This document provides architectural terminology for historic residential buildings in Fresno, California. It defines over 50 terms concisely with images. Some key terms defined include: balustrade, bay, bay window, brackets, casement windows, cladding, columns, cornice, dormer, eaves, elevation, façade, fenestration, gable roof, hip roof, quoins, and ribbon window. The definitions are intended to help identify character-defining features of historic homes.
When you're on the market for a new home, you'll always see descriptions like 'Victorian,' 'contemporary,' etc. But what do these words actually mean? Take this quiz to see if you're familiar with American home styles and architecture!
El Pueblo Ribera Court was a multi-dwelling complex, designed by Rudolph Schindler as 12 individual units to be rented out as vacation homes in the 1920’s. Schindler argued there should be no separation between the interior and exterior environment. In Pueblo Ribera it is clear to see the integration of environment and architecture. The roof terraces were covered with a suspended trellis; it’s accessed by an outdoor stairway and was meant to be used as a living and sleeping space and for viewing the ocean.
When you're on the market for a new home, you'll always see descriptions like 'Victorian,' 'contemporary,' etc. But what do these words actually mean? Take this quiz to see if you're familiar with American home styles and architecture!
El Pueblo Ribera Court was a multi-dwelling complex, designed by Rudolph Schindler as 12 individual units to be rented out as vacation homes in the 1920’s. Schindler argued there should be no separation between the interior and exterior environment. In Pueblo Ribera it is clear to see the integration of environment and architecture. The roof terraces were covered with a suspended trellis; it’s accessed by an outdoor stairway and was meant to be used as a living and sleeping space and for viewing the ocean.
Farnsworth house and S.R Crown hall by Mies Van der Rohe- Case studyAnqaParvez
A presentation on modern architecture structures by Ludwig
Mies Van der Rohe - Farnsworth house and S.R Crown hall case study architecture by 2018 Batch SOA Kashmir
Chambord - A French Renaissance ChateauJerry Daperro
Along the river valley of Loire, south of Paris was a favourite region for the French nobility to build their chateaux. There are three royal chateaux in the valley - Chambord, Blois and Amboise. Leonardo da Vinci spent his final years here amongst these chateaux. Chenonceau chateau is one of the prettiest and had a female touch to it. If this is the case then it counterpart is Chambord, a the male chateau. It was built as a hunting lodge and many of its features were derived from traditional fortifications.
In 1515, the young Francis I of France came to the throne. It was under him France was united and strong. It was also the time French Absolute Monarchy began to appear. Chambord is very much his making. The emblems of Francis I were everywhere. It is also a French Renaissance building, incorporating Italian architecture elements like loggias, terrace, pilasters and horizontal mouldings decorating the facades. It is also French too with its massive towers, donjon and very high and steep roofs. Its roof it like a chessboard of towers and also like as a skyline of skyscrapers.
Today around the chateau is a large wildlife park with rich and varied wild life, a sanctuary for large animals. It is also an Unesco Heritage Site.
Farnsworth house and S.R Crown hall by Mies Van der Rohe- Case studyAnqaParvez
A presentation on modern architecture structures by Ludwig
Mies Van der Rohe - Farnsworth house and S.R Crown hall case study architecture by 2018 Batch SOA Kashmir
Chambord - A French Renaissance ChateauJerry Daperro
Along the river valley of Loire, south of Paris was a favourite region for the French nobility to build their chateaux. There are three royal chateaux in the valley - Chambord, Blois and Amboise. Leonardo da Vinci spent his final years here amongst these chateaux. Chenonceau chateau is one of the prettiest and had a female touch to it. If this is the case then it counterpart is Chambord, a the male chateau. It was built as a hunting lodge and many of its features were derived from traditional fortifications.
In 1515, the young Francis I of France came to the throne. It was under him France was united and strong. It was also the time French Absolute Monarchy began to appear. Chambord is very much his making. The emblems of Francis I were everywhere. It is also a French Renaissance building, incorporating Italian architecture elements like loggias, terrace, pilasters and horizontal mouldings decorating the facades. It is also French too with its massive towers, donjon and very high and steep roofs. Its roof it like a chessboard of towers and also like as a skyline of skyscrapers.
Today around the chateau is a large wildlife park with rich and varied wild life, a sanctuary for large animals. It is also an Unesco Heritage Site.
Short power point showing the various styles and transitions of architecture. Also includes models built by architects. This is a good piece to introduce a model building project with high school or college age students.
Running Head WHITE HOUSE ARCHITECTURE PAGE 6WHITE HOUSE ARCHI.docxagnesdcarey33086
Running Head: WHITE HOUSE ARCHITECTURE
PAGE 6
WHITE HOUSE ARCHITECTURE
White House Architecture: Washington DC
Dr. Moreno/Modern Art III
November 13, 2014
White House: Washington, D.C
Introduction
White House acts as the official residence of U.S. president. It is found in Pennsylvania Avenue Washington D.C. White House was designed using Neoclassical style by James Hoban from Ireland, and building started from 1792 to 1800. However, the architect Benjamin Henry Latrobe started planning for the outward expansion of the building to create two colonnades after Thomas Jefferson moved-in in 1801. The construction of the executive mansion was approved when Congress established the District of Columbia the capital of the United States in 1790. The architect was chosen through a competition of proposals which was won by James Hoban. Since then, the building has undergone the series of renovations (History of White House, 2012).
Architectural description
George Washington laid the first cornerstone of the building in a cornerstone ceremony in 1792. It is a grand mansion in the Neo-Classical Federal style , with details that echo classical Greek ionic architecture. Scottish masons were brought to DC to do the stone work. . The mansion would be covered in sandstone which created a slight problem. The masons were able to troubleshoot the issue by sealing the porous sandstone with a thick whitewash, this is where the white house first adopted it’s name. This would remain the largest residence in the United states until the 1860’s. The major White House façade which is at the north front consists of eleven bays and three floors. Ground floor is obstructed by parapet and raised carriage. This makes the façade be perceived to have two floors (Timelines-Architecture, 2007).
Figure 1.0: Floor Plan
Behind the prostyle portico are the three central bays added in 1830 circa and it serves as a Porte cochere. The four bays have windows that flank the portico. The first floor consists of alternating segmented and pointed pediments. The second floor has flat pediments. A lunette fanlight surmounts the center of the portico at the principal entrance. The sculpted floral festoon is found above the entrance. A balustrade parapet obstructs the roofline (William, 2008).
The façade at the southern comprises of both the neoclassical and Palladian architectural styles. The Palladian fashion has been used to rusticate the ground floor, while the center façade is designed in neoclassical style that projects a three-bay bow. Five bays flank the bow, with the windows at the north façade consisting of alternating pointed and segmented pediments at the first floor. The bow is made up of the double staircase at the ground floor that leads to the Ionic Colonnaded Logia referred to as the south portico. The second floor of the bow is made up of Truman Balcony. The modernized third floor obstructed by the balustrade parapet and is insignificant a.
roof is the covering on the uppermost part of a building. A roof protects the building and its contents from the effects of weather.
Structures that require roofs range from a letter box to a cathedral or stadium, dwellings being the most numerous.
In most countries a roof protects primarily against rain. Depending upon the nature of the building, the roof may also protect against heat, against sunlight, against cold and against wind.
Similar to Architectural Terminology for Historic Era Residential Buildings in Fresno (20)
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Architectural Terminology for Historic Era Residential Buildings in Fresno
1. HISTORIC PRESERVATION | CITY OF FRESNO
ARCHITECTURAL TERMINOLOGY FOR HISTORIC-ERA
RESIDENTIAL BUILDINGS IN FRESNO
2.
3. the following list includes architectural terms that may not be in the
general lexicon. building materials and terms such as garage, porch,
shutters, etc., are not included.
JANUARY 2014
text and photographs
karana hattersley-drayton m.a.
historic preservation project manager, city of fresno
design / layout
arami matevosyan, intern
university of california, berkeley
ARCHITECTURAL TERMINOLOGY FOR HISTORIC-ERA
RESIDENTIAL BUILDINGS IN FRESNO
Development and Resource
Management Department
//
4. h.h. brix mansion
(1911, edward t. foulkes, hp#089, national register property)
COVER PHOTOGRAPHS
(from the left):
the bekins-mcclatchy home
(1926, hp#282, huntington blvd.)
samuel pudlin home
(1937,franklin and kump jr. architects,
n. van ness avenue)
the flora montague bungalow court
(1922, hp#281, downtown)
the nevins adobe
(1920-1947; fig garden)
HISTORIC PRESERVATION | CITY OF FRESNO
5. BALCONET (fig. 7)
a pseudo-balcony; a low ornamental
railing to a window.
ARCUATED (arch)
a curved structure usually made of
wedge shaped stones (voussoirs)
which spans an opening.
BALUSTRADE (fig. 8)
a decorative railing system which
includes a top rail, balusters, and
usually a bottom rail.
BAY
a regularly repeated spatial element.
BAY WINDOW (fig. 1)
a window that protrudes from a
wall.
BRACKETS (fig. 2)
often used as decorative elements at
the cornice line of a home; in general
refers to any element which projects
from a wall to support (literally or
figurateively) a weight.
BULKHEAD
architectural element which forms
the base for a door’s sidelight.
CANTILEVERED (fig. 16)
projecting horizontally beyond the
wall or its vertical support; as in
balconies on monterey revival style
homes or windows on some tudors.
CAPITALS (fig. 3)
the topmost structural member of a
column, often decorative.
CARTOUCHE (fig. 6)
an ornamental tablet often inscribed
or decorated and framed with
elaborate, scroll-like carving.
CASEMENT WINDOWS (fig. 15)
a window which swings open along
the entire length, usually on hinges
fixed to the sides of the opening.
CHARACTER-DEFINING FEATURE
an architectural element which
defines the style or particular look
of a building and without which the
building would lose its integrity.
1
Fig. 1
Fig. 3
Fig. 2
A
C
B
6. CLADDING
exterior siding, either original or
perhaps added over the original
surface treatment of the building.
CLIPPED GABLE ROOF
also known as a jerkinhead; a gable
roof for which the end has been
“clipped” to be between a gable and
hip in shape.
COLONNADE (fig. 4)
a number of columns arranged in
order, as in an entryway to a spanish
revival style home.
COLUMN (fig. 3)
a long slender structural member
which is cylindrical and supports a
load.
COPING
a protective or decorative top
to a wall or roof, also used as a
decorative horizontal feature along
the top edge of a roof in some
architectural styles, such as
streamline moderne or the prairie.
CORNICE (fig. 10)
the exterior trim of a structure
where the roof and wall meet.
DENTIL (fig. 14)
as it suggests, these are decorative
“toothlike” square blocks that are
often found in columns or at the
cornice of a home.
DORMER (fig. 5)
a structure which protrudes from
a sloping roof, usually housing a
vertical window. colonial revival
homes often include dormers.
DOUBLE-HUNG SASH WINDOWS
(fig. 11)
windows framed horizontally which
can move in both directions when
opened.
EAVES
the part of the roof that projects
beyond the exterior wall.
2
Fig. 6
Fig. 5
Fig. 4
D
E
7. ELEVATION
vertical drawing of exterior or
interior of building; 2 dimensional.
FAÇADE
the exterior, front, or principle
elevation.
FANLIGHT (window)
a semicircular or a fan-shaped
window with radiating members or
tracery set over a door or window.
FENESTRATION
general term for the arrangement
and design of windows in a building;
< french (fenêtre).
FRENCH DOORS (fig. 7)
a door which has glass panes
throughout or nearly so along its
entire length; often used in pairs.
GABLE ROOF (fig. 10)
a roof which is triangular in shape,
from the cornice to the ridge; homes
may be front-gabled, side-gabled, or
a combination of several roof types.
HIPPED ROOF (fig. 8)
a roof which slopes upward from all
four sides of a building; if the top is
“flat” it is a truncated hip roof.
KNEE BRACES (fig. 9)
a corner brace or diagonal member
placed across the angle between
two members that are joined to
provide structural strength. may
also be decorative as in craftsman
bungalows.
LIGHTS (fig. 15)
individual panes of glass, as in a
window with eight lights.
FRIEZE (fig. 10)
a horizontal decorative band at or
near the top of a wall below the
cornice.
GAMBREL ROOF
a ridged roof with two slopes on
each side, the lower slope having
the steeper pitch; often used on
barns.
Fig. 7
Fig. 9
Fig. 8
F
G - L
3
8. MUNTINS
a secondary framing member to hold
panes of glass within a window or
glazed door.
PARAPET
a low wall at the edge of a roof.
PEDESTAL
a support for a column, as seen
frequently on craftsman style
homes.
PEDIMENT
a triangular gable above or over
a door or window, as often seen
in classically inspired styles of
building.
MULLIONS
a vertical member separating and
often supporting windows, doors
or panels set in a series, as in ribbon
windows. the term is often confused
with muntins which are the framing
pieces around window panes.
PICTURE WINDOW (fig. 11)
a large, fixed window that is often
set between two smaller, operable
windows.
PIER
a solid masonry support, often
square or rectangular in plan.
PILASTER
a shallow flattened, rectangular
column or pier attached to a wall
and often modeled on an order.
PITCH (roof)
one normally describes the degree
of slant of a roof as low, medium or
steeply pitched.
PLAN
a drawing which shows the interior
spaces of a building, usually to scale.
PORTE COCHERE (fig. 12)
a covered carriage or automobile
entrance which is attached to the
side of the home, seen frequently in
homes built in the 1920s and before;
more architecturally distinguished
than the later “carport.”Fig. 12
Fig. 11
Fig. 10
M - O
P
4
9. RIDGE
the highest point in a sloped roof.
SHED ROOF
a roof, often used on a porch or
auxiliary building, which has one
plane.
SIDELIGHTS (fig. 17)
a framed area of glass that does
not open, often set vertically on
each side of a door.
SLEEPING PORCH
until the invention of air conditioning,
screened rooms, open to the night
breezes, were commonly used in
fresno for sleeping during the
summer months and even in the winter.
SLIDERS
metal or vinyl windows which open
vertically rather than horizontally;
common on homes in the 1970s on.
RAFTER TAILS (fig. 15)
rafters are an inclined structural
members from the ridge of the roof
down to the eaves which support
the roofing material. when the ends
protrude over the edge of the
wall, as is common in the craftsman
tradition, these are called rafter
tails.
RIBBON DRIVEWAY
commonly found in older neighbor-
hoods, the driveway consists of two
poured strips of concrete with a
grassy median in between.
RIBBON WINDOW (fig. 11)
a horizontal band of at least three
windows separated only by mullions.
PORTICO (fig. 13)
a covered entrance whose roof is
supported by a series of columns or
piers, commonly placed at the front
entrance of a building.
QUOINS (fig. 14)
often decorative, these are wood,
stone, or bricks set at the external
corners of a building’s wall.
Fig. 13
Fig. 15
Fig. 14
R
Q
S
5
10. SPINDLEWORK (fig. 18)
decorative circular wood pieces,
turned on a lathe, and used
particularly on porches on queen
anne style residences.
STRAPWORK (fig. 16)
decorative wood pieces on the
exterior of a home that mimic
the structural framing found in
northern european architecture.
popularly used in the tudor revival
and even craftsman styles.
STUCCO
an exterior finish composed of
portland cement, lime, and sand.
TRANSOM WINDOW (fig. 11)
a window above another window or
door that is usually operable and
hinged.
VENEER
an outside wall surface that is
decorative and durable but which
is not load bearing, as in a brick
veneer.
cyril m. harris, dictionary of
architecture and construction.
new york: mcgraw-hill, 2000.
virginia and lee mcallester, a field
guide to american houses. new
york: alfred a. knopf, 2002.
john c. poppeliers and s. allen
chambers jr., what style is it?
a guide to american architecture.
new jersey: john wiley & sons,
2003.
REFERENCES
Fig. 16
Fig. 17
Fig. 18
T - Z
6
11. TABLE OF FIGURES
FIGURE 1
bay window on ywca (julia morgan)
FIGURE 2
decorative brackets (h.h. brix mansion)
FIGURE 3
corinthian style captials on the columns
of the security pacific bank building
(fulton mall)
FIGURE 4
a colonnade on a spanish revival home
(huntingtion blvd.)
FIGURE 5
dormer window (lowell district)
FIGURE 6
cartouche on the façade of the gustav
and edith manheim home (1919)
(wilson island historic district)
FIGURE 7
french doors and balconet
(huntington blvd.)
FIGURE 8
belcast hipped roof with solid porch
balustrade (lowell district)
FIGURE 9
knee brace detail on the j.r. turner
residence (tower district)
FIGURE 10
upright and wing style home with cross
gabled roofs, boxed cornice, and plain
frieze (virginia city, montana)
FIGURE 11
ribbon window with fixed picture windows,
leaded glass transom above flanked by
two double-hung sash windows
(huntington blvd.)
FIGURE 12
porte cochere in the wilson island
historic district, with rare “carriage
doors” leading into home
FIGURE 13
elaborate portico on the bernhauer home
(huntington blvd.)
FIGURE 14
decorative brick quoins and dentil work
on the rehorn home
FIGURE 15
casement window with multiple lights;
notice also the exposed rafter tails
FIGURE 16
a cantilevered second story with
decorative strapwork on tudor
(wilson island hd)
FIGURE 17
elaborate front door with sidelights
(h.h. brix mansion)
FIGURE 18
spindlework detail on queen anne home
(lowell district)
//
7
12. development & resource management division
2600 fresno treet
fresno, california 93721
www.fresno.gov