Aaron newbigging the pretender analysis - better
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This 3 sentence summary provides the essential information about the document: The document analyzes the music video for Foo Fighters' song "The Pretender", noting that it takes place entirely in a warehouse with the band performing in front of a red backdrop. It discusses the editing of the video to match the fast beat of the song through quick cuts and camera movements focused on lead singer Dave Grohl. The video also features riot police entering the warehouse and confronting the band before an explosion of colored water startles the officers.
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Pauls shot type thing
There are three close up shots analyzed in the document: 1) An ornament with the album title "Don't Believe The Truth" carved into it, relevant to the song. 2) A man being measured for a coffin, setting up an unexpected story. 3) The man being forced into a coffin with the lid closing, cutting to another scene. The shots are analyzed for relevance to the music, lyrics, and transitions between clips.
Music video anaysis (coldplay)
The document provides an analysis of Coldplay's music video for "The Scientist". It notes that the video tells a narrative in reverse, following the protagonist played by Chris Martin. Through the use of lighting, location, and slow motion shots, the video conveys a sense of mystery around the character's origins and leaves the audience wondering how he ended up in this situation until the shocking reveal at the end of the crash that started the sequence of events. Camerawork and editing are used effectively to match the rhythm of the song and show the character in isolation against vast backgrounds to portray his problems. Shots are chosen to elicit audience curiosity and speculation about the character's personality and background.
Shooting schedule - IMNL
This document outlines a 7 day shooting schedule for a student news package about independent music in London. It details the date, location, time of day, shot description and characters or props needed for each shoot. The shoots will take place at a school, on Oxford Street, Trafalgar Square, at various music venues and a recording studio. Shots will include b-roll footage, interviews with artists, and coverage of live concerts and performances.
Music Video Analysis for Foo Fighters The Pretender
The music video for Foo Fighters' "The Pretender" contrasts the band against authority figures. In the opening, Dave Grohl picks up his guitar as the lights and music start. During the verses, the video uses fast cuts and camera movements to match the music. In the choruses, riot police officers progressively march forward to face the band, dressed uniformly unlike the individual band members. In the final chorus, the officers charge but are sprayed with red liquid as the band's explosive performance ends with Grohl smashing his guitar. Overall, the video follows rock genre conventions by having a narrative that positions the band as rebelling against authority through their musical performance.
CJME’s Music Video Pitch
The document outlines a music video pitch for Coldplay's song "The Scientist". It details the song background, codes and conventions that will be used, main actors and why they were chosen, locations, props, flashbacks, illusions, target audience, and two ancillary tasks - a CD cover and magazine advertisement that will be produced.
Foo Fighters Learn to Fly Music Video Analysis
The Foo Fighters music video for "Learn to Fly" parodies the 1975 film "Airport" by depicting the band members in various roles on a commercial flight. The video uses quick cuts and a natural color scheme to match the fast pace of the song. It shows the characters interacting comedically while the band also performs on a TV screen. Towards the end, drugs that were secretly added to the coffee cause the pilots to hallucinate and the band must land the plane. The video pays homage to the original film through similar scenes and references Dave Grohl's past in Nirvana.
Narrative theories
I have looked at famous narrative theories in relation to my music video to the song Husbands by Savages
News Package: Shooting Schedule
This document outlines the shooting schedule for a 7-day news package documenting independent music in London. It details the date, location, characters, and equipment for each shoot, including interviews with artists at a recording studio, footage at various music venues around London, and a voiceover by Rye at his school. The package aims to capture performances, interviews and scenes around London to showcase independent musicians.
Recommended
Pauls shot type thing
There are three close up shots analyzed in the document: 1) An ornament with the album title "Don't Believe The Truth" carved into it, relevant to the song. 2) A man being measured for a coffin, setting up an unexpected story. 3) The man being forced into a coffin with the lid closing, cutting to another scene. The shots are analyzed for relevance to the music, lyrics, and transitions between clips.
Music video anaysis (coldplay)
The document provides an analysis of Coldplay's music video for "The Scientist". It notes that the video tells a narrative in reverse, following the protagonist played by Chris Martin. Through the use of lighting, location, and slow motion shots, the video conveys a sense of mystery around the character's origins and leaves the audience wondering how he ended up in this situation until the shocking reveal at the end of the crash that started the sequence of events. Camerawork and editing are used effectively to match the rhythm of the song and show the character in isolation against vast backgrounds to portray his problems. Shots are chosen to elicit audience curiosity and speculation about the character's personality and background.
Shooting schedule - IMNL
This document outlines a 7 day shooting schedule for a student news package about independent music in London. It details the date, location, time of day, shot description and characters or props needed for each shoot. The shoots will take place at a school, on Oxford Street, Trafalgar Square, at various music venues and a recording studio. Shots will include b-roll footage, interviews with artists, and coverage of live concerts and performances.
Music Video Analysis for Foo Fighters The Pretender
The music video for Foo Fighters' "The Pretender" contrasts the band against authority figures. In the opening, Dave Grohl picks up his guitar as the lights and music start. During the verses, the video uses fast cuts and camera movements to match the music. In the choruses, riot police officers progressively march forward to face the band, dressed uniformly unlike the individual band members. In the final chorus, the officers charge but are sprayed with red liquid as the band's explosive performance ends with Grohl smashing his guitar. Overall, the video follows rock genre conventions by having a narrative that positions the band as rebelling against authority through their musical performance.
CJME’s Music Video Pitch
The document outlines a music video pitch for Coldplay's song "The Scientist". It details the song background, codes and conventions that will be used, main actors and why they were chosen, locations, props, flashbacks, illusions, target audience, and two ancillary tasks - a CD cover and magazine advertisement that will be produced.
Foo Fighters Learn to Fly Music Video Analysis
The Foo Fighters music video for "Learn to Fly" parodies the 1975 film "Airport" by depicting the band members in various roles on a commercial flight. The video uses quick cuts and a natural color scheme to match the fast pace of the song. It shows the characters interacting comedically while the band also performs on a TV screen. Towards the end, drugs that were secretly added to the coffee cause the pilots to hallucinate and the band must land the plane. The video pays homage to the original film through similar scenes and references Dave Grohl's past in Nirvana.
Narrative theories
I have looked at famous narrative theories in relation to my music video to the song Husbands by Savages
News Package: Shooting Schedule
This document outlines the shooting schedule for a 7-day news package documenting independent music in London. It details the date, location, characters, and equipment for each shoot, including interviews with artists at a recording studio, footage at various music venues around London, and a voiceover by Rye at his school. The package aims to capture performances, interviews and scenes around London to showcase independent musicians.
Different types of music video
This document discusses three types of music videos: performance videos that focus solely on the artist performing without narrative; narrative videos that tell a story through a combination of performance and plot; and concept videos that have surreal or nonsensical visuals unrelated to the song's lyrics and instead concentrate on unique editing styles. Examples of each type are provided.
Fall out boy video analysis
The document provides a technical analysis and shot list for a music video by the band Fall Out Boy. It outlines 3 scenes: 1) long shots and close ups of the band performing in their car, 2) various shots of a dog and dancers, and 3) shots of an angry crowd approaching the band, including a close up of the dog and an extra long shot showing the entire scene. The analysis provides camera angles and compositions for capturing all the elements in each scene.
Inspiration
This document discusses inspiration from several music videos for the creator's own music video project. It summarizes shots from videos by Foster the People, Green Day, Catfish and the Bottlemen, Kaiser Chiefs, The Killers, Stereophonics, and Coldplay that the creator finds interesting including close-ups, high and low angles, quick cuts, silhouettes, diagonal shots, colorful backgrounds, retro filters, and kaleidoscope effects. The creator notes techniques like adjusted focus, logo inserts, red lighting, and non-traditional band member positioning that could be replicated.
Guy Richie
Guy Ritchie began his career doing odd jobs in film and television before directing music videos and commercials. His short film The Hard Case caught the attention of Sting's wife Trudie Styler, who funded Ritchie's first feature film Lock, Stock and Two Smoking Barrels in 1998. This film established Ritchie's signature style of fast-paced crime thrillers, but his next two films failed to follow the same successful formula.
Guy richie
Guy Ritchie began his career doing odd jobs on film sets before directing music videos and commercials. This experience helped him direct the short film "The Hard Case" in 1995, which caught the attention of Sting's wife Trudie Styler. Styler invested in Ritchie's first feature film "Lock, Stock and Two Smoking Barrels" in 1998, which was a success. However, Ritchie's next two films attempted new things and were not as well received.
Pitch v2
1) The document proposes a music video narrative for the song "7 Nation Army" by The White Stripes.
2) The narrative follows a male protagonist who seeks revenge after his mother/sister/girlfriend is attacked.
3) Scenes would show the protagonist walking in slow motion down the street while people chase him in the background, then him getting a baseball bat from his car to take revenge on the attackers.
4) The editing and shots would be fast-paced and cut between narrative scenes and performance shots, matching the beats of the song.
Analysis of camera shots
The document analyzes camera shots from three music videos:
1) Coldplay's "The Scientist" uses unusual shots like spinning camera shots and shots of the singer laying down to create unique visual effects. It also uses fades between shots.
2) Stereophonics' "Handbags and Gladrags" uses moving camera shots and the rule of thirds composition. It includes close-ups of band members and shots framed between colored lights.
3) Foster the People's "Pumped Up Kicks" uses a variety of shots like silhouettes, sped-up walking shots, and close-ups. It also uses out-of-focus and low-angle light
Baby blue
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initial digipak designs
This document outlines plans for the design of an album cover and digipak. The front cover design takes inspiration from a horror film poster and features band members drawn in a similar style. Alternate cover designs include band members in black and white with duct tape over their mouths, inspired by silent films. Inside panels will feature text in a style resembling title cards from silent films. The back cover will feature band member photos in vintage costumes along with copyright text and logos. Overall, the designs aim to theme the album around ideas of horror and silent films.
Treatment sheet
The document provides background information on the song "Closer to the Edge" by the band 30 Seconds to Mars. It discusses the song's production and release. It then outlines plans for the music video, including incorporating narrative elements, different actors and locations, and illustrating specific lyrics visually through different shots. Costuming and editing will help create an "edgy" style consistent with the band's image.
Call sheet
This call sheet provides information for filming the music video "Dead Memories" by Slipknot. It lists filming locations including Harry's house, fields, streets, and a graveyard between October 26-28. Harry's house includes an attic and bathroom. The document also identifies the directors, producers, band members playing themselves, and actors playing the protagonist who murders his bully. It provides contact details for all cast and crew members.
Marketing of meatloaf
This documentary about Meatloaf uses a closed narrative structure to follow themes of old vs young, influence, music, media, marketing, and the subject Meatloaf. It incorporates archived footage, interviews, and music to tell the story. A male narrator provides commentary in a sarcastic but opinionated tone. Camerawork includes establishing shots, handheld footage, rule of thirds compositions and zooms. Editing features chromakey, dissolves, spins and montage. Sounds include the narrator, speeches, music, and audience reactions.
Guy richie
Guy Ritchie began his career doing odd jobs on film and TV sets before directing music videos and commercials. This experience helped him direct the short film 'The Hard Case' in 1995. The film caught the attention of Sting's wife Trudie Styler, who funded Ritchie's first feature film 'Lock, Stock and Two Smoking Barrels' in 1998, which helped launch his career in crime thriller films. However, his next two films in different genres were not as successful.
Bad idea synergy plan
The document proposes three photograph ideas for the front cover of a digipak that would create synergy with an upcoming music video. The first idea is to take a photo of Romy leaning against or near a bright red wall that features prominently in the music video. The second idea is to take a photo of Romy posing in front of colorful graffiti that appears as a backdrop in one scene. The third idea is to photograph Romy sitting on a skateboard at a skate park to match another scene in the video.
Analysis of camera shots
This document analyzes and summarizes camera shots from three music videos:
1) Coldplay's "The Scientist" uses unusual shots like showing a car crash in reverse and close-ups of the artist's face to emphasize emotions. Shots include spins and fades to transition smoothly.
2) Stereophonics' "Handbags and Gladrags" constantly moves with a dolly and uses rule of thirds. Shots include mid and close-ups of band members and their instruments.
3) Foster the People's "Pumped Up Kicks" uses a mix of shots like silhouettes, sped up walking, and close-ups. Shots capture the band
questionnaire
This document contains questions from Whitney asking L about their thoughts on adapting a novella into a radio drama for BBC Radio 4 Extra. L expresses that they like the idea of the adaptation and think the station would be an appropriate place to broadcast it. L also says they would consider listening to the final product after hearing a sample and thinks the sample demonstrates professional quality in its editing and sound effects.
Music video analysis
The document summarizes three music videos:
1) The Killers' "All These Things That I've Done" features the band running from women while protecting a sign in a Western-style, film noir black-and-white video with a nonlinear narrative.
2) Justice's "D.A.N.C.E." shows characters in a dark building with constantly changing animated t-shirt designs linked to their movements.
3) The Beatles' "Get Back" was filmed just before their split and features impromptu rooftop performance with spectators watching from surrounding buildings and streets.
9 Frame Analysis
This document provides a frame-by-frame summary of the music video for Coldplay's "Sky Full of Stars". It analyzes 9 frames to show how the video progresses from an initial street performance to a large concert crowd. Frame 1 establishes the run-down street setting. Frame 2 introduces the band name and song title. Frame 3 shows the lead singer beginning to perform for people on the street. Frame 4 shows a crowd forming to watch the impromptu performance. Frame 5 features the full band joining in colorful costumes. The video culminates in Frames 7-9 with the band arriving at a large concert where their journey began with a street performance.
Evaluation question 1
Our group researched the conventions of music videos in the indie pop genre. We found that common shots included medium close ups of artists looking sad. We replicated this shot. We also replicated the use of a yellow hazed filter to depict flashbacks. However, we challenged conventions by using shots like high angle long shots that were uncommon. We included a love story narrative and blank screen before the song, which follows conventions, but provided logical locations unlike some music videos.
Studio shoot time table
The document contains Ryan Banks' studio and location shoot schedule for May 15th and 17th, including times for front cover images of a model playing guitar, close-up guitar images, and outdoor group shots of a band at a park and house. It also includes a contingency plan to reschedule the outdoor shoots for May 19th in case of rain.
Music video analysis grid 1
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Different types of music video
This document discusses three types of music videos: performance videos that focus solely on the artist performing without narrative; narrative videos that tell a story through a combination of performance and plot; and concept videos that have surreal or nonsensical visuals unrelated to the song's lyrics and instead concentrate on unique editing styles. Examples of each type are provided.
Fall out boy video analysis
The document provides a technical analysis and shot list for a music video by the band Fall Out Boy. It outlines 3 scenes: 1) long shots and close ups of the band performing in their car, 2) various shots of a dog and dancers, and 3) shots of an angry crowd approaching the band, including a close up of the dog and an extra long shot showing the entire scene. The analysis provides camera angles and compositions for capturing all the elements in each scene.
Inspiration
This document discusses inspiration from several music videos for the creator's own music video project. It summarizes shots from videos by Foster the People, Green Day, Catfish and the Bottlemen, Kaiser Chiefs, The Killers, Stereophonics, and Coldplay that the creator finds interesting including close-ups, high and low angles, quick cuts, silhouettes, diagonal shots, colorful backgrounds, retro filters, and kaleidoscope effects. The creator notes techniques like adjusted focus, logo inserts, red lighting, and non-traditional band member positioning that could be replicated.
Guy Richie
Guy Ritchie began his career doing odd jobs in film and television before directing music videos and commercials. His short film The Hard Case caught the attention of Sting's wife Trudie Styler, who funded Ritchie's first feature film Lock, Stock and Two Smoking Barrels in 1998. This film established Ritchie's signature style of fast-paced crime thrillers, but his next two films failed to follow the same successful formula.
Guy richie
Guy Ritchie began his career doing odd jobs on film sets before directing music videos and commercials. This experience helped him direct the short film "The Hard Case" in 1995, which caught the attention of Sting's wife Trudie Styler. Styler invested in Ritchie's first feature film "Lock, Stock and Two Smoking Barrels" in 1998, which was a success. However, Ritchie's next two films attempted new things and were not as well received.
Pitch v2
1) The document proposes a music video narrative for the song "7 Nation Army" by The White Stripes.
2) The narrative follows a male protagonist who seeks revenge after his mother/sister/girlfriend is attacked.
3) Scenes would show the protagonist walking in slow motion down the street while people chase him in the background, then him getting a baseball bat from his car to take revenge on the attackers.
4) The editing and shots would be fast-paced and cut between narrative scenes and performance shots, matching the beats of the song.
Analysis of camera shots
The document analyzes camera shots from three music videos:
1) Coldplay's "The Scientist" uses unusual shots like spinning camera shots and shots of the singer laying down to create unique visual effects. It also uses fades between shots.
2) Stereophonics' "Handbags and Gladrags" uses moving camera shots and the rule of thirds composition. It includes close-ups of band members and shots framed between colored lights.
3) Foster the People's "Pumped Up Kicks" uses a variety of shots like silhouettes, sped-up walking shots, and close-ups. It also uses out-of-focus and low-angle light
Baby blue
The video is a parody of the film 'Coming to America' and follows a narrative format. It features Action Bronson and Chance the Rapper playing multiple roles and wearing costumes from the film. The quick cutting between scenes allows the viewer to understand the narrative being referenced from the movie. Props like a mop, hairspray, and a barber shop band are used to further connect it to the scenes from 'Coming to America.'
initial digipak designs
This document outlines plans for the design of an album cover and digipak. The front cover design takes inspiration from a horror film poster and features band members drawn in a similar style. Alternate cover designs include band members in black and white with duct tape over their mouths, inspired by silent films. Inside panels will feature text in a style resembling title cards from silent films. The back cover will feature band member photos in vintage costumes along with copyright text and logos. Overall, the designs aim to theme the album around ideas of horror and silent films.
Treatment sheet
The document provides background information on the song "Closer to the Edge" by the band 30 Seconds to Mars. It discusses the song's production and release. It then outlines plans for the music video, including incorporating narrative elements, different actors and locations, and illustrating specific lyrics visually through different shots. Costuming and editing will help create an "edgy" style consistent with the band's image.
Call sheet
This call sheet provides information for filming the music video "Dead Memories" by Slipknot. It lists filming locations including Harry's house, fields, streets, and a graveyard between October 26-28. Harry's house includes an attic and bathroom. The document also identifies the directors, producers, band members playing themselves, and actors playing the protagonist who murders his bully. It provides contact details for all cast and crew members.
Marketing of meatloaf
This documentary about Meatloaf uses a closed narrative structure to follow themes of old vs young, influence, music, media, marketing, and the subject Meatloaf. It incorporates archived footage, interviews, and music to tell the story. A male narrator provides commentary in a sarcastic but opinionated tone. Camerawork includes establishing shots, handheld footage, rule of thirds compositions and zooms. Editing features chromakey, dissolves, spins and montage. Sounds include the narrator, speeches, music, and audience reactions.
Guy richie
Guy Ritchie began his career doing odd jobs on film and TV sets before directing music videos and commercials. This experience helped him direct the short film 'The Hard Case' in 1995. The film caught the attention of Sting's wife Trudie Styler, who funded Ritchie's first feature film 'Lock, Stock and Two Smoking Barrels' in 1998, which helped launch his career in crime thriller films. However, his next two films in different genres were not as successful.
Bad idea synergy plan
The document proposes three photograph ideas for the front cover of a digipak that would create synergy with an upcoming music video. The first idea is to take a photo of Romy leaning against or near a bright red wall that features prominently in the music video. The second idea is to take a photo of Romy posing in front of colorful graffiti that appears as a backdrop in one scene. The third idea is to photograph Romy sitting on a skateboard at a skate park to match another scene in the video.
Analysis of camera shots
This document analyzes and summarizes camera shots from three music videos:
1) Coldplay's "The Scientist" uses unusual shots like showing a car crash in reverse and close-ups of the artist's face to emphasize emotions. Shots include spins and fades to transition smoothly.
2) Stereophonics' "Handbags and Gladrags" constantly moves with a dolly and uses rule of thirds. Shots include mid and close-ups of band members and their instruments.
3) Foster the People's "Pumped Up Kicks" uses a mix of shots like silhouettes, sped up walking, and close-ups. Shots capture the band
questionnaire
This document contains questions from Whitney asking L about their thoughts on adapting a novella into a radio drama for BBC Radio 4 Extra. L expresses that they like the idea of the adaptation and think the station would be an appropriate place to broadcast it. L also says they would consider listening to the final product after hearing a sample and thinks the sample demonstrates professional quality in its editing and sound effects.
Music video analysis
The document summarizes three music videos:
1) The Killers' "All These Things That I've Done" features the band running from women while protecting a sign in a Western-style, film noir black-and-white video with a nonlinear narrative.
2) Justice's "D.A.N.C.E." shows characters in a dark building with constantly changing animated t-shirt designs linked to their movements.
3) The Beatles' "Get Back" was filmed just before their split and features impromptu rooftop performance with spectators watching from surrounding buildings and streets.
9 Frame Analysis
This document provides a frame-by-frame summary of the music video for Coldplay's "Sky Full of Stars". It analyzes 9 frames to show how the video progresses from an initial street performance to a large concert crowd. Frame 1 establishes the run-down street setting. Frame 2 introduces the band name and song title. Frame 3 shows the lead singer beginning to perform for people on the street. Frame 4 shows a crowd forming to watch the impromptu performance. Frame 5 features the full band joining in colorful costumes. The video culminates in Frames 7-9 with the band arriving at a large concert where their journey began with a street performance.
Evaluation question 1
Our group researched the conventions of music videos in the indie pop genre. We found that common shots included medium close ups of artists looking sad. We replicated this shot. We also replicated the use of a yellow hazed filter to depict flashbacks. However, we challenged conventions by using shots like high angle long shots that were uncommon. We included a love story narrative and blank screen before the song, which follows conventions, but provided logical locations unlike some music videos.
Studio shoot time table
The document contains Ryan Banks' studio and location shoot schedule for May 15th and 17th, including times for front cover images of a model playing guitar, close-up guitar images, and outdoor group shots of a band at a park and house. It also includes a contingency plan to reschedule the outdoor shoots for May 19th in case of rain.
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Skrillex - Ruffneck Bass Analysis
The document analyzes and summarizes the music video for Skrillex's song "Ruffneck Bass" directed by Tony T. It notes that the video promotes Skrillex's new single through interesting visuals depicting drug use and violence. The video represents Skrillex's dark style through its abstract and weird imagery. It also analyzes how the visuals strongly relate to the music through effects that mimic the song's drops, rises, and sounds. The target audience is fans of Skrillex and ravers who would find the strange video appealing and fun to watch.
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The document discusses representations of gender on magazine covers of KERRANG magazine compared to other magazines. It finds that KERRANG subverts stereotypes by showing males looking playful and wearing makeup and females looking independent and serious. This gives readers an alternative perspective by showing genders equally and without focusing on body image standards. KERRANG promotes acceptance of different types of people who want to express themselves outside of conventions.
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Batman narrative structure 02
Vladimir Propp was a theorist who analyzed over 400 Russian folk tales and found that they followed a common pattern of 8 character roles and 31 narrative functions, despite surface level differences. He identified the main characters as the hero, villain, donor, dispatcher, false hero, helper, and princess/her father. The Dark Knight Rises features these archetypes - Batman as the hero facing Bane as the villain, aided by donors like Lucius Fox and helpers like John Blake and Selina Kyle, with Miranda Tate initially appearing as a princess but revealed as the false hero. The movie follows Propp's narrative functions as Batman restores order to Gotham after being deceived and struggling against Bane.
Terrains, landscapes and level of detail
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The document describes photo editing work done by Aaron Newbigging on several images. For each image, edits including changing to black and white, adjusting brightness, contrast, shadows and highlights are described. Specific color adjustments are also mentioned, such as darkening blues or highlighting greens. The edits are aimed at emphasizing certain elements, removing noise, or achieving a darker, gothic look in line with the graveyard theme.
Batman narrative structure_02
Vladimir Propp analyzed 400 Russian folk tales and identified character types and narrative functions that commonly occurred. He identified 8 character roles - hero, villain, donor, dispatcher, false hero, helper, princess, and father. He also identified 31 narrative functions that described typical events or steps in the story progression, such as the hero leaving home, receiving a difficult task, struggling against the villain, and ultimately restoring order and being rewarded. The film The Dark Knight Rises can be analyzed using Propp's character roles and narrative functions, with characters like Batman, Bane, and Catwoman fulfilling the roles of hero, villain, and princess respectively and the plot following common functions of disruption of order, struggles against the villain, and
Mott MacDonald Careers
Join Mott MacDonald to become part of a dynamic and innovative management,
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- The color palette and pixel art style hint that the game will be simple and challenging.
- The worried facial expression of the bird suggests the game will be difficult to not fail.
- Negative space around the bird implies spending most time in the air avoiding objects.
- The drop shadow separates the bird from the background, indicating flying rather than being on the ground.
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Similar to Aaron newbigging the pretender analysis - better
jk
The Foo Fighters' music video for "Dear Rosemary" tells a narrative story about a young couple. It shows the girl, Rosemary, singing along to lyrics about their relationship while alone and upset after a fight with her boyfriend. The dark and emotional video culminates with Rosemary attempting to drown herself in the bath but being rescued just in time by her boyfriend.
Music video-analysis-x3
The Foo Fighters' music video for "Dear Rosemary" tells a narrative story about a young couple. It shows the girl, Rosemary, singing along to lyrics about their relationship while alone and upset after a fight with her boyfriend. The dark and emotional video culminates with Rosemary attempting to drown herself in the bath but being rescued just in time by her boyfriend.
Analysis of 3 music videos
This document provides a summary and analysis of the music video for Foo Fighters' song "My Hero". The video tells a narrative of a man rescuing people from a house fire, including babies. It contrasts shots of the band casually performing with the dramatic rescue scenes. The video is shot in a single take to heighten the sense of urgency and match the song. It effectively uses the fire as a backdrop for the band's performance without making them the central focus.
3 music video analysis
This document provides a summary and analysis of the music video for Foo Fighters' song "My Hero". The video tells a narrative of a man rescuing people from a house fire, including babies. It contrasts shots of the band casually performing with the dramatic rescue scenes. The video is shot in a single take to heighten the sense of urgency and match the song. It also features privacy bars over the faces of those rescued to maintain their anonymity and portray the man as more of a hero.
The pretender – 9 frame analysis
The video begins with Dave Grohl alone on a large stage with instruments already set up, mirroring the song's theme of being different. Shots include close-ups of Grohl's hands representing his skills and a fighting spirit, and his angry facial expression matching the song's tempo. Low angle shots make the audience feel like they are watching the band perform and imply Grohl is better than others. Dark figures emerge from the darkness, with one wearing riot gear seeming small at first but indicating a theme of fighting or standing up for yourself against an approaching threat.
Geri halliwell
This document provides background information on Geri Halliwell and her hit single "It's Raining Men". It then analyzes various elements of the music video for "It's Raining Men" including the narrative, representation of Geri Halliwell, video style and iconography, mise-en-scene, editing, intertextuality/voyeurism, and how it can be analyzed using theories by Andrew Goodwin and Laura Mulvey.
Geri halliwell
Geri Halliwell's music video for "It's Raining Men" draws inspiration from the movies Fame and Flashdance by featuring Geri auditioning for a panel of judges in a dance studio. The video uses revealing costumes and camerawork like close-ups and long shots that emphasize Geri's body to appeal to the male gaze and showcase her new image following her departure from the Spice Girls. Clips from the movie Bridget Jones's Diary are also incorporated to promote its soundtrack. Overall, the video portrays Geri in different ways through her costumes and routines, from a confident and sexual "bad girl" to a more graceful and innocent persona through her ballet scene.
Geri halliwell
Geri Halliwell's music video for "It's Raining Men" draws inspiration from the movies Fame and Flashdance by featuring Geri auditioning for a panel of judges in a dance studio setting. The video utilizes camera techniques like close-ups, tracking shots, and lighting to emphasize Geri's revealing outfits and showcase her toned physique from the male gaze perspective. It switches between representing Geri as a confident "bad girl" through sexual dance routines and a more innocent image through ballet. The video also promotes the movie Bridget Jones' Diary by incorporating clips that connect to the song's lyrics.
I feel like dancing sam media
The video uses a narrative structure to portray the band's frustration with Hollywood's expectations for music videos. It begins by showing the band planning a video with their manager, then cuts between what the band envisions and what Hollywood expects, using various conventions like product placement, sex appeal, and stealing other artists' ideas. By the end, the band appears exhausted by the Hollywood process. The video critiques Hollywood conventions through its exploitation of them for comedic and narrative purposes.
Foo fighter summer holiday work
The music video for "Walk" by The Foo Fighters depicts the lead singer Dave Grohl as a frustrated character wandering through a city carrying only his guitar. The video uses tracking shots of Grohl walking and shows him interacting angrily with others before finally reuniting with the band to play, finding happiness. The video explores Grohl's character's frustration with life through various scenarios within typical city locations, ultimately resolving when he reconnects with the band through music.
9 frame analysis
The shots show the band performing on a stage-like set, with close-ups of each band member playing their instruments, supporting Goodwin's theory that audiences want to see performers actively engaged. There is a consistent use of colored lighting that shifts between yellow, orange, red, and blue. Most shots focus on the lead singer, but the last establishing shot shows the full band, reflecting the indie music video genre's emphasis on presenting the performing musicians.
Professional product
The Foo Fighters music video for the song "Rope" was directed by Butch Vig and filmed entirely on VHS. It does not have a narrative structure, rather showing different shots of the band members playing in a single white room. The video captures the alternative rock/post-grunge genre through its black and white filming, slow beginning that picks up intensity, and the band's dark clothing. The video was successful due to it being the first single from their new album, having catchy elements typical of Foo Fighters songs, and topping the charts.
Task 3
This document analyzes 7 shots from the music video for "Can't Help Falling in Love" by 21 Pilots. Each shot is analyzed for its location, composition, costuming, lighting, and how it adheres to conventions of indie music videos. The video was shot across various simple, low-budget locations and keeps to conventions like showing the artists' talents, using natural lighting, and portraying a homemade, DIY aesthetic through consistent costuming and narrative structure.
Analysis of a Music Video
This is a powerpoint which discusses the various features of two music videos, each for a different song in the hip-hop genre.
Textual Analysis of Best Day of My Life
1) The video analyzes the cinematography, mise-en-scene, editing, and sound used in the music video for the song "Best Day of My Life" by American Authors.
2) Shots establish connections between the protagonist and other characters while reflecting his gloomy mood at the beginning through framing and lighting.
3) Settings like the street and bar are used to portray the band and protagonist as ordinary while also conveying typical imagery like in a strip club scene.
Rockn roll
This documentary uses interviews and archive footage to explore photographer Bob Gruen's relationship with emerging punk bands in 1980s New York. It is completely narrated by those interviewed, who discuss how Gruen was able to photograph bands in a way others couldn't. They also explain how music began to change and lose something in the 1980s, leading Gruen to retire from photography.
Music Video Analysis
The video analyzes Childish Gambino's "3005" music video. The introspective song appears to be about assuring a girl of his presence, but has deeper existential meanings. The surreal video features Gambino expressionless on a Ferris wheel with a teddy bear, contradicting the song's appearance as a love song. Through its minimalist single shot and Gambino's exploration of feeling alone despite being in a crowd, the video reflects the song's meaning of not wanting to be alone without purpose.
Foo fighters – Times Like These
The music video for "Times Like These" by Foo Fighters shows the band performing under a bridge as people throw items off the bridge. Towards the end, a house is dropped on the band but falls apart, revealing them unharmed. The video was directed by Marc Klasfeld and filmed in Victorville, California. It effectively conveys the genre of rock music through the band's black clothing, guitar music, and lip syncing to Dave Grohl's vocals. Its unconventional narrative and unique visual ideas contributed to its commercial success.
Media Music Video Analysis
The music video for "Heavydirtysoul" by Twenty One Pilots takes place inside the protagonist's mind. It features the band members playing in unusual locations while the protagonist escapes from a car that represents controlling influences. The video uses symbolism, lighting, and a looping narrative to explore themes of insecurity and mental entrapment without providing a definitive interpretation, allowing viewers to understand the meaning in different ways. Its purpose is to promote the song and album while resonating with the band's core young adult fan base.
A2 pre production media coursework
This document contains summaries of 3 music album covers and 3 music videos. For the album covers, it analyzes the imagery, colors, and intended audiences. For the music videos, it discusses the narrative, settings, camera techniques, and messages conveyed. Key details are highlighted about the artists Akon, Leona Lewis, Foo Fighters, Jay-Z, and Kings of Leon to analyze the imagery and storytelling of the album covers and music videos.
Similar to Aaron newbigging the pretender analysis - better (20)
More from Aaron Newbigging
Google glass
Games developed for Glass will have simple 2D graphics and minimal audio due to the device's limited processing power. Potential genres include puzzle games and games incorporating hand gestures or voice controls. While an MMO is unlikely, possible games could include moving hands to hit objects, simulated sports like tennis using head orientation, a Sudoku game using voice commands, or a shape-making game with time limits using hand gestures.
Photography evaluation
The document outlines a photography project where the photographer will take 12-24 landscape photos in Cambridge, England. They will photograph both a graveyard and city buildings using an iPhone camera. The estimated time is 4 hours to travel to locations by bus, take photos in the city center and Mill Road Cemetery. Safety considerations include being careful of traffic and not annoying people who don't want their photo taken. Legally, photos are allowed to be taken in the cemetery but people's privacy needs to be respected. The budget is £5 for the round-trip bus fare. Sample photos are critiqued on strengths like composition and weaknesses like lack of focus or editing issues.
Batmannarrativestructure
Todorov proposes a theory of narrative structure with 5 stages: 1) initial state of equilibrium, 2) disruption of equilibrium by some event, 3) recognition of the disruption, 4) attempt to repair the disruption, 5) reinstatement of the initial equilibrium. This model is applied to the plot of The Dark Knight Rises, with the introduction of Bane disrupting the peaceful state of Gotham, Batman's return to fight Bane and save the city from a nuclear bomb, restoring the initial equilibrium.
Photoshoot plan
This document provides details about a photography project shooting in the style of a skater magazine. The locations will be in town and a graveyard, with subjects including gravestones, statues, and random objects. Photos will use wide shots to fit more in the frame, close-ups for detail, and high and low angles. Post-production plans include converting photos to black and white, cropping some to 16:9 ratio, and using Curves in Photoshop to add contrast.
Marketing plan
Your marketing plan must have a clearly defined aim, such as growing your YouTube channel to include 3+ Let's Play videos by July. This will help grow your audience, revenue, awareness and reputation. Your targets to achieve this aim must be SMART - specific, measurable, assignable, realistic and timely. For example, targets could include 500 in-app purchases in the first month or 500 retweets in the first month from a new game release. Establishing appropriate SMART targets is important for successfully achieving the overall aim of your marketing plan.
Flappu bird analysis
The document analyzes the logo for the game Flappy Bird. It notes that the bird character is centered in the image to draw immediate attention. The simple pixel art style and color palette of 10 colors for the bird and background indicate the game will also have a pixelated aesthetic. The worried facial expression of the bird hints that the game will be challenging and players will likely fail often. The negative space around the bird and strong drop shadow suggest players will spend the game airborne and must avoid touching objects.
Pixar
Pixar is an animation studio known for films like Toy Story and Cars. It was founded by Steve Jobs and pioneered CGI animation using its RenderMan software. Key people include Edwin Catmull, who helped develop RenderMan, and John Lasseter, a director who helped popularize 3D animation. Early films like Toy Story were a success, but Pixar struggled initially and almost failed before being purchased by Jobs. Pixar is now owned by Disney and has found continued success with films like Up, earning many awards. Future projects include Monsters University and Finding Dory.
Evaluation
The interface of Gamesalad is nice and intuitive, making it easy to drag and drop attributes to create rules quickly. You can easily control music and sounds by changing attribute volumes. However, projects cannot be transferred between Windows and Mac, and settings turned off may turn back on during export. Additionally, precise positioning is difficult without zooming, and timers do not always work reliably. The community provides helpful support through forums and tutorials.
Programmer
A programmer is crucial for any video game development as they code the game to make it work. Programmers work in teams with lead programmers overseeing core elements and the overall game while others code specific aspects. Key skills include experience in languages like C++, creativity to problem solve under pressure, and a genuine love of games to understand different mechanics. A degree in fields like computer science is typically needed, and interning at game studios helps gain experience and connections. For example, Travis Mcintosh as the lead programmer on The Last of Us coded the main game aspects and core from scratch, which is a greater challenge than building upon an existing framework.
Audio engineer
The role of the Audio Engineer is important to the production of any video game. They are responsible for composing and creating all music, sound effects, and other sounds needed for the game. When composing music, Audio Engineers must account for the non-linear nature of video games and be creative. Key skills for Audio Engineers include the ability to compose music and knowledge of various audio production software packages. Attention to detail is also crucial when creating realistic sound effects and emotive music.
Last of us pipeline
The document outlines the production pipeline for The Last of Us. It began with the co-founders of Naughty Dog deciding not to reboot an existing IP and instead developing a new idea for a post-apocalyptic game focused on the relationship between two main characters. Throughout pre-production and production, the creative director, writers, artists, animators, composers, sound designers and other leads worked to bring the game to life, with an emphasis on motion capture, music and sound design. Post-production involved refining the user interface, testing for bugs, and promoting the game after The Walking Dead and in a PS3 bundle.
Last of us
The document discusses the roles of composers and sound designers in creating audio for video games. It focuses on their work for The Last of Us. Composers convey emotion through a variety of instruments and experimenting with sounds from the environment. They also use a combination of electronic and traditional music to add tension and atmosphere while still allowing emotion to come through traditional instruments. Sound designers layer different sounds to create realistic effects and ensure the audio enhances the game experience without losing dynamics through compression. Their creativity is key in developing foley sounds to further immerse the player.
Walkthrough
This document provides instructions and details for navigating through two levels of a video game. It describes the main character Squid and enemies like crabs. It outlines obstacles like crushers, water bursts, and platforms. It explains the goals of collecting clues and reaching the rocket. Step-by-step instructions are provided for accessing the first clue in each level, which involve activating platforms and buttons. Strategies are outlined for getting past challenges like crushers and sky platforms safely.
Stewart copeland
Stewart Copeland, the drummer of The Police, composed the soundtracks for the first 4 Spyro games during his band's hiatus. For Spyro The Dragon, his first video game soundtrack, Copeland created unique, original music for each level using experimental instruments and samples. His creative, layered compositions helped develop the game's themes and built character. Copeland's innovative Spyro soundtrack showed his talent for experimental, complex music that revealed more with repeated listening.
Feedback
Gameplay received the lowest average rating of 6.8, with feedback indicating issues with unclear instructions and difficult controls positioned too far apart. Visuals received the highest rating of 8.6, though sometimes the parallax background disappeared. Fun received a middle rating of 7.4, but comments noted the game was difficult and frustrating without checkpoints. Re-playability was rated 7.2, and adding checkpoints was suggested to make the game less frustrating and improve re-playability.
Graphical assets
The document lists various graphical and audio assets needed for a game, including logos, menus, character animations, backgrounds, levels, and sounds for actions like collecting items, jumping, taking damage, and boss fights. It also assigns artists to create specific animations and sounds.
Visual assets
1) Digital Right Management (DRM) prevents using characters without permission from their owners like Disney. Permission is needed to use characters in games.
2) Asset dimensions in Gamesalad must be multiples of 4 to avoid stretching. Shapes are always rectangular.
3) Assets must be 72 pixels per inch for smooth gameplay on monitors. Higher resolutions use more memory and lag.
Flow chart
This document appears to be a flowchart describing the gameplay and logic of a simple 2D platformer video game. The player controls a character that can move left and right, jump over obstacles, and throw rocks to defeat enemy crabs. Successfully navigating obstacles and defeating enemies increases the player's score, with the goal of collecting stars and clues to win the game.
Beat chart
1) Squid must complete challenges on a water planet to find clues and rescue his father who has been kidnapped by King Crab.
2) Players progress by throwing rocks to kill crabs and activate buttons, jumping and avoiding hazards like bursts of water.
3) The purple, blue, and orange color scheme and chiptune music create a sci-fi atmosphere as Squid uses mechanics like walking, jumping and throwing rocks on the water planet within 5 minutes.
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4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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Aaron newbigging the pretender analysis - better
- 1. Foo Fighters - The Pretender ANALYSIS Thursday, 19 September 2013
- 2. Setup This music video is very simple and all based in the same place, it is the band in what looks like a warehouse in front of a red backdrop performing their song. It is pretty much just all the same scene as it is all based in the same place, most the shots are close ups of Dave Grohl and fast camera movements which are typical in a music video such as this Thursday, 19 September 2013
- 3. Setup 2 This video is edited to the beat of the song, not many scenes last that long, there will be occasional shots of the other members of the band but they don’t even last for a second, the main shots are focused on Dave Grohl The music video is edited to match the beat and feel of the song, as the song is a fast song it has snappy editing and the performers are very harsh with their movements Thursday, 19 September 2013
- 4. Shot 1 Their are a lot of closeup shots of Dave Grohl singing, but their not all just of his face, they’ll sometimes just show his mouth or part of his head or his eyes. Also their are a few shots that start as close up of him but zooms out to reveal more. Thursday, 19 September 2013
- 5. Shot 2 There is a wide shot as the riot officers enter the room which includes the band and the riot officers. This shot pretty much introduces the riot officers as you see all the rest come out Thursday, 19 September 2013
- 6. Shot 3 There is another wide shot from behind the riot officers looking at the band, this is one of the few shots where you can actually see the whole band Thursday, 19 September 2013
- 7. Shot 4 This is the shot where the riot officers start running towards the Foo Fighters, we first see the main riot officer yell and the rest follow him in the run. There first shot is a close up of one of the riot officers, the second is a slow track shot Thursday, 19 September 2013
- 8. Shot 5 This shot here is an explosion of what looks like paint, but it’s probably coloured water. It starts with Dave Grohl leaning back from the microphone and as he leans forward again there is the explosion behind him which startles the right officers. Thursday, 19 September 2013