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Thisis an iTunesadvertfor
BritishAlternative Rockband
Coldplay’sfifthalbum.Itwas
releasedin2011 byEMI.
Immediatelythe strikingthing
aboutthisadvertis the bright
colours.Pinksandyellowsare
predominantandcommonat
the centre of the page with
slightlylessbrightblues
aroundthe edgesmeaning
the viewer’seye isdrawn
towardsthe middle.Thisone
picture of the graffiti covers
the entire screenandthe
writingisoverlaid.The font
colouris white- itwouldbe
difficulttofindasingle colour
that wouldshowupagainst
the array of differentcolours
but itneededtobe neutral
and alsobrightfor itbe
legible.The mainchunkof the
fontwhichholdsthe crucial,
basicdetails(bandname,
albumname and release date)
islarge but because ithas
beenmade justan outline
sacrificesnone of the brilliant
imagerybehindit- eventhe
counterswithinlettersdon’t
have an outline.
The image is graffiti whichholdsobviousartistic
origins.Itisseenbymany because of the
vandalismside asarebelliousact.It isa raw
formof expressionof one’sself because there
are no rulestoconformto. Coldplayare
perhapstryingto implytheirart(music) is
rebellious,non-conformingandgenre-bending.
It isalso directlyrelevanttothisconceptalbum
inwhicha supremacistgovernmentlauncha
war on soundandcolour andthisshowstheir
defiance.Itcouldbe a social commentonour
owngovernmentandtheirattemptstoinhibit
our creativityinwhichcase the message would
be to fightagainstit.
The biggestpart of the writingisthe album
name Mylo Xyloto.Ithasthe thickestoutlineto
make it standout that fractionmore.Ithas also
beenarrangedto be symmetrical withthe
lettersseparated3,4, 3 perline despite this
breakingupthe induvial words.Thisallowsitto
be more centredonthe haze of brightcolour.
The date underneaththisdoesn’tspecifythatis
the release date butitexpectsthe audience to
have a basic enoughunderstandingof the
mediawhere theycouldlinkanunreleased
albumname and a date.No yearassumesitis
the current one andthis promotionwillonlybe
useduntil itisreleasedatwhichpointthe date
becomesirrelevant.Inastandardsan serif font
at the bottomwhere Ipeople are likelytolook
lastafter beinginterestedbythe restof the
advertare the pedestrian,extradetails.
Thisis an advertforBastille’sdebut
studioalbumBAD BLOOD released
in2013 underVirginRecords.
The layoutof the poster,especially
the style of creditsat the bottomare
reminiscentof afilmposterrather
than musicdue to the use of
conventions.Itmaysuggestthatthis
albumismore of a cohesive story
than individual songs.Alternatively,
it couldbe a general homage tofilm
as we knowwiththeirnewalbum
WildWorld,the singerDanSmith
takesinspirationforhiswork from
the worldof television.
At the top itsays “Bad Steel”.Thisis
justsyntheticcompanyfabricatedto
make thismock filmposterseem
more plausible.Itisobviouslyanear
homophone of the actual band
name and has beenincludedfora
slightbitof humourwhichis
conventional formanyof Bastille’s
creations.
The single image of thisposterisunconventional (foranygenre).Usuallywhenpromotinganalbumthere willbe only
as far out as a mid-shotimage of the artist/sfacing the cameraina studiosettinginordertogainstar appeal andmake
clearwho itis by.Insteada longshotof,presumably,the singerrunningawayfromthe camerain the nighton a roadis
used.The onlylightingpresentlookslike thatof a cars headlight(plausible giventhe location).The slightmotionblurin
the picture confirmshe isrunningaway,presumablyfromthe source of headlightschasinghim.Thisfeelingof wanting
to run awayis somethingmanypeople couldrelateto. Where the lightdoesnotreachand the darknesstakesover
towardsthe edge of the shot,ithas beenblendedwithastandardblackbackgroundto create a flowingdesign. This
doesgive Indie impressionsjustbecauseit’sdifferentandhasmore meaningthana simple photoshoot.
The stylisedfontof the letter“A”to
“Δ” inthis isunique tothisalbumand
createsa brand that the audience can
recognise.
It isan interestingdecisionnottoshow
any bandmember’sfacesasduringthe
time thisfirstalbumwasreleased
Bastille were still fairlyunknownasa
band.The publiccouldhave been
familiarwiththe name astheypeaked
to No.2 inthe UK SinglesChartwith
Pompeii howeverthatbeingtheironly
hitat the time meanttheirbrand
exposure andthereforestatuswas
unfamiliar.Thiscouldhave explained
whytheydidn’tappear- since nobody
knowstheirfaces,tryingtogainstar
appeal wouldbe pointlesswithnobody
recognisingthem.Thisinsteadisquite
mysteriousandobtainsthe curiosityof
the viewer.
The runningaspectmay alsobe a
reference tothe PompeiivideoasDan
Smithstars inthat too andmultiple
timesthroughoutthe videohe runs
away soit couldbe tryingto create
synergywiththeirmostknownsong
hopingpeople see the link.Danrunning
away couldbe seenascowardlyand
not brave like traditionalmedia
stereotypesmayhave shown malesto
be.It followsGauntlett’stheoryof
masculinityincrisis.

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Adverts analysis

  • 1. Thisis an iTunesadvertfor BritishAlternative Rockband Coldplay’sfifthalbum.Itwas releasedin2011 byEMI. Immediatelythe strikingthing aboutthisadvertis the bright colours.Pinksandyellowsare predominantandcommonat the centre of the page with slightlylessbrightblues aroundthe edgesmeaning the viewer’seye isdrawn towardsthe middle.Thisone picture of the graffiti covers the entire screenandthe writingisoverlaid.The font colouris white- itwouldbe difficulttofindasingle colour that wouldshowupagainst the array of differentcolours but itneededtobe neutral and alsobrightfor itbe legible.The mainchunkof the fontwhichholdsthe crucial, basicdetails(bandname, albumname and release date) islarge but because ithas beenmade justan outline sacrificesnone of the brilliant imagerybehindit- eventhe counterswithinlettersdon’t have an outline. The image is graffiti whichholdsobviousartistic origins.Itisseenbymany because of the vandalismside asarebelliousact.It isa raw formof expressionof one’sself because there are no rulestoconformto. Coldplayare perhapstryingto implytheirart(music) is rebellious,non-conformingandgenre-bending. It isalso directlyrelevanttothisconceptalbum inwhicha supremacistgovernmentlauncha war on soundandcolour andthisshowstheir defiance.Itcouldbe a social commentonour owngovernmentandtheirattemptstoinhibit our creativityinwhichcase the message would be to fightagainstit. The biggestpart of the writingisthe album name Mylo Xyloto.Ithasthe thickestoutlineto make it standout that fractionmore.Ithas also beenarrangedto be symmetrical withthe lettersseparated3,4, 3 perline despite this breakingupthe induvial words.Thisallowsitto be more centredonthe haze of brightcolour. The date underneaththisdoesn’tspecifythatis the release date butitexpectsthe audience to have a basic enoughunderstandingof the mediawhere theycouldlinkanunreleased albumname and a date.No yearassumesitis the current one andthis promotionwillonlybe useduntil itisreleasedatwhichpointthe date becomesirrelevant.Inastandardsan serif font at the bottomwhere Ipeople are likelytolook lastafter beinginterestedbythe restof the advertare the pedestrian,extradetails.
  • 2. Thisis an advertforBastille’sdebut studioalbumBAD BLOOD released in2013 underVirginRecords. The layoutof the poster,especially the style of creditsat the bottomare reminiscentof afilmposterrather than musicdue to the use of conventions.Itmaysuggestthatthis albumismore of a cohesive story than individual songs.Alternatively, it couldbe a general homage tofilm as we knowwiththeirnewalbum WildWorld,the singerDanSmith takesinspirationforhiswork from the worldof television. At the top itsays “Bad Steel”.Thisis justsyntheticcompanyfabricatedto make thismock filmposterseem more plausible.Itisobviouslyanear homophone of the actual band name and has beenincludedfora slightbitof humourwhichis conventional formanyof Bastille’s creations. The single image of thisposterisunconventional (foranygenre).Usuallywhenpromotinganalbumthere willbe only as far out as a mid-shotimage of the artist/sfacing the cameraina studiosettinginordertogainstar appeal andmake clearwho itis by.Insteada longshotof,presumably,the singerrunningawayfromthe camerain the nighton a roadis used.The onlylightingpresentlookslike thatof a cars headlight(plausible giventhe location).The slightmotionblurin the picture confirmshe isrunningaway,presumablyfromthe source of headlightschasinghim.Thisfeelingof wanting to run awayis somethingmanypeople couldrelateto. Where the lightdoesnotreachand the darknesstakesover towardsthe edge of the shot,ithas beenblendedwithastandardblackbackgroundto create a flowingdesign. This doesgive Indie impressionsjustbecauseit’sdifferentandhasmore meaningthana simple photoshoot. The stylisedfontof the letter“A”to “Δ” inthis isunique tothisalbumand createsa brand that the audience can recognise. It isan interestingdecisionnottoshow any bandmember’sfacesasduringthe time thisfirstalbumwasreleased Bastille were still fairlyunknownasa band.The publiccouldhave been familiarwiththe name astheypeaked to No.2 inthe UK SinglesChartwith Pompeii howeverthatbeingtheironly hitat the time meanttheirbrand exposure andthereforestatuswas unfamiliar.Thiscouldhave explained whytheydidn’tappear- since nobody knowstheirfaces,tryingtogainstar appeal wouldbe pointlesswithnobody recognisingthem.Thisinsteadisquite mysteriousandobtainsthe curiosityof the viewer. The runningaspectmay alsobe a reference tothe PompeiivideoasDan Smithstars inthat too andmultiple timesthroughoutthe videohe runs away soit couldbe tryingto create synergywiththeirmostknownsong hopingpeople see the link.Danrunning away couldbe seenascowardlyand not brave like traditionalmedia stereotypesmayhave shown malesto be.It followsGauntlett’stheoryof masculinityincrisis.