Producing Quality Video Content for Online LearningJoseph Labrecque
Having authored and produced online training videos for years for publishers like Lynda.com, Pluralsight, and Adobe… there are some definite workflow tips to creating effective video content that students will watch - and will look and sound technically robust. This session will cover preparation, recording, editing, and distribution
1. ALEX POPOWYCH
Film & Video
Salt Lake City, UT
847 807 9310
alexpop@mac.com
CINEMATOGRAPHY
5 years experience filming in
challenging production environments
using a wide variety of cameras and
tools. Currently shooting on a RED Epic
alongside a variety of Sony products-
FS700, F3, EX3, as well as Sony
ActionCam/GoPro
NLE SOFTWARE
14 years experience with all current
industry standard NLE software--Avid
Media Composer, Adobe Premiere, FCP
X.
Highly experienced with a wide variety
of Third Party NLE support software,
including unwrapping, compression and
DVD-BluRay authoring software, as well
as a wide variety of grading, support,
and effects plugins.
ADDITIONAL SOFTWARE
14 years experience with Adobe CC
applications: Photoshop, Illustrator,
After Effects, Speedgrade, Audition,
Media Encoder and more.
RANGE OF STYLES
Editing experience ranges from
dramatic story and performance based
narrative/dialogue editing, to
documentary style interview/talking
head, to the faster paced, music-driven
editing of commercials, trailers, and
action sports.
FAST EDITING
Accustomed to working on Live Event
projects with extremely tight, often 24
hour turnaround time for production
and edit. Event work ranges from
11/2011 -
CURRENT
Lead Editor/Cinematographer, Live Content Manager
Mountain Sports International
Responsibilities:
Produce/shoot/edit pre-produced content and commercials for live
webcasting, web VOD, event teasers, and segments for broadcast.
Travel regionally and globally to MSI Live production events.
Provide on-site ENG camera support, create and edit content for TV and
Web at live production events.
Master completed TV shows for broadcast delivery.
Manage production and post production equipment purchase and
maintenance.
Design/maintain archival storage system for all past event footage.
Digitize library of Beta stock footage from archived events.
Prepare and operate Newtek Tricaster and 3play systems
8/2011 -
11/2011
Freelance Editor
Matchstick Productions
Responsibilities: Edited and wrote for S01E01 of 2012 series, Ultimate
Rush
11/2008 -
1/2010
Intern
Poor Boyz Productions
Responsibilities: Office Management, 2009 ski film, Everyday is a
Saturday
2008 - 2011 MFA Film Production
Chapman University
Emphasis Editing/Post Production
Narrative Thesis Film: Homecoming
2002 - 2006 BFA Film Studies
University of Utah
2002 - 2006 BFA Illustration
University of U
Macky Franklin & Jamis Bic… Freeskiing World Tour Big S… The Children's Center Utah …
Skills
Work History
Education
REEL
2. documentary-style athlete & venue
profiles, to call-to-screen
graphics/lookback content, to
commercials and sponsor content.
WORKFLOW
Experienced in creating and managing a
variety of multi-editor workflows.
Accustomed to working as part of an
edit team, from lead editing, assistant
editing to mastering & conforming
sequences for web and broadcast as
needed.
Highly experienced with a range of HD
and UHD workflows. Establishing
naming conventions and organizing
content for large content archives. Able
to adapt quickly to the rapidly changing
post production workflow environment.
LIVE EVENT PRODUCTION
5 years experience with Newtek
Products including Tricaster and 3play.
Frequently created replay edits in a
high-pressure Live environment, as well
as playback of pre-edited content,
commercials, and motion graphics.
Noah Wallace 2016 Athlete… Freeride World Tour 2013 R… Freeride World Tour 2014 - …
Scott Enduro Cup - Angel F… Red Bull Dreamline 2014 Ev… Freeride World Tour 2013 - …
Ride Sun Valley 2016 Event… The North Face Park & Pipe… Freeride World Tour - Snow…
The Children's Center 2014… Homecoming - Chapman T… Lexus Lace-Up Running Ser…