The document is an analysis of John Donne's poem "The Extasie" written by Nirav Amreliya. It provides background on Donne and the poem, analyzing the literary devices used. The poem depicts a state of rapture and true love as ecstasy, exploring Donne's philosophy of platonic love between souls without physical pleasures. While their souls converse, the lovers' bodies lay motionless. The analysis concludes the poem examines achieving self-realization and divine transcendence by merging with God's wholeness.
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
The Good-Morrow by John Donne: Analysis. The Good-Morrow, by John Donne, chiefly deals with a love that advances further from lusty love to the spiritual love.The poem makes use of biblical and Catholic writings, indirectly referencing the legend of the Seven Sleepers and Paul the Apostle's description of divine, agapic love – two concepts with which, as a practicing Catholic, Donne would have been familiar.
Samuel Taylor Coleridge, his life and works
Prepared by Ahmad Hussain, Department of English,
Abdul Wali khan University Mardan.
Email: mr.literature123@gmail.com
Facebook page link for Literary students: www.facebook.com/englitpearls
HERE I AM SHARING MY PRESENTATION OF MY M.A COURSE AS MY ACADEMIC WORK.I AM SUBMITTING THIS PRESENTATION TO DR. DILIP BARAD , SMT.S.B. GARDI DEPARTMENT OF ENGLISH MKBU
John Donne (/ˈdʌn/ dun) (22 January 1572[1] – 31 March 1631) was an English poet and a cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets. from Wikipedia
Samuel Coleridge- Biographia Literaria Ch 14Dilip Barad
This presentation deals with chapter 14 of 'Biographia Literaria' written by Samuel Taylor Coleridge. It deals with his famous defence of Wordsworth's poetic creed, difference between prose and poem; and more importantly, difference between poem and poetry
The Preface to the Lyrical Ballads is an essay, composed by William Wordsworth, for the second edition of the poetry collection Lyrical Ballads, and then greatly expanded in the third edition of 1802. It has come to be seen as a de facto manifesto of the Romantic movement.
According to William Wordsworth poetry is the powerful overflow of spontaneous feelings. Wordsworth describes his main intention to write Lyrical Ballads is to choose incidents from real life and add a colour of imagination so that ordinary things may be represented in an unusual fashion.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
Abraham Cowley (pronounced Cooley) was born in London, the posthumous son of a wealthy London stationer. He was educated at Westminster School and at Trinity College, Cambridge, where he took his BA in 1639, was made fellow in 1640, and became MA in 1643. Cowley published his first volume of verse, Poetical Blossoms (1633), when he was 15. The collection consisted of five poems, one of which Cowley had written at age 10. He wrote a pastoral drama and a Latin comedy, Naufragium Ioculare (1638), when he was but 20.
Goe and catche the falling stare by john donne, it includes introduction, summary, themes, analysis, literary devices, tone, conceits, metaaaphysical elements, examples and conclusion.
The Good-Morrow by John Donne: Analysis. The Good-Morrow, by John Donne, chiefly deals with a love that advances further from lusty love to the spiritual love.The poem makes use of biblical and Catholic writings, indirectly referencing the legend of the Seven Sleepers and Paul the Apostle's description of divine, agapic love – two concepts with which, as a practicing Catholic, Donne would have been familiar.
Samuel Taylor Coleridge, his life and works
Prepared by Ahmad Hussain, Department of English,
Abdul Wali khan University Mardan.
Email: mr.literature123@gmail.com
Facebook page link for Literary students: www.facebook.com/englitpearls
HERE I AM SHARING MY PRESENTATION OF MY M.A COURSE AS MY ACADEMIC WORK.I AM SUBMITTING THIS PRESENTATION TO DR. DILIP BARAD , SMT.S.B. GARDI DEPARTMENT OF ENGLISH MKBU
John Donne (/ˈdʌn/ dun) (22 January 1572[1] – 31 March 1631) was an English poet and a cleric in the Church of England. He is considered the pre-eminent representative of the metaphysical poets. from Wikipedia
Samuel Coleridge- Biographia Literaria Ch 14Dilip Barad
This presentation deals with chapter 14 of 'Biographia Literaria' written by Samuel Taylor Coleridge. It deals with his famous defence of Wordsworth's poetic creed, difference between prose and poem; and more importantly, difference between poem and poetry
The Preface to the Lyrical Ballads is an essay, composed by William Wordsworth, for the second edition of the poetry collection Lyrical Ballads, and then greatly expanded in the third edition of 1802. It has come to be seen as a de facto manifesto of the Romantic movement.
According to William Wordsworth poetry is the powerful overflow of spontaneous feelings. Wordsworth describes his main intention to write Lyrical Ballads is to choose incidents from real life and add a colour of imagination so that ordinary things may be represented in an unusual fashion.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
Abraham Cowley (pronounced Cooley) was born in London, the posthumous son of a wealthy London stationer. He was educated at Westminster School and at Trinity College, Cambridge, where he took his BA in 1639, was made fellow in 1640, and became MA in 1643. Cowley published his first volume of verse, Poetical Blossoms (1633), when he was 15. The collection consisted of five poems, one of which Cowley had written at age 10. He wrote a pastoral drama and a Latin comedy, Naufragium Ioculare (1638), when he was but 20.
Goe and catche the falling stare by john donne, it includes introduction, summary, themes, analysis, literary devices, tone, conceits, metaaaphysical elements, examples and conclusion.
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Analysis of the Poem :' The Extasie' by John Donne
1. Prepared By : Nirav Amreliya
Batch : 2021-2023 (M.A. Sem. 1)
Enrollment Number : 4069206420210002
Ro. N/o. : 30
Submitted To : Smt. S. B. Gardi Department of English,
Maharaja Krishnakumarsinhji Bhavnagar University,
Vidhyanagar, Bhavnagar – 364001
(Dated On : 4th Dec., 2021)
The Extasie
~ John Donne
Paper N/o., Subject
Code, Name : 101 : 22392:
Literature of the
Elizabethan and
Restoration Periods
Topic : Analysis of the
Poem : ‘The Extasie’ by
John Donne
2. Index :
o A Brief Introduction to Donne & ‘The Extasie’ :
o Technicality & Literary Devices Employed :
o Insight : Search for True Love : Platonic Love :
o Conclusion :
o References :
3. A Brief Introduction to Donne & ‘The Extasie’ :
John Donne (1572 – 1631)
Nigel Boonham (b. 1953) & Andrew Whittle (b. 1952)
Cannon Street, City of London
• Pioneer Metaphysical Poet, Belongs to the Transition Age : Elizabethan and
Jacobean Age
• Subjects of His Poems Were Love, Sexuality, Religion, and Death
• John Dryden Remarks of Donne in His ‘Discourse Concerning Satire’ (1693)
as :
• “He affects the Metaphysics, not only in his satires, but in his amorous
verses, where nature only should reign; and perplexes the minds of the fair
sex with nice speculations of philosophy, when he should engage their
hearts, and entertain them with the softness of love.”
• “To know and feel all this and not have the words to express it makes a
human grave of his own thoughts.”
(From ‘Eclogue’ by John Donne)
4. The Extasie :
The poem is written when Donne was at his pinnacle of maturity.
As the title infers, the poem delineates the state of Rapture, of Affinity
with God, and The Essence of True Love which is Ecstasy.
The poem reflects Donne’s philosophy of love. He seems to agree with
Plato’s philosophy of love which is the love between souls without
interference of physical pleasures derived through the contact of
senses.
He, unlike Plato, deems body as the means for a soul to express its
love. It is the body that brings the loving souls together. Body is seen
as a stepping-stone towards ultimate goal for souls which is spiritual
union, spiritual love.
5. Technicality & Literary Devices Employed :
The
Extasie
A Metaphysical
Poem
76 Lines in 19
Stanzas
Written in
Iambic
Tetrameter
Rhyme
Scheme
Followed ABAB
Use of
Rhetoric
Question
Use of
Anaphora
Use of
Personification
Use of Simile
“Where like a pillow on a bed, a pregnant bank swell’d
up to rest.”
“Love these mix’d souls doth mix again”
“Our hands were…Our eye-beam twisted…”
“Our bodies why do we forbear?”
6. Platonic Love :
“And whilst our souls negotiate there,
We like sepulchral statues lay;
All day, the same our postures were,
And we said nothing, all the day.”
7. Insight : Search for True Love : Platonic Love :
Merriam-Webster Dictionary defines the Term ‘Platonic Love’ as : A close
relationship between two persons in which sexual desire is nonexistent or
has been suppressed or sublimated.”
The fact that sex is not at the front in their love comforts readers who stand
in favor of Platonic Love. However, the tone of the poem shifts drastically
when Donne employs his intelligent sardonic criticism in the conceding
stanzas :
“But, O alas! So long, so far, our bodies why do we forbear?
They are ours, though not we; we are th’ intelligences, they the spheres.”
“We owe them thanks, because they thus did us, to us, at first convey,
Yielded their senses’ force to us, nor are dross to us, but allay.”
8. Conclusion :
• Ecstasy is the exalted state of one’s body and mind, it happens or supposed to happen while one gets self-
realization or in apocalypse of divine in which one transcends one’s physical limitations and merges with the
everlasting eternal wholeness or God. Such postulation has been taken by Donne in the poem; when he tells
that the lovers do not speak even a word to each other but seat for long like statues whereas their souls
speak to each other. He further compares souls to the armies, strong and willing to win over each other :
“As ‘twixt two equal armies fate suspends uncertain victory,
Our souls (which to advance their state were gone out) hung ‘twixt her and me.
And whilst our souls negotiate there, we like sepulchral statues lay;
All day, the same our postures were, and we said nothing, all the day.”
“If any, so by love refin’d that he soul’s language understood,
And by good love were grown all mind, within convenient distance stood.”