Foo Fighters Learn to Fly Music Video Analysisalyblue98
The Foo Fighters music video for "Learn to Fly" parodies the 1975 film "Airport" by depicting the band members in various roles on a commercial flight. The video uses quick cuts and a natural color scheme to match the fast pace of the song. It shows the characters interacting comedically while the band also performs on a TV screen. Towards the end, drugs that were secretly added to the coffee cause the pilots to hallucinate and the band must land the plane. The video pays homage to the original film through similar scenes and references Dave Grohl's past in Nirvana.
The music video for "Game" was released on July 2nd and produced by Black Metaphor. It follows conventions of typical rap music videos, featuring the artists rapping toward the camera and establishing shots of a futuristic city. The artists are portrayed as wealthy individuals showing off flashy cars and jewelry. While the budget is unknown, production values are high, utilizing expensive vehicles, elaborate sets, and helicopter shots of a CGI city. The target audience includes fans of generic rap music who enjoy the artists' lyrics about women and possessions displayed prominently in the simple performance-style video.
The document analyzes and compares music videos for two Red Hot Chili Peppers songs, "Californication" and "By the Way", using Goodwin's Six Points framework. For "Californication", the genre is rock, shown through a lack of serious message and references appealing to youth. Scenes follow lyrics or change with music. It references video games and sells the band's image. "By the Way" also lacks a serious story and shows the band playing. It has comedic elements and cuts scenes to the beat of music, selling the band through consistent costumes and central framing.
Applying Goodwin’s Theory to DragonForce 'Heroes of Our Time'Ritsu_Kai
The document analyzes the music video for the song "Heroes of Our Time" by the power metal band DragonForce using Goodwin's theory of genre in music videos.
[1] The video demonstrates characteristics of the power metal genre through its fantasy-themed scenes and lyrics, close-ups of fast guitar play, "cold" lighting, warriors with long hair, contradicting metal's association with Satanism, and fast camerawork.
[2] There are links between the lyrics, which the viewer is meant to interpret, and the visuals of a patient surrounded by doctors, though the meaning is ambiguous. Fast-paced visuals also match the fast music.
[3]
The document analyzes several indie/rock music videos to inform the production of a music video for the song "I Wanna Know" by the band Secret American. It discusses the symbolic conventions of videos by Cheers Elephant, Sleepwalkers, Ritual Talk, and Ceramic Animal. Key conventions included introducing each band member, portraying the band's image, using retro aesthetics like old video quality or costumes, natural lighting, and multiple narrative-driven concepts with changes in scenery or costumes. Differences between the example videos and the planned one were also noted, such as indoor versus outdoor settings and revealing faces immediately versus hiding them.
Spike Jonze is regarded as one of the most successful music video directors due to his unpredictable surrealist style. He is known for videos such as "Sabotage" by Beastie Boys and "Weapon of Choice" by Fatboy Slim which have no correlation in style but are equally unique. Jonze's videos typically feature urban environments and manipulate elements to create surreal effects within realistic settings, like Christopher Walken's flying dance in "Weapon of Choice." Unlike most directors, Jonze does not rely on illustrating lyrics or using close-ups and voyeurism; he sets himself apart through an innovative approach.
Applying Goodwin’s Theory to 'Filth in the Beauty'Ritsu_Kai
1) The genre of alternative rock influences certain characteristics used in music videos, such as full-band performances, metaphorical storytelling, close-ups of instruments, and locations representing the music's mood.
2) In The GazettE's "Filth in the Beauty" video, the dirty location and spinning magnifying glasses may represent the dark spiral of the abusive father referenced in the lyrics.
3) The distorted guitars and deep music tones link to the dirty location and depths of the father's darkness depicted in the narrative.
The document outlines Goodwin's theory that music videos relate to the genre of the song, depict the lyrics through visuals, match the music and visuals, feature closeups of the artist to satisfy record labels, include voyeuristic female imagery, and make intertextual references to other works. It provides two examples for each of Goodwin's six points, showing how videos for songs like "The Pretender" and "American Idiot" represent the rock genre through performance in a warehouse, while "Alfie" uses a puppet to depict the song's story.
Foo Fighters Learn to Fly Music Video Analysisalyblue98
The Foo Fighters music video for "Learn to Fly" parodies the 1975 film "Airport" by depicting the band members in various roles on a commercial flight. The video uses quick cuts and a natural color scheme to match the fast pace of the song. It shows the characters interacting comedically while the band also performs on a TV screen. Towards the end, drugs that were secretly added to the coffee cause the pilots to hallucinate and the band must land the plane. The video pays homage to the original film through similar scenes and references Dave Grohl's past in Nirvana.
The music video for "Game" was released on July 2nd and produced by Black Metaphor. It follows conventions of typical rap music videos, featuring the artists rapping toward the camera and establishing shots of a futuristic city. The artists are portrayed as wealthy individuals showing off flashy cars and jewelry. While the budget is unknown, production values are high, utilizing expensive vehicles, elaborate sets, and helicopter shots of a CGI city. The target audience includes fans of generic rap music who enjoy the artists' lyrics about women and possessions displayed prominently in the simple performance-style video.
The document analyzes and compares music videos for two Red Hot Chili Peppers songs, "Californication" and "By the Way", using Goodwin's Six Points framework. For "Californication", the genre is rock, shown through a lack of serious message and references appealing to youth. Scenes follow lyrics or change with music. It references video games and sells the band's image. "By the Way" also lacks a serious story and shows the band playing. It has comedic elements and cuts scenes to the beat of music, selling the band through consistent costumes and central framing.
Applying Goodwin’s Theory to DragonForce 'Heroes of Our Time'Ritsu_Kai
The document analyzes the music video for the song "Heroes of Our Time" by the power metal band DragonForce using Goodwin's theory of genre in music videos.
[1] The video demonstrates characteristics of the power metal genre through its fantasy-themed scenes and lyrics, close-ups of fast guitar play, "cold" lighting, warriors with long hair, contradicting metal's association with Satanism, and fast camerawork.
[2] There are links between the lyrics, which the viewer is meant to interpret, and the visuals of a patient surrounded by doctors, though the meaning is ambiguous. Fast-paced visuals also match the fast music.
[3]
The document analyzes several indie/rock music videos to inform the production of a music video for the song "I Wanna Know" by the band Secret American. It discusses the symbolic conventions of videos by Cheers Elephant, Sleepwalkers, Ritual Talk, and Ceramic Animal. Key conventions included introducing each band member, portraying the band's image, using retro aesthetics like old video quality or costumes, natural lighting, and multiple narrative-driven concepts with changes in scenery or costumes. Differences between the example videos and the planned one were also noted, such as indoor versus outdoor settings and revealing faces immediately versus hiding them.
Spike Jonze is regarded as one of the most successful music video directors due to his unpredictable surrealist style. He is known for videos such as "Sabotage" by Beastie Boys and "Weapon of Choice" by Fatboy Slim which have no correlation in style but are equally unique. Jonze's videos typically feature urban environments and manipulate elements to create surreal effects within realistic settings, like Christopher Walken's flying dance in "Weapon of Choice." Unlike most directors, Jonze does not rely on illustrating lyrics or using close-ups and voyeurism; he sets himself apart through an innovative approach.
Applying Goodwin’s Theory to 'Filth in the Beauty'Ritsu_Kai
1) The genre of alternative rock influences certain characteristics used in music videos, such as full-band performances, metaphorical storytelling, close-ups of instruments, and locations representing the music's mood.
2) In The GazettE's "Filth in the Beauty" video, the dirty location and spinning magnifying glasses may represent the dark spiral of the abusive father referenced in the lyrics.
3) The distorted guitars and deep music tones link to the dirty location and depths of the father's darkness depicted in the narrative.
The document outlines Goodwin's theory that music videos relate to the genre of the song, depict the lyrics through visuals, match the music and visuals, feature closeups of the artist to satisfy record labels, include voyeuristic female imagery, and make intertextual references to other works. It provides two examples for each of Goodwin's six points, showing how videos for songs like "The Pretender" and "American Idiot" represent the rock genre through performance in a warehouse, while "Alfie" uses a puppet to depict the song's story.
Andrew Goodwin identified 6 key aspects of music videos in his analysis: 1) Demonstration of genre characteristics, 2) Relationship between lyrics and visuals, 3) Relationship between music and visuals, 4) Focus on the artist, 5) Voyeuristic portrayal of women, 6) Intertextual references. Kanye West's "Stronger" music video illustrates these aspects through footage of him rapping, dancing with Cassie, close-ups, and homages to the film "Akira".
This document analyzes conventions in rock music genres by examining several rock music videos. It finds that rock music videos generally feature bands performing on stages in dark, dull atmospheres. The music is often loud, aggressive, and about topics like sex, drugs, and rebellion. Band members typically sport looks like leather jackets, ripped jeans, and long hair. The document examines several specific music videos, finding they all exhibit these conventions through elements like clothing, lighting, location, and lyrical content.
The document discusses genre characteristics commonly found in different types of music videos. It analyzes several rock and metal music videos to see if they demonstrate these characteristics. The videos analyzed all focus on a stage performance by the band, adhering to genre characteristics of rock and metal videos. However, they also include elements that reference the electronic influences in the bands' music, such as scenes set in nightclubs, fast editing, and sci-fi elements for one video and audience members wearing lights for another video.
The document analyzes the music video for "Bittersweet Symphony" by The Verve. It discusses several key points:
1) The video challenges stereotypes of the indie genre by embedding the musical performance into a narrative. This gives it elements of both indie and Britpop styles.
2) Shots include static shots and movement shots where the camera follows the singer down the street, portraying his detached mood.
3) The orchestral music contrasts with the realistic suburban visuals of run-down areas, representing being governed by money rather than personal success.
4) As the tempo and vocals increase, the other band members join the singer in walking as if unable to change their predetermined paths
The document discusses key components of music videos according to Andrew Goodwin. It lists 7 key ideas: 1) Music videos demonstrate genre characteristics through elements like performances. 2) There is a relationship between the lyrics and visuals. 3) A relationship also exists between the music and visuals. 4) Record labels influence close-ups of artists and developing motifs. 5) Videos often reference voyeurism and treating the female body. 6) Intertextual references to other works are common. 7) Videos are either primarily performance, narrative, or concept-based. It then analyzes the music videos for "Side to Side" by Ariana Grande and "Work From Home" by Fifth Harmony based on these components.
This document analyzes the Ramones music video for "Pet Sematary" based on Goodwin's six features of music videos. It finds that the video demonstrates characteristics of the punk rock genre through the band's performance. Visuals relate to the song's lyrics by showing the band being buried in a cemetery. The music and visuals are connected through shots of the band playing. Close-ups of the band comply with record label demands. Intertextual references to the Stephen King novel provide context for the song. Overall, the video follows conventions for the genre through a dark tone and focus on the band's performance.
The Foo Fighters music video for the song "Rope" was directed by Butch Vig and filmed entirely on VHS. It does not have a narrative structure, rather showing different shots of the band members playing in a single white room. The video captures the alternative rock/post-grunge genre through its black and white filming, slow beginning that picks up intensity, and the band's dark clothing. The video was successful due to it being the first single from their new album, having catchy elements typical of Foo Fighters songs, and topping the charts.
Imagine Dragons are an American alternative rock band from Las Vegas formed in 2008. Their debut album Night Visions was a commercial success, reaching number one on the Billboard charts. The lead single "Radioactive" reached number one in multiple countries and was used in several films and TV shows. The band has since released several EPs and one studio album, promoting their music through unique music videos and an interactive website.
Our music video challenged conventions of real punk rock media products in several ways:
1) It was filmed in black and white like Joy Division photographs to represent their smart, dimly lit style.
2) Shots were framed and characters posed to reference famous Joy Division photos.
3) One band member wore dark makeup and eccentric hair like typical punk bands, while the others had Joy Division's cleaner look to blend genres.
4) A continuous shot of the singer from behind with a word on her jacket, like in the Joy Division film Control, drew attention in the same style.
Our music video challenges conventions of real punk rock media products in the following ways:
1) It is filmed in black and white like Joy Division album covers to represent their smart, dark style.
2) We reference famous photos of Joy Division by taking similar poses.
3) One band member wears eccentric makeup and hair like typical punk bands, while the others have Joy Division's cleaner look.
4) Shots of the singer from behind with words on her jacket reference a scene from the Joy Division film 'Control'.
This document analyzes common elements found in rock music videos. It discusses that rock music videos typically feature performances by the band playing their own instruments. The music is often loud and aggressive while creating a dark atmosphere. Common settings include abandoned buildings, cityscapes, and on stage. Artists typically dress in skinny jeans, flannels, leather jackets and have unkept hair. Close ups of guitars and the performers emphasize the live instrumentation. Meat Loaf's "Bat Out of Hell" video takes place in a dark graveyard and shows him singing with typical white shirt attire. Elvis Presley's "Jailhouse Rock" sticks to the performance format in black and white with his leather jacket reflecting the song's lyrics.
The document analyzes common elements found in rock music videos. It discusses that rock music videos typically feature bands playing their own music, often in a performance-based format. The music is usually loud and aggressive while settings create a dark atmosphere. Clothing worn often includes skinny jeans, flannels, and leather jackets. Instruments like guitars are prominently featured and artists cultivate a "bad boy" image through depictions of drugs, sex, and alcohol. Three video examples are summarized that demonstrate these elements: Queen's "We Will Rock You" emphasizes the band and guitars in a bleak forest setting. Meat Loaf's "Bat Out of Hell" uses dark locations and colors along with typical white shirts. Elvis Pres
Paul Hunter is a renowned music video director known for working with popular artists across many music genres. Some of his earliest videos from the 1990s featured storylines and scenes of dancing against colorful backgrounds or in vehicles. More recently, his videos have had sleeker urban styles while still featuring dancing scenes that match the lyrics. He continues experimenting with techniques like effects, locations, and visuals that connect to the music.
The document discusses several characteristics of music videos based on Andrew Goodwin's rules for different music video genres. It provides examples from the music video for Nicki Minaj's "Super Bass" to illustrate the characteristics of an image genre video, such as a focus on the artist's appearance and inclusion of choreographed dance routines. It also analyzes relationships between the song's lyrics, music, and visual elements of the video.
Music Video Analysis for Foo Fighters The Pretendertlcurtis
The music video for Foo Fighters' "The Pretender" contrasts the band against authority figures. In the opening, Dave Grohl picks up his guitar as the lights and music start. During the verses, the video uses fast cuts and camera movements to match the music. In the choruses, riot police officers progressively march forward to face the band, dressed uniformly unlike the individual band members. In the final chorus, the officers charge but are sprayed with red liquid as the band's explosive performance ends with Grohl smashing his guitar. Overall, the video follows rock genre conventions by having a narrative that positions the band as rebelling against authority through their musical performance.
The Foo Fighters music video for "Everlong" features an unusual storyline that does not directly relate to the song's lyrics. The director, Michael Gondry, known for using repetition in his videos, employs this technique by showing the character repeatedly waking up to answer the phone. While the Foo Fighters' music typically features them playing on stage, this video departs from rock music conventions through its irrelevant narrative. The band appeals to a wide audience range through the video's comedic elements rather than a strictly hard rock sound.
The document analyzes three music videos:
1) Foo Fighters' "Walk" uses intertextuality from the film "Falling Down" and depicts a man going on a rampage after feeling stuck in his ordinary life. It shows rock conventions like rule-breaking and messy hair.
2) Foo Fighters' "The One" directly incorporates scenes from the film "Orange County" and shows different school cultures alongside the rock band playing.
3) Black Keys' "Gold on the Ceiling" is shot like a documentary, showing the band's live performances and daily lives to give fans a personal look at the band and promote their album and tour.
This document discusses various styles, conventions and techniques used in music videos, including:
1) In-concert footage shows bands performing live on stage or at events, while "as live" videos depict studio performances made to look live. Cutting shots to the beat of the music is also discussed.
2) Narrative videos tell a story that relates to the song's lyrics, often following a lead singer. Surrealist videos use unusual visuals and effects with little narrative connection to the lyrics.
3) Other techniques mentioned include synergy between a video and another media property, allusions to real events, pastiches mimicking other styles, and homages paying respect to other artists. Impressionist videos
This document provides summaries of 20 iconic music videos from 2012 back to the pre-1980s era. Some of the videos summarized include Gangnam Style (2012) by Psy, Somebody That I Used To Know (2011) by Gotye, Bad Romance (2009) by Lady Gaga, Single Ladies (2008) by Beyoncé, Here It Goes Again (2006) by OK Go, Feel Good Inc. (2005) by Gorillaz, Toxic (2004) by Britney Spears, Hey Ya (2003) by Outkast, Weapon of Choice (2000) by Fatboy Slim, and Bohemian Rhapsody (1975) by Queen. The summaries highlight what made each
Jehst 'Starting Over' - music video analysisdouglasfisher
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for the first single "Starting Over" features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by featuring a narrative concept and lacking scantily clad women or luxury items, instead focusing on meaning and humility as Jehst ignores pressures to conform to mainstream styles.
The music video for "Clint Eastwood" by Gorillaz is an animated video that depicts the band members as cartoon characters performing against backgrounds that reference zombie and horror films. It features the band members emerging from the ground in a cemetery as zombies and gorillas pursue one member, before concluding with each character shown individually. The video won an award and helped popularize the band's visual style of featuring animated characters rather than the real band members.
Radiohead - Lotus Flower Music Video Analysis Laura Davies
1) The document analyzes the music video for the Radiohead song "Lotus Flower" in terms of genre, media language, representation, and narrative.
2) The genre is described as alternative rock, shown through the abnormal setting and Thom Yorke's unusual dancing.
3) Elements of media language used include camera movements matching the music, editing matching changes in the music, and juxtaposition of dark and light tones.
4) Representation in the video relates to the song's lyrics about escapism and disappearing, shown through Yorke's dancing entering another world.
Andrew Goodwin identified 6 key aspects of music videos in his analysis: 1) Demonstration of genre characteristics, 2) Relationship between lyrics and visuals, 3) Relationship between music and visuals, 4) Focus on the artist, 5) Voyeuristic portrayal of women, 6) Intertextual references. Kanye West's "Stronger" music video illustrates these aspects through footage of him rapping, dancing with Cassie, close-ups, and homages to the film "Akira".
This document analyzes conventions in rock music genres by examining several rock music videos. It finds that rock music videos generally feature bands performing on stages in dark, dull atmospheres. The music is often loud, aggressive, and about topics like sex, drugs, and rebellion. Band members typically sport looks like leather jackets, ripped jeans, and long hair. The document examines several specific music videos, finding they all exhibit these conventions through elements like clothing, lighting, location, and lyrical content.
The document discusses genre characteristics commonly found in different types of music videos. It analyzes several rock and metal music videos to see if they demonstrate these characteristics. The videos analyzed all focus on a stage performance by the band, adhering to genre characteristics of rock and metal videos. However, they also include elements that reference the electronic influences in the bands' music, such as scenes set in nightclubs, fast editing, and sci-fi elements for one video and audience members wearing lights for another video.
The document analyzes the music video for "Bittersweet Symphony" by The Verve. It discusses several key points:
1) The video challenges stereotypes of the indie genre by embedding the musical performance into a narrative. This gives it elements of both indie and Britpop styles.
2) Shots include static shots and movement shots where the camera follows the singer down the street, portraying his detached mood.
3) The orchestral music contrasts with the realistic suburban visuals of run-down areas, representing being governed by money rather than personal success.
4) As the tempo and vocals increase, the other band members join the singer in walking as if unable to change their predetermined paths
The document discusses key components of music videos according to Andrew Goodwin. It lists 7 key ideas: 1) Music videos demonstrate genre characteristics through elements like performances. 2) There is a relationship between the lyrics and visuals. 3) A relationship also exists between the music and visuals. 4) Record labels influence close-ups of artists and developing motifs. 5) Videos often reference voyeurism and treating the female body. 6) Intertextual references to other works are common. 7) Videos are either primarily performance, narrative, or concept-based. It then analyzes the music videos for "Side to Side" by Ariana Grande and "Work From Home" by Fifth Harmony based on these components.
This document analyzes the Ramones music video for "Pet Sematary" based on Goodwin's six features of music videos. It finds that the video demonstrates characteristics of the punk rock genre through the band's performance. Visuals relate to the song's lyrics by showing the band being buried in a cemetery. The music and visuals are connected through shots of the band playing. Close-ups of the band comply with record label demands. Intertextual references to the Stephen King novel provide context for the song. Overall, the video follows conventions for the genre through a dark tone and focus on the band's performance.
The Foo Fighters music video for the song "Rope" was directed by Butch Vig and filmed entirely on VHS. It does not have a narrative structure, rather showing different shots of the band members playing in a single white room. The video captures the alternative rock/post-grunge genre through its black and white filming, slow beginning that picks up intensity, and the band's dark clothing. The video was successful due to it being the first single from their new album, having catchy elements typical of Foo Fighters songs, and topping the charts.
Imagine Dragons are an American alternative rock band from Las Vegas formed in 2008. Their debut album Night Visions was a commercial success, reaching number one on the Billboard charts. The lead single "Radioactive" reached number one in multiple countries and was used in several films and TV shows. The band has since released several EPs and one studio album, promoting their music through unique music videos and an interactive website.
Our music video challenged conventions of real punk rock media products in several ways:
1) It was filmed in black and white like Joy Division photographs to represent their smart, dimly lit style.
2) Shots were framed and characters posed to reference famous Joy Division photos.
3) One band member wore dark makeup and eccentric hair like typical punk bands, while the others had Joy Division's cleaner look to blend genres.
4) A continuous shot of the singer from behind with a word on her jacket, like in the Joy Division film Control, drew attention in the same style.
Our music video challenges conventions of real punk rock media products in the following ways:
1) It is filmed in black and white like Joy Division album covers to represent their smart, dark style.
2) We reference famous photos of Joy Division by taking similar poses.
3) One band member wears eccentric makeup and hair like typical punk bands, while the others have Joy Division's cleaner look.
4) Shots of the singer from behind with words on her jacket reference a scene from the Joy Division film 'Control'.
This document analyzes common elements found in rock music videos. It discusses that rock music videos typically feature performances by the band playing their own instruments. The music is often loud and aggressive while creating a dark atmosphere. Common settings include abandoned buildings, cityscapes, and on stage. Artists typically dress in skinny jeans, flannels, leather jackets and have unkept hair. Close ups of guitars and the performers emphasize the live instrumentation. Meat Loaf's "Bat Out of Hell" video takes place in a dark graveyard and shows him singing with typical white shirt attire. Elvis Presley's "Jailhouse Rock" sticks to the performance format in black and white with his leather jacket reflecting the song's lyrics.
The document analyzes common elements found in rock music videos. It discusses that rock music videos typically feature bands playing their own music, often in a performance-based format. The music is usually loud and aggressive while settings create a dark atmosphere. Clothing worn often includes skinny jeans, flannels, and leather jackets. Instruments like guitars are prominently featured and artists cultivate a "bad boy" image through depictions of drugs, sex, and alcohol. Three video examples are summarized that demonstrate these elements: Queen's "We Will Rock You" emphasizes the band and guitars in a bleak forest setting. Meat Loaf's "Bat Out of Hell" uses dark locations and colors along with typical white shirts. Elvis Pres
Paul Hunter is a renowned music video director known for working with popular artists across many music genres. Some of his earliest videos from the 1990s featured storylines and scenes of dancing against colorful backgrounds or in vehicles. More recently, his videos have had sleeker urban styles while still featuring dancing scenes that match the lyrics. He continues experimenting with techniques like effects, locations, and visuals that connect to the music.
The document discusses several characteristics of music videos based on Andrew Goodwin's rules for different music video genres. It provides examples from the music video for Nicki Minaj's "Super Bass" to illustrate the characteristics of an image genre video, such as a focus on the artist's appearance and inclusion of choreographed dance routines. It also analyzes relationships between the song's lyrics, music, and visual elements of the video.
Music Video Analysis for Foo Fighters The Pretendertlcurtis
The music video for Foo Fighters' "The Pretender" contrasts the band against authority figures. In the opening, Dave Grohl picks up his guitar as the lights and music start. During the verses, the video uses fast cuts and camera movements to match the music. In the choruses, riot police officers progressively march forward to face the band, dressed uniformly unlike the individual band members. In the final chorus, the officers charge but are sprayed with red liquid as the band's explosive performance ends with Grohl smashing his guitar. Overall, the video follows rock genre conventions by having a narrative that positions the band as rebelling against authority through their musical performance.
The Foo Fighters music video for "Everlong" features an unusual storyline that does not directly relate to the song's lyrics. The director, Michael Gondry, known for using repetition in his videos, employs this technique by showing the character repeatedly waking up to answer the phone. While the Foo Fighters' music typically features them playing on stage, this video departs from rock music conventions through its irrelevant narrative. The band appeals to a wide audience range through the video's comedic elements rather than a strictly hard rock sound.
The document analyzes three music videos:
1) Foo Fighters' "Walk" uses intertextuality from the film "Falling Down" and depicts a man going on a rampage after feeling stuck in his ordinary life. It shows rock conventions like rule-breaking and messy hair.
2) Foo Fighters' "The One" directly incorporates scenes from the film "Orange County" and shows different school cultures alongside the rock band playing.
3) Black Keys' "Gold on the Ceiling" is shot like a documentary, showing the band's live performances and daily lives to give fans a personal look at the band and promote their album and tour.
This document discusses various styles, conventions and techniques used in music videos, including:
1) In-concert footage shows bands performing live on stage or at events, while "as live" videos depict studio performances made to look live. Cutting shots to the beat of the music is also discussed.
2) Narrative videos tell a story that relates to the song's lyrics, often following a lead singer. Surrealist videos use unusual visuals and effects with little narrative connection to the lyrics.
3) Other techniques mentioned include synergy between a video and another media property, allusions to real events, pastiches mimicking other styles, and homages paying respect to other artists. Impressionist videos
This document provides summaries of 20 iconic music videos from 2012 back to the pre-1980s era. Some of the videos summarized include Gangnam Style (2012) by Psy, Somebody That I Used To Know (2011) by Gotye, Bad Romance (2009) by Lady Gaga, Single Ladies (2008) by Beyoncé, Here It Goes Again (2006) by OK Go, Feel Good Inc. (2005) by Gorillaz, Toxic (2004) by Britney Spears, Hey Ya (2003) by Outkast, Weapon of Choice (2000) by Fatboy Slim, and Bohemian Rhapsody (1975) by Queen. The summaries highlight what made each
Jehst 'Starting Over' - music video analysisdouglasfisher
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for the first single "Starting Over" features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by featuring a narrative concept and lacking scantily clad women or luxury items, instead focusing on meaning and humility as Jehst ignores pressures to conform to mainstream styles.
The music video for "Clint Eastwood" by Gorillaz is an animated video that depicts the band members as cartoon characters performing against backgrounds that reference zombie and horror films. It features the band members emerging from the ground in a cemetery as zombies and gorillas pursue one member, before concluding with each character shown individually. The video won an award and helped popularize the band's visual style of featuring animated characters rather than the real band members.
Radiohead - Lotus Flower Music Video Analysis Laura Davies
1) The document analyzes the music video for the Radiohead song "Lotus Flower" in terms of genre, media language, representation, and narrative.
2) The genre is described as alternative rock, shown through the abnormal setting and Thom Yorke's unusual dancing.
3) Elements of media language used include camera movements matching the music, editing matching changes in the music, and juxtaposition of dark and light tones.
4) Representation in the video relates to the song's lyrics about escapism and disappearing, shown through Yorke's dancing entering another world.
The document analyzes and summarizes three music videos: Blink 182's "I Miss You" features the band in a haunted mansion depicting a ghostly feel to match the song's darker theme. Linkin Park's "Breaking the Habit" uses anime to tell the story of a character's depression and death shown through flashbacks. Yellowcard's "Only One" focuses on the singer and his girlfriend walking through a protest, with closeups showing his love and need for her against the backdrop of conflict with authority.
The music video for "Kangaroo Court" by Capital Cities was co-directed by the band members and Carlos Lopez Estrada. It features a zebra protagonist who is tried and executed in a kangaroo court for attempting to enter a club. The video takes the lyrics literally by setting scenes in a courtroom with animal extras and a kangaroo judge. It integrates the song throughout with characters dancing and an elephant playing trumpet. While having some pop elements like dancing, the video's unconventional artistic style and narrative are more consistent with its indie genre.
The music video for Blur's song "Parklife" features actor Phil Daniels lip syncing the lyrics while driving around London. Though unconventional for a music video at the time, the abstract style fits with the Britpop genre. Various shots reference the lyrics, like a jogger mentioned in the words. While humorous, Daniels is the clear focus instead of the band. The upbeat tempo matches the fast-paced visuals, and colors occasionally sync with the music. The video parodies common music video tropes through exaggerated elements.
This document provides summaries of 20 iconic music videos from 2012 back to the pre-1980s. Some of the videos summarized include Gangnam Style (2012), Somebody That I Used To Know (2011), Bad Romance (2009), Single Ladies (2008), Here It Goes Again (2006), Feel Good Inc. (2005), Toxic (2004), Hey Ya (2003), and Bohemian Rhapsody (1975). The summaries highlight things like the videos' visual styles, narratives, popularity, cultural impacts, and in some cases whether the video or song was more influential.
This document provides summaries for 20 iconic music videos ranging from 2012 to the pre-1980s. Some of the videos summarized include Gangnam Style (2012), Somebody That I Used to Know (2011), Bad Romance (2009), Single Ladies (2008), Here It Goes Again (2006), Feel Good Inc. (2005), Toxic (2004), and Bohemian Rhapsody (1975). The summaries analyze elements like visuals, choreography, popularity, cultural impact, and whether the video enhanced or drove the success of the song.
The music video is primarily performance based with some narrative elements. It begins by introducing each band member through medium shots that establish their instruments. Throughout, there are shots of the full band performing that demonstrate the genre's performance characteristics. Some narrative is provided by cuts between shots of transportation that relate to the lyrics about wanting to "get away from here." Overall, the video focuses on the band's performance to showcase their music.
The Foo Fighters' music video for "Dear Rosemary" tells a narrative story about a young couple. It shows the girl, Rosemary, singing along to lyrics about their relationship while alone and upset after a fight with her boyfriend. The dark and emotional video culminates with Rosemary attempting to drown herself in the bath but being rescued just in time by her boyfriend.
The Foo Fighters' music video for "Dear Rosemary" tells a narrative story about a young couple. It shows the girl, Rosemary, singing along to lyrics about their relationship while alone and upset after a fight with her boyfriend. The dark and emotional video culminates with Rosemary attempting to drown herself in the bath but being rescued just in time by her boyfriend.
The music video for Blur's "Country House" contrasts city and country life. In the city, represented by a flat and the board game "Escape From The Rat Race," the band members are trapped and stressed. In the country, symbolized by a large house, life is depicted as relaxed and peaceful. The video uses techniques like fast and slow motion, jump cuts, and close-ups of the lead singer to match the tone and pace of the song and keep the audience engaged. It also references Queen's "Bohemian Rhapsody" video in its portrayal of sadness.
This document provides descriptions and context for scenes from three indie music videos: Arctic Monkeys' "Do I Wanna Know", Gorillaz' "Clint Eastwood", and The Courteeners' "Not Nineteen Forever". For "Do I Wanna Know", white lines in the video replicate sounds from the song and form shapes representing the end. Gorillaz' video introduces the band as cartoons and features a figure relating to the rap part. Scenes in "Not Nineteen Forever" show the band singing in a cafe and a woman they sing about arguing with them.
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The document outlines the proposed costumes for three characters - a detective who is also the serial killer, the detective's partner, and a victim - in the opening of a mystery/thriller film. The detective will wear stereotypical detective clothes like a long coat and fedora to clearly identify him as a detective. The serial killer will only need trainers shown to depict walking away from the crime scene. In contrast, the partner will have a more casual look through a bow tie, glasses, and jeans to hint that the main detective is actually the killer. The randomly dressed victim in casual clothes is meant to suggest the killer targets with no clear motive.
The document traces the history of the mystery/thriller genre in film from the 1940s to 2000s. It provides examples from each decade such as Dressed to Kill (1941) and The Big Clock (1948) in the 1940s, Vertigo (1958) and Psycho (1960) in the 1950s-1960s, The Attic (1980) and Seven (1995) in the 1980s-1990s, and The Bourne Identity (2002) and Sherlock Holmes (2009) in the 2000s. It notes that mystery/thriller films have changed over time with more realistic effects now possible and more intriguing plots due to developments in technology, ideas, and actors.
The document discusses various micro elements of film including shots (extreme close up, close up, medium shot, long shot, extreme long shot), camera movements (track, pan, tilt, zoom, cut), pace, performance, diegetic and non-diegetic sound, and mise en scene. It provides examples from the opening of the film Mad Max: Fury Road to illustrate these elements, such as a close up showing Max's face, an extreme long shot displaying the desolate landscape, and diegetic sounds of vehicles driving through the desert.
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
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A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
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The chapter Lifelines of National Economy in Class 10 Geography focuses on the various modes of transportation and communication that play a vital role in the economic development of a country. These lifelines are crucial for the movement of goods, services, and people, thereby connecting different regions and promoting economic activities.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
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of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
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9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
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Level 3 NCEA - NZ: A Nation In the Making 1872 - 1900 SML.pptHenry Hollis
The History of NZ 1870-1900.
Making of a Nation.
From the NZ Wars to Liberals,
Richard Seddon, George Grey,
Social Laboratory, New Zealand,
Confiscations, Kotahitanga, Kingitanga, Parliament, Suffrage, Repudiation, Economic Change, Agriculture, Gold Mining, Timber, Flax, Sheep, Dairying,
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
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Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
1. Analysis of a Music Video
Clint Eastwood - Gorillaz
Rock That Body - The Black Eyed Peas
2. Clint Eastwood
Both of these songs fit into the same genre of hip hop music,
however their videos differ significantly in terms of content and
style as one’s fully animated but the other features the real singers
and members of the band (as well as other people).
Rock That Body
3. Conventions
Clint Eastwood - Gorillaz
● Close up and low angle shots
● Rap
● Collaboration with other artists
● Majority or all of the people in the video are male
Rock That Body - The Black Eyed Peas
● Close up shots
● Crowds of people and dancers
Typical conventions of a hip hop music video are
as follows: low angle/close up camera shots, large
crowds of people and dancers, features showing
off the wealth of the singer/band, more male
members in the video than female, a link between
the lyrics and video (either lip sync or link to
potential messages in the lyrics and actions shown
in the video), collaboration of other artists and
rapping.
4. Camera Work
As mentioned in the previous slide, low angle and close up
shots are usually featured in hip hop music videos. This is
to throw the focus onto the lead singer/singers to make
them more important than everyone else.
Clint Eastwood
The video starts off with an extreme close up of one of the
members (named Murdoc). The most common types of
shot throughout the video are mid shots and close up
shots. The close ups are mostly on the lead singer (2-D)
and the rapper ghost, which make them the main focuses
of the video (as well as the evil gorillas, who have fair
amounts of screen time). There are more extreme close
ups near the end of the video where 2-D sings and the only
female member (Noodle) runs up and kicks one of the evil
gorillas. Zoom ins and outs are also used throughout as
well as panning from the left to the right and tilts in few
parts of the video.
Rock That Body
This music video features close ups, mid shots and long
shots. The majority of the video is made up of long shots
and mid shots especially, unlike the Clint Eastwood music
video. Throughout the video, the main focus is on the
singers, who get more screen time and close ups than the
crowds of people and the dancers stuck in a glitch on the
street, which makes them more important. Will-i-am and
Fergie get the most attention. There are also pans and tilts
throughout the video, such as a pan when the robots are
flying and a tilt when one of the members are introduced at
the beginning. There are also zoom ins, one of which
occurs when Fergie is introduced, making her one of the
more important features of the video. Another part of
camera work which isn’t in Clint Eastwood is an unsteady
camera, which makes the video look like it has been filmed
by a phone or hand-held camera.
5. Editing
Clint Eastwood
The members of the Gorillaz are all fictional, animated characters (2-D,
Murdoc, Noodle and Russel) thus the entire music video is animated.
The animation is set so that it matches well with the beat and flow of
the music and lyrics, having good lip sync of the characters. Things
such as rewind and replays as well as slow motion and blurs are used
to make scenes/actions fit in with the music, more often so when the
evil gorillas are introduced into the video. There are close up shots
which focus on the faces and instruments of the band members, and
certain parts of the video involve panning shots which show the
audience the band performing parts of the song to the audience
despite being animated, which somewhat breaks the fourth wall as
they are performing like a real life band.
Rock That Body
In the video there are a lot of special effects such as
editing in lighting, the bullets/waves from their weapons
and looping of the actions of the dancers in the street to
show they’ve glitched. The two robots in the music video
are CGI, and are seen throughout the majority of, if not the
whole music video.
Some hip hop artists will use a lot of editing in
their music videos to make themselves look more
interesting and popular than other artists of
different genres. The most common form of
editing seen in hip hop videos can be the lighting
or creatures and people made through CGI
depending on the artist/band you are watching.
6. Sound
Clint Eastwood
Like in many other hip hop music videos, the singing is
constant throughout the video, with only last few seconds
of the video silent. At the beginning and end of the video,
there is an instrumental which introduces us to the music.
There are a range of sound effects involved throughout the
video such as the sound of the ground breaking when the
evil gorillas emerge from underneath the ground as well as
the graveyard. There are also effects used when one of the
gorillas grabs Murdoc and pulls him down to the ground,
and when the line of five gorillas dance. When Noodle,
kicks one, there is a kicking/hitting sound effect used. An
electrical static sound can be heard when Russel’s inner
rapper (the rapper ghost) goes back into Russel at the end
of the video. (Also at the end of the video, there are birds
which can be heard and the sun comes out).
Rock That Body
Just like Clint Eastwood by the Gorillaz, the music video for
Rock That Body has singing all throughout apart from the
last and first few seconds of the video. Unlike in the other
band’s song, the video for Rock That Body involves no
sound effects.
Although the robots fly and one of them collapses at the
end of the video, and guns fire waves which hit pedestrians
and free them from the loop they’re in to make them dance,
there are no sound effects so the focus is more on the
song rather than on the video.
7. Genre
Despite being part of the same genre, these two music videos are very different.
The Gorillaz fit into multiple music genres such as electronic music, dub, rock, rap rock, indie dance, alternative rock,
alternative hip hop and trip hop. Their song ‘Clint Eastwood’ fits into the genres of trip hop and alternative hip hop (music
that features the range of styles of hip hop music but hasn’t been identified as mainstream). The use of conventions such
as the varying close up shots and panning shots which focus on the band and instruments as well as actions of the band
which match up to the beat make the music video a performance piece where the Gorillaz perform their song throughout
the video like a band would do in real life.
The Black Eyed Peas fit into hip hop, electronic dance and contemporary R&B. Their song ‘Rock That Body’ fits into all three
of those genres. The use of the varying camera shots and angles, the fast cuts throughout the chase scene and final
dance-off between the two robots as well as the futuristic costume and comic-like narrative fit into the genre and also
makes the music video extremely similar to a superhero movie, where the main band member saves the life of the female
band member through chasing the evil robot on his own good robot..
The genres both artists fit into vary however they are both similar in that they have both been categorised into hip
hop/alternative hip hop as well as electronic music/electronic dance music. As mentioned in a previous slide, both videos
feature the conventions typically used in hip hop music videos such as low angle shots and close ups to make the
artist/singer appear more important than the other people in the video by forcing the audience’s focus upon the band.
8. Narrative
Clint Eastwood
The first part of the video shows the virtual band playing
their instruments. After the first verse, Russel’s inner rapper
(the rapper ghost) emerges and starts rapping his parts of
the song. At the line ‘Picture you gettin’ down in picture
tube’, the rapper ghost stamps on the floor and the ground
breaks revealing a red light underneath. From there, evil
gorillas emerge from the ground as well as a graveyard
which surrounds the four band members. At the end of the
song, the character Noodle runs towards and kicks one of
the gorillas, possibly killing it as afterwards, the rapper
ghost returns to Russel and the other evil gorillas die. When
the music stops, the sky clears and the sun comes out.
Rock That Body
The first part of the video introduces the two main singers;
Will-i-am and Fergie, who appear and walk through the
street, using their stereo-guns to shoot people who’re stuck
in a glitch which prevents them from dancing. Later, the
other two members (apl.de.ap and Taboo) are introduced,
shooting people to free them from their glitch. A bad robot
appears and takes Fergie, then Will-i-am gets onto the back
of his robot (the good robot) and chases the bad robot to
get Fergie back as the other two members carry on freeing
civilians from glitching. After a while, the bad robot crashes,
dropping Fergie. The good and bad robot then have a
dance-off for the remainder of the music video. When the
song ends, the bad robot collapses from exhaustion.
9. Performance
Clint Eastwood
The virtual band, the Gorillaz, is shown performing their
song ‘Clint Eastwood’ throughout the video and are well
lip-synched with the lyrics. Although the real life singer who
wrote and sung the song isn’t in the video, the video still
shows performance of the band because the band is a
virtual band and so the man behind the Gorillaz isn’t
necessarily needed in the video.
One feature of a hip-hop/alternative hip-hop music video
would be that the band is shown performing their song in
an unusual place. In this video, the Gorillaz are shown
singing their song in a blank, isolated place which soon
turns into a broken graveyard.
Rock That Body
The Black Eyed peas are all featured in this music video. In
hip-hop/alternative hip-hop music videos, the band are
shown performing their song live or usually parts of their
life or clips of the band messing around, having a good time
are shown. In this video however, they’re shown saving the
world as part of the narrative, rather than performing the
song on stage or in a city, town or unusual place. Despite
this, they’re still performing their song as they sing it as they
go along saving the world with good lip-synching.
A feature of a hip-hop/alternative hip-hop music video is
that the band members wear clothes which match up to the
motif. In ‘Rock That Body’, the band members wear
costume which heavily implies a hip-hop/sci-fi theme,
matching the style and genre of their song.
10. Media Language
Clint Eastwood
Positioning is used to show who’s more important in the video.
Murdoc can be seen trying to take the spotlight from 2-D when
2-D’s singing in the very first part of the video, being fully
visible/coloured unlike 2-D in the shot. When the rapper ghost
emerges from Russel, he takes up the majority of the screen and
appears most in the video, which portrays him as an important
character/member of the band. This can be backed up by the
fact that the vast majority of the other songs sung by the Gorillaz
involve rapping by either Russel’s ghost rapper or other famous
rappers. The lyrics are well synched and the facial
expression/body language of the band, more specifically 2-D,
match up to them to make the video more realistic, and
strengthen a possibly depressing, dull mood in the chorus.The
choice of words, more specifically in the chorus give out an
interesting message. For example ‘i’ve got sunshine, in a bag’
refers to possessing drugs like marijuana (it’s also a reference to
a line in a film the actor Clint Eastwood is in). The rest of the
chorus gives off an almost disheartening feeling, which is taken
away with the last line of the chorus ‘my future is coming on’.
Rock That Body
As mentioned in a previous slide, the focus is on the two
main singers throughout the video and so you can tell that
they are the more important features of the music video,
which is a typical hip-hop/alternative hip-hop music video
convention. They have more close up shots and in general
have a blank expression and a body language which makes
them appear important. They are the only ones in the video
wearing the sci-fi clothing which shows that they’re the
main characters, main heroes in the video and so should be
the main focus as we are more drawn to them rather than
the civilians because they stand out. The singing in the
video is sung with a blank expression which doesn’t fit with
the expected beat, expected intention of the song itself but
what it does do is further portrays the band members as
the typically important, grand singers that they are, ‘their
music is so good they don’t need to sing it with
enthusiasm’.
11. Representation
Clint Eastwood
Gorillaz was never going to be a real band with real band members so
Damon Albarn made the animated characters 2-D, Murdoc, Russel and
Noodle instead. The characters are digitally animated, which suits the
songs as the vast majority of the songs written and sung by the Gorillaz
can be classed as digital music. A link can be made to anime/mange
from the music video to Clint Eastwood because it’s similar to
anime/manga, having a lot of destructive imaging in the music video
such as a broken graveyard emerging from the ground as it cracks and
breaks, giving space for the evil gorillas to emerge and cause trouble.
The band doesn’t conform to hip hop conventions either, in terms of
their appearances. 2-D and Murdoc are the best examples for this point
because they have the most contrasting appearances from the genre.
They have crooked and broken teeth which defies the idea of wealth in
hip hop music videos as they appear to be quite poor which is the
opposite to how lead singers/band members are usually portrayed (you
can also tell by their hair and clothes). The name of the song is the
name of the American actor which Damon was a fan of. You can see
other references to Eastwood and his films in the lyrics and music
video such as the lyric ‘i got sunshine, in a bag’.
Rock That Body
In the music video, the main setting appears to be a set of streets in an
American city. Unlike the usual dirty streets crowded with homeless people
or those suffering from poverty, these streets are sanitised and the people
have fairly expensive outfits and accessories such as Beats headphones.
The music video has a heavy superhero feel to it, one part of which can be
felt when the two robots (hero and villain) are flying around the city,
weaving in and out of the buildings just like the hero and villain would do in
a movie or comic book. The first hero to be introduced is Will.i.am, who is
shown in a rather bulky outfit, equipped with a large weapon. This presents
masculinity as it shows power and strength. His facial expression is that
which shows that Will.i.am is tough and so adds to a violent display of
masculinity. The second member, Fergie, is shown with a smaller weapon
and is dressed in a rather alluring outfit which has less armour than
Will.i.am’s. The cones on her breasts and the short dress highlight the
parts which make a woman an ideal woman (breasts, nice figure). This
shows that Fergie is more inferior compared to Will.i.am, strengthening an
ideal that masculinity is more important than femininity and that men have
more power than women. Later on in the music video, Will.i.am gets a
mask, which directs the video further into the idea of superheroes. Fergie
gets taken by the villain, which also connects to the stereotypical
superhero setting as most superheroes wear masks and in most films and
comics, the heroine is kidnapped by the villain. Will.i.am chases the
villainous robot on his own robot which shows that he is in control as he’s
the one riding and directing the robot throughout the city streets to get
Fergie back from the bad robot, displaying the importance of masculinity.
12. Institutions
Clint Eastwood - Gorillaz
Gorillaz have used many record labels but the one used for
the song ‘Clint Eastwood’ is Parlophone. They were
founded in Germany, 1896 and in 1923 a British branch
(The Parlophone Co. Ltd.) was formed. It’s distributed by
Warner Bros. Records (United States), WEA International
Inc. (International) and is self-distributed in the UK. Other
notable artists other than the Gorillaz signed onto
Parlophone are The Beatles, Queen, Pink Floyd, Kylie
Minogue, David Guetta and more.
Other record labels the Gorillaz have signed up to are EMI,
Universal Music Group, Def Jam Recordings, Virgin
Records, Warner Bros REcords, Geffen REcords and Virgin
EMI Records. Damon Albarn (the creator of the Gorillaz)
was apart of the band Blur, which was also signed up to
Parlophone and so it’s not generally surprising that he was
able to sign the Gorillaz up to the same record label.
Rock That Body - The Black Eyed Peas
The Black Eyed Peas have signed up to a few record labels
but the one used for their song ‘Rock That Body’ is
Interscope Records. Interscope Records is an American
record label founded in 1989. It’s distributed by
Interscope-Geffen-A&M (United States), Universal Music
Distribution (International) and Polydoor Limited (Europe).
Other artists such as Imagine Dragons, OneRepublic and
Eminem have also signed up to Interscope REcords.
Other record labels The Black Eyed Peas have signed up to
are A&M Records, BMG Rights Management and will.i.am
Music Group.
13. Values and Ideology
Clint Eastwood
The main chorus is sung by the band member 2-D, who appears to be passive throughout
the whole video. The other parts of the song are sung by Russel’s ghost rapper, who
represents music/beats as a whole in the song. The main chorus sung by 2-D involves
lyrics stating that he’s not glad but happy, accepting his place when he has ‘sunshine in a
bag’ (which could refer to drugs or the contentment achieved through purchasing
consumer products) and although he feels that he’s useless, he believes in his future. In
the video, he’s rather passive, not doing anything much other than standing and singing.
The line “time for me is nothing cause I’m counting no age” refers to the idea that music is
immortal, it lives forever. Music also sets you free and potentially eliminates what makes a
person unhappy and that there isn’t specifically a price tag on what music can achieve, as
hinted through the lyrics “I’m good at repairs” and “Priceless / To you because I put you on
the high shit”. The ghost rapper potentially encourages you to embrace what can be
achieved through artistic creation such as that of music through his line “Panoramic view”,
as you’ll be taking in the whole 360° view of the world and music’s capabilities. He also
potentially encourages you to create your own music after hearing a piece which will
inspire you when he raps “You like it? Gun smokin’ righteous with one toke”. Another lyric
persuading people to go and create their own music would be the line “Bust a few rhymes
so mother fuckers remember where the thought is” as it suggests that he’s telling 2-D to
create music which will remind other passive humans that music is created through the
power of the mind and not just created in the blink of an eye. The song title itself could fit
into the idea of immortality within artistic creations as despite being old at the time, Clint
Eastwood continued to direct and produce movies rather than retiring
Rock That Body
The lyrics to this video could be interpreted as the singer wanting to
simply dance with someone, or could be interpreted as the singer
wanting to sexually interact with someone. As the hiphop genre involves
both dancing and sexual activity, both of these meanings could be
applied. In the modern time, hip hop videos and lyrics tend to imply a
more sexual theme than dance theme, however it hasn’t increased as
much. The music video seems to focus on a superhero theme however
looking at the lyrics alone, a sexual theme can be applied.
“Super fly ladies, all on my,”, “I wanna rock yo body” and “Up in the music
and rock yo body right” can be interpreted as sexual, more specifically
the first example. This is because in hip hop songs, the lead male singer
typically gets themselves involved with such things as lap dances from
fine bodied women seen as ‘sexy’ or ‘fly’. Saying that you want to rock
someone’s body is another way of saying that you’d like to have sex with
them and so, without the pairing of the music video, this Black Eyed
Peas song has a sexual ideal.