character arriving in Los Angeles. Both films establish setting and character through simple, slow-paced ambient sounds and music in line with the comedy-drama genre.
Sound analysis
The document analyzes the opening sequences of the films Submarine and The Graduate. In Submarine, ambient sounds of the sea and seagulls are used to establish the seaside setting. Voiceover from the main character Oliver Tate is used to introduce him as an introspective narrator. In The Graduate, dramatic sound effects play during the opening credits to draw attention, and plane ambient sounds set the scene of the main character arriving in Los Angeles. Both films establish setting and character through simple, slow-paced ambient sounds and music in line with the comedy-drama genre.
Storyboard 2
This document analyzes the techniques used in a movie trailer. It summarizes each scene or element of the trailer, including the use of logos to establish quality, title frames to set the romantic genre, shots that introduce the protagonists and setting, dialogue and music to convey the relationship, and scenes depicting the breakup accompanied by sad music to create narrative tension. The overall purpose is to introduce the audience to the story and main characters while hinting at conflict and leaving some mystery through the final scene and promotional date in February.
Sound in short film
This document discusses the effective use of sound in short films. It explains that sound is as important as video and audiences are more bothered by poor sound than poor cinematography. The three essential sound elements are dialogue, sound effects, and music. Dialogue conveys character and story. Synchronous sounds match the visuals while asynchronous sounds add emotion. Background music provides tone and links scenes. Sound corresponds to emotions and scenes to effectively tell the story and engage audiences. Pre-production planning considers how music will build suspense or show emotion by increasing or decreasing at certain points.
Ed sheeranthe a_teamanalysis
The music video for Ed Sheeran's "The A Team" follows a young woman named Angel who is involved in prostitution and drug use. It depicts her daily struggles in a simple, low-budget style. The black and white footage uses close-ups and natural lighting to draw viewers into Angel's vulnerable emotional state and emphasize the bleakness of her isolated life on the streets. Through flashbacks, it shows how she ended up in this situation and ultimately depicts her death, representing her difficult life coming to an end.
Research into sound
The document discusses how sound is used in thriller films to affect the audience. It explains that music is used to build tension and create suspense by making the audience feel scared or like something is going to happen. The music in thrillers is often synthesized to set dark and eerie moods, starting slow and building up gradually. It then analyzes sound usage in four thriller film scenes, noting how music and other sounds create moods of anticipation, violence, astonishment, and anxiety to enhance the thriller genre by building tension and prompting the audience to want something to happen.
Video Analysis
The document provides analysis of the video techniques used in 5 music videos:
1. Metallica - One uses blacked out band members, western stock footage, and an abandoned warehouse setting to reflect the dark tone of the song. Close-ups and angles emphasize the importance of the music and drumming. Stock footage is cut with the music.
2. Michael Jackson - Thriller uses horror film-inspired settings, costumes, and camera techniques to portray a movie-like feel. Close-ups show transformation and screaming details. Shots establish settings and conversation-like tracking.
3. Bring Me The Horizon - Sleepwalking uses locations and subtle, handheld shots to portray the fragile nature of sleepwalking. Cross
Analysing a clip
The document analyzes different types of sound used in a clip from the British television show "Prime Evil". It discusses how a sound bridge gradually changes the music from calm to tense to match the emotions of the previous scene. It also describes how diegetic sounds are lowered and the music changes to reflect a character finding a buried hand. Later, a hissing percussion sound replaces the eerie music to exaggerate the character's shock and horror. Off-screen animal growling is heard in the forest, building tension as the audience wonders where the danger will appear from.
Sound Research- Timelines of films sound
The document analyzes the soundtracks of movie teaser trailers for Gone Girl, The Girl on the Train, and Inception. It breaks down the trailers second-by-second, describing whether the sound used is diegetic (part of the on-screen action) or non-diegetic (added soundtrack). Across the three trailers, non-diegetic music and sound effects are used to build tension and engage audiences emotionally. Piano music in particular creates a solemn tone. Dialogue and diegetic sounds provide clues about the plots and characters. The document examines how matching visuals and sound immerses viewers in the stories and leaves them wanting more information.
Analysis of Hulk and The Avengers film opening
The opening of The Avengers shows close-ups of various heroic characters in different costumes, revealing it will feature a diverse group of heroes with unique powers. The bold, grey/silver text fits the action genre by conveying bravery. The music starts tense but builds to a heroic theme that grows louder as more images appear, establishing the courageous and fearless traits of the characters. The music plays throughout the opening until the first scene begins.
Analysing Horror Trailers
This document provides a detailed analysis and summary of four movie trailers: The Last Exorcism Part 2, Sinister, The Shining, and The Last Exorcism Part 1. For each trailer, the document examines the cinematography, editing techniques, music, and other elements to understand how the trailers build suspense, mystery and intrigue in order to attract audiences to watch the full movies. The document finds that The Last Exorcism Part 1 and Sinister are the most effective trailers through their use of camera work, lighting, music and storytelling techniques to create tension and leave viewers curious to learn more. In contrast, it finds that The Shining trailer is less successful due to a lack of
Thriller film research media
The document provides analysis of the opening sequences of four films: Psycho, Gone Girl, Black Swan, and an unnamed horror/thriller film. For Psycho, it describes the unsettling opening credits and camera movements that create tension. For Gone Girl, it explains how the opening establishes control and manipulation between the main characters. For Black Swan, it analyzes the cinematography, editing, sound, and mise-en-scene that immerse the viewer in the ballet performance and foreshadow themes of isolation. For the horror/thriller, it notes clues left by credits, camera angles, and sounds that hint at secrets and being watched.
Thriller film research media
The document provides analysis of the opening sequences of four films: Psycho, Gone Girl, Black Swan, and an unnamed film.
For Psycho, the opening uses discontinuous editing and camera movements to create unease and suggest secrets are being hidden. In Gone Girl, a close-up shot establishes the male character's control over the woman as threatening music plays. Black Swan uses fluid camerawork and music to immerse viewers in the protagonist's dance, then hints at themes of isolation. Overall, the analyses examine how cinematography, editing, sound, and visual elements are used to set tones and introduce characters/themes in engaging opening sequences.
Thriller film research media
The document provides analysis of the opening sequences of four films: Psycho, Gone Girl, Black Swan, and an unnamed horror/thriller film. For Psycho, it describes the unsettling camera movements and sounds that create tension and suggest secrets. For Gone Girl, it explains how a tender moment is undercut by disturbing language to make the character seem untrustworthy. For Black Swan, it analyzes the cinematography, editing, sound, and mise-en-scene that establish themes of isolation and corruption through the protagonist's dance. For the horror film, it notes the high angle shots create an unsettling voyeuristic feeling for the audience.
Sound
Diegetic sound includes sounds heard by characters within a scene, like speech and ambient noise. Non-diegetic sound includes music and effects that characters cannot hear, like soundtrack music. Diegetic sounds establish the setting and include ambient noise, while non-diegetic sounds set the mood.
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1) The document analyzes techniques used in successful movie trailers such as Dunkirk, Wonder, and The Book of Henry. It identifies techniques like using voiceovers, non-diegetic music, and montages of clips.
2) Common trailer techniques discussed include starting with a voiceover to introduce characters, using music to set the tone and heighten emotion, and including dialogue to emphasize feelings and plot points.
3) The analysis found that voiceovers help audiences understand fast-paced trailers, and that non-diegetic music is most effective when it matches the trailer's tone. Intertitles can be useful for some genres but not others.
Examples and Research into Music in Films
Music plays an important role in setting the tone and eliciting emotions in different movie genres. For horror films, suspenseful music with fast, dramatic violins are commonly used to create tension and unease. Examples include the theme from Jaws and the screeching violins during the shower scene in Psycho. Sci-fi films often feature electronic keyboards and computer-generated sounds, as seen in 2001: A Space Odyssey with its grand orchestral opening theme. Murder mysteries employ a variety of instruments like piano and mixtures of tones to convey emotions like sadness, anger, and shock during pivotal scenes such as revelations of the killer's identity.
The Last Exorcism Trailer Deconstruction
The trailer uses several editing techniques to build tension and drama, including fast-paced cuts that increase with the music, zooms, and static effects. Camera angles provide different perspectives, like high angles that make the protagonist feel inferior. Shots include close-ups of characters' expressions, medium shots, and silhouettes for a creepy feel. Distinctive facial expressions, fire, and a potentially ambiguous upside down shot are used. The voiceover and dialogue aim to establish characters, while music complements the eerie tone and builds tension with stops and slow parts. Title text uses contrasting white on black and thriller-esque red and yellow glows.
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Sound presentation in media
- 1. Sound
- 2. The opening scene starts with a character screaming in panic. This is a diegetic sound as it is part of the character and the scene. It captures your attention straight away and makes you want to watch the rest of the trailer as it causes dramatic effect and the fact that it illustrates the danger and panic the women is in.
- 3. The slow music that starts builds dramatic tension. This is known as non diegetic sounds. In the image below you can see a man in panic. In the trailer you can hear the characters which maximizes the intense environment of the scene.
- 4. The crescendo of the music begins which is parallel to the dramatic shots being portrayed. The repetitive fast drumming symbolizes the heartbeat of the characters and the panic that they are in. The drumming is also parallel to the danger that is increasing through out the trailer and show itself.
- 5. The narrative • The protagonist character is directly addressing the audience by speaking over the music and sound effects. This emphasizes that this is the main character as her voice overpowers the other sounds and music.