A2 storyboard ammendment

Shot
No.
1
Type of shot,movement
and angle.
Dialogue.Sound. Setting.Colour. Lighting.Mise-en-
scene.
Editingnotes
0:00-0:06
Straighton angle
Zoomintoa close upof
the leadsinger’smouth
laughing.
Soundof hysterical laughter.Darklighting.Dark
emptyroom.Showdepthof field. Thiswill be setat
the gig venue.Filmedincolour.Fade intothe next
clip.
Shot
No.
2
and angle.
Dialogue.Sound. Setting.Colour. Lighting. Mise-en-
scene.
Editingnotes
0:06-0:07
Straighton angle andside
on angle.Close upof
characters miming‘feel
good’(twoshotedited
together).
Lyrics ‘feel good’.Lightingisstill darkbutthere islight
focusingonthe character in the clip.

Shot
No.
3
and angle.
scene.
Editingnotes
0:07-0:10
Close upof the
instruments.Pickingof
the bass.Low angle is
used.
Low lightingusedwithjustfocusonthe band’s
instruments. Filmedatthe gigvenue

Shot
No.
4
and angle.
scene.
Editingnotes
0:10-11
Close upof the mouth
saying‘feel good’froma
side onangle (of the face)
overlayedoverthe clipof
the close up of the bass .
Lyrics ‘feel good’.Lightingisstill darkbutthere islight
focusingonthe character in the clip. Thiswill be on
the leadsinger,andfilmedinthe gigvenue.

Shot
No.
5
Type of shot,movementand
angle.
Dialogue.Sound. Setting.Colour. Lighting.
Mise-en-scene.
Editingnotes
0:11-0:13
Straighton angle
close upof the leadsinger’s
mouthmimingtothe lyrics.
‘Shucktu shucktuh, feel good’.Darksurrounding
withthe lightfocussingonthe characterto
accentuate the lyrics. Filmedinthe gigvenue.

Shot
No.
6
angle.
Mise-en-scene.
Editingnotes
0:14-0:17
Low angle tohighangle. Pan
fromthe bodyof the guitarup
to the fretboard.
Low lightingfocussingonthe guitarelementof
the music.Filmedinthe gigvenue.

Shot
No.
7
angle.
Mise-en-scene.
Editingnotes
0:18-0:20
Close upof the drumkit filmed
froma highangle.Showthe
rhythmthe drum produces.
Dark lighting,withlightfocusingonthe
instrumentstoletthe audience knowthatthe
musicisthe sole focus. Filmedinthe gigvenue
Shot
No.
8
angle.
Mise-en-scene.
Editingnotes Straighton angle.Close up.Pan Lyrics ‘feel good’.Lightingisstill darkbutthere is

0:20-21 overthe leadsingermouthas
theymime ‘feel good’
lightfocusingonthe character inthe clip.Filmed
inthe gigvenue
Shot
No.
9
angle.
Mise-en-scene.
Editingnotes
0:21-0:23
Highangle,side shotno
movementclipof the bass
Dark lighting.High-lightingfocusonthe
instruments. Filmedinthe gigvenue

Shot
No.
10
angle.
Mise-en-scene.
Editingnotes
0:23-0:24
Wide shot,straighton.Hands
saying‘feel good’
Low lightingbutfocusonthe handsso you can
see the writingonthem. Filmedinthe gigvenue

Shot
No.
11
angle.
Mise-en-scene.
Editingnotes
0:24-0:27
Repeatthe close up,highto
lowangle (pan)
Focuson the soundof the guitar. Filmedinthe
gigvenue

Shot
No.
12
angle.
Mise-en-scene.
Editingnotes
0:27-0:28
Straighton angle andside on
angle.Close upof character
takinga shot of vodka.(as
alcohol isdeemedas
somethingthatmakespeople
feel good)
Lyrics ‘feel good’.Lightingisstill darkbutthere is
lightfocusingonthe character inthe clip.The
character isthe movementasthe camerawill
not move. Filmedinthe gigvenue asthere isa
small bar at the venue we have accessto.

Shot
No.
13
angle.
Mise-en-scene.
Editingnotes
0:28-0:28
Wide shotof the whole band,
filmedfromalowangle.Some
of the crowdsheadswill be
seentoshowthat theyare
lookingupto the band.
The lyrics‘change’will showthe bandchanging
outfitseverytime there isadownbeatin
betweenthe word‘change beingsung’.The
character here will be seenintheirfirstoutfit.
Filmedinthe gigvenue,thiswillcutintothe next
clip.
Shot
No.
14
angle.
Mise-en-scene.
Editingnotes
0:29-0:29

character here will be seenintheirsecondoutfit.
Thiswill cutintothe nextclip
Shot
No.
15
angle.
Mise-en-scene.
Editingnotes
0:29-0:30
character here will be seenintheirthirdoutfit
.Thiswill cutintothe nextclip
Shot
No.
16
angle.
Mise-en-scene.
Editingnotes
0:30-0:31
character here will be seenintheirfourthoutfit.
Shot
No.
17
angle.
Mise-en-scene.
Editingnotes
0:31-0:32

character here will be seenintheirfifthoutfit.
Shot
No.
18
angle.
Mise-en-scene.
Editingnotes
0:32-0:33
The lyrics‘change’will show the bandchanging
character here will be seenintheirsixthoutfit.
Shot
No.
19
angle.
Mise-en-scene.
Editingnotes
0:33-0:33
character here will be seenintheirseventh
outfit.
Shot
No.
20
angle.
Mise-en-scene.

Editingnotes
0:33-0:34
character here will be seenintheirfinal outfit.
Shot
No.
21
angle
Mise-en-scene.
Editingnotes
0:34-0:37
Close upof an alarmto show
howearlythe normie sister
has wokenupto go intothe
worldof work.Close upfilmed
fromthe side of the normie
(kate) doingatie up to show
that she belongstoa business-
part of the city’sminions.
‘City’sbreakingdownonacamel’sback’, close
up of the earlytime onan alarmclock will be
shownfirstto letthe audience knowhowearly
the ‘normie’sisterstartsherday.There willbe a
visual/lyrical relationaswe will filmthe cityto
showhowit iscorruptingpeople.Thiswillbe
filmedinblackandwhite toshowhowplainand
boringthe worldisbecoming. Thiswill be filmed
inthe twinshome.
Shot Type of shot,movementand Dialogue.Sound. Setting.Colour. Lighting.

No.
22
angle. Mise-en-scene.
Editingnotes
0:38-0:41
Straighton angle,midshot
showingthe twinscrossover.
Kate (normie) leaves(lyrical
relationship‘theyjusthave to
go’) whilstHan(partyanimal)
comesinfrom a nightout.
Black andwhite colouras we see Kate leave to
jointhe restof the citywho are conformingto
the higherpower.Kate will be incolour(edita
fade fromblack andwhite tocolour) Will be
filmedinthe twinshome toshowthateven
thoughtheylive underthe same roof,theyare
completelydifferent.
Shot
No.
23
angle.
Mise-en-scene.
Editingnotes
0:41-0:45
Wide shot.Low angle/mid
shottime lapse of the city.
Filmcars goingroundon the
ringround to showeveryone
participatingineveryday
mundane dutiessuchas
businesscommute.
‘Sowhile youfill the streetsitappealingtosee’
there will be avisual/lyrical relationaswe will
filmthe cityto showhowit iscorruptingpeople.
Thiswill be filmedinblackandwhite toshow
howplainand boringthe worldisbecoming. This
will be filmedinthe streetsof Wolverhampton.
Shot
No.
angle.
Mise-en-scene.

24
Editingnotes
0:45-0:46
Pointof viewshot/slightly
shakeytoshowher lookingfor
hertrain. Straightonangle
‘You won’tgetout the county’.Blackand white
as it isfilmedfromthe normie sistersPOV.We
will filmthisatthe trainstationin
Wolverhampton,aswe canshowthe rush of
people inbusinesswearswarmingaroundKate.
Thiswill cutintothe nextshotof the briefcase.
Shot
No.
25
angle.
Mise-en-scene.
Editingnotes
0:46-0:47
Close upof Kate grabbinga
suitcase before boardingher
train.Straighton angle,with
no movement.
‘cause you’re bad’blackand white.Will be filmed
at Wolverhamptontrainstationandwill cutinto
the nextscene.

Shot
No.
26
angle.
Mise-en-scene.
Editingnotes
0:47-0:48
Mid shot/wide shotof Kate
boardingthe train.Thiswill be
filmedfrombehindherata
straighton angle
Still filmedinblackand white toletthe audience
knowthat we are seeingthe normie sister
conformingasa businesswoman.

Shot
No.
27
angle.
Mise-en-scene.
Editingnotes
0:49-0:51
Overthe shouldershotfilming
Han in the mirrortryingon
differentoutfitsforanight
out.
‘you’ve gota newhorizonitsempheral style’
withinthisclipwe will see Hantryon numerous
differentoutfitsthatwill change onthe beat.
Thisshowslyrical andvisual relationshipas
‘empheral’meanstolastashort time,thiswill be
shownas she won’tbe able to decide onwhatto
wear. Thiswill be filmedinthe twinshouse.
Shot
No.
28
angle.
Mise-en-scene.
Editingnotes
0:51-0:52
Close upstraighton focuson 1
of 4 mouthsto showstraight
faces(lyrical andvisual
relationshipasitsings
Black andwhite.Asitsings‘melancholy’we will
focuson the facial expressionof ‘the crowd’.This
will be filmedinadark room. This will cutinto
the nextclip.

‘melancholy’)
Shot
No.
29
angle.
Mise-en-scene.
Editingnotes
0:52-0:53
faces.Thiswill leaduptothe
line ‘where we neversmile’
Black andwhite.Asitsingsmelancholywe will
focuson the facial expressionof ‘the crowd’as
theyneversmile (thisis alyrical andvisual
relationship).Thiswill be filmedinadark room.
Thiswill cutto the nextcliptoshowthat fast
pace of the music.

Shot
No.
30
angle.
Mise-en-scene.
Editingnotes
0:53-0:54
line ‘where we neversmile’.
theyneversmile (thisisalyrical andvisual
Thiswill cutto the nextclip.

Shot
No.
31
angle.
Mise-en-scene.
Editingnotes
0:54-0:55
line ‘where we neversmile’.
theyneversmile (thisis alyrical andvisual
On thislastclipwithinthe lyric,we will see hands
drag downthe face to turnthe straightface into
a frown. Thisclipwill fade out.

Shot
No.
32
angle.
Mise-en-scene.
Editingnotes
0:55-0:58
Overheadshotof bothtwins
phones.Nomovement
‘All Iwanna hearisthe message beep’we will
have a splitscreenof the two phones. Kate’s
(normie) phone will be filmedinblackandwhite
and will showherdenyinganinvitationon
Facebooktoa gigwhereasHannah’sphone will
showheracceptingthe same invitationandwill
be filmedincolour.Thisshowslyrical andvisual
relationships. Thiswill be filmedinthe twins
house,andwill cutintothe nextclip.

Shot
No.
33
angle.
Mise-en-scene.
Editingnotes
0:58-1:02
Mid shotof the entire band
performing.Straightonangle
so we can see all of the band
together. Thishasno
movement
‘My dreamstheygether kissingcause Idon’tget
sleep’ showsthe whole band,andonthe ‘no’we
will have aclose up of the leadsingersaying‘no’.
Thiswill be filmedinthe gigvenue
Shot
No.
angle.
Mise-en-scene.

34
Editingnotes
1:02-`1:02
Close upof a jack leadgoing
intoa guitar, filmedstraighton
withno movement.
Filmedincolour.Small shottoshowthe fast
pacedlife of the bandin contrastto the long
shotsshownpreviouslyof the boringdutiesof
life. Thiswill be filmedinthe gigvenue andwill
fade out andintothe next cliplike abliking
effect.
Shot
No.
35
angle.
Mise-en-scene.
Editingnotes
1:02-1:03
Side onangle shotof the lead
singertappingthe mic.
Filmedincolour.Showsome of the background
(stage of the gig venue) Thiswill cutawaytothe
nextclip.

Shot
No.
36
angle.
Mise-en-scene.
Editingnotes
1:03-1:04
Highangle mid-shotof the
drummer,spinninghis
drumsticksgearingupforthe
start of the gig.
Lasts for the durationof twodownbeats.The
lightingof the roomwill be redto showrebellion
againstthe normies. Mostif not all of the clips
involvingthe bandwillhave redlighting
surroundingthemasredconnotesdanger.
Shot
No.
37
angle.
Mise-en-scene.
Editingnotes
1:04-1:05
Close upstraighton angle of
the leadsingerpushinghishair
Redlightingonthe stage to showthe
rebelliousnessof the bandincomparisonto the

back/ lookingupandsmirking.
Thenthe screenfadesto black.
blackand white life of the restof the city.This
will be highlightedfurtherbythe cheekyfacial
expressionsof the leadsinger.
Shot
No.
38
angle.
Mise-en-scene.
Editingnotes
1:05-1:09
Mid shot,straighton angle of
the ‘normie’inherworkoffice.
Time lapse toshowhow long
she isthere
Will be filmedinanoffice/atadeskathome to
showhowshe is slavingaway.Filmedinblack
and white.

Shot
No.
39
angle.
Mise-en-scene.
Editingnotes
1:09-1:12
Close upand time lapse of a
clock inthe office withthe
‘normie’tofurtherhighlight
howlongshe is there for.
Black andwhite.‘Turnforeverhandinhand’. This
will cutintothe nextframe.
Shot
No.
40
angle.
Mise-en-scene.
Editingnotes Straighton angle,midshotof Lead singerpointsforward(startof matchon

1:13-1:14 the band.Lead singerpoints
forward(thisleadtoa match
on actioninthe nextshot)
action). Thiswill be filmedinthe gigvenue.
Shot
No.
41
angle.
Mise-en-scene.
Editingnotes
1:14-1:16
Mid shot,straighton of
Hannah (followingthe match
on actionof the previous
scene fromthe leadsingerto
showthat she isinfluencedby
them).
‘Onyour side’(she isthe otherhalf of the
musical movement).Secondhalf of the matchon
action. Thiswill be filmedinthe twinshome,and
will cutaway ontothe nextclip.

Shot
No.
42
angle.
Mise-en-scene.
Editingnotes
1:16-1:19
Mid shot,of Kate (normie) at
herdeskstill slavingaway.
Black suitedbosswalksinto
the frame/blocksoutKate.
Pan aroundthe suitedfigure
to see Kate lookingdistressed.
‘It issinkingfalling…’ blackandwhite.Setand
filmedinanoffice. Thiswillcutintothe next
shot.

Shot
No.
43
angle.
Mise-en-scene.
Editingnotes
1:19-1:20
Close up,highangle shotof a
piece of paperthat says‘fired’.
‘fallingdown’.Blackandwhite. Thiswill cutinto
the nextshot.

Shot
No.
44
angle.
Mise-en-scene.
Editingnotes
1:20-1:23
Close upof Katesfeetwalking
out of work.Camera will track
herfeet.Herfeetwill stop
deadinher tracks at the end
of thisphrase.
Setin the streetsof Wolverhampton.Will be in
blackheels.‘Love foreverlove isfree.’Feetwill
move intime to the downbeatsof the music.
Thiswill be slowtoshowshe is fedup/givenup
hope.

Shot
No.
45
angle.
Dialogue.Sound. Setting.Colour. Lighting.Mise-
en-scene.
Editingnotes
1:23-1:26
Pointof viewshot.Shaky
movementstoshowher
double takes.
We will see abandposteron a telegraphpole (the
same gig she wasinvitedtoonFacebook),whichis
beingtakendownbya man inbusinesswear.This
showsthe divide betweenthose whoconform and
those whodo not.She watcheshimthrowthe
posterintothe bin. Thiswill cutintothe nextshot.

Shot
No.
46
angle.
Dialogue.Sound. Setting.Colour. Lighting.Mise-
en-scene.
Editingnotes
1:26-1:30
Overthe shouldershotof
Kate walkingovertothe bin
and pickingthe posteroutso
she can get a betterlookat
it.This will be trackedand
filmedshakily.
Black andwhite.Filmedinthe street.ShowsKate
pickingthe posteroutof the bin.Showsthe first
signsof her rebellingagainstthe social normsof
hercity. Thiswill cutto the nextclip.

Shot
No.
47
and angle.
scene.
Editingnotes
1:30-1:35
Close upstraighton angle
of Kateseyeswidening
and becomingmore
interestedinthe
undergroundscene.Fade
out onthe endto a black
screen.
‘Iseverybodyin’.ShowsKate startingtobe herself.
We watchher take off hertie/undohertopbutton.
Thisis filmedinthe streetsof Wolverhampton,and
will cutintothe nextshot.

Shot
No.
48
and angle.
scene.
Editingnotes
1:36-1:37
Long shotto showthe
whole bandandthe
crowd.This will be filmed
fromthe back of the
crowd.
Colour.Redlightingforthe stage toshowrebellion.
‘Laughinggasthese hazmats’. Thiswill be filmedinthe
gigvenue andwill cutto the nextshot.
Shot
No.
49
and angle.
scene.

Editingnotes
1:37-1:38
Close upof the lead
singerfilmedfromaside
angle to showthem
singing.
‘Fastcats’ This will be ashort fastshot to matchthe
lyrics. Thiswill cutintothe nextshot.
Shot
No.
50
and angle.
scene.
Editingnotes
1:38-1:40
Pov/highangle shotfrom
the leadsinger's’
perspective lookingatthe
crowd are theyall dance
and singthe lyricsback to
the band.
Filmedincolour.Showsaperformance/gigof the
bandand the crowd. thisisfilmedincolourasit
showsthat theyare the nonconformistswithinthis
narrative. Thiswill be filmedinthe gigvenue.Thiswill
cut intothe nextshot.

Shot
No.
51
and angle.
scene.
Editingnotes
1:40-1:42
Mid shot,straighton
angle, withnomovement
Still filmedinblackandwhite,the ‘normie’sister
stormsintoher house still holdingthe postershe has
dug outof the bin.Thisis to the line ‘playingthese
poniesatthe track’ This will be filmedfromthe inside
of the twinshouse toshowthat she isentering.
Shot
No.
52
and angle.
scene.
Editingnotes
1:42-1:43
Overthe shouldershot.
Filmedfromeitheralow
or straighton angle.
Filmedinthe home of the twins.The clipisstill in
blackand white asshe hasn’ttotallytransformedinto
hertrue self.The mirrorisusedto showthe audience

that Kate isreflectingonhersoonto be oldlife. Thisis
filmedinone of the bedroomsof the twinshouse and
will cutintothe nextshot.
Shot
No.
53
and angle.
scene.
Editingnotes
1:43-1:45
Extreme close up.Fisheye
effect.Shakymovements
as it will be filmedbythe
leadsingerof themselves.
Redlightingtohighlightthe rebellionthe leadsingeris
tryingto represent.Showthe restof the crowd
vaguelybehindhimhavingfun. Thiswill be filmedin
the gig venue,andwill cutintothe nextshot.
Shot
No.
54
and angle.
scene.
Editingnotes
1:45-1:47
Extreme close-up,shaky,
high/straightonangle.
Filmedinasimilarwayto
the previouscliptoshow
a relationshipbetween
the party animal,non
Red/dark lighting.Hannahwill expressherself using
facial expressionsandmimingtothe lyrics.Thisshows
herconnectiontothe bandand howthe music
empowershertobe herself. Thiswillbe filmedatthe
gigvenue andwill cutintothe nextshot.

conformistsister
(Hannah) andthe band.
Shot
No.
55
and angle.
scene.
Editingnotes
1:47-1:48
Close up,side angle of
the drummerspinninghis
drum stickswithno
movement
‘Watch me as a I gravitate’.Will be filmedonthe stage
the band are performingonandthe lightingwill
continue tobe red. Theirwill be a lyrical andvisual
relationshipbetweenthe lyrics‘gravitate’andthe
visual of the drumsticksdefyinggravity.
Shot
No.
56
and angle.
scene.
Editingnotes
1:48-1:49
Close up/twoshot of the
leadsingerandHannah
(partyanimal) singing
intothe mic together.
The two characters will singthe same lyricstogether
to showthat they are of the same social group.The
lightingisstill red. Thiswillbe filmedinthe gigvenue
and will cutto the nextclip.

Shot
No.
57
and angle.
scene.
Editingnotes
1:50 -1:51
Long shotof the crowd
and the band.Filmfrom
behindthe crowdsoyou
can see the whole of the
bandperformtogether.
Redlighting.‘Yo,we gon’ghosttown’.Filmedonthe
stage at the gigvenue toshowperformance.We will
add an effectontothiscliptomake it jitterto
representparanormal activities.
Shot
No.
58
and angle.
scene.
Editingnotes
1:51-1:52
Close upside angle of the
leadsinger.No
Redlighting.Leadsings‘thismotown’. Filmedinthe
gigvenue.Thiswill cutintothe nextclip.The fast

movement. quickcuts representthe fastpace of the music.
Shot
No.
59
and angle.
scene.
Editingnotes
1:52-1:54
Close up,straightonof
the leadsingersinging.
Camerawill panup to the
leadseyesasthe lyrics
followonto‘youin the
blink’.
Redlighting.Leadsingersings‘withyo’sound,youin
the blink’A pan will be usedtoshowthe progression
of the lyrics. Thiswill be filmedinthe gigvenue and
will cutto the nextclip.

Shot
No.
60
and angle.
scene.
Editingnotes
1:54-1:55
Close up,side angle,no
movementof people
fromthe conformist
worldknockingonthe
door to the show.
‘Gon bite the dust’.Thisclipwill be filmedinblackand
white toshowthat the people knockingonthe door
are those whofollowthe social normandare tryingto
infiltrate the gig. Thiswill be filmedjustoutside the
gigvenue (onthe entrance toit) andwill cutintothe
nextshot.

Shot
No.
61
and angle.
scene.
Editingnotes
1:55-1:56
Wide shot,straighton
angle,filmedfromthe
inside of the doorthat
has beenknocked.Zoom.
No movement.
‘can’tfightwithus’.This clipwill showthe crowd
membersof the gigall turningtheirheadstowardsthe
door inunison asif theyall sense thatsomethingis
wrong(thisisthe disruptionwithinthe musicvideo).
Thiswill be filmedfromthe inside of the gigvenue.
Shot
No.
62
and angle.
scene.
Editingnotes Pointof view,lowangle, ‘Withyo soundyoukill the Inc’,will showHannah

1:55-1:56
no movement. (partyanimal) ‘punching’the conformisttoshow
themtheyaren’twelcome atthe show.Thiswill be
filmedinredlightingandendona blackscreento
showthat the conformisthasbeenknocked
unconscious. Thiswill cuttothe nextclipwhere we
will see Kate inherhouse.
Shot
No.
63
and angle.
scene.
Editingnotes
1:56-1:58
Close up,straighton,no
movement.
‘Sodon’t stop’,Showa close upof the ‘normie’
puttinga more alternative styleof shoe readyto
attendthe gig.This isstill inblackand white. Thiswill
be filmedatthe twinshouse.

Shot
No.
64
and angle.
scene.
Editingnotes
1:58-1:59
Close up,straightonshot,
no movement.
‘Getit , getit’ will showaclipof the normie sister
puttinga leatherjacketon,whichwill representthe
newwave of musicshe is joining.Thiswillbe filmed in
the bedroomof the twinshouse frombehindher.Still
filmedinblackandwhite. Thiswill cuttothe nextclip.

Shot
No.
65
and angle.
scene.
Editingnotes
1:59-2:01
Mid shot,highangle,no
movement.
‘Until you’re chedderhead’.Will showthe crumpled
up posterof the gig that the normie sistertookhome
withheron herbed (still filmedinherhouse).She will
come intothe frame andtake the posterwithherin
orderto findherdestination. Thiswill cuttothe next
clip.
Shot
No.
66
and angle.
scene.
Editingnotes Long shot,fastforward ‘Watch the way I navigate haha ha ha’,will be a clip

2:01-2:03 effecttoshowthe normie
sistertryingtofindher
wayto the gigvenue.
of the normie sisterwanderingthe streetsinan
attemptto findherdestinationbyusingthe posterfor
details.Thisisalyrical andvisual relationshipaswe
will visuallysee Kate tryingto‘navigate’herself tothe
gigvenue.
Shot
No.
67
and angle.
scene.
Editingnotes
2:03-2:05
Close up,pointof view,
no movement
From the normie sisterspov,we willsee aclose upof
the crumpledupposter,thiswill be removedoutof
shot to showa newfreshposterwhichwill be
displayedonthe outside of the gigvenue. Thiswill cut
intothe nextshot.
Shot
No.
68
and angle.
scene.
Editingnotes Close Up,StraightOn, No Close upof the band’instrumentstoshowthatit’sthe

2:05-2:07 Movement instrumental,lightingisred. Thiswill be filmedfrom
the inside of the gigvenue andwill cutto the next
clip.
Shot
No.
69
and angle.
scene.
Editingnotes
2:07-2:08
Close Up,straighton, no
movement
Close upshotof the leadsinger’smouth. Thiswill cut
intothe nextshot.

Shot
No.
70
and angle.
scene.
Editingnotes
2:08-2:11
movement
Close upof the bassguitar to showitsan
instrumental. Thiswill cutintothe nextshot.

Shot
No.
71
and angle.
scene.
Editingnotes
2:11-2:12
Highangle,wide shot Showsthe crowd singing“feelgood”backto the
band. This will be filmedfromthe stage where the
bandare in the gigvenue andwill cutto the nextshot.
Shot
No.
72
and angle.
scene.
Editingnotes
2:12-2:14
Two shot,side angle,shift
infocus
Showsthe leadsingerandthe bassistsinging ‘feel
good’ intothe mic together

Shot
No.
73
and angle.
scene.
Editingnotes
2:14-2:18
Wide shot,highangle,no
movement
Filmedfrombehindthe crowd inthe gigvenue to
showthe band performing. There will be lowlighting
withredundertones.
Shot
No.
74
and angle.
scene.
Editingnotes
2:18-2:22
Mid, overthe shoulder
shot,tracking
Overthe shouldershotof Kate walkingupthe venue,
filmedinblackandwhite. Thiswill be filmedonthe
stairsthat leadKate up to the gigvenue andwill cutto

the nextshot.
Shot
No.
75
and angle.
scene.
Editingnotes
2:22-2:25
Pointof view,panup,
midshot
Kate’spointof viewasshe’slookinguptosee the
entrance to the gig,filmedinblackandwhite witha
hazyhue to showthatit isnewand magical to her.
Thiswill cutto the nextclipwhichwill be filmedfrom
inside the gigvenue.
Shot
No.
76
and angle.
scene.

Editingnotes
2:25-2:27
movement
Close upof guitaristplaying,filmedincolour. Thiswill
be filmedatthe gig venue.
Shot
No.
77
and angle.
scene.
Editingnotes
2:27-2:29
movement
Close upof Kate’shandopeningupthe doorto the
venue,filmedinblackandwhite.Thiswill be filmed
fromthe outside of the gigvenue andwill cuttothe
nextclip.
Shot
No.
78
and angle.
scene.

Editingnotes
2:29-2:31
Mid shot,overthe
shoulder,nomovement
Shotof Kate walkingintothe venue,filmedinblack
and white
Shot
No.
79
and angle.
scene.
Editingnotes
2:31-2:33
Close up,shakey,
straighton
In colour,close upof Kate’sface lookingaroundvery
uneasily

Shot
No.
80
and angle.
scene.
Editingnotes
2:33-2:36
Mid shot,straighton,no
movement
Filmfromwithinthe crowdincolourwithKate
emergingthroughthe bodiesandendingup nearthe
frontwhere hersisteris.Thiswill cutto the nextshot
Shot
No.
81
and angle.
scene.
Editingnotes
2:36-2:39
Mid shot,side on,no
movement
Showsthe bandin colourall playingtogether. Thiswill
be filmedfromthe perspective of the crowdasno
crowd will be seeninthisshot.Thiswill cuttothe next
shot.
Shot Type of shot,movement Dialogue.Sound. Setting.Colour. Lighting.Mise-en-

No.
82
and angle. scene.
Editingnotes
2:39-2:42
movement
Lead singersinging“Windmill,windmillforthe land”.
Thiswill be filmedwitharedhue toit fromthe lighting
on stage withinthe gigvenue.Thiswillcutto the next
clip.
Shot
No.
83
and angle.
scene.
Editingnotes
2:42-2:44
StraightOn,mid shot,no
movement
Filmedfromthe frontof the crowd,see Kate tapping
Han on the shouldertogether attentionashersister
won’texpecthertobe there.Thiswill be filmedfrom
the front of the stage tothe crowdcan be seen.

Shot
No.
84
and angle.
scene.
Editingnotes
2:44-2:46
Mid shot,twoshot, pan
down
Showingthe twinssmilingateachother,panningdown
to the twinsholdinghands. Thiswill cuttothe next
clip.
Shot
No.
85
and angle.
scene.
Editingnotes
2:46-2:49
Overthe shouldershot
frombehindthe lead
singer,highangle,no
movement
Showsthe twinand the restof the crowd lookingupat
the band andsingingthe lyricsbackto them.Thiswill
be filmedincolourfromthe inside of the gigvenue.
Thiswill cutto the nextclip

Shot
No.
86
and angle.
scene.
Editingnotes
2:49-2:51
Close up,side angle,
tracking
Close upof the leadsinger'shand,we followitashe
reachesoutto Kate’sface as a signof welcomingher
intothe group. The lightingisstill redbutthere will be
a mainfocus onKate as she isthe focal pointof this
clip.Thiswill cutintothe nextclip.
Shot
No.
87
and angle.
scene.
Editingnotes
2:51-2:53
Close up,side shot,no
movement
ShowsKate’ssmilingasthe leadsingerreachesoutto
herand we will see the leadsinger'shandleavesher
face in a type of match on actionfrom the previous
clip.Thiswill cutintothe nextclip.
Shot
No.
and angle.
scene.

88
Editingnotes
2:53-2:56
Close up,straighton,
pan down
Close upof the leadsingersinging‘Love foreverlove is
free’,pansdownsfromhiseyestohislipsto
accentuate the lyrics, asthe lipsconnote love asitis
somethingthatisusedtoshowlove throughkissing.
Shot
No.
89
and angle.
scene.
Editingnotes
2:56-2:58
movement
Showthe guitaristof the band singingalongto‘Let’s
turn forever’ashe rotateshisheadand rollshiseyes
back, thiswill be partof his stage presence .
Shot
No.
90
and angle.
scene.
Editingnotes Mid shot,side angle,no On ‘You’we will see the bassiststrumminghisbass.

2:58-2:59 movement Thiswill cutto the nextclip.
Shot
No.
91
and angle.
scene.
Editingnotes
2:59-3:01
movement
On ‘me’followingontothe buildof the music,we will
see the drummerplayingtothe music. Thiswill be
filmedwithredlightingasthisishowwe will setthe
stage lightingupinthe gig venue.
Shot
No.
92
and angle.
scene.
Editingnotes
3:01-3:03
Wide shot,straighton,
pan/zoom
Filmedinblackandwhite toshowthe outside word
alsofindingthe posterssimilartothe likesof whatKate

found,thisshowsthatmore people are becomingare
that theycan be theirownperson.Thisfadesto a black
screen. Thiswill be filmedinthe streetsof
Wolverhampton
Shot
No.
93
and angle.
scene.
Editingnotes
3:03-3:05
Closerup,side angle,no
movement.
Fade infrom the blackscreenpreviously,filmedin
blackand white.The clipwill shownumeroushands
knockingonthe door to getintothe gig. Thiswill be
filmedfromthe outside of the gigvenue.

Shot
No.
94
and angle.
scene.
Editingnotes
3:05-3:08
Wide shot,straighton,
no movement.
Showsall the peoplesburstingthroughthe door.This
will showhowmanypeople are beinginfluencedby
the band's’music. Thiswill be filmedfromthe inside of
the gig venue,therefore itwill be filmedincolour.
Shot
No.
95
and angle.
scene.
Editingnotes
3:08-3:09
Wide shot,straighton ,
no movement
Filmedfrombehindthe band onstage inside the gig
venue toshowthe band performing.Inthe clipyouwill
be able to make out the people filingintothe room
showingthatthe band hasinfluencedalotmore
people.Thiswillcuttothe close upin the nextclip.

No.
96
and angle. scene.
Editingnotes
3:09-3:10
movement
Showthe close up of the guitar/guitarpedalsusedto
create a distortedeffectonthe guitar. Filmedonstage
at the gigvenue toshowthat itis a live performance.
Shot
No.
97
and angle.
scene.
Editingnotes
3:10-3:12
Wide shot,highangle,
no movement
Showsthe crowd enjoyingthemselvesandsinging
alongto the music. Filmedinside the gigvenue andwill
cut to the nextclipto showthe fast pace of the music.

Shot
No.
98
and angle.
scene.
Editingnotes
3:12-3:14
Two shot,straighton,no
movement
Showsthe twinsat the frontof the crowd singingto
each otheranddancingabout. Thiswill be filmedin
lowlight,relyingonthe redlightingfromthe stage
inside of the gigvenue.
Shot
No.
99
and angle.
scene.
Editingnotes
3:14-3:15
Mid shot,lowangle,
shakymovement
Filmedfromalowangle to showthat it'sfilmedfrom
the crowds’perspective asthe stage isslightlyraised.
We will see the bandperformingonstage.The main
focuswill be onthe leadsinger as the leadvocalsare
typicallypositionedatthe frontof the bandensemble.
Shot
No.
100
and angle.
scene.
Editingnotes
3:15-3:17
Povshot,midshot, high
angle,shaky
From the pointof viewof the leadsinger.We will see
the leadsarm holdthe mic upto Kate to encourage her
to singintoit. She will followthroughwiththisactthis
isthe final actto showthat she has detachedherself
fromthe blackand white city. Thiswill cuttothe next
clip.

No.
101
and angle. scene.
Editingnotes
3:17-3:19
Mid shot,side angle,no
movement
Filmthe drummerof the band indeepfocus.Thiswill
be in colourand inside the gigvenue.
Shot
No.
102
and angle.
scene.
Editingnotes
3:19-3:21
Close up,side on,no
movement
Showsthe leadsingersingingincolour. Thiswill be
filmedfromthe insideof the gigvenue andwill focus
on the performance of the bandonstage.

Shot
No.
103
and angle.
scene.
Editingnotes
3:21-3:22
Wide shot,straighton no
movement
Showingall of the bandperformand the crowd
bouncingalongtothe music. Thiswill be filmedfrom
the back of the gigvenue andwill cutto the nextclip.
Shot
No.
104
and angle.
scene.
Editingnotes
3:22-3:25
Two shot,close up,no
movement
Twinslaughingintothe cameralens. Thiswill show
howtheyare unitedthroughthe musicandhowKate
isno longera slave toher typical mundane duties.
Thiswill cutto the nextshot.

Shot
No.
105
and angle.
scene.
Editingnotes
3:25-3:27
Close up,highangle,no
movement(possible shift
infocus)
Showsthe bassistof the band playingthe bass.Filmed
incolour. This will be aclose up to showthe focuson
the musicat the endof the songinsteadof the
laughingyoucan hearin the background.Thiswill cut
to the nextclip.
Shot
No.
106
and angle.
scene.
Editingnotes
3:27-3:28
Extreme close,no
movement,straighton
Close upof the leadsingersmouthsaying‘feel good’.
Thisis usedtofollowthe patternusedthroughoutthe
entiretyof the musicvideoaswheneveryouhear‘feel
good’youwill begintoassociate itwiththe the close

up.This will cutto the nextclip.
Shot
No.
107
and angle.
scene.
Editingnotes
3:28-3:30
Tracking,shaky,midshot Trackingthrough the crowdto showeveryone having
fun.Filmedincolour. Thiswill involve the crowd
swarmingaroundthe camera to make the room
appearfullerthatitwill be.Thiswill cutto the next
shot.
Shot
No.
108
and angle.
scene.
Editingnotes
3:30-3:32
Close up/midshot,
straighton angle,no
Showsa close upof one of the twinsmouthssaying
‘feel good’.Filmedincolour.

movement
Shot
No.
109
and angle.
scene.
Editingnotes
3:32-3:33
Pan down/up,close up,
straighton angle.
Showingthe guitarist,rollinghiseyesbackand
seemingdementedandpossessedbythe music. This
isan implicitinterpretationtoshowhowthe music
has takenoverhisbodyina similarwaythatit has to
the newmemberof the underground,rebellious
scene.Thiswill cutto the nextscene
Shot
No.
and angle.
scene.

110
Editingnotes
3:33-3:34
Close up,straighton
angle,nomovement
Close upof Hannah’slipssaying‘feelgood’.Filmedin
colour. Thisclipwill be usedincorrelationtothe close
up’sthat have beenshownpreviouslyof the lead
singers’mouth
Shot
No.
111
and angle.
scene.
Editingnotes
3:34-3:38
Close up,straighton,
zoomout
Showsthe leadsingers’face saying‘feel good’,this
will zoomoutto showthe restof hisface and upper
body.Hisheadwill dropon the soundof the ‘reverb’.
Thiswill zoomoutto showan emptyroomwithjust
theminthe nextclipwhichwill be shownthrougha
cut transition.

Shot
No.
112
and angle.
scene.
Editingnotes
3:38-3:40
Wide shot,straighton,no
movement.
We will see all of the bandswalkoff the stage in
unison,andthe screenwill fade out. Thisshowsthat
althoughthe bandhave stayedtogetherandfollow
the same path interms of theirrebelliousattitude,
theystill fade backintothe restof the world.
Shot
No.
113
and angle.
scene.

Editingnotes
3:40-3:42
Mid shot,straighton
angle nomovement
See the lastmemberof the gig leavesthe venue and
closesthe door.Showsthe showisover as well asthe
song.Thiswill have the soundof the door creaking
closedtoshowit isfrom an external source fromthe
music.

A2 storyboard ammendment

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