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Storyboard

The document outlines 40 shots for a music video featuring a woman. Most shots are close-ups of the woman singing or applying makeup in a bedroom with hazy, low-key lighting. She is then seen walking down stairs and through a bar singing, before leaving her engagement ring behind and walking away down a driveway. Interspersed are shots of her on a stage performing the song. The shots maintain a consistent hazy, low-key aesthetic to tell a story through the song's lyrics.

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Shot No.1 Type of shot, movement and angle. Close up, from a straight on angle using a pan movement from left to right. Setting. Colour. Lighting. Mise-en-scene. She will be seen in her bedroom, we will use a hazy filter to drain colour and low key lighting. Red lipstick will be applied. Frame duration 0.00- 0.02 Editing notes She is seen putting lipstick on Shot No.2 Type of shot, movement and angle. Close up from a high angle with no movement. Setting. Colour. Lighting. Mise-en-scene. She will be in her bedroom, we will use a hazy filter to drain colour and low key lighting. Red nail varnish will be applied. Frame duration 0.02- 0.04 Editing notes She will be seen applying red nail varnish Shot No.3 Type of shot, movement and angle. Close up from a straight on angle with tracking movement. Setting. Colour. Lighting. Mise-en-scene. Staircase leading to a bar, hazy filter with low key lighting with the woman seen wearing red heels. Frame duration 0.05- 0.07
Editing notes Her feet are seen going down the stairs to a bar. Shot No.4 Type of shot, movement and angle. Close up from a straight on angle with tracking movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Staircase, hazy filter and low key lighting and she will be seen in the centre of the frame from the side. Frame duration 0.08- 0.09 Editing notes A side view of the star is seen as she flicks her hair Shot No.5 Type of shot, movement and angle. Close up from a straight on angel with no tracking. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be in the bar, a hazy filter with low key lighting. A chair will be placed in the shot. Frame duration 0.09- 0.10
Editing notes The woman will be seen sitting on the chair but we don’t see her face Shot No.6 Type of shot, movement and angle. Mid shot is used from a straight angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Bar area Frame duration 0.11- 0.12 Editing notes Spirits are shown being taken off the bar area Shot No.7 Type of shot, movement and angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Bar area with hazy filter and low key lighting with the use of a glass and spirits. Frame duration 0.13- 0.14 Editing notes
Drink being poured by barman Shot No.8 Type of shot, movement and angle. Mid shot, straight on angle with tilt on the camera. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Bar area with hazy filter and low key lighting. The woman will be centred in the frame and sing the lyrics “meet you downstairs in the bar and hurt” Frame duration 0.14- 0.18 Editing notes Drink being passed over to the woman and she looks up and starts singing towards the camera Shot No.9 Type of shot, movement and angle. Over the shoulder shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The woman will be seen looking over at a male who has rolled up sleeves, the colour will be hazy with low key lighting. The lyrics will be “your rolled up sleeves” Frame duration 0.19- 0.20 Editing notes Hazy filter will be added Shot No.10 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration
Close up from a high angle with no movement. A t-shirt will land on the bedroom floor whilst the lyrics say “and your skull t-shirt.” Low key lighting will be in the bedroom. 0.21- 0.23 Editing notes Hazy filter will be added Shot No.11 Type of shot, movement and angle. Over the shoulder shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The woman will be looking into the mirror whilst singing to her herself “why did you do it with him today?” as if she is disappointed in herself. The lighting will low key. Frame duration 0.24- 0.27 Editing notes Hazy filter will be added Shot No.12 Type of shot, movement and angle. Close up from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We see her stroke her boyfriend with her engagement ring back on. The lighting will be low key and the lyrics will be “ and sniffed me” Frame duration 0.28- 0.29
Editing notes Hazy filter will be added Shot No.13 Type of shot, movement and angle. Wide shot will be used from a high angle and no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She rolls over and sings into the camera “like I was Tanqueray” Frame duration 0.30- 0.33 Editing notes Hazy filter will be added Shot No.14 Type of shot, movement and angle. Wide shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be seen looking through old polaroid pictures of her and her boyfriend- she then messes them up in anger. Low key lighting will be used with a hazy filter. Frame duration 0.34- 0.37 Editing notes
Hazy filter will be added Shot No.15 Type of shot, movement and angle. Wide shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She grabs a can off the bedside table and walks towards the camera while the lyrics say “hand me your Stella and fly”. There will low key lighting. Frame duration 0.38- 0.42 Editing notes Hazy filter will be added Shot No.16 Type of shot, movement and angle. Wide shot with a straight on angle while the camera tracks her. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be walking down the drive and she sings to the camera “by the time I’m out the door”. The lighting will be dark/nightime Frame duration 0.43- 0.46 Editing notes Hazy filter will be added Shot No.17 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration
Wide shot from a high angle with no movement. Boyfriend will turn over in bed and see that her engagement ring is on the pillow 0.47- 0.51 Editing notes Hazy filter will be added Shot No.18 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be singing on stage “I cheated myself” towards the camera. The lighting will be low key and washed out colour. Frame duration 0.52- 0.55 Editing notes Hazy filter will be added Shot No.19 Type of shot, movement and angle. Wide shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be walking down the canal singing to the camera “like I knew I would”. Frame duration 0.56- 1.00
Editing notes Hazy filter added Shot No.20 Type of shot, movement and angle. Close up with a straight on angle with pan from side of her face to the front of her face. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be stood on stage singing “I told ya I was trouble”.The lighting will be hazy and low key. Frame duration 1.01- 1.05 Editing notes Hazy filter added Shot No.21 Type of shot, movement and angle. Mid shot from a straight on angle with no movement Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be singing “you know that I’m no good” whilst leaning up against the wall by the canal. She will look vulnerable. Frame duration 1.06- 1.10
Editing notes Hazy filter added Shot No.22 Type of shot, movement and angle. Close up of her foot with a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She’s tapping her foot on the stage in time to the beat of the music. The lighting will be low key Frame duration 1.10- 1.12 Editing notes Hazy filter added Shot No.23 Type of shot, movement and angle. Mid shot from a straight on angle with tracking as movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Walking down the canal- we see her from behind messing with her hair. Frame duration 1.13- 1.14 Editing notes Hazy filter added Shot No.24 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration
Close up shot from a straight on angle with tracking as movement. We then see her feet as she’s walking down the canal. The lighting will be low key and hazy. 1.14- 1.15 Editing notes Hazy filter added Shot No.25 Type of shot, movement and angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be sat on the edge of the bed singing to the camera “upstairs in bed with my ex boy.” The lighting will be low key and a hazy filter will be added. Frame duration 1.16- 1.19 Editing notes Hazy filter added Shot No.26 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will still be sat on the bed rolling her eyes singing to the camera “he’s in the place but I can’t get joy”. The lighting will be low key. Frame duration 1.20- 1.24
Editing notes Hazy filter added Shot No.27 Type of shot, movement and angle. Close up shot from a high angle with a spinning movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be lying in bed singing to the camera “thinking of you in the final throes” Frame duration 1.25- 1.28 Editing notes Hazy filter added Shot No.28 Type of shot, movement and angle. Extreme close up from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The spinning movement will slow down and she will sing “this is when my buzzer goes” while throwing the duvet over her face whilst rolling her eyes. The lighting will be low key. Frame duration 1.29- 1.34 Editing notes
Hazy filter added Shot No.29 Type of shot, movement and angle. Wide shot from a straight on angle will pan down from white ceiling. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The white bed sheet from previous shot will merge into the ceiling and pans down to her and her boyfriend on the sofa- she’s leaning her head on his shoulder. The lighting will be low key. Frame duration 1.35- 1.38 Editing notes Hazy filter added Shot No.30 Type of shot, movement and angle. Close up shot from straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The woman’s hand with her engagement ring will be resting on her boyfriend’s chest- he holds her hand and supports her. Frame duration 1.39- 1.40 Editing notes Hazy filter added
Shot No.31 Type of shot, movement and angle. Close up from a straight on angle with pan movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The shot will pan from engagement ring to Hollie’s face singing “cause you’re not bitter”. The lighting will be low key and they’ll be in the living room. Frame duration 1.40- 1.43 Editing notes Hazy filter added Shot No.32 Type of shot, movement and angle. Over the shoulder shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The setting will be in the kitchen; she will be wiping her lipstick off in the reflection of a knife. The lighting will be low key and the lyrics will be “they’ll be none of him no more.” Frame duration 1.44- 1.47 Editing notes Hazy filter added Shot No.33 Type of shot, movement and angle. Wide shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She is sitting in the kitchen singing to the camera “I cried for you on the kitchen floor” Frame duration 1.48- 1.52
with smudged makeup and empty alcohol bottles surrounding her. Editing notes Hazy filter added Shot No.34 Type of shot, movement and angle. Wide shot from a low angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She’s on the stage singing to the camera “I cheated myself” Frame duration 1.53- 1.56 Editing notes Hazy filter added Shot No.35 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She is sitting on the edge of a fountain singing to the camera “like I knew I would”, the lighting will be low key and the colour will be washed out. Frame duration 1.57- 2.00
Editing notes Hazy filter added Shot No.36 Type of shot, movement and angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Singing on the stage from a side on view singing into the microphone, “I told ya I was trouble” Frame duration 2.01- 2.05 Editing notes Hazy filter added Shot No.37 Type of shot, movement and angle. Over the shoulder shot- you can see her reflection, high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She is singing into the reflection in the fountain “you know that I’m no good”, she’s by the canal. The lighting will be low key and the colour will be washed out. Frame duration 2.06- 2.10 Editing notes Hazy filter will be added
Shot No.38 Type of shot, movement and angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The woman will be tapping her foot on the stage. Lighting will be low key and colour will be washed out. Frame duration 2.11- 2.12 Editing notes Hazy filter added Shot No.39 Type of shot, movement and angle. Close up angle from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be tapping her fingers on the edge of the fountain in time to the beat of the music. Frame duration 2.13- 2.14 Editing notes Hazy filter added Shot No.40 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration 2.15- 2.19
Wide shot from a straight on angle with no movement. Walking down the drive of the hall with the trees behind her. The lighting is low key and the colour will be washed out Editing notes Hazy filter added Shot No.41 Type of shot, movement and angle. Close up from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She is looking at her reflection and splashes at her reflection with her hand. The lighting will be low key. Frame duration 2.20- 2.23 Editing notes Hazy filter added Shot No.42 Type of shot, movement and angle. Wide shot from a straight on angle which tracks her movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Walking down the drive again with the trees surrounding her with the camera in front of her. Lighting will be low key. Frame duration 2.24- 2.28
Editing notes Hazy filter added Shot No.43 Type of shot, movement and angle. Close up shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The camera will be focusing on her face and as she stands and walks away the fountain will be left in the shot. The lighting will be low key. Frame duration 2.29- 2.30 Editing notes Hazy filter added Shot No.44 Type of shot, movement and angle. Wide shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She’s singing on the stage towards the camera “sweet reunion”, there will be low key lighting with a hazy filter. Frame duration 2.31- 2.32 Editing notes Hazy filter added
Shot No.45 Type of shot, movement and angle. Close up shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie is singing to the camera whilst on the stage “Jamaica and Spain”, the lighting will be low key and the colours will be washed out. Frame duration 2.33- 2.34 Editing notes Hazy filter added Shot No.46 Type of shot, movement and angle. Wide shot from a high angle with pan as movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie and her boyfriend will be sat laughing on the floor whilst the lyrics “we’re like…” They will be in the living room and the lighting will be low key. Frame duration 2.35- 2.36 Editing notes Hazy filter added Shot No.47 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration
Close up shot from a straight on angle with no movement. We will see a close up of Hollie’s face showing her laughing and being happy again while the lyrics say “how we were again” 2.37- 2.39 Editing notes Hazy filter added Shot No.48 Type of shot, movement and angle. Close up shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We see Hollie’s hand and her red nails turning the tap on for the bath... “I’m in the tub” lyrics will be playing. Frame duration 2.40- 2.41 Editing notes Hazy filter added Shot No.49 Type of shot, movement and angle. Mid shot from a slightly low angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Side view of Hollie singing towards the camera “you’re on the seat”. She’s in the bathtub, the lighting will be low key. Frame duration 2.41- 2.43
Editing notes Hazy filter added Shot No.50 Type of shot, movement and angle. Close up shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She puts her hand on his knee and strokes it whilst the lyrics are saying “lick your lips”. She is still lying in the bath and he is sitting on a stool at the side of a bath. Frame duration 2.44- 2.45 Editing notes Hazy filter added Shot No.51 Type of shot, movement and angle. Close up shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be singing to the camera “as I soak my feet”, she will tilt her head back and play with her hair as she’s going backwards. Frame duration 2.46- 2.48
Editing notes Hazy filter added Shot No.52 Type of shot, movement and angle. Close up shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She’s still sat in the bath but her boyfriend notices she isn’t wearing her engagement ring when the lyrics say “then you notice little carpet burn”. They will still be in the bathroom and the lighting will dark and candle lit. Frame duration 2.49- 2.52 Editing notes Hazy filter added Shot No.53 Type of shot, movement and angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will sing to the camera “my stomach drops” whilst holding a glass of wine-looking guilty whilst still sitting in the bath. Frame duration 2.53- 2.54 Editing notes Hazy filter added
Shot No.54 Type of shot, movement and angle. Close up from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Slow motion of her glass of wine dropping on the bathroom floor whilst the lyrics say “and my guts churn”, the setting will still be in the bathroom with low key lighting. Frame duration 2.55- 2.58 Editing notes Hazy filter added/slow motion Shot No.55 Type of shot, movement and angle. Close up shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We see the boyfriend step over the camera whilst the lyrics say “you shrug”. They’re still in the bathroom-low key lighting. Frame duration 2.59- 3.00 Editing notes Hazy filter added Shot No.56 Type of shot, movement and angle. Close up from a straight on angle with no movement/ pan up. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The boyfriend then continues to walk down the hallway whilst the lyrics say “and it’s the worst. Frame duration 3.00- 3.03
You truly”- the camera will then pan up to the ceiling. The lighting will be low key. Editing notes Hazy filter added Shot No.57 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The camera pans back down to Hollie in the kitchen sat on the floor, surrounded by empty bottles and her makeup will be smudged on her face. The lyrics will be saying “stuck the” Frame duration 3.04- 3.05 Editing notes Hazy filter added Shot No.58 Type of shot, movement and angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We will see Hollie’s nails on the knife in the kitchen. Lighting will be low key. The lyrics will be saying “knife in first.” Frame duration 3.06- 3.07
Editing notes Hazy filter added Shot No.59 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She is stood on the stage singing again into the microphone. The lighting will be low key and she will be singing “I cheated..” Frame duration 3.08- 3.09 Editing notes Hazy filter added Shot No.60 Type of shot, movement and angle. Close up from a straight on angle with a pan movement from right to left. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie singing “myself” whilst the camera tracks her and her eyes follow the camera. Frame duration 3.09- 3.10 Editing notes Hazy filter added Shot No.61 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration
Over the shoulder shot from a straight on angle with no movement. We see Hollie packing her bags in the bedroom. She makes a mess all over the floor. The lighting will be low key whilst she the lyrics “like I knew.” 3.10- 3.12 Editing notes Hazy filter added Shot No.62 Type of shot, movement and angle. Wide shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will rip one of the polaroid pictures in half in time to the lyrics “I would”. The lighting will be low key and the setting will be on the bedroom floor. Frame duration 3.13- 3.14 Editing notes Hazy filter added Shot No.63 Type of shot, movement and angle. Long shot from a low angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will be back on the stage singing into her microphone “I told ya…”. The lighting will be low key and the colours will be washed out. Frame duration 3.15- 3.17
Editing notes Hazy filter added Shot No.64 Type of shot, movement and angle. Wide shot with no movement and a straight on angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will continue to sing in the microphone “I was…” she will be on the stage and the Frame duration 3.17- 3.18 Editing notes Hazy filter added Shot No.65 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will continue to sing on the stage “trouble”. The lighting will be low key. Frame duration 3.19- 3.20
Editing notes Hazy filter added Shot No.66 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She’s singing to the camera whilst packing her bags “you know that I’m no good”. She will be in the bedroom still. Frame duration 3.20- 3.23 Editing notes Hazy filter added Shot No.67 Type of shot, movement and angle. Long shot from a low angle with tilt as movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The camera will tilt up to see Hollie stood on stage by the microphone. Lighting will be low key. Frame duration 3.23- 3.25 Editing notes Hazy filter added Shot No.68 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We will see Hollie singing “I cheated my myself” whilst on the stage. Low key lighting will be used. Frame duration 3.26- 3.27
Editing notes Hazy filter added Shot No.69 Type of shot, movement and angle Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We will see Hollie singing “like I knew I would”. The lighting will be low key. Frame duration 3.28- 3.34 Editing notes Hazy filter added Shot No.70 Type of shot, movement and angle. Wide shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie walking down the hall towards the camera singing “I told ya..” the lighting will be low key. She will be pulling a suitcase. Frame duration 3.35- 3.36
Editing notes Hazy filter added Shot No.71 Type of shot, movement and angle. Close up from a straight on angle with tracking movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will be singing towards the camera “I was trouble” on the stage. The lighting will be low key. Frame duration 3.37- 3.38 Hazy filter added Shot No.72 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will sing to the camera “you know that I’m no good” and then drop the microphone in time to the beat of the music. She will be on the stage and lighting will be low key. Frame duration 3.39- 3.42 Hazy filter added

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Storyboard

  • 1.
    Shot No.1 Type of shot, movementand angle. Close up, from a straight on angle using a pan movement from left to right. Setting. Colour. Lighting. Mise-en-scene. She will be seen in her bedroom, we will use a hazy filter to drain colour and low key lighting. Red lipstick will be applied. Frame duration 0.00- 0.02 Editing notes She is seen putting lipstick on Shot No.2 Type of shot, movement and angle. Close up from a high angle with no movement. Setting. Colour. Lighting. Mise-en-scene. She will be in her bedroom, we will use a hazy filter to drain colour and low key lighting. Red nail varnish will be applied. Frame duration 0.02- 0.04 Editing notes She will be seen applying red nail varnish Shot No.3 Type of shot, movement and angle. Close up from a straight on angle with tracking movement. Setting. Colour. Lighting. Mise-en-scene. Staircase leading to a bar, hazy filter with low key lighting with the woman seen wearing red heels. Frame duration 0.05- 0.07
  • 2.
    Editing notes Her feetare seen going down the stairs to a bar. Shot No.4 Type of shot, movement and angle. Close up from a straight on angle with tracking movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Staircase, hazy filter and low key lighting and she will be seen in the centre of the frame from the side. Frame duration 0.08- 0.09 Editing notes A side view of the star is seen as she flicks her hair Shot No.5 Type of shot, movement and angle. Close up from a straight on angel with no tracking. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be in the bar, a hazy filter with low key lighting. A chair will be placed in the shot. Frame duration 0.09- 0.10
  • 3.
    Editing notes The womanwill be seen sitting on the chair but we don’t see her face Shot No.6 Type of shot, movement and angle. Mid shot is used from a straight angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Bar area Frame duration 0.11- 0.12 Editing notes Spirits are shown being taken off the bar area Shot No.7 Type of shot, movement and angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Bar area with hazy filter and low key lighting with the use of a glass and spirits. Frame duration 0.13- 0.14 Editing notes
  • 4.
    Drink being pouredby barman Shot No.8 Type of shot, movement and angle. Mid shot, straight on angle with tilt on the camera. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Bar area with hazy filter and low key lighting. The woman will be centred in the frame and sing the lyrics “meet you downstairs in the bar and hurt” Frame duration 0.14- 0.18 Editing notes Drink being passed over to the woman and she looks up and starts singing towards the camera Shot No.9 Type of shot, movement and angle. Over the shoulder shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The woman will be seen looking over at a male who has rolled up sleeves, the colour will be hazy with low key lighting. The lyrics will be “your rolled up sleeves” Frame duration 0.19- 0.20 Editing notes Hazy filter will be added Shot No.10 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration
  • 5.
    Close up froma high angle with no movement. A t-shirt will land on the bedroom floor whilst the lyrics say “and your skull t-shirt.” Low key lighting will be in the bedroom. 0.21- 0.23 Editing notes Hazy filter will be added Shot No.11 Type of shot, movement and angle. Over the shoulder shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The woman will be looking into the mirror whilst singing to her herself “why did you do it with him today?” as if she is disappointed in herself. The lighting will low key. Frame duration 0.24- 0.27 Editing notes Hazy filter will be added Shot No.12 Type of shot, movement and angle. Close up from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We see her stroke her boyfriend with her engagement ring back on. The lighting will be low key and the lyrics will be “ and sniffed me” Frame duration 0.28- 0.29
  • 6.
    Editing notes Hazy filterwill be added Shot No.13 Type of shot, movement and angle. Wide shot will be used from a high angle and no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She rolls over and sings into the camera “like I was Tanqueray” Frame duration 0.30- 0.33 Editing notes Hazy filter will be added Shot No.14 Type of shot, movement and angle. Wide shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be seen looking through old polaroid pictures of her and her boyfriend- she then messes them up in anger. Low key lighting will be used with a hazy filter. Frame duration 0.34- 0.37 Editing notes
  • 7.
    Hazy filter willbe added Shot No.15 Type of shot, movement and angle. Wide shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She grabs a can off the bedside table and walks towards the camera while the lyrics say “hand me your Stella and fly”. There will low key lighting. Frame duration 0.38- 0.42 Editing notes Hazy filter will be added Shot No.16 Type of shot, movement and angle. Wide shot with a straight on angle while the camera tracks her. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be walking down the drive and she sings to the camera “by the time I’m out the door”. The lighting will be dark/nightime Frame duration 0.43- 0.46 Editing notes Hazy filter will be added Shot No.17 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration
  • 8.
    Wide shot froma high angle with no movement. Boyfriend will turn over in bed and see that her engagement ring is on the pillow 0.47- 0.51 Editing notes Hazy filter will be added Shot No.18 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be singing on stage “I cheated myself” towards the camera. The lighting will be low key and washed out colour. Frame duration 0.52- 0.55 Editing notes Hazy filter will be added Shot No.19 Type of shot, movement and angle. Wide shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be walking down the canal singing to the camera “like I knew I would”. Frame duration 0.56- 1.00
  • 9.
    Editing notes Hazy filteradded Shot No.20 Type of shot, movement and angle. Close up with a straight on angle with pan from side of her face to the front of her face. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be stood on stage singing “I told ya I was trouble”.The lighting will be hazy and low key. Frame duration 1.01- 1.05 Editing notes Hazy filter added Shot No.21 Type of shot, movement and angle. Mid shot from a straight on angle with no movement Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be singing “you know that I’m no good” whilst leaning up against the wall by the canal. She will look vulnerable. Frame duration 1.06- 1.10
  • 10.
    Editing notes Hazy filteradded Shot No.22 Type of shot, movement and angle. Close up of her foot with a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She’s tapping her foot on the stage in time to the beat of the music. The lighting will be low key Frame duration 1.10- 1.12 Editing notes Hazy filter added Shot No.23 Type of shot, movement and angle. Mid shot from a straight on angle with tracking as movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Walking down the canal- we see her from behind messing with her hair. Frame duration 1.13- 1.14 Editing notes Hazy filter added Shot No.24 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration
  • 11.
    Close up shotfrom a straight on angle with tracking as movement. We then see her feet as she’s walking down the canal. The lighting will be low key and hazy. 1.14- 1.15 Editing notes Hazy filter added Shot No.25 Type of shot, movement and angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be sat on the edge of the bed singing to the camera “upstairs in bed with my ex boy.” The lighting will be low key and a hazy filter will be added. Frame duration 1.16- 1.19 Editing notes Hazy filter added Shot No.26 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will still be sat on the bed rolling her eyes singing to the camera “he’s in the place but I can’t get joy”. The lighting will be low key. Frame duration 1.20- 1.24
  • 12.
    Editing notes Hazy filteradded Shot No.27 Type of shot, movement and angle. Close up shot from a high angle with a spinning movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be lying in bed singing to the camera “thinking of you in the final throes” Frame duration 1.25- 1.28 Editing notes Hazy filter added Shot No.28 Type of shot, movement and angle. Extreme close up from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The spinning movement will slow down and she will sing “this is when my buzzer goes” while throwing the duvet over her face whilst rolling her eyes. The lighting will be low key. Frame duration 1.29- 1.34 Editing notes
  • 13.
    Hazy filter added Shot No.29 Typeof shot, movement and angle. Wide shot from a straight on angle will pan down from white ceiling. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The white bed sheet from previous shot will merge into the ceiling and pans down to her and her boyfriend on the sofa- she’s leaning her head on his shoulder. The lighting will be low key. Frame duration 1.35- 1.38 Editing notes Hazy filter added Shot No.30 Type of shot, movement and angle. Close up shot from straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The woman’s hand with her engagement ring will be resting on her boyfriend’s chest- he holds her hand and supports her. Frame duration 1.39- 1.40 Editing notes Hazy filter added
  • 14.
    Shot No.31 Type of shot, movementand angle. Close up from a straight on angle with pan movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The shot will pan from engagement ring to Hollie’s face singing “cause you’re not bitter”. The lighting will be low key and they’ll be in the living room. Frame duration 1.40- 1.43 Editing notes Hazy filter added Shot No.32 Type of shot, movement and angle. Over the shoulder shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The setting will be in the kitchen; she will be wiping her lipstick off in the reflection of a knife. The lighting will be low key and the lyrics will be “they’ll be none of him no more.” Frame duration 1.44- 1.47 Editing notes Hazy filter added Shot No.33 Type of shot, movement and angle. Wide shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She is sitting in the kitchen singing to the camera “I cried for you on the kitchen floor” Frame duration 1.48- 1.52
  • 15.
    with smudged makeupand empty alcohol bottles surrounding her. Editing notes Hazy filter added Shot No.34 Type of shot, movement and angle. Wide shot from a low angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She’s on the stage singing to the camera “I cheated myself” Frame duration 1.53- 1.56 Editing notes Hazy filter added Shot No.35 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She is sitting on the edge of a fountain singing to the camera “like I knew I would”, the lighting will be low key and the colour will be washed out. Frame duration 1.57- 2.00
  • 16.
    Editing notes Hazy filteradded Shot No.36 Type of shot, movement and angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Singing on the stage from a side on view singing into the microphone, “I told ya I was trouble” Frame duration 2.01- 2.05 Editing notes Hazy filter added Shot No.37 Type of shot, movement and angle. Over the shoulder shot- you can see her reflection, high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She is singing into the reflection in the fountain “you know that I’m no good”, she’s by the canal. The lighting will be low key and the colour will be washed out. Frame duration 2.06- 2.10 Editing notes Hazy filter will be added
  • 17.
    Shot No.38 Type of shot, movementand angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The woman will be tapping her foot on the stage. Lighting will be low key and colour will be washed out. Frame duration 2.11- 2.12 Editing notes Hazy filter added Shot No.39 Type of shot, movement and angle. Close up angle from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be tapping her fingers on the edge of the fountain in time to the beat of the music. Frame duration 2.13- 2.14 Editing notes Hazy filter added Shot No.40 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration 2.15- 2.19
  • 18.
    Wide shot froma straight on angle with no movement. Walking down the drive of the hall with the trees behind her. The lighting is low key and the colour will be washed out Editing notes Hazy filter added Shot No.41 Type of shot, movement and angle. Close up from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She is looking at her reflection and splashes at her reflection with her hand. The lighting will be low key. Frame duration 2.20- 2.23 Editing notes Hazy filter added Shot No.42 Type of shot, movement and angle. Wide shot from a straight on angle which tracks her movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Walking down the drive again with the trees surrounding her with the camera in front of her. Lighting will be low key. Frame duration 2.24- 2.28
  • 19.
    Editing notes Hazy filteradded Shot No.43 Type of shot, movement and angle. Close up shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The camera will be focusing on her face and as she stands and walks away the fountain will be left in the shot. The lighting will be low key. Frame duration 2.29- 2.30 Editing notes Hazy filter added Shot No.44 Type of shot, movement and angle. Wide shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She’s singing on the stage towards the camera “sweet reunion”, there will be low key lighting with a hazy filter. Frame duration 2.31- 2.32 Editing notes Hazy filter added
  • 20.
    Shot No.45 Type of shot, movementand angle. Close up shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie is singing to the camera whilst on the stage “Jamaica and Spain”, the lighting will be low key and the colours will be washed out. Frame duration 2.33- 2.34 Editing notes Hazy filter added Shot No.46 Type of shot, movement and angle. Wide shot from a high angle with pan as movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie and her boyfriend will be sat laughing on the floor whilst the lyrics “we’re like…” They will be in the living room and the lighting will be low key. Frame duration 2.35- 2.36 Editing notes Hazy filter added Shot No.47 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration
  • 21.
    Close up shotfrom a straight on angle with no movement. We will see a close up of Hollie’s face showing her laughing and being happy again while the lyrics say “how we were again” 2.37- 2.39 Editing notes Hazy filter added Shot No.48 Type of shot, movement and angle. Close up shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We see Hollie’s hand and her red nails turning the tap on for the bath... “I’m in the tub” lyrics will be playing. Frame duration 2.40- 2.41 Editing notes Hazy filter added Shot No.49 Type of shot, movement and angle. Mid shot from a slightly low angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Side view of Hollie singing towards the camera “you’re on the seat”. She’s in the bathtub, the lighting will be low key. Frame duration 2.41- 2.43
  • 22.
    Editing notes Hazy filteradded Shot No.50 Type of shot, movement and angle. Close up shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She puts her hand on his knee and strokes it whilst the lyrics are saying “lick your lips”. She is still lying in the bath and he is sitting on a stool at the side of a bath. Frame duration 2.44- 2.45 Editing notes Hazy filter added Shot No.51 Type of shot, movement and angle. Close up shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She will be singing to the camera “as I soak my feet”, she will tilt her head back and play with her hair as she’s going backwards. Frame duration 2.46- 2.48
  • 23.
    Editing notes Hazy filteradded Shot No.52 Type of shot, movement and angle. Close up shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She’s still sat in the bath but her boyfriend notices she isn’t wearing her engagement ring when the lyrics say “then you notice little carpet burn”. They will still be in the bathroom and the lighting will dark and candle lit. Frame duration 2.49- 2.52 Editing notes Hazy filter added Shot No.53 Type of shot, movement and angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will sing to the camera “my stomach drops” whilst holding a glass of wine-looking guilty whilst still sitting in the bath. Frame duration 2.53- 2.54 Editing notes Hazy filter added
  • 24.
    Shot No.54 Type of shot, movementand angle. Close up from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Slow motion of her glass of wine dropping on the bathroom floor whilst the lyrics say “and my guts churn”, the setting will still be in the bathroom with low key lighting. Frame duration 2.55- 2.58 Editing notes Hazy filter added/slow motion Shot No.55 Type of shot, movement and angle. Close up shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We see the boyfriend step over the camera whilst the lyrics say “you shrug”. They’re still in the bathroom-low key lighting. Frame duration 2.59- 3.00 Editing notes Hazy filter added Shot No.56 Type of shot, movement and angle. Close up from a straight on angle with no movement/ pan up. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The boyfriend then continues to walk down the hallway whilst the lyrics say “and it’s the worst. Frame duration 3.00- 3.03
  • 25.
    You truly”- thecamera will then pan up to the ceiling. The lighting will be low key. Editing notes Hazy filter added Shot No.57 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The camera pans back down to Hollie in the kitchen sat on the floor, surrounded by empty bottles and her makeup will be smudged on her face. The lyrics will be saying “stuck the” Frame duration 3.04- 3.05 Editing notes Hazy filter added Shot No.58 Type of shot, movement and angle. Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We will see Hollie’s nails on the knife in the kitchen. Lighting will be low key. The lyrics will be saying “knife in first.” Frame duration 3.06- 3.07
  • 26.
    Editing notes Hazy filteradded Shot No.59 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She is stood on the stage singing again into the microphone. The lighting will be low key and she will be singing “I cheated..” Frame duration 3.08- 3.09 Editing notes Hazy filter added Shot No.60 Type of shot, movement and angle. Close up from a straight on angle with a pan movement from right to left. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie singing “myself” whilst the camera tracks her and her eyes follow the camera. Frame duration 3.09- 3.10 Editing notes Hazy filter added Shot No.61 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Frame duration
  • 27.
    Over the shouldershot from a straight on angle with no movement. We see Hollie packing her bags in the bedroom. She makes a mess all over the floor. The lighting will be low key whilst she the lyrics “like I knew.” 3.10- 3.12 Editing notes Hazy filter added Shot No.62 Type of shot, movement and angle. Wide shot from a high angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will rip one of the polaroid pictures in half in time to the lyrics “I would”. The lighting will be low key and the setting will be on the bedroom floor. Frame duration 3.13- 3.14 Editing notes Hazy filter added Shot No.63 Type of shot, movement and angle. Long shot from a low angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will be back on the stage singing into her microphone “I told ya…”. The lighting will be low key and the colours will be washed out. Frame duration 3.15- 3.17
  • 28.
    Editing notes Hazy filteradded Shot No.64 Type of shot, movement and angle. Wide shot with no movement and a straight on angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will continue to sing in the microphone “I was…” she will be on the stage and the Frame duration 3.17- 3.18 Editing notes Hazy filter added Shot No.65 Type of shot, movement and angle. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will continue to sing on the stage “trouble”. The lighting will be low key. Frame duration 3.19- 3.20
  • 29.
    Editing notes Hazy filteradded Shot No.66 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. She’s singing to the camera whilst packing her bags “you know that I’m no good”. She will be in the bedroom still. Frame duration 3.20- 3.23 Editing notes Hazy filter added Shot No.67 Type of shot, movement and angle. Long shot from a low angle with tilt as movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. The camera will tilt up to see Hollie stood on stage by the microphone. Lighting will be low key. Frame duration 3.23- 3.25 Editing notes Hazy filter added Shot No.68 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We will see Hollie singing “I cheated my myself” whilst on the stage. Low key lighting will be used. Frame duration 3.26- 3.27
  • 30.
    Editing notes Hazy filteradded Shot No.69 Type of shot, movement and angle Close up from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. We will see Hollie singing “like I knew I would”. The lighting will be low key. Frame duration 3.28- 3.34 Editing notes Hazy filter added Shot No.70 Type of shot, movement and angle. Wide shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie walking down the hall towards the camera singing “I told ya..” the lighting will be low key. She will be pulling a suitcase. Frame duration 3.35- 3.36
  • 31.
    Editing notes Hazy filteradded Shot No.71 Type of shot, movement and angle. Close up from a straight on angle with tracking movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will be singing towards the camera “I was trouble” on the stage. The lighting will be low key. Frame duration 3.37- 3.38 Hazy filter added Shot No.72 Type of shot, movement and angle. Mid shot from a straight on angle with no movement. Dialogue. Sound. Setting. Colour. Lighting. Mise-en-scene. Hollie will sing to the camera “you know that I’m no good” and then drop the microphone in time to the beat of the music. She will be on the stage and lighting will be low key. Frame duration 3.39- 3.42 Hazy filter added