The document summarizes the professional experience and qualifications of Kyle W. Deeley. It outlines his roles in multimedia marketing, television, independent films, and short form work which have included shooting and editing videos, assisting with award shows, and working on independent films. It also lists his software and camera equipment qualifications as well as his education and references.
Producing Quality Video Content for Online LearningJoseph Labrecque
Having authored and produced online training videos for years for publishers like Lynda.com, Pluralsight, and Adobe… there are some definite workflow tips to creating effective video content that students will watch - and will look and sound technically robust. This session will cover preparation, recording, editing, and distribution
Designing Short, Simple, and Effective Video Content for Online ConsumptionJoseph Labrecque
Presentation slides for the 2016 eLCC conference.
Having authored and produced online training videos for years for publishers like Lynda.com, TrainSimple, and Adobe; there are some definite workflow tips to creating effective video content that students will watch - and will look and sound technically robust. Discuss preparation, recording, editing, and distribution.
Joseph Labrecque, Senior Interactive Software Engineer, University of Denver
Producing Quality Video Content for Online LearningJoseph Labrecque
Having authored and produced online training videos for years for publishers like Lynda.com, Pluralsight, and Adobe… there are some definite workflow tips to creating effective video content that students will watch - and will look and sound technically robust. This session will cover preparation, recording, editing, and distribution
Designing Short, Simple, and Effective Video Content for Online ConsumptionJoseph Labrecque
Presentation slides for the 2016 eLCC conference.
Having authored and produced online training videos for years for publishers like Lynda.com, TrainSimple, and Adobe; there are some definite workflow tips to creating effective video content that students will watch - and will look and sound technically robust. Discuss preparation, recording, editing, and distribution.
Joseph Labrecque, Senior Interactive Software Engineer, University of Denver
AARP Studios: Tethering Storytelling to SocialTammy Gordon
What happens when you partner social strategists with multimedia producers to make great content designed to be shared across your community?
1st video (over 1mm views in week one): https://www.youtube.com/watch?v=-PHcdn8R4d4
2nd video (over 1mm views in week one): https://www.youtube.com/watch?v=38CPg9OS510
"Solar Cars" is a PowerPoint designed for primary and secondary students, where students learn about solar energy and harnessing the sun's energy to power solar cars. This lesson can be paired with a "Build Your Own Solar Car" activity.
Solving The Remnant Inventory Problem: AdMonsters 2009 PresentationAdmeld
Solving the Remnant Inventory Problem
By Ben Barokas
As an industry, it’s taken us more than 15 years to get a grip on dealing with remnant ad inventory, but I think there’s finally a light at the end of the tunnel. Over the past two or three years in particular, the R&D that’s gone toward solving this problem has begun to drive substantive results for publishers, boosting eCPMs and easing the burden on their perpetually overworked ad ops teams. We’ve moved far beyond the static daisy chain into real time optimization, but how does it all work, and what are we doing to stay ahead of the problem?
At its core, optimization is about “peeling off the layers” to reveal a clearer picture of what every impression is worth. Doing this at scale means accounting for a laundry list of ever-shifting variables (discrepancy, frequency, fill, user, content, geo) across countless sources of ad demand—and the problem isn’t getting any easier. The good news is, we’re on the cusp of another phase of innovation. Between Real Time Bidding (RTB) and a host of data infusion techniques, premium publishers in particular are poised to reap gains proportionate to the high quality of their content and audiences.
PCI Express* based Storage: Data Center NVM Express* Platform TopologiesOdinot Stanislas
(FR)
Le PCI Express se démocratise de plus en plus dans les serveurs. Présents depuis des années comme bus pour les cartes d'extensions, on va maintenant le trouver en façades des serveurs pour servir des disque flash 2,5 pouces (connecteur SF-8639) et sous la forme de câble appelés OCulink.
(EN)
PCI Express is becoming more and more present in servers. As a communication bus for extension cards since years, now it will serve 2.5 inches flash drive and through PCIe cables named OCulink.
Auteurs/Authors:
Michael Hall
Director of Technology Solutions Enabling, Data Center Group, Intel Corporation
Jonmichael Hands
Technical Program Manager, Non-Volatile Memory Solutions Group, Intel Corporation
The IAB and PwC have released the digital ad spend which Odyssey Mobile were involved in. Topline results are: digital advertising grew by 15.2% on a like for like basis to reach £6.3billion in 2013, with mobile growing 93.3% passing the £1billion mark to reach £1.031billion.
1. Professional Development
Multimedia Marketing
• Visual Multimedia Coordinator, Los Angeles County Fairplex, May 2014-Present
Duties include shooting and editing short form videos about events happening at th Fairplex. Shoots
have included nightclubs, exotic animal shows, acrobats, circus performers, massive art installations,
and many more.
• Assistant Videographer/Editor: University of La Verne, Strategic Communications, July
2012-May 2014
Duties include shooting and editing dynamic testimonials in a team based environment as well as
creating more complex video marketing materials to promote the University of La Verne. Additional
duties include equipment management and maintenance and management of online asset databases.
Have produced over 65 videos for the University of La Verne’s YouTube marketing Channel.
Television
• Assistant Editor/VFX Artist: Society of Camera Operators Award Show, 2012, 2013, 2014
Worked with Jake Huberman and Bob Joyce on the Lifetime Achievement award show presentation
for the Society of Camera Operators. Job duties included combing through classic cinema looking
for examples of extraordinary filmmaking, cutting together interviews with clips pulled from classic
movies, and creating title and photo animations.
• Assistant Editor: Goal/Shadowland Productions, March-April 2012, March-April 2013
Captured, logged, labeled, synced and quality checked dailies for two Lifetime television movies:
Teenage Bank Heist (2012) and The Cheating Pact (2013). Duties included capturing digital footage
from CF cards using an AJA KiPro, and converting it from AVCHD to Apple ProRes 422, then label-
ing and syncing footage in a Final Cut Pro file to be delivered to lead editor Bob Joyce.
• Camera Operator/Director/Technical Director/Producer/Graphics: University of La Verne/
KWST Multi-Camera Shoots, August 2010-May 2014
Operate tripod mounted and handheld cameras, direct camera operators via headset, operate a
4-Camera switcher and soundboard, generate call sheets and schedules for a wide variety of shoots,
and run a graphics console. Shoots include college volleyball, baseball, football, softball, concerts in
varying genres, musical variety shows, and mayoral broadcasts.
Independent Films
• Production Assistant/Colorist/VFX Artist: “Young Adults” Short Film, February-May 2013
Worked on set as continuity clerk, sound recordist, grip, lighting director, camera assistant and
behind the scenes videographer on an award winning short film. Duties varied from shoot to shoot
as different crew members required assistance. In post production, acted as sole colorist using Magic
Bullet Colorista and Adobe SpeedGrade to bring theater quality color and texture to the film. Also
created end title sequence. The movie later won a WAVE award.
• Assistant Editor/VFX Artist: “Between the Fall and Rise”, Independent Film, June-July,
2013
Captured and synced footage from the Cannon C300 on an independent film directed by David
Marroquin. Tanscoded footage into ProRes 422 for delivery to Jake Huberman, lead editor on the
film. Created an animated opening and closing title sequence for the film using Adobe After Effects,
and created varied visual effects work to enhance shots in the movie.
Short Form Work
• Camera Operator/VFX Artist/Editor/Sound Designer: “Spy Vs. Spy”
Acted as videographer and editor on a three-minute award winning action short. Created an intricate
opening sequence involving 3D movement, extensive compositing, and color balancing in Adobe
After Effects. Won awards for technical achievement.
Current Address:
2755 Arrow Hwy
Space #176
La Verne, CA 91750
Cell Phone: 808-264-9445
www.kwdimaging.com
Software Qualifications:
• Adobe After Effects
• Adobe Premiere Pro
• Adobe Photoshop
• Adobe Dreamweaver
• Adobe Illustrator
• Adobe InDesign
• Adobe Audition
• Adobe Soundbooth
• Adobe Edge Animate
• Final Cut Pro 7
• Final Cut Pro X
• Soundtrack Pro
• Motion
• LiveType
• Color
• DaVinci Resolve Lite
• All Microsoft Office Products
Education:
Bachelor of Arts Degree,
Television Broadcasting
University of La Verne
Expected Graduation Date:
May 2014
References:
Sharon Autry
Communications/PR Coordinator
Fairplex
1101 W. McKinley Avenue
Pomona, CA 91768
909.865.4262
autry@fairplex.com
Jake Huberman
Adjunct Professor of Television
University of La Verne
1950 Third St. La Verne CA
91750
(909) 448-4348
jhuberman@laverne.edu
Kyle W. Deeley
Camera Equipment:
•Canon 5D MK III
•Canon 24-105 IS L
•Canon 40mm
•Canon 70-200 F4
•Zoom H4N
•Neewer Shoulder Mount Stabilizer