Marketing Measurement Mastery Webcast Slides by BECKONAmanda Roberts
Omnichannel marketing measurement doesn’t happen overnight—it’s a journey. Join Forrester Analyst Tina Moffett and Beckon VP of Data Strategy Kevin Dodson to learn how top brands measure and optimize omnichannel marketing performance.
Marketing Measurement Mastery Webcast Slides by BECKONAmanda Roberts
Omnichannel marketing measurement doesn’t happen overnight—it’s a journey. Join Forrester Analyst Tina Moffett and Beckon VP of Data Strategy Kevin Dodson to learn how top brands measure and optimize omnichannel marketing performance.
Transcript: Selling digital books in 2024: Insights from industry leaders - T...BookNet Canada
The publishing industry has been selling digital audiobooks and ebooks for over a decade and has found its groove. What’s changed? What has stayed the same? Where do we go from here? Join a group of leading sales peers from across the industry for a conversation about the lessons learned since the popularization of digital books, best practices, digital book supply chain management, and more.
Link to video recording: https://bnctechforum.ca/sessions/selling-digital-books-in-2024-insights-from-industry-leaders/
Presented by BookNet Canada on May 28, 2024, with support from the Department of Canadian Heritage.
Software Delivery At the Speed of AI: Inflectra Invests In AI-Powered QualityInflectra
In this insightful webinar, Inflectra explores how artificial intelligence (AI) is transforming software development and testing. Discover how AI-powered tools are revolutionizing every stage of the software development lifecycle (SDLC), from design and prototyping to testing, deployment, and monitoring.
Learn about:
• The Future of Testing: How AI is shifting testing towards verification, analysis, and higher-level skills, while reducing repetitive tasks.
• Test Automation: How AI-powered test case generation, optimization, and self-healing tests are making testing more efficient and effective.
• Visual Testing: Explore the emerging capabilities of AI in visual testing and how it's set to revolutionize UI verification.
• Inflectra's AI Solutions: See demonstrations of Inflectra's cutting-edge AI tools like the ChatGPT plugin and Azure Open AI platform, designed to streamline your testing process.
Whether you're a developer, tester, or QA professional, this webinar will give you valuable insights into how AI is shaping the future of software delivery.
DevOps and Testing slides at DASA ConnectKari Kakkonen
My and Rik Marselis slides at 30.5.2024 DASA Connect conference. We discuss about what is testing, then what is agile testing and finally what is Testing in DevOps. Finally we had lovely workshop with the participants trying to find out different ways to think about quality and testing in different parts of the DevOps infinity loop.
JMeter webinar - integration with InfluxDB and GrafanaRTTS
Watch this recorded webinar about real-time monitoring of application performance. See how to integrate Apache JMeter, the open-source leader in performance testing, with InfluxDB, the open-source time-series database, and Grafana, the open-source analytics and visualization application.
In this webinar, we will review the benefits of leveraging InfluxDB and Grafana when executing load tests and demonstrate how these tools are used to visualize performance metrics.
Length: 30 minutes
Session Overview
-------------------------------------------
During this webinar, we will cover the following topics while demonstrating the integrations of JMeter, InfluxDB and Grafana:
- What out-of-the-box solutions are available for real-time monitoring JMeter tests?
- What are the benefits of integrating InfluxDB and Grafana into the load testing stack?
- Which features are provided by Grafana?
- Demonstration of InfluxDB and Grafana using a practice web application
To view the webinar recording, go to:
https://www.rttsweb.com/jmeter-integration-webinar
State of ICS and IoT Cyber Threat Landscape Report 2024 previewPrayukth K V
The IoT and OT threat landscape report has been prepared by the Threat Research Team at Sectrio using data from Sectrio, cyber threat intelligence farming facilities spread across over 85 cities around the world. In addition, Sectrio also runs AI-based advanced threat and payload engagement facilities that serve as sinks to attract and engage sophisticated threat actors, and newer malware including new variants and latent threats that are at an earlier stage of development.
The latest edition of the OT/ICS and IoT security Threat Landscape Report 2024 also covers:
State of global ICS asset and network exposure
Sectoral targets and attacks as well as the cost of ransom
Global APT activity, AI usage, actor and tactic profiles, and implications
Rise in volumes of AI-powered cyberattacks
Major cyber events in 2024
Malware and malicious payload trends
Cyberattack types and targets
Vulnerability exploit attempts on CVEs
Attacks on counties – USA
Expansion of bot farms – how, where, and why
In-depth analysis of the cyber threat landscape across North America, South America, Europe, APAC, and the Middle East
Why are attacks on smart factories rising?
Cyber risk predictions
Axis of attacks – Europe
Systemic attacks in the Middle East
Download the full report from here:
https://sectrio.com/resources/ot-threat-landscape-reports/sectrio-releases-ot-ics-and-iot-security-threat-landscape-report-2024/
Let's dive deeper into the world of ODC! Ricardo Alves (OutSystems) will join us to tell all about the new Data Fabric. After that, Sezen de Bruijn (OutSystems) will get into the details on how to best design a sturdy architecture within ODC.
PHP Frameworks: I want to break free (IPC Berlin 2024)Ralf Eggert
In this presentation, we examine the challenges and limitations of relying too heavily on PHP frameworks in web development. We discuss the history of PHP and its frameworks to understand how this dependence has evolved. The focus will be on providing concrete tips and strategies to reduce reliance on these frameworks, based on real-world examples and practical considerations. The goal is to equip developers with the skills and knowledge to create more flexible and future-proof web applications. We'll explore the importance of maintaining autonomy in a rapidly changing tech landscape and how to make informed decisions in PHP development.
This talk is aimed at encouraging a more independent approach to using PHP frameworks, moving towards a more flexible and future-proof approach to PHP development.
Key Trends Shaping the Future of Infrastructure.pdfCheryl Hung
Keynote at DIGIT West Expo, Glasgow on 29 May 2024.
Cheryl Hung, ochery.com
Sr Director, Infrastructure Ecosystem, Arm.
The key trends across hardware, cloud and open-source; exploring how these areas are likely to mature and develop over the short and long-term, and then considering how organisations can position themselves to adapt and thrive.
"Impact of front-end architecture on development cost", Viktor TurskyiFwdays
I have heard many times that architecture is not important for the front-end. Also, many times I have seen how developers implement features on the front-end just following the standard rules for a framework and think that this is enough to successfully launch the project, and then the project fails. How to prevent this and what approach to choose? I have launched dozens of complex projects and during the talk we will analyze which approaches have worked for me and which have not.
Essentials of Automations: Optimizing FME Workflows with ParametersSafe Software
Are you looking to streamline your workflows and boost your projects’ efficiency? Do you find yourself searching for ways to add flexibility and control over your FME workflows? If so, you’re in the right place.
Join us for an insightful dive into the world of FME parameters, a critical element in optimizing workflow efficiency. This webinar marks the beginning of our three-part “Essentials of Automation” series. This first webinar is designed to equip you with the knowledge and skills to utilize parameters effectively: enhancing the flexibility, maintainability, and user control of your FME projects.
Here’s what you’ll gain:
- Essentials of FME Parameters: Understand the pivotal role of parameters, including Reader/Writer, Transformer, User, and FME Flow categories. Discover how they are the key to unlocking automation and optimization within your workflows.
- Practical Applications in FME Form: Delve into key user parameter types including choice, connections, and file URLs. Allow users to control how a workflow runs, making your workflows more reusable. Learn to import values and deliver the best user experience for your workflows while enhancing accuracy.
- Optimization Strategies in FME Flow: Explore the creation and strategic deployment of parameters in FME Flow, including the use of deployment and geometry parameters, to maximize workflow efficiency.
- Pro Tips for Success: Gain insights on parameterizing connections and leveraging new features like Conditional Visibility for clarity and simplicity.
We’ll wrap up with a glimpse into future webinars, followed by a Q&A session to address your specific questions surrounding this topic.
Don’t miss this opportunity to elevate your FME expertise and drive your projects to new heights of efficiency.
The Art of the Pitch: WordPress Relationships and SalesLaura Byrne
Clients don’t know what they don’t know. What web solutions are right for them? How does WordPress come into the picture? How do you make sure you understand scope and timeline? What do you do if sometime changes?
All these questions and more will be explored as we talk about matching clients’ needs with what your agency offers without pulling teeth or pulling your hair out. Practical tips, and strategies for successful relationship building that leads to closing the deal.
The Art of the Pitch: WordPress Relationships and Sales
Assigment 11 part 3
1. Kaya & Sanel
Characters N
Actor 2:
There is no picture of Gia in costume Doll Dolly
Age:
None
Inspiration photos
Actor 2:
Gia Alveranga
Age:
16
2. Kaya & Sanel
Characters N
Costume and props
Cute dolls dress which will be Stripy black and white tights which
ripped and smeared in blood will be ripped
3. Kaya & Sanel
Characters N
Mise –en-scene
Name – Doll Dolly
Gender – Female
Age – None
Costume – Tutu skirt, fitted colour full t-shirt, knee high stripy socks
and platform high heels
Not actual character Props – None
Make-up – Eye shadow, blush, fake lashes, face paint, bloody arms
Stereotype – Demented doll
Facial expression – Lots of blinking, face doesn't move
Body language – Very, very, fast body movement, lots of random
movement
4. Kaya & Sanel
N Characters
Doll Dolly–
What does she represent?
Not actual character
Doll Dolly is meant to be represented as a hallucinated
character that doesn't exist in real life. She is there to
frighten and show what happens while Laura in on LSD
5. Kaya & Sanel
Characters N
Actor 2:
There is no picture of Rahel in
Clown
costume
Age:
None
Inspiration photos
Actor 2:
Rahel Fasil
Age:
16
6. Kaya & Sanel
Characters N
Costume and props
Orange afro wig
Clown shoes
Clown jumpsuit
7. Kaya & Sanel
Characters N
Mise –en-scene
Name – Clown
Gender – Male
Age – None
Costume – Colour full jumpsuit and hat
Props – None
Not actual character Make-up – Blood tears, black around the eyes, drawn mouth
Stereotype – Demented Clown
Facial expression – Lots of blinking, face doesn't move
Body language – Very, very, fast body movement, lots of
random movement
8. Kaya & Sanel
N Characters
Clown–
What does he represent?
Not actual character
Clown is meant to be represented as
a hallucinated character that doesn't
exist in real life. She is there to
frighten and show what happens
while Laura in on LSD
9. Kaya & Sanel
Locations (her journey from home to the park/ forest)
O
The front door where She starts her journey
Laura will leave to the forest
This is where CCTV will She continues her
watch her walk into the park journey to the forest
10. Kaya & Sanel Locations O
She enters the forest and
continues her journey
11. Kaya & Sanel
Locations – Where the scene happens O
This is where she will stop
and collapse
• Its always accessible as there is no gate stopping you getting in
• We will get there by 226 bus then walking up to the park down a straight road
12. Kaya & Sanel
Locations O
This is the room where Laura will first try
the drug in the flashbacks
• This location is always accessible as its
one of our group members home
• We will get there by bus then walking
Heath and Safety:
• House could go on fire
• Fall over
13. Kaya & Sanel
Locations O
The bath where Laura will cut herself in the flashbacks
• This location is always accessible as its one of our group members
home
• We will get there by bus then walking
Heath and Safety:
• House could go on fire
• Fall down the stairs
14. Kaya & Sanel
Locations O
Where Laura will party in the flashbacks
• This location is only accessible when the school is open and when the
drama room is being used
• We will get there by bus then walking as we would use it during the
school day
Heath and Safety:
• Lights can fall on you
• Other technical things can fall on you
• School could go on fire
15. Kaya & Sanel
Locations O
Where Laura gets in a fight with her friend
in the flashbacks
• This location is always accessible as its
one of our group members home
• We will get there by bus then walking
Heath and Safety:
• House could go on fire
• Fall over
16. Kaya & Sanel
Locations O
The front door Laura leaves from
• This location is only accessible when someone's in the house to let us
open the door as they’re not a group member
• We will get there by bus then walking
Heath and Safety:
• Get kidnapped
• Fall over
• Cross the road and get run over
17. Kaya
Narrative P
Our film is closed narrative, Why?
• Our film is like reading a book, it goes to a start to an end – the film doesn't
have a cliff hanger, just a solid ending where the story of Laura’s life ends
• The film doesn't leave the audience asking questions, it leave the audience
with the statement that drugs will end up killing you and you should never try
them
How has it changed since Draft 1?
• In our first draft because we has a completely different story it has changed
from the film ending in a cliff hanger being a open narrative, to a closed
narrative sending out a message for the end of the film because before we
wanted the audience to question what happens in the film and create their
own ending according to what they saw.
18. Kaya
Narrative P
Our film is linear narrative, Why?
• Our film is a story that goes from start, middle, to end to tell the story of
Laura’s drug use.
• Although there are flashbacks, they are only very short and not the main basis
of our story
START MIDDLE END
How has this changed since draft 1?
• Although the story is different from draft1, we have always kept a linear
narrative as we want to make a film that tells a story from start middle to the
end because we think its more understandable and a better way of presenting
a story effectively
19. Kaya & Sanel
Film Theory Q
Tzvetan Todorov – Narrative Film Theorist
How we will be using his theory…
Equlibrium – Before Laura tried the drug, she was doing well at school and had a promising ‘
. future ahead of her and everything in her life was where it should be
Disequilibrium – As soon as she was introduced to the drug her life just went downwards at
. a rhythm that just went worse and worse, until she eventually dies.
New Equilibrium – There is no new equilibrium as our film ends horrible with Laura dying in
. A bad state with no friends, or anyone to help or support her in her time
. of need
20. Kaya
Film Theory Q
Vladimir Propp – Film Theorist
Why we wont be using his theory…
The villain – No-one in our film intentionally tries to hurt or ruin anybody
The dispatcher – This doesn't apply to our film at all, there is no hero to send off
The (magical) helper – No-one in the film does, or even try help Laura in her struggle
The princess or prize – There is no prize and its based on real life
Her father – She doesn't have a father, it’s a broken family
The donor – The film is based on real life therefore no magical objects
The hero or victim/seeker hero – There is no hero
False hero – There is no hero therefore no false hero
21. Kaya
Film Theory Q
Claude Lévi-Strauss - Narrative Film Theorist
Binary opposition
How we will be using this theory
Good life : Bad life Real life : Fantasy Good trip : Bad trip
Laura’s life in the We see Laura’s life The first time
beginning was throughout the Laura tires the
whole film the way drug she has a
good and anyone around her
promising good trip and has
would
fun
However we also
see her point of
Until she started view of the But then she has
using LSD which characters and a bad trip that
suddenly ruined sounds she doesn't makes her feel
her life in her hallucinations confused and
which aren't really frightened
there