The document outlines 40 shots for a music video featuring a woman. Most shots are close-ups of the woman singing or applying makeup in a bedroom with hazy, low-key lighting. She is then seen walking down stairs and through a bar singing, before leaving her engagement ring behind and walking away down a driveway. Interspersed are shots of her on a stage performing the song. The shots maintain a consistent hazy, low-key aesthetic to tell a story through the song's lyrics.

1. Shot
No.1
Type of shot,
movement and angle.
Close up, from a
straight on angle using
a pan movement from
left to right.
Setting. Colour. Lighting. Mise-en-scene.
She will be seen in her bedroom, we will use a
hazy filter to drain colour and low key lighting.
Red lipstick will be applied.
Frame
duration
0.00-
0.02
Editing notes
She is seen putting lipstick on
Shot
No.2
Type of shot,
movement and angle.
Close up from a high
angle with no
movement.
Setting. Colour. Lighting. Mise-en-scene.
She will be in her bedroom, we will use a hazy
filter to drain colour and low key lighting. Red
nail varnish will be applied.
Frame
duration
0.02-
0.04
Editing notes
She will be seen applying red nail varnish
Shot
No.3
Type of shot,
movement and angle.
Close up from a
straight on angle with
tracking movement.
Setting. Colour. Lighting. Mise-en-scene.
Staircase leading to a bar, hazy filter with low
key lighting with the woman seen wearing red
heels.
Frame
duration
0.05-
0.07

2. Editing notes
Her feet are seen going down the stairs to a bar.
Shot
No.4
Type of shot,
movement and angle.
Close up from a
straight on angle with
tracking movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Staircase, hazy filter and low key lighting and
she will be seen in the centre of the frame from
the side.
Frame
duration
0.08-
0.09
Editing notes
A side view of the star is seen as she flicks her hair
Shot
No.5
Type of shot,
movement and angle.
Close up from a
straight on angel with
no tracking.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will be in the bar, a hazy filter with low key
lighting. A chair will be placed in the shot.
Frame
duration
0.09-
0.10

3. Editing notes
The woman will be seen sitting on the chair but we
don’t see her face
Shot
No.6
Type of shot,
movement and angle.
Mid shot is used from a
straight angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Bar area
Frame
duration
0.11-
0.12
Editing notes
Spirits are shown being taken off the bar area
Shot
No.7
Type of shot,
movement and angle.
Close up from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Bar area with hazy filter and low key lighting
with the use of a glass and spirits.
Frame
duration
0.13-
0.14
Editing notes

4. Drink being poured by barman
Shot
No.8
Type of shot,
movement and angle.
Mid shot, straight on
angle with tilt on the
camera.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Bar area with hazy filter and low key lighting.
The woman will be centred in the frame and
sing the lyrics “meet you downstairs in the bar
and hurt”
Frame
duration
0.14-
0.18
Editing notes
Drink being passed over to the woman and she looks
up and starts singing towards the camera
Shot
No.9
Type of shot,
movement and angle.
Over the shoulder shot
from a straight on
angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The woman will be seen looking over at a male
who has rolled up sleeves, the colour will be
hazy with low key lighting. The lyrics will be
“your rolled up sleeves”
Frame
duration
0.19-
0.20
Editing notes
Hazy filter will be added
Shot
No.10
Type of shot,
movement and angle.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Frame
duration

5. Close up from a high
angle with no
movement.
A t-shirt will land on the bedroom floor whilst
the lyrics say “and your skull t-shirt.” Low key
lighting will be in the bedroom.
0.21-
0.23
Editing notes
Hazy filter will be added
Shot
No.11
Type of shot,
movement and angle.
Over the shoulder shot
from a straight on
angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The woman will be looking into the mirror whilst
singing to her herself “why did you do it with
him today?” as if she is disappointed in herself.
The lighting will low key.
Frame
duration
0.24-
0.27
Editing notes
Hazy filter will be added
Shot
No.12
Type of shot,
movement and angle.
Close up from a high
angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
We see her stroke her boyfriend with her
engagement ring back on. The lighting will be
low key and the lyrics will be “ and sniffed me”
Frame
duration
0.28-
0.29

6. Editing notes
Hazy filter will be added
Shot
No.13
Type of shot,
movement and angle.
Wide shot will be used
from a high angle and
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She rolls over and sings into the camera “like I
was Tanqueray”
Frame
duration
0.30-
0.33
Editing notes
Hazy filter will be added
Shot
No.14
Type of shot,
movement and angle.
Wide shot from a high
angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will be seen looking through old polaroid
pictures of her and her boyfriend- she then
messes them up in anger. Low key lighting will
be used with a hazy filter.
Frame
duration
0.34-
0.37
Editing notes

7. Hazy filter will be added
Shot
No.15
Type of shot,
movement and angle.
Wide shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She grabs a can off the bedside table and walks
towards the camera while the lyrics say “hand
me your Stella and fly”. There will low key
lighting.
Frame
duration
0.38-
0.42
Editing notes
Hazy filter will be added
Shot
No.16
Type of shot,
movement and angle.
Wide shot with a
straight on angle while
the camera tracks her.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will be walking down the drive and she sings
to the camera “by the time I’m out the door”.
The lighting will be dark/nightime
Frame
duration
0.43-
0.46
Editing notes
Hazy filter will be added
Shot
No.17
Type of shot,
movement and angle.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Frame
duration

8. Wide shot from a high
angle with no
movement.
Boyfriend will turn over in bed and see that her
engagement ring is on the pillow
0.47-
0.51
Editing notes
Hazy filter will be added
Shot
No.18
Type of shot,
movement and angle.
Mid shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will be singing on stage “I cheated myself”
towards the camera. The lighting will be low
key and washed out colour.
Frame
duration
0.52-
0.55
Editing notes
Hazy filter will be added
Shot
No.19
Type of shot,
movement and angle.
Wide shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will be walking down the canal singing to
the camera “like I knew I would”.
Frame
duration
0.56-
1.00

9. Editing notes
Hazy filter added
Shot
No.20
Type of shot,
movement and angle.
Close up with a
straight on angle with
pan from side of her
face to the front of her
face.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will be stood on stage singing “I told ya I
was trouble”.The lighting will be hazy and low
key.
Frame
duration
1.01-
1.05
Editing notes
Hazy filter added
Shot
No.21
Type of shot,
movement and angle.
Mid shot from a
straight on angle with
no movement
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will be singing “you know that I’m no good”
whilst leaning up against the wall by the canal.
She will look vulnerable.
Frame
duration
1.06-
1.10

10. Editing notes
Hazy filter added
Shot
No.22
Type of shot,
movement and angle.
Close up of her foot
with a straight on
angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She’s tapping her foot on the stage in time to
the beat of the music. The lighting will be low
key
Frame
duration
1.10-
1.12
Editing notes
Hazy filter added
Shot
No.23
Type of shot,
movement and angle.
Mid shot from a
straight on angle with
tracking as movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Walking down the canal- we see her from
behind messing with her hair.
Frame
duration
1.13-
1.14
Editing notes
Hazy filter added
Shot
No.24
Type of shot,
movement and angle.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Frame
duration

11. Close up shot from a
straight on angle with
tracking as movement.
We then see her feet as she’s walking down the
canal. The lighting will be low key and hazy.
1.14-
1.15
Editing notes
Hazy filter added
Shot
No.25
Type of shot,
movement and angle.
Close up from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will be sat on the edge of the bed singing to
the camera “upstairs in bed with my ex boy.”
The lighting will be low key and a hazy filter
will be added.
Frame
duration
1.16-
1.19
Editing notes
Hazy filter added
Shot
No.26
Type of shot,
movement and angle.
Mid shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will still be sat on the bed rolling her eyes
singing to the camera “he’s in the place but I
can’t get joy”. The lighting will be low key.
Frame
duration
1.20-
1.24

12. Editing notes
Hazy filter added
Shot
No.27
Type of shot,
movement and angle.
Close up shot from a
high angle with a
spinning movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will be lying in bed singing to the camera
“thinking of you in the final throes”
Frame
duration
1.25-
1.28
Editing notes
Hazy filter added
Shot
No.28
Type of shot,
movement and angle.
Extreme close up from
a high angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The spinning movement will slow down and she
will sing “this is when my buzzer goes” while
throwing the duvet over her face whilst rolling
her eyes. The lighting will be low key.
Frame
duration
1.29-
1.34
Editing notes

13. Hazy filter added
Shot
No.29
Type of shot,
movement and angle.
Wide shot from a
straight on angle will
pan down from white
ceiling.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The white bed sheet from previous shot will
merge into the ceiling and pans down to her and
her boyfriend on the sofa- she’s leaning her
head on his shoulder. The lighting will be low
key.
Frame
duration
1.35-
1.38
Editing notes
Hazy filter added
Shot
No.30
Type of shot,
movement and angle.
Close up shot from
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The woman’s hand with her engagement ring
will be resting on her boyfriend’s chest- he
holds her hand and supports her.
Frame
duration
1.39-
1.40
Editing notes
Hazy filter added

14. Shot
No.31
Type of shot,
movement and angle.
Close up from a
straight on angle with
pan movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The shot will pan from engagement ring to
Hollie’s face singing “cause you’re not bitter”.
The lighting will be low key and they’ll be in the
living room.
Frame
duration
1.40-
1.43
Editing notes
Hazy filter added
Shot
No.32
Type of shot,
movement and angle.
Over the shoulder shot
from a high angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The setting will be in the kitchen; she will be
wiping her lipstick off in the reflection of a
knife. The lighting will be low key and the lyrics
will be “they’ll be none of him no more.”
Frame
duration
1.44-
1.47
Editing notes
Hazy filter added
Shot
No.33
Type of shot,
movement and angle.
Wide shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She is sitting in the kitchen singing to the
camera “I cried for you on the kitchen floor”
Frame
duration
1.48-
1.52

15. with smudged makeup and empty alcohol
bottles surrounding her.
Editing notes
Hazy filter added
Shot
No.34
Type of shot,
movement and angle.
Wide shot from a low
angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She’s on the stage singing to the camera “I
cheated myself”
Frame
duration
1.53-
1.56
Editing notes
Hazy filter added
Shot
No.35
Type of shot,
movement and angle.
Mid shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She is sitting on the edge of a fountain singing
to the camera “like I knew I would”, the lighting
will be low key and the colour will be washed
out.
Frame
duration
1.57-
2.00

16. Editing notes
Hazy filter added
Shot
No.36
Type of shot,
movement and angle.
Close up from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Singing on the stage from a side on view singing
into the microphone, “I told ya I was trouble”
Frame
duration
2.01-
2.05
Editing notes
Hazy filter added
Shot
No.37
Type of shot,
movement and angle.
Over the shoulder
shot- you can see her
reflection, high angle
with no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She is singing into the reflection in the fountain
“you know that I’m no good”, she’s by the
canal. The lighting will be low key and the
colour will be washed out.
Frame
duration
2.06-
2.10
Editing notes
Hazy filter will be added

17. Shot
No.38
Type of shot,
movement and angle.
Close up from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The woman will be tapping her foot on the
stage. Lighting will be low key and colour will
be washed out.
Frame
duration
2.11-
2.12
Editing notes
Hazy filter added
Shot
No.39
Type of shot,
movement and angle.
Close up angle from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will be tapping her fingers on the edge of
the fountain in time to the beat of the music.
Frame
duration
2.13-
2.14
Editing notes
Hazy filter added
Shot
No.40
Type of shot,
movement and angle.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Frame
duration
2.15-
2.19

18. Wide shot from a
straight on angle with
no movement.
Walking down the drive of the hall with the
trees behind her. The lighting is low key and the
colour will be washed out
Editing notes
Hazy filter added
Shot
No.41
Type of shot,
movement and angle.
Close up from a high
angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She is looking at her reflection and splashes at
her reflection with her hand. The lighting will
be low key.
Frame
duration
2.20-
2.23
Editing notes
Hazy filter added
Shot
No.42
Type of shot,
movement and angle.
Wide shot from a
straight on angle which
tracks her movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Walking down the drive again with the trees
surrounding her with the camera in front of her.
Lighting will be low key.
Frame
duration
2.24-
2.28

19. Editing notes
Hazy filter added
Shot
No.43
Type of shot,
movement and angle.
Close up shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The camera will be focusing on her face and as
she stands and walks away the fountain will be
left in the shot. The lighting will be low key.
Frame
duration
2.29-
2.30
Editing notes
Hazy filter added
Shot
No.44
Type of shot,
movement and angle.
Wide shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She’s singing on the stage towards the camera
“sweet reunion”, there will be low key lighting
with a hazy filter.
Frame
duration
2.31-
2.32
Editing notes
Hazy filter added

20. Shot
No.45
Type of shot,
movement and angle.
Close up shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Hollie is singing to the camera whilst on the
stage “Jamaica and Spain”, the lighting will be
low key and the colours will be washed out.
Frame
duration
2.33-
2.34
Editing notes
Hazy filter added
Shot
No.46
Type of shot,
movement and angle.
Wide shot from a high
angle with pan as
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Hollie and her boyfriend will be sat laughing on
the floor whilst the lyrics “we’re like…” They
will be in the living room and the lighting will
be low key.
Frame
duration
2.35-
2.36
Editing notes
Hazy filter added
Shot
No.47
Type of shot,
movement and angle.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Frame
duration

21. Close up shot from a
straight on angle with
no movement.
We will see a close up of Hollie’s face showing
her laughing and being happy again while the
lyrics say “how we were again”
2.37-
2.39
Editing notes
Hazy filter added
Shot
No.48
Type of shot,
movement and angle.
Close up shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
We see Hollie’s hand and her red nails turning
the tap on for the bath... “I’m in the tub” lyrics
will be playing.
Frame
duration
2.40-
2.41
Editing notes
Hazy filter added
Shot
No.49
Type of shot,
movement and angle.
Mid shot from a slightly
low angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Side view of Hollie singing towards the camera
“you’re on the seat”. She’s in the bathtub, the
lighting will be low key.
Frame
duration
2.41-
2.43

22. Editing notes
Hazy filter added
Shot
No.50
Type of shot,
movement and angle.
Close up shot from a
high angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She puts her hand on his knee and strokes it
whilst the lyrics are saying “lick your lips”. She
is still lying in the bath and he is sitting on a
stool at the side of a bath.
Frame
duration
2.44-
2.45
Editing notes
Hazy filter added
Shot
No.51
Type of shot,
movement and angle.
Close up shot from a
high angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She will be singing to the camera “as I soak my
feet”, she will tilt her head back and play with
her hair as she’s going backwards.
Frame
duration
2.46-
2.48

23. Editing notes
Hazy filter added
Shot
No.52
Type of shot,
movement and angle.
Close up shot from a
high angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She’s still sat in the bath but her boyfriend
notices she isn’t wearing her engagement ring
when the lyrics say “then you notice little
carpet burn”. They will still be in the bathroom
and the lighting will dark and candle lit.
Frame
duration
2.49-
2.52
Editing notes
Hazy filter added
Shot
No.53
Type of shot,
movement and angle.
Close up from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Hollie will sing to the camera “my stomach
drops” whilst holding a glass of wine-looking
guilty whilst still sitting in the bath.
Frame
duration
2.53-
2.54
Editing notes
Hazy filter added

24. Shot
No.54
Type of shot,
movement and angle.
Close up from a high
angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Slow motion of her glass of wine dropping on
the bathroom floor whilst the lyrics say “and my
guts churn”, the setting will still be in the
bathroom with low key lighting.
Frame
duration
2.55-
2.58
Editing notes
Hazy filter added/slow motion
Shot
No.55
Type of shot,
movement and angle.
Close up shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
We see the boyfriend step over the camera
whilst the lyrics say “you shrug”. They’re still in
the bathroom-low key lighting.
Frame
duration
2.59-
3.00
Editing notes
Hazy filter added
Shot
No.56
Type of shot,
movement and angle.
Close up from a
straight on angle with
no movement/ pan up.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The boyfriend then continues to walk down the
hallway whilst the lyrics say “and it’s the worst.
Frame
duration
3.00-
3.03

25. You truly”- the camera will then pan up to the
ceiling. The lighting will be low key.
Editing notes
Hazy filter added
Shot
No.57
Type of shot,
movement and angle.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The camera pans back down to Hollie in the
kitchen sat on the floor, surrounded by empty
bottles and her makeup will be smudged on her
face. The lyrics will be saying “stuck the”
Frame
duration
3.04-
3.05
Editing notes
Hazy filter added
Shot
No.58
Type of shot,
movement and angle.
Close up from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
We will see Hollie’s nails on the knife in the
kitchen. Lighting will be low key. The lyrics will
be saying “knife in first.”
Frame
duration
3.06-
3.07

26. Editing notes
Hazy filter added
Shot
No.59
Type of shot,
movement and angle.
Mid shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She is stood on the stage singing again into the
microphone. The lighting will be low key and
she will be singing “I cheated..”
Frame
duration
3.08-
3.09
Editing notes
Hazy filter added
Shot
No.60
Type of shot,
movement and angle.
Close up from a
straight on angle with
a pan movement from
right to left.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Hollie singing “myself” whilst the camera tracks
her and her eyes follow the camera.
Frame
duration
3.09-
3.10
Editing notes
Hazy filter added
Shot
No.61
Type of shot,
movement and angle.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Frame
duration

27. Over the shoulder shot
from a straight on
angle with no
movement.
We see Hollie packing her bags in the bedroom.
She makes a mess all over the floor. The lighting
will be low key whilst she the lyrics “like I
knew.”
3.10-
3.12
Editing notes
Hazy filter added
Shot
No.62
Type of shot,
movement and angle.
Wide shot from a high
angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Hollie will rip one of the polaroid pictures in
half in time to the lyrics “I would”. The lighting
will be low key and the setting will be on the
bedroom floor.
Frame
duration
3.13-
3.14
Editing notes
Hazy filter added
Shot
No.63
Type of shot,
movement and angle.
Long shot from a low
angle with no
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Hollie will be back on the stage singing into her
microphone “I told ya…”. The lighting will be
low key and the colours will be washed out.
Frame
duration
3.15-
3.17

28. Editing notes
Hazy filter added
Shot
No.64
Type of shot,
movement and angle.
Wide shot with no
movement and a
straight on angle.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Hollie will continue to sing in the microphone “I
was…” she will be on the stage and the
Frame
duration
3.17-
3.18
Editing notes
Hazy filter added
Shot
No.65
Type of shot,
movement and angle.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Hollie will continue to sing on the stage
“trouble”. The lighting will be low key.
Frame
duration
3.19-
3.20

29. Editing notes
Hazy filter added
Shot
No.66
Type of shot,
movement and angle.
Mid shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
She’s singing to the camera whilst packing her
bags “you know that I’m no good”. She will be
in the bedroom still.
Frame
duration
3.20-
3.23
Editing notes
Hazy filter added
Shot
No.67
Type of shot,
movement and angle.
Long shot from a low
angle with tilt as
movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
The camera will tilt up to see Hollie stood on
stage by the microphone. Lighting will be low
key.
Frame
duration
3.23-
3.25
Editing notes
Hazy filter added
Shot
No.68
Type of shot,
movement and angle.
Mid shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
We will see Hollie singing “I cheated my myself”
whilst on the stage. Low key lighting will be
used.
Frame
duration
3.26-
3.27

30. Editing notes
Hazy filter added
Shot
No.69
Type of shot,
movement and angle
Close up from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
We will see Hollie singing “like I knew I would”.
The lighting will be low key.
Frame
duration
3.28-
3.34
Editing notes
Hazy filter added
Shot
No.70
Type of shot,
movement and angle.
Wide shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Hollie walking down the hall towards the
camera singing “I told ya..” the lighting will be
low key. She will be pulling a suitcase.
Frame
duration
3.35-
3.36

31. Editing notes
Hazy filter added
Shot
No.71
Type of shot,
movement and angle.
Close up from a
straight on angle with
tracking movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Hollie will be singing towards the camera “I was
trouble” on the stage. The lighting will be low
key.
Frame
duration
3.37-
3.38
Hazy filter added
Shot
No.72
Type of shot,
movement and angle.
Mid shot from a
straight on angle with
no movement.
Dialogue. Sound. Setting. Colour. Lighting.
Mise-en-scene.
Hollie will sing to the camera “you know that
I’m no good” and then drop the microphone in
time to the beat of the music. She will be on
the stage and lighting will be low key.
Frame
duration
3.39-
3.42
Hazy filter added