The document is a preliminary task plan for a film project by Kaya, Gia, Rahel and Sanel. It includes drafts of a storyboard, script, and shot list with feedback and revisions between drafts. The team is considering techniques like the 180 degree rule and match on action shots. They refine the storyboard, script, and shot list between drafts by adding shot numbers, coordinating the elements, and including more shots based on feedback.

1. Preliminary Task Plan
Draft 3
Kaya, Gia, Rahel and Sanel

2. DRAFT 1 FEEDBACK

3. Two shot at the table
Girl keeps looking back around Something's behind her
her
Match on action shot
Things walk when opening the door
behind her
Rough Idea’s on
Over the shoulder
the task shot when having
the conversation
Scared/frightened facial
expressions
Extreme close up shot of her
hand turning the door handle
Close up shot of facial
Establishing the location by Talks to friend about what she
expression
camera movement following think is happening to her
the character

4. Kaya
180 degree rule!
What is it?
It is a basic guideline that characters in a shot should always stay to their left or right
position with each other. When the rule is broken the characters will constantly change
position which cannot be broken or it will destruction continuity of a film. If this rule is broken
it will cause loss of focus with the audience, disorientation in shots and scenes, confusion
with the audience and shift eye line match for the actors if in conversation .
For example…
If a shot is filmed from a
360 degree rule or no
imagery line…
Both actors will be
looking from the same
perspective and view
point and it will
confuse the audience.

5. Kaya
180 degree rule!
If filming is You can’t
filmed from change side of
the left side the camera
of a room because the
the position of
character characters
would then would be
have right flipped
and left
positions
therefore …

6. Kaya
How are you considering it in your preliminary task?
We will be filming the character in a conversation to keep their left and right
positions, therefore to keep this rule we will not be filming from the other side of
the table.
We wont be
filming the
character
conversation
over the red
line therefore
our characters
keeping their
right and left
positions

7. Match on action! Kaya
What is it?
When there is an act or movement films in different shots and angles at different
times, however edited to look like it was all done in one shot from one complete movement.
How are you considering it in your preliminary task?
We will be showing the character open the door from one side of the door then coming
through it on the other side as if to be one movement though shot from an extreme close up
shot to a mid shot
The movement of the There is a full body Low angle from Him on the ground
man jumping onto lower as if he had just
shot of him underneath of him
ground looks like one
jumping into the in the air dropped from the
movement with
continuity although… air air

8. Kaya
Camera shots and angles!
Extreme Over the
Establishing Close up close up Two shot shoulder
shot shot shot shot
Visual
Showing the
To establish a To show characters reaction
To show
place or to tell the something or from the
something or To show
audience someone in more
What is it something about
someone with
detail to give
emotional perspective of the
other so they
greater meaning reactions
being used the place, this is
and greater
message to
between two
audience can see it
so the audience audience and from how they
for and can be aware and
concentration on
show some little
people to display would standing
something to what kind of
why? maybe convey a
show meaning
details not usually
relation ship they
there possibly
meaning and looked at for making the
and emotion with have and audience feel is if
emotion with the some sort of
the audience they’re there too
audience. importance.

9. Kaya
Kaya
1
Over head plans
2
3
4
5
16
13 14 15
6,8,12 7,11
10 Overhead
plan!
9

10. Rahel + Gia
Script!
DRAFT 1

11. Rahel
Script!
DRAFT 2

12. Kaya
Script changes
DRAFT 1 DRAFT 2
‘EBI’ CHANGES
• Add shot numbers • Correct shot
numbers added
• Add commentary • Accurate
commentary added
• Alignment is • Correct the
slightly incorrect alignment

13. Sanel
Storyboard! DRAFT 1

14. Sanel Storyboard! DRAFT 1

15. Sanel
Storyboard! DRAFT 2

16. Sanel
Storyboard! DRAFT 2

17. Sanel
Storyboard! DRAFT 2
18 19 20

18. Kaya
Storyboard changes
DRAFT 1 DRAFT 2
‘EBI’ CHANGES
• Add shot numbers • Shot numbers
included

19. Sanel + Kaya
Shot list! DRAFT 1
Type of shot Description Prop/costume
needed
Gia looks around • Mid shot Gia grabs hold of the • Bangles
door handle then • Jeans
looks around scared • shirt
Gia hold the door handle • Close up shot Gia turns the door • Bangles
handle • Jeans
• shirt
Gia walks through the • Match on action Gia walks to her seat • Bangles
other side of the door • Establishing shot • Jeans
• Shirt
Gia sits there waiting • Extreme close up Gia sits there waiting • Bangles
shot • Jeans
• Shirt
Sanel holds the handle • Close up shot Sanel hold the • Bangles
• Match on action handle then walks to • Jeans
a seat • Shirt

20. Sanel + Kaya
Shot list! DRAFT 1
Type of shot Description Prop/costume
needed
Gia is talking • Mid shot Gia talks to Sanel • Bangles
about what's • Jeans
happening to her • shirt
Sanel is talking • Mid shot Sanel is talking to Gia • Necklace
trying to convince • Jeans
her its not true • shirt
Sanels reaction to what • Over the We see Sanel from • Necklace
Gia’s saying shoulder shot Gia's perspective • Jeans
• Shirt
They converse at the table • Two shot They both sit there • Bangles
talking to each other • Necklace
about it • Jeans
• Shirt
Gia points at the wall • Mid shot Gia scared points to • Bangles
the wall because she • Jeans
can see something • Shirt

21. Sanel
Shot list! DRAFT 2
Type of shot Description Prop/costume
needed
Gia walks to the door • Full Body Shot Gia walks to the door • Bangles
and is about to open • Jeans
it. • shirt
Gia turns her head around • Close-up shot Gia looks to see what • Bangles
is behind her. • Jeans
• shirt
Gia holds the door handle • Extreme Close- Gia turns the knob. • Bangles
up • Jeans
• Shirt
Gia walks through the • Match on action Gia walks to her seat. • Bangles
other side of the door • Jeans
• Shirt
Gia carries on walking • Full Body shot Gia walks to her seat. • Bangles
• Jeans
• Shirt

22. Sanel
Shot list! DRAFT 2
Type of shot Description Prop/costume
needed
You just see Gia’s legs (8) • Close-up Shot She reaches to her • Bangles
seat and is about to • Jeans
sit down . • shirt
Gia sits down (9) • Mid shot Gia sits down on the • Necklace
chair. • Jeans
• shirt
Sanel is at the table (10) • A reverse shot Sanel starts to talk to • Necklace
Gia . • Jeans
• Shirt
Gia is talking (11) • A mid shot Gia talks to Sanel • Bangles
about what she is • Necklace
seeing. • Jeans
• Shirt
You see the whole room • Establishing Shot You see the whole • Bangles
(12) room while Gia talks • Jeans
about how she can • Shirt
see someone.

23. Sanel
Shot list! DRAFT 2
Type of shot Description Prop/costume
needed
Sanel and Gia starts talking • Two shot Sanel and Gia starts • Necklace
(13) doing their revision • Jeans
for exam. • shirt
Gia stops working (15) • Mid-shot Gia looks around the • Necklace
room. • Jeans
• Shirt
Gia points towards a wall • Over the Gia points towards a • Bangles
(18) shoulder shot wall as she can see • Necklace
someone. • Jeans
• Shirt
Sanel turns to see what Gia • Close up shot Sanel looks behinds • Bangles
is pointing at (19) her to check • Jeans
• Shirt
Sanel gets a reaction(21) • Extreme Close up Sanel looks behinds • Bangles
shot her and see’s what • Jeans
Gia see’s. • Shirt

24. Kaya
Shot list changes
DRAFT 1 DRAFT 2
‘EBI’ CHANGES
• Add shot numbers • Correct shot
numbers added
• Co-ordinate with • Storyboard, script
storyboard and and shot list all linked
script in order
• Not enough shots • Preliminary
changed slightly
with more shots