Assignment 25 us ps of artists and groups
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Queen was a British rock band known for their variety of rock subgenres, original style blending influences, and flamboyant stage presence. They had a typical 70s/80s pop star look and were one of the most infamous British bands of that era.
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The Founding and Fathers of the Arts and Crafts Movement
The document discusses the founding and key figures of the Arts and Crafts Movement. It was founded in the mid to late 19th century by John Ruskin in response to cheaply made goods of the Victorian era. Ruskin promoted quality, handcrafted works inspired by nature. William Morris and Elbert Hubbard were important early followers, spreading the aesthetic to furniture, textiles, and book design. Hubbard went on to found the Roycroft Arts and Crafts Community in America, cementing the style of the movement.
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The 1960s saw many significant events including the assassination of President Kennedy in 1963, the rise of British pop/rock music, and the first man going to space in 1961. Op art emerged as an abstract art movement focused on optical illusions and interactions between color. Pioneering op artists included Victor Vasarely, Bridget Riley, and Julian Stanczak. The 1965 Responsive Eye exhibition at the Museum of Modern Art in New York brought attention to op art and its perceptual aspects. Though critics disliked op art, the public embraced it and it began being used in advertisements. Julian Stanczak's art was influenced by his experiences as a refugee from Poland and losing his right arm at a young age.
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This document provides an overview of printmaking from its origins through contemporary practice in America. It traces the history from early uses for communication before the printing press, through the 18th century when prints began to be considered art. The 19th century saw the rise of signed, limited edition prints by artists. It discusses important American printmakers like Currier and Ives, Winslow Homer, and Thomas Moran who produced works comparable to European masters. The document concludes with lists of notable 20th century and contemporary American printmakers practicing a variety of print techniques.
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The document discusses the origins and main icons of Pop Art. It originated in London and New York City in the 1960s. Some of the main figures mentioned are Andy Warhol, Richard Hamilton, Roy Lichtenstein, and Jasper Johns. The document then focuses on Andy Warhol, describing his life, artistic style, and most famous artworks which depicted popular culture and consumerism using bright colors and imagery from advertisements. It notes some of his most iconic artworks included Campbell's Soup Cans, Marilyn Monroe, and Elvis Presley. Warhol also made experimental films that had an underground style.
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Minimalism arose in the 1960s as a reaction against Abstract Expressionism. It is characterized by simple geometric forms, industrial materials, repetition, and an emphasis on the basic elements of art. Key artists of the movement included Frank Stella, Donald Judd, Sol LeWitt, and Dan Flavin. They created reductive sculptures and installations using materials like steel, Plexiglas, and fluorescent lights to draw attention to form and the viewer's experience. Though criticized as too simplistic, Minimalism had a significant influence on later movements like Post-Minimalism and remains influential today in design and architecture.
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Minimalism began in 1960s New York and was influenced by traditional Japanese design and a reaction to abstract expressionism. It is defined by simplicity, no meaning, unity, realism, and geometric shapes/patterns. Frank Stella, Donald Judd, and Sol Lewitt were influential minimalist artists known for using industrial materials and repetitive geometric forms to focus on shape, line, color, and texture. Their work included paintings, sculptures, boxes, and wall drawings made of materials like wood and metal. Minimalism also influenced music, architecture, design, and lifestyles that emphasized simplicity and owning only necessary possessions. The movement was controversial as it challenged definitions of art.
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The document discusses the origins and main icons of Pop Art. It originated in London and New York City in the 1960s. Some of the main figures mentioned are Andy Warhol, Richard Hamilton, Roy Lichtenstein, and Jasper Johns. The document then focuses on Andy Warhol, describing his life, artistic style, and most famous artworks which depicted popular culture and consumerism using bright colors and imagery from advertisements. It notes some of his most iconic artworks included Campbell's Soup Cans, Marilyn Monroe, and Elvis Presley. Warhol also made experimental films that had an underground style.
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Minimalism began in 1960s New York and was influenced by traditional Japanese design and a reaction to abstract expressionism. It is defined by simplicity, no meaning, unity, realism, and geometric shapes/patterns. Frank Stella, Donald Judd, and Sol Lewitt were influential minimalist artists known for using industrial materials and repetitive geometric forms to focus on shape, line, color, and texture. Their work included paintings, sculptures, boxes, and wall drawings made of materials like wood and metal. Minimalism also influenced music, architecture, design, and lifestyles that emphasized simplicity and owning only necessary possessions. The movement was controversial as it challenged definitions of art.
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Minimalism was an art movement that emphasized simplicity and industrial materials. It opposed the emotional expression of abstract expressionism and focused on basic geometric forms and repetition. Key artists included Frank Stella, Sol LeWitt, Dan Flavin, Donald Judd, and Carl Andre. Their work used materials like steel, concrete, and light to create simple sculptures and installations. Minimalist music also featured repetition and long durations. The movement sparked criticism for being too simple but influenced later art and design.
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Minimalism emerged in the late 1950s and early 1970s, led by artists like Frank Stella, Carl Andre, Dan Flavin, Donald Judd, Robert Morris, and Sol LeWitt. These artists reacted against Abstract Expressionism and sought to reduce art to its most basic and essential forms through simplification of shape and reduction of unnecessary elements. They were influenced by post-war American culture that valued simplicity and ideas from earlier artistic movements like Constructivism. Minimalist works feature industrial materials and geometric forms to draw attention to the interplay between the artwork, space, and viewer.
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Minimalism began in the 1950s and 1970s as an art movement that used simple geometric shapes and repeated patterns to strip art down to its most fundamental form. It was influenced by abstract expressionism and constructivism. Key minimalist artists discussed include Donald Judd, who focused on boxes, stacks, and progression in his work; Frank Stella, known for his monochrome and controlled paintings; Dan Flavin, who used colored fluorescent lights; and Sol LeWitt, who primarily made wall drawings and wrote instructions for collaborators to create his art.
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Minimalism refers to a style of art from the 1950s to 1970s characterized by simplicity in form and content. Minimalist artists like Frank Stella, Carl Andre, Dan Flavin, Ellsworth Kelly, and Donald Judd reacted against Abstract Expressionism by creating stark canvases and sculptures with removed personal expression, aiming for objects of interest and beauty. Examples of works mentioned include Stella's Sunset Beach, Andre's Steel Aluminum Plain, Flavin's Untitled, Kelly's Grape Leaves III, and Judd's Untitled.
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This document provides an overview of minimalism in art from the late 1950s to the early 1970s. It discusses the main artistic influences on minimalism including abstract expressionism, constructivism, and Marcel Duchamp. The leading minimalist artists of the movement are identified as Frank Stella, Carl Andre, Dan Flavin, Donald Judd, Robert Morris, and Sol LeWitt. Their key characteristics and works are described, focusing on reduction, industrial materials, and viewer interaction. Minimalism aimed to strip down art to its basic forms and reject metaphorical interpretations.
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This document provides an overview of the Minimalist art movement, including its key characteristics, social context, and notable artists such as Donald Judd, Robert Morris, Carl Andre, Sol Lewitt, and Dan Flavin. Minimalist art featured geometric forms made from industrial materials and lacked color, with the goal of having the artwork and viewer be part of the same experience. It emerged in the 1960s as a reaction to Abstract Expressionism and was influenced by mass production and media at the time.
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Minimalism emerged in the 1960s as a reaction to Abstract Expressionism. Minimalist artists aimed to eliminate emotion, allusion, and meaning from their work by creating simple geometric objects and structures. Key minimalist artists included Frank Stella, Donald Judd, Carl Andre, Sol LeWitt, Robert Morris, and Dan Flavin. Their work used basic forms and industrial materials to focus attention on the objects themselves rather than on symbolism or expression.
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Minimalism emerged in the 1960s as a reaction against abstract expressionism. Minimalist artists aimed to eliminate composition from their work and create purely visual, non-representational pieces. Key minimalist artists included Frank Stella, Sol LeWitt, Donald Judd, and Dan Flavin. They used industrial materials and geometric forms to create ordered and simplistic sculptures and installations. Their goal was for the works to be seen as literal objects rather than symbolic representations.
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1) Abstract Expressionism began in New York in the late 1940s but also had significant contributions from artists in Colorado and California.
2) Key Abstract Expressionist artists in New York included Jackson Pollock, Clyfford Still, Mark Rothko, Willem de Kooning, and others who developed styles using techniques like drip painting and vivid color fields.
3) Artists in Colorado and California also made important contributions to the movement, with groups in places like Colorado Springs, Denver, and San Francisco developing their own variations of Abstract Expressionist techniques and philosophies.
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Minimalism was an art movement that emphasized simplicity and industrial materials. It opposed the emotional expression of abstract expressionism and focused on basic geometric forms and repetition. Key artists included Frank Stella, Sol LeWitt, Dan Flavin, Donald Judd, and Carl Andre. Their work used materials like steel, concrete, and light to create simple sculptures and installations. Minimalist music also featured repetition and long durations. The movement sparked criticism for being too simple but influenced later art and design.
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Minimalism emerged in the late 1950s and early 1970s, led by artists like Frank Stella, Carl Andre, Dan Flavin, Donald Judd, Robert Morris, and Sol LeWitt. These artists reacted against Abstract Expressionism and sought to reduce art to its most basic and essential forms through simplification of shape and reduction of unnecessary elements. They were influenced by post-war American culture that valued simplicity and ideas from earlier artistic movements like Constructivism. Minimalist works feature industrial materials and geometric forms to draw attention to the interplay between the artwork, space, and viewer.
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Yo I started the slideshow people. I think You can download it on the site and edit it? I hope so otherwise I'll hand it to you in class so you can add to it ect.
Andy warhol ria de vigo
Andy Warhol was an American artist born in Pittsburgh in 1928 who is famous for his pop art. He used a silk screening technique to mass produce paintings of celebrities and products in a style that emulated commercial mass production, often using primary colors. Some of his most iconic works featured mass produced products and celebrities.
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Minimalism began in the 1950s and 1970s as an art movement that used simple geometric shapes and repeated patterns to strip art down to its most fundamental form. It was influenced by abstract expressionism and constructivism. Key minimalist artists discussed include Donald Judd, who focused on boxes, stacks, and progression in his work; Frank Stella, known for his monochrome and controlled paintings; Dan Flavin, who used colored fluorescent lights; and Sol LeWitt, who primarily made wall drawings and wrote instructions for collaborators to create his art.
Minimalism
Minimalism refers to a style of art from the 1950s to 1970s characterized by simplicity in form and content. Minimalist artists like Frank Stella, Carl Andre, Dan Flavin, Ellsworth Kelly, and Donald Judd reacted against Abstract Expressionism by creating stark canvases and sculptures with removed personal expression, aiming for objects of interest and beauty. Examples of works mentioned include Stella's Sunset Beach, Andre's Steel Aluminum Plain, Flavin's Untitled, Kelly's Grape Leaves III, and Judd's Untitled.
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This document provides an overview of minimalism in art from the late 1950s to the early 1970s. It discusses the main artistic influences on minimalism including abstract expressionism, constructivism, and Marcel Duchamp. The leading minimalist artists of the movement are identified as Frank Stella, Carl Andre, Dan Flavin, Donald Judd, Robert Morris, and Sol LeWitt. Their key characteristics and works are described, focusing on reduction, industrial materials, and viewer interaction. Minimalism aimed to strip down art to its basic forms and reject metaphorical interpretations.
Minimalism 4th Hour
This document provides an overview of the Minimalist art movement, including its key characteristics, social context, and notable artists such as Donald Judd, Robert Morris, Carl Andre, Sol Lewitt, and Dan Flavin. Minimalist art featured geometric forms made from industrial materials and lacked color, with the goal of having the artwork and viewer be part of the same experience. It emerged in the 1960s as a reaction to Abstract Expressionism and was influenced by mass production and media at the time.
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Minimalism emerged in the 1960s as a reaction to Abstract Expressionism. Minimalist artists aimed to eliminate emotion, allusion, and meaning from their work by creating simple geometric objects and structures. Key minimalist artists included Frank Stella, Donald Judd, Carl Andre, Sol LeWitt, Robert Morris, and Dan Flavin. Their work used basic forms and industrial materials to focus attention on the objects themselves rather than on symbolism or expression.
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This document summarizes a presentation about artists' recordworks in academic libraries. It discusses how artists have used record formats as an artistic medium, beginning in the avant-garde era. Examples are given of artists who designed album covers or published sound works. The document notes that artists' recordworks often have book-like qualities and include additional printed materials. It provides examples of contemporary artists continuing to use record formats and describes how some libraries incorporate artists' records into their collections and programming.
Edward steichen
Edward Steichen was an influential American photographer, painter, and curator. He helped establish photography as an art form and was a pioneer in many genres including portraiture and fashion photography. His most famous work was the 1955 "Family of Man" exhibition which featured over 500 photographs focusing on universal human themes like love, family, and death. Steichen had a significant impact and influenced many later photographers such as Richard Avedon, Irving Penn, Horst P. Horst, and George Hoyningen-Huene.
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Sharing to you my class report on Minimalism for my Art History 2 subject. Hope this would be helpful.
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A group of painters exhibited works in 1874 that broke from academic traditions by using short, broken brushstrokes of pure color rather than blending and details. These Impressionist works, including early pieces by leading artists Claude Monet, Pierre-Auguste Renoir, and Camille Pissarro, helped establish a new style of painting focused on capturing fleeting visual impressions rather than photo-realistic precision, though it took time for their works to gain acceptance from critics.
Minimalism powerpoint
Minimalism emerged in the 1960s as a reaction against abstract expressionism. Minimalist artists aimed to eliminate composition from their work and create purely visual, non-representational pieces. Key minimalist artists included Frank Stella, Sol LeWitt, Donald Judd, and Dan Flavin. They used industrial materials and geometric forms to create ordered and simplistic sculptures and installations. Their goal was for the works to be seen as literal objects rather than symbolic representations.
Mod lit minimalism
Minimalism focuses on reducing design to only necessary elements through simple geometric forms and eradication of authorship from artworks. During the 1960s, key artists like Donald Judd, Frank Stella, and Carl Andre created minimalist works that emphasized surface descriptions over metaphorical meanings. Their simplified styles reacted against abstract expressionism and influenced modern artists.
Richard avedon
Richard Avedon was an American fashion photographer born in New York City in 1923 to a Russian Jewish family. He made significant contributions to Vogue, Life, and Harper's Bazaar magazines through his fashion and portrait photography. Avedon helped define fashion photography and is renowned for his portraits of celebrities, world leaders, and cultural figures. He died of a brain hemorrhage in 2004 while working on an assignment in Texas at the age of 81.
Kirkland Museum: Colorado Abstract Expression
1) Abstract Expressionism began in New York in the late 1940s but also had significant contributions from artists in Colorado and California.
2) Key Abstract Expressionist artists in New York included Jackson Pollock, Clyfford Still, Mark Rothko, Willem de Kooning, and others who developed styles using techniques like drip painting and vivid color fields.
3) Artists in Colorado and California also made important contributions to the movement, with groups in places like Colorado Springs, Denver, and San Francisco developing their own variations of Abstract Expressionist techniques and philosophies.
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The document discusses six famous photographers from the 1950s and 1960s: David Bailey, Robert Frank, Eve Arnold, Dennis Stock, Henry Clarke, and Angus McBean. It provides biographical details and describes some of their most notable photographic works. David Bailey was inspired by Henri Cartier-Bresson and known for his photos of music artists. Robert Frank traveled America for two years taking over 28,000 photos that were published in his book "The Americans". Eve Arnold joined Magnum photo agency and photographed celebrities like Marilyn Monroe. Dennis Stock also joined Magnum and was most famous for his photos of James Dean. Henry Clarke did fashion photography for magazines like Vogue, photographing models and actresses. Angus
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In the first year, students are introduced to major themes in painting through sessions and gallery visits, where they discuss and present research on the themes. In the second year, students discover their own interests and how they relate to their work, giving a short presentation and attending another gallery visit to support this. The document then outlines various topics within the role of painting in contemporary fine art, including diversity in painting, intersections with politics, racial identity, gender, craft, and other disciplines such as photography, film, and sculpture. Examples of artists are provided for each topic.
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- 2. Queen โข Used a variety of rock sub-genres within their work rather than sticking to just a singular sub-category. โข Put their own spin on what was already out there and came up with something deriving from the bands own originality. โข Typical 70โs/80โs pop star look, long hair, revealing clothing. โข One of the most infamous British band. โข Flamboyant stage presence and overall look.
- 9. The Hoosiers