1) The document provides direction for filming scenes depicting Laura leaving home and walking through various London neighborhoods on her way to a forest while experiencing flashbacks from a party where she took LSD. 2) Scenes include close-up shots of Laura's face and full body shots showing her outfit and possessions as she walks, interspersed with flashbacks of taking drugs and fighting with a friend. 3) In the forest, Laura encounters a clown and doll who scare her before she runs further into the trees while being chased, cutting between their points of view.

1. J J

2. J

3. Kaya K
Laura leaves Starts with a full body Willesden Laura • Side bag Blue jacket, Credits will be
Her home and shot then a graphic • Short brown wig ripped tights, shown during
starts her match to full body black skirt, this scene
journey to the shot ending in a close white top,
forest up shot dirty shoes
Flashback of Over the shoulder shot of Willesden Laura Black jacket, Non-Diegetic sad
Laura first her friend. Full body shot • Sugar cube ripped tights, slow music is
which zooms into a Friend
trying LSD • Food colouring black skirt, played. Slow
extreme close up shot,
after fast zoom out back
• Short brown wig grey top, motion. Blur.
Then fast motion
into the full body shot dirty boots
Laura is still The camera will track Willesden Black jacket,
Laura
walking the her walking around • Side bag ripped tights,
journey to the the curb in a full body • Short brown wig black skirt,
forest shot white top,
dirty boots
Flashback of Close up shot of Harlesden Laura Greyish Non-Diegetic sad
Laura at a Laura’s face to • Beer bottle jacket, white slow music is
Friends
party while on capture the facial • Short brown wig top, black played. Slow
LSD expression skirt motion. Blur.
Laura is still on Establishing shot of her Blue jacket, ripped
walking down the road
Golders Green Laura • Side bag
her journey to tights, black skirt,
the forest
with graphic match • Short brown wig white top, dirty
showing her in different
places on the road shoes
Willesden Laura Non-Diegetic sad
Flashback of Over the shoulder shot of • Side bag Black jacket,
ripped tights, slow music is
Laura and her Laura getting pushed over Friend • Short brown wig
be a friend then a mid shot black skirt, grey played. Slow
friend having a top, dirty boots motion. Blur.
of her on the ground
fight
Laura is Establishing shot of Laura Blue jacket, ripped
Golders Green • Side bag
entering the Laura walking into the tights, black skirt,
• Short brown wig white top, dirty
park park gates
shoes
CCTV point of Blue jacket, ripped Black and
Overhead shot of Laura Golders Green Laura • Side bag
view of Laura walking into the forest tights, black skirt, white visual
with time in white at the • Short brown wig white top, dirty effect
walking into
bottom of the screen shoes
the park gates

4. Kaya K
Laura walks Golders Green Laura • Side bag Blue jacket,
Full body shot
through the • Short brown wig ripped tights,
park looking black skirt,
confused white top,
dirty shoes
Flashback of Laura ripped tights, Non-Diegetic sad
Full body shot Willesden • Razor
Laura cutting black skirt, slow music is
herself in her grey top, played. Slow
bath motion. Blur.
Laura looks Mid shot while doing Golders Green Blue jacket,
Laura • Side bag
from right to a reverse dolly zoom ripped tights,
left frightened • Short brown wig black skirt,
white top,
dirty shoes
P.O.V of the Long shot which then Clown – Weird hypnotic
Golders Green Clown
clown and the becomes a close up • Orange afro wig jumpsuit .big music playing. Fast
Doll Dolly
doll scaring shot of both • Pink short wig shoes. motion. Multi-
Doll – dress, coloured visual
Laura characters faces ripped tights effect
Laura stands Full body shot of her Golders Green Blue jacket,
Laura • Side bag ripped tights,
there confused funning from
then starts to different locations of • Short brown wig black skirt,
run into the white top, dirty
the forest shoes
forest
Clown – Weird hypnotic
P.O.V of the Full body shot then Golders Green Clown • Orange afro wig jumpsuit .big music playing. Fast
clown and the later a long shot of motion. Multi-
Doll Dolly • Pink short wig shoes.
doll trying to the characters in the Doll – dress, coloured visual
distance ripped tights effect
confuse Laura
Blue jacket,
Laura stops and Mid shot then a close Golders Green Laura • Side bag ripped tights,
holds her chest up shot of her face on • Short brown wig black skirt,
then falling to the ground white top, dirty
the ground shoes
Clown – Weird hypnotic
P.O.V of the Full body shot from a low Golders Green Clown • Orange afro wig jumpsuit .big music playing. Fast
clown and doll angle, with the characters shoes. motion. Multi-
Doll Dolly • Pink short wig
dancing above then jumping down to a Doll – dress, coloured visual
Laura close up shot ripped tights effect

5. Kaya & Sanel
Enigma – How did they do it? L
‘Stand by me’ - 1986 Opening Sequence
Focus on newspaper article about death
The audience will want to know why this has
been pointed out and why he is looking at this
particular article for so long.
Focus on two boys on bike, then
starts to reminisce
We see the man focus on these two
boys on the bike then start to think
which makes the audience wonder
what connection he has with them He starts telling his story which connects to the what
the newspaper article and boys on the bikes
Lastly his voice over starts talking about his life as a
young boy and seeing a dead human, which shows the
audience it connects to the article and the two boys
on the bike. This make the audience want to watch
more and find out what happened when he saw the
body and the connection to what he’s thinking about

6. Kaya & Sanel
Enigma - How did they do it? L
‘Bend it like Beckham’ - 2002 Opening Sequence
Woman play for Man Utd
The audience will get sucked
into the game they played in the
beginning of the opening
sequence and then when they
see the girl playing with them
they wonder why she's playing
Mum disapproves of her playing for Man Utd and watch more.
The audience will wonder why she's
such a good football player, but then
when you see her mum shouting and
saying ‘she needs to go back home’
the audience will realise it’s a day
dream and see that there is conflict in
her family about her dream
Shows contrast with her fantasy and real life
The audience realise she doesn't follow the
conventions of a Indian girl and want to watch
more about the differences of what her mother
wants and what she wants.

7. Kaya & Sanel
Enigma L
How are we creating enigma in our opening sequence?
• By not letting the audience know why she is walking to the forest as she falls to the
ground hopelessly without letting the audience know what she wanted to do there in
the first place and further what she would have seen in her hallucinations.
• By showing her dramatically fall to the group as a climax to the end of the opening
sequence without giving away why, what it was and if she was okay afterwards.
• The audience will want to know why she is this way, how she’s tired, dirty, bloody and
what happened wrong in her life which the flashbacks will give short clues of this.
• Showing just seconds of the flashbacks they will want to see more of what she did and
why she did them and its done in slow motion which is a side effect of LSD so the
audience can know she on drugs doing these things (in the flashbacks) which because
of the hallucinations in the opening sequence will want to see more of it in her other
‘trips’.

8. Kaya & Sanel
Enigma L
How we have improved from draft 1?
• We draw the audience into our opening sequence more this time so the
audience can feel sorry for this venerable character rather than just being
told a story
• Rather than just showing someone kidnapped like in draft one, we showed
the girls journey drawing the audiences attention in slowly building tension
• In draft 1 there was no climax, the opening sequence was just basically
informing and telling a story however now, we build up tension up to a climax
creating enigma and dropping making the audience feel uncomfortable and
wanting to watch more

9. Kaya & Sanel
Target Audience M
Age – 18 – 21
Gender – Male and Female
Ethnicity – British
Location – United Kingdom
Interests/Hobbies – Partying, sex, drugs
Lifestyle – Free spirit, people who live for the day not the future
Why would our target audience be interested in our idea/plot?
• Its based on real life, so it could relate to some of our target audience
• Our target audience will be interested to learn about the drug throughout the film and
interested in her hallucinations
• The film is based in modern time and youth culture, use of slang in a closed narrative so
they can connect and relate to what they see in the film and leave thinking about the
consequences

10. Kaya & Sanel
Target Audience M
Why would our target audience be interested in our film because of its form?
• The use of editing in the hallucinations will interest the target audience, they may find it
funny or remarkable
• The use of modern music through out the film will interest our target audience as the film
will seem more real which helps them connect to it
• The hidden message behind the film will interest them into seeing why the message is
there and therefore will realise there is not way out when you try drugs and not to let
their friends pressure them into using it.
Why would your target audience be interested in your film because of genre/conventions?
• Our target audience can relate to drama’s as a lot happen in growing up in the society we
live in.
• Many of the conventions in the film are very realistic which helps build climax and tension
with our target audience because they would have or will be in the same situation in their
lives
• The convention of emotion shares experience with the target audience making them feel
understood and not out casted.

11. Kaya & Sanel
Target Audience M
What feedback we received from our target audience
The majority answers
We asked 18 – 2 19 – 2 20 – 1 21 – 1
• Showing the illusions is very captivating and makes the opening sequence
and film different from others of its kind
• Sends our a good and education message
• The title is unique, sounds interesting, and they like it
• Would watch the rest of the film because of the hallucinations and to see
what happens to Laura
• They likes the location because it was familiar and makes it more relatable
• We could improve by making flashbacks longer, use a more dramatic
scene

12. Kaya & Sanel
Characters N
How have you developed your characters since draft 1?
• We haven't developed the characters at all, we’ve changed them completely.
• We changed our character to people that the target audience can relate to and feel
sympathy and emotions or making it seem real.
• We unlike draft have no older characters, the characters in our opening sequence now
are all young adults

13. Kaya & Sanel
Characters N
(The costume will
be changed as we
didn’t have the
right props also the
make up we want, Actor 1:
we haven't got yet) Laura Hibbitt
Age:
Inspiration photos 18
Actor 1:
Sanel Homer The eye make up
Age:
The cut on the
16
lips and the tears
The dark and dull colours
and baggy clothes

14. Kaya & Sanel
Characters N
Costume and props
Pale skin
Black runny eye make up Dark wig, to give a more
dark look for her character
Dirt on face to show she's
not hygienic Bloody nose to show she's
not well and doesn't bother
about hygiene
Black and white dirty top Dark blue baggy jacket
Side bag
Black baggy knee length
skirt and black tattered
tights
Black scarf

15. Kaya & Sanel
Characters N
Mise –en-scene
Name – Laura Hibbit
Gender – Female
Age – 18
Costume – Dark brown wig, black jacket, baggy skirt, dirty top, dirty
knee high boots
Props – Beer bottle (Becks)
Make-up – Pale skin, Black smudged eye make up, bloody nose, sweaty
head, tears, cuts on the lip, dirty cheeks
Stereotype – Typical youth that doesn't care about the future and ruins
her life
Facial expression – Dizzy, dead, lights are on and no ones home
Body language – Effortless, exhausted

16. Kaya & Sanel
N Characters
Laura Hibbit –
What does she represent?
Laura represents a typical youth in Britain who gets
pressured by her friends to try drugs which ends up ruining
her life and her future, sending a message to the audience
that there's no easy way out of using drugs and that it will
end up killing you one day. We want the target audience to
relate to her and feel sympathy for her so she is to
represent someone they can visualise in real life.