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Vol. 14, Nos. 1 & 2 303
A Bibliography of
Caribbean-Canadian Literature
Ezra Yoo-Hyeok Lee
Al Halool, Musa. “In Quest of Miranda: Towards a Post-Colonial
Semantics of Transitive Sex.” Diss. Pennsylvania State U, 1995.
Alexis, Andre. “An Interview with Andre Alexis.” By Michael Redhill.
Brick 62 (Spring 1999): 50-56.
Algoo-Baksh, Stella. Austin C. Clarke. Toronto and Barbados: ECW
and U of the West Indies P, 1994.
Allahar, Anton L. “Unity and Diversity in Caribbean Ethnicity and
Culture.” Canadian Ethnic Studies 25.1 (1993): 70-84.
Allen, Lillian. “360 Degrees Black: A Conversation with Lillian
Allen.” By Kwame Dawes. West Coast Line 31.1 (Spring/Summer
1997): 78-91.
———. “‘The Message Is the Most Important’: An Interview with
Lillian Allen.” By Christian Habekost. Matatu 12 (1994): 47-62.
Anatol, Giselle Liza. “A Feminist Reading of Soucouyants in Nalo
Hopkinson’s Brown Girl in the Ring and Skin Folk.” Mosaic 37.3
(September 2004): 33-50.
Balutansky, Kathleen M. “Naming Caribbean Women Writers.”
Callaloo 13.3 (Summer 1990): 539-550.
Bandara, Samuel B. “A Bibliography of Theses and Dissertations
Written in English on Caribbean Novels.” Commonwealth Novel in
English 2.2 (July 1983): 50-94.
304 Journal of West Indian Literature
Barratt, Harold. “An Island Is Not a World: A Reading of Sam Sel-
von’s An Island Is a World.” Ariel 27.2 (Spring 1996): 25-34.
Baugh, Edward. “Friday in Crusoe’s City: The Questions of Language
in Two West Indian Novels of Exile.” Language and Literature in
Multicultural Contexts. Ed. Satendra Nandan. Suva, Fiji:
University of South Pacific, 1983. 44-53.
Beittel, Mark, and Giovanna Covi. “Talking of Households: Olive
Senior’s Postcolonial Identities.” Nationalism vs. Internationalism:
(Inter)National Dimensions of Literatures in English. Ed. Wolf-
gang Zach and Ken L. Goodwin. Tübingen: Stauffenberg-Verlag,
1996. 389-97.
Bentley, Nick. “Black London: The Politics of Representation in Sam
Selvon’s The Lonely Londoners.” Wasafiri 39 (Summer 2003): 41-
45.
Billingham, Susan. “Migratory Subjects in Shani Mootoo’s Out on
Main Street.” Identity, Community, Nation: Essays on Canadian
Writing. Ed. Danielle Schaub and Christl Verduyn. Jerusalem,
Israel: Magnes, 2002. 74-88.
Birbalsingh, Frank. “Austin Clarke: Caribbean-Canadians.” Frontiers
of Caribbean Literatures in English. Ed. Frank Birbalsingh. New
York: St. Martin’s, 1996. 86-105.
———. “Cyril Dabydeen: Here and There.” Frontiers of Caribbean
Literatures in English. Ed. Frank Birbalsingh. New York: St.
Martin’s, 1996. 106-19
———. “Dionne Brand: No Language Is Neutral.” Frontiers of
Caribbean Literatures in English. Ed. Frank Birbalsingh. New
York: St. Martin’s, 1996. 120-37.
Birbalsingh, F[rank] M., George Lamming, Sam Selvon, Neil Bissoon-
dath, and Ismith Khan. “Indo-Caribbean Literature: A Panel
Discussion.” Indenture and Exile: The Indo-Caribbean Experience.
Ed. Frank Birbalsingh. Toronto: TSAR, 1989. 140-47.
Bissoondath, Neil. “Building on Common Ground: An Interview with
Vol. 14, Nos. 1 & 2 305
Neil Bissoondath.” By Penny Van Toorn. Canadian Literature 147
(Winter 1995): 127-35.
———. “‘All Voices Belong to Me’: An Interview with Neil Bissoon-
dath.” By Laurie Kruk. Canadian Literature 180 (Spring 2004):
53-69.
Boland, Eavan, Dionne Brand, Robert Creeley, George Elliott Clarke,
and Hugh Brody. “Still More Lost Careers.” Brick 71 (Summer
2003): 109-14.
Booth, James, Susheila Natasa, and Owen Knowles. “African, Carib-
bean, and Canadian Literature.” The Year’s Work in English
Studies 63 (1982): 462-91.
Boxill, Anthony. “Women and Migration in Some Short Stories of
Bharati Mukherjee and Neil Bissoondath.” Literary Half Yearly
32.2 (July 1991): 43-50.
Bramble, Maxine. “‘That Really Wasn’t Me’: A Black, Immigrant,
Caribbean Woman’s Attempt to Be/long in the Academy.” Cana-
dian Woman Studies 19.3 (Fall 1999): 134-40.
Brand, Dionne. “In the Company of My Work: An Interview with
Dionne Brand.” By Makeda Silvera. Other Women: Women of
Colour in Contemporary Canadian Literature. Ed. Makeda
Silvera. Toronto: Sister Vision, 1995. 356-80.
———. “Writing It: Dionne Brand.” By Beverley Daurio. The Power
to Bend Spoons: Interviews with Canadian Novelists. Ed. Beverley
Daurio. Toronto: Mercury, 1998. 31-41.
———. “Dionne’s Brand of Writing.” Interview by Nuzhat Abbas.
Herizons 13.3 (1999): 18-19.
———. “At the Full and Change of CanLit: An Interview with Dionne
Brand.” By Leslie Sanders and Rinaldo Walcott. Canadian Woman
Studies 20.2 (Summer 2000): 22-26.
———. “Dionne Brand in Conversation.” By Christian Olbey. Ariel
33.2 (Spring 2002): 87-102.
306 Journal of West Indian Literature
———. “Harold Sonny Ladoo.” Brick 72 (Winter 2003): 158-63.
———. “Dionne Brand on Struggle and Community, Possibility and
Poetry.” Interview by Pauline Butling. Poets Talk: Conversations
with Robert Kroetsch, Daphne Marlatt, Erin Mouré, Dionne
Brand, Marie Annharte Baker, Jeff Derksen, and Fred Wah. Eds.
Pauline Butling and Susan Rudy. Edmonton: U of Alberta P, 2005.
63-87.
Brathwaite, Edward Kamau. “Dionne Brand’s Winter Epigrams.”
Canadian Literature 105 (Summer 1985): 18-30.
Braziel, Jana Evans. “Nomadism, Diaspora and Deracination in
Contemporary Migrant Literatures.” Diss. U of Massachusetts,
2000.
———. “From Port-au-Prince to Montreal to Miami: Trans-American
Nomads in Dany Laferrière’s Migratory Texts.” Callaloo 26.1
(Winter 2003): 235-51.
———. “Trans-American Constructions of Black Masculinity: Dany
Laferrière, le Nègre, and the Late Capitalist American Racial
machine-désirante.” Callaloo 26.3 (Summer 2003): 867-900.
———. “‘C’est moi l’Amérique’: Canada, Haiti and Dany Laferrière’s
Port-au-Prince/Montréal/Miami Textual Transmigrations of the
Hemisphere.” Comparative American Studies 3.1 (March 2005):
29-46.
Brown, Lloyd W. “The West Indian Novel in North America: A Study
of Austin Clarke.” Journal of Commonwealth Literature 9 (1970):
89-103.
———. Eldorado and Paradise: Canada and the Caribbean in Austin
Clarke’s Fiction. London, ON: Centre for Social and Humanistic
Studies, 1989.
Brown, Wayne. “‘A Greatness and a Vastness’: The Search for God in
the Fiction of Sam Selvon.” Ariel 27 (April 1996): 35-46.
Brydon, Diana. “Caribbean Revolution and Literary Convention.”
Vol. 14, Nos. 1 & 2 307
Canadian Literature 95 (Winter 1982): 181-85.
———. “Reading Dionne Brand’s ‘Blues Spiritual for Mammy
Prater.’” Inside the Poem: Essays and Poems in Honour of Donald
Stephens. Ed. W. H. New. Toronto: Oxford UP, 1992. 81-87.
———. “One Poem Town? Contemporary Canadian Cultural De-
bates.” Voices of Power: Co-Operation and Conflict in English
Language and Literatures. Ed. Marc Maufort and Jean Pierre van
Noppen. Liege, Belgium: L3-Liege Language and Literature, for
Belgian Association of Anglists in Higher Education, 1997. 211-
20.
———. “Detour Canada: Rerouting the Black Atlantic, Reconfiguring
the Postcolonial.” Reconfigurations: Canadian Literatures and
Postcolonial Identities / Littératures Canadiennes et Identités
Postcoloniales. Ed. Marc Maufort and Franca Bellarsi. Brussels,
Belgium: Peter Lang, 2002. 109-22.
Brydon, Diana. “Postcolonial Gothic: Ghosts, Iron and Salt in Dionne
Brand’s At the Full and Change of the Moon.” Ebony, Ivory, and
Tea. Ed. Zbigniew Bialas and Krzysztof Kowalczyk-Twarowski.
Katowice, Poland: Wydawnictwo Uniwersytetu Slaskiego, 2004.
211-72.
Bucknor, Michael Andrew. “Body-Vibes: (S)pacing the Performance
in Lillian Allen’s Dub Poetry.” Thamyris: Mythmaking from Past
to Present 5.2 (Autumn 1998): 301-22.
———. “Caribbean and Canadian Literature.” Encyclopedia of Cana-
dian Literature. Ed. W. H. New. Toronto: U of Toronto P, 2002.
178-80.
Budde, Robert. “After Postcolonialism: Migrant Lines and the Politics
of Form in Fred Wah, M. Nourbese Philip, and Roy Miki.” Is
Canada Postcolonial? Unsettling Canadian Literature. Ed. Laura
Moss. Waterloo, ON: Wilfrid Laurier UP, 2003. 282-94.
Burwell, Jennifer, and Nancy Johnston. “A Dialogue on SF and
Utopian Fiction between Nalo Hopkinson and Élisabeth Vonar-
308 Journal of West Indian Literature
bug.” Foundation 81 (2001): 40-47.
Buzelin, Helene. “Creolizing Narratives across Languages: Selvon and
Chamoiseau.” Canadian Literature 175 (Winter 2002): 67-94.
Cáliz-Montoro, Carmen. “Poetry Is Not Made of Words: A Study of
Aesthetics of the Borderlands in Gloria Anzaldúa and Marlene
Nourbese Philip.” Diss. U of Toronto, 1996.
Carmichael, Trevor A. Passport to the Heart: Reflections on Canada
Caribbean Relations. Kingston, Jamaica: Ian Randle Publishers,
2001.
Carmona Rodríguez, Pedro M. “Men Don’t Have Nothing Like Virgin-
ity: Migration, Refraction, and Black Masculine Performance in
Austin Clarke’s The Question.” Revista Alicantina de Estudios
Ingleses 16 (November 2003): 21-34.
Carr, Brenda. “To ‘Heal the Word Wounded’: Agency and the Materi-
ality of Language and Form in M. Nourbese Philip’s She Tries Her
Tongue, Her Silence Softly Breaks.” Studies in Caribbean Litera-
ture 19.1 (1994): 72-94.
———. “‘Come Mek Wi Work Together’: Community Witness and
Social Agency in Lillian Allen’s Dub Poetry.” Ariel 29.3 (July
1998): 7-40.
Carrier, Marie. “L’Errance identitaire dans les texts migrants du
Québec et du Canada anglais.” Études Canadiennes / Canadian
Studies: Revue Interdisciplinaire des Études Canadiennes en
France 54 (2003): 93-103.
Carty, Linda, and Dionne Brand. “Visible Minority Women: A Crea-
tion of the Canadian State.” Returning the Gaze: Essays on Ra-
cism, Feminism and Politics. Ed. Himani Bannerji. Toronto: Sister
Vision P, 1993. 169-81. Resources for Feminist Research 17.3
(1988): 39-42.
Casas, Maria. “Codes as Identity: The Bilingual Representation of a
Fragmented Literary Subject.” Language and Discourse 2 (1994):
54-61.
Vol. 14, Nos. 1 & 2 309
———. “Orality and Literacy in a Postcolonial World.” Social Semiot-
ics 8.1 (April 1998): 5-24.
———. “Orality and the Body in the Poetry of Lillian Allen and
Dionne Brand: Towards an Embodied Social Semiotics.” Ariel
33.2 (Spring 2002): 7-32.
———. “Whose Rhythm? Textualized Riddim in Lillian Allen’s
Women Do This Every Day.” Essays on Canadian Writing 83 (Fall
2004): 167-87.
Casteel, Sarah Phillips. “New World Pastoral: The Caribbean Garden
and Emplacement in Gisele Pineau and Shani Mootoo.” Interven-
tions 5.1 (2003): 12-28.
Chancy, Myriam J. A. Searching for Safe Spaces: Afro Caribbean
Women Writers in Exile. Philadelphia: Temple UP, 1997.
Clarke, Austin C. “Some Speculations as to the Absence of Racialistic
Vindictiveness in West Indian Literature.” The Black Writer in
Africa and the Americas. Ed. Lloyd W. Brown. Los Angeles:
Hennessey and Ingalls, 1973. 165-94.
———. “In the Semi-Colon of the North.” Canadian Literature 95
(Winter 1982): 30-37.
———. “Interview with Austin Clarke.” By Terrence Craig. World
Literature Written in English 26.1 (Spring 1986): 115-27.
———. “In Barbados Evening Shadows Are Blue: An Interview with
Austin Clarke.” By Gianfranca Balestra. Caribana 5 (1996): 19-37.
———. “Austin Clarke in Conversation.” Interview by Patricia
Robertson. Wasafiri 40 (Winter 2003): 45-50.
Clarke, Austin, Jan Carew, Ramabai Espinet, Ismith Khan, and Frank
Birbalsingh. “Sam Selvon: A Celebration.” Ariel 27.2 (April
1996): 49-63.
Clarke, George Elliott. “Must All Blackness Be American? Locating
Canada in Borden’s ‘Tightrope Time,’ or Nationalizing Gilroy’s
The Black Atlantic.” Canadian Ethnic Studies 28.3 (1996): 56-71.
310 Journal of West Indian Literature
———. “Clarke vs. Clarke: Tory Elitism in Austin Clarke’s Short
Fiction.” West Coast Line 22.1 (Spring 1997): 110-28.
———. “Harris, Philip, Brand: Three Authors in Search of Literate
Criticism.” Journal of Canadian Studies 35.1 (Spring 2000): 161-
89.
Clemente, Bill. “Tan-Tan’s Exile and Odyssey in Nalo Hopkinson’s
Midnight Robber.” Foundation Summer 2004: 10-24.
Coates, Carrol F., ed. “Dany Laferrière: Fiction Writer: A Special
Section.” Callaloo 22.4 (Fall 1999): 901-49.
Cole, Susan G. “Dionne Brand: Poetic Power Energizes T. O. Novel-
ists [sic] Post-Slavery Portraits.” NOW April 8, 1999 <http://www.
nowtoronto.com/issues/18/32/Ent/cover.html>.
Coleman, Daniel. Masculine Migrations: Reading the Postcolonial
Male in “New Canadian” Narratives. Toronto: U of Toronto P,
1998.
Collett, Anne. “Gardening in the Tropics: A Horticultural Guide to
Caribbean Politics and Poetics with Special Reference to the
Poetry of Olive Senior.” Span 46 (April 1998): 87-103.
Collier, Gordon. “Spaceship Creole: Nalo Hopkinson, Canadian-
Caribbean Fabulist Fiction, and Linguistic/Cultural Syncretism.”
Matatu 27-28 (2003): 443-56.
Condé, Mary. “The Flight from Certainty in Shani Mootoo’s Cereus
Blooms at Night.” Flight from Certainty: The Dilemma of Identity
and Exile. Ed. Anne Luyat and Francine Tolron. Amsterdam,
Netherlands: Rodopi, 2001. 63-70.
Cook, Méira. “Partisan Body: Performance and the Female Body in
Dionne Brand’s No Language Is Neutral.” Open Letter 9.2 (1995):
88-91.
———. “In Between: Dionne Brand’s Poetics of Love and Resis-
tance.” Writing Lovers: Reading Canadian Love Poetry by Women.
Montreal: McGill-Queen’s UP, 2005. 79-107.
Vol. 14, Nos. 1 & 2 311
Cooper, Afua. “Finding My Voice.” Caribbean Women Writers:
Essays from the First International Conference. Ed. Selwyn R.
Cudjoe. Wellesley, MA: Calaloux Publications, 1990. 301-305.
Cuder-Dominguez, Pilar. “African Canadian Writing and the Narration
(s) of Slavery.” Essays on Canadian Writing 79 (Spring 2003): 55-
74.
Dabydeen, Cyril. “The Bowl to Apollo: The Indo-Caribbean Imagina-
tion in Canada.” Canadian Ethnic Studies 21.1 (1989): 106-14.
———. “Telephone Message for Mr. Jayanta Mahapatra: A Memoir.”
World Literature Written in English 32.1 (Spring 1992): 88-95.
———. “Where Doth the Berbice Run.” World Literature Today 68.3
(Summer 1994): 451-56.
———. “Places We Come From: Voices of Caribbean Canadian
Writers (in English) and Multicultural Contexts.” World Literature
Today 73.2 (Spring 1999): 231-37.
———. “A Conversation with Cyril Dabydeen.” By Judith Misrahi-
Barak. Commonwealth: Essays and Studies 23.2 (Spring 2001):
107-13.
Dafoe, Chris. “Allen Pushes Dub Poetry Far beyond Reggae
Roots.” [Toronto] Globe and Mail April 5, 1988: A23.
Dash, J. Michael. The Other America: Caribbean Literature in a New
World Context. Charlottesville: UP of Virginia, 1998.
Davies, Carole Boyce. Black Women, Writing and Identity: Migrations
of the Subject. London: Routledge, 1994.
Dawes, Kwame, ed. Talk Yuh Talk: Interviews with Anglophone
Caribbean Poets. Charlottesville, NC: UP of Virginia, 2001.
Deslauriers, Pierre. “African Magico-Medicine at Home and Abroad:
Haitian Religious Traditions in a Neocolonial Setting: The Fiction
of Dany Laferrière and Russell Banks.” Mapping the Sacred:
Religion, Geography and Postcolonial Literatures. Ed. Jamie S.
Scott and Paul Simpson-Housley. Amsterdam: Rodopi, 2001. 337-
312 Journal of West Indian Literature
53.
Dickinson, Peter. “In Another Place, Not Here: Dionne Brand’s
Politics of (Dis)Location.” Here is Queer: Nationalisms, Sexuali-
ties, and the Literatures of Canada. Toronto: U of Toronto P,
1999. 156-72.
———. “Here Is Queer: Nationalisms, Sexualities, and the Literatures
of Canada.” Journal of the History of Sexuality 10.2 (2001): 316-
20.
Dickison, Swift-Stiles. “Transnational Carnival and Creolized Garden:
Caribbean Cultural Identity and Rooting in the Narratives of Sam
Selvon and Merle Hodge.” Diss. Washington State U, 1994.
———. “Sam Selvon’s ‘Harlequin Costume’: Moses Ascending,
Masquerade, and the Bacchanal of Self-Creolization.” Melus 21.3
(Fall 1996): 69-106.
Donnell, Alison. “The Short Fiction of Olive Senior.” Caribbean
Women Writers: Fiction in English. Ed. Mary Condé and Thorun
Lonsdale. New York: St. Martin’s P, 1999. 117-43.
Dorscht, Susan Rudy. “Decolonizing Canadian Writing: Why Gender?
Whose English? When Canada?” Essays on Canadian Writing 54
(Winter 1994): 124-52.
Dubois, Dominique. “Alienation, Despair and Resilience: The Story of
Black Women Immigrants in Her Head a Village by Makeda
Silvera.” Alizes: Revue Angliciste de la Réunion 22 (June 2002):
77-93.
Dyer, Rebecca. “Immigration, Postwar London, and the Politics of
Everyday Life in Sam Selvon’s Fiction.” Cultural Critique 52 (Fall
2002):108-44.
Early, L. R. “The Two Novels of Harold Ladoo.” World Literature
Written in English 15 (1976): 174-84.
Ekotto, Frieda. “Shamelessness as a Creative Mechanism in Jean
Genet’s Notre Dame des Fleurs and Dany Laferrière’s Comment
Vol. 14, Nos. 1 & 2 313
faire l’amour avec un Nègre sans se fatiguer.” Esprit Createur
39.4 (Winter 1999): 80-89.
Eldredge, Michael. “‘Why Did You Leave There?’ Lillian Allen’s
Geography Lesson.” Diaspora 3.2 (Fall 1994): 169-83.
Espinet, Ramabai. “The Invisible Woman in West Indian Fiction.”
World Literature Written in English 29.2 (Autumn 1989): 116-26.
Essar, Dennis-F. “Time and Space in Dany Laferrière’s Autobio-
graphical Haitian Novels.” Callaloo 22.4 (Fall 1999): 930-46.
Fabre, Michel. “Changing the Metropolis or Being Changed by It:
Toronto West Indians in Austin Clarke’s Trilogy.” Recherches
Anglaises et Nord Americaines 24 (1991): 129-35.
Firth, Kathleen. “Home is No-Place: Neil Bissoondath’s A Casual
Brutality.” Tricks with a Glass: Writing Ethnicity in Canada. Ed.
Rocio G. Davis and Rosalia Baena. Amsterdam: Rodopi, 2000. 59-
69.
———. “Resisting the Bible and the Whip: Trinidad’s East Indians
and the Canadian Presbyterian Missions.” Colonies, Missions,
Cultures in the English Speaking World: General and Comparative
Studies. Ed. Gerhard Stilz. Tübingen, Germany: Stauffenburg,
2001. 168-77.
Foster, Cecil. “All Icons Are Mine, Too.” Defining Ourselves: Black
Writers in the 90s. Ed. Elizabeth Nunez and Brenda M. Greene.
New York: Peter Lang, 1999. 87-90.
———. “Jan Carew and the Reconstruction of the Canadian Mosaic.”
Race and Class 43.3 (January-March 2002): 3-17.
Forster, Sophia. “‘Inventory Is Useless Now but Just to Say’: The
Politics of Ambivalence in Dionne Brand’s Land to Light On.”
Studies in Canadian Literature 27.2 (2002): 160-82.
Fraile, Ariceli Maria Gaton. “Writing Double Displacements and
Epiphanic Movements in Neil Bissoondath’s A Casual Brutality.”
Ensayos Literarios Anglocanadienses. Ed. Juan Ignacio Oliva,
314 Journal of West Indian Literature
Elena Sanchez, Luz Gonzalez, and Isaias Naranjo. La Laguna,
Spain: Universidad de La Laguna, 2002. 51-62.
Freiwald, Bina Toledo. “Cartographies of Be/Longing: Dionne Brand’s
In Another Place, Not Here.” Mapping Canadian Cultural Space:
Essays on Canadian Literature. Ed. Danielle Schaub. Jerusalem,
Israel: Magnes, 1998. 37-53.
Fumagalli, Maria Cristina. “‘The Smallest Cell Remembers’: She Tries
Her Tongue, Her Silence Softly Breaks and Marlene Nourbese
Philip’s Journey Back to Africa.” EnterText 3.2 (Fall 2003): 162-
79.
Fung, Richard. “Bodies out of Place: The Videotapes of Shani
Mootoo.” Women and Performance 8.2 (16) (1996): 160-73.
Gadsby, Meredith. “‘I Suck Coarse Salt’: Caribbean Women Writers in
Canada and the Politics of Transcendence.” Modern Fiction
Studies 44.1 (1998): 144-63.
Gallou, Claire. “Speaking the Unspeakable: Marlene Nourbese Philip’s
Poetry and the Creation of a New Caribbean Identity.” Paroles
Gelées 20.2 (Spring 2003): 60-66.
Garvey, Johanna X. K. “‘The Place She Miss’: Exile, Memory, and
Resistance in Dionne Brand’s Fiction.” Callaloo 26.2 (Spring
2003): 486-503.
Georgis, Dina. “Mother Nations and the Persistence of ‘Not Here.’”
Canadian Woman Studies 20.2 (Summer 2000): 27-34.
Gingell, Susan. “Canadian Dub.” Chimo 12 (1986): 4-10. <http://
www.unb.ca/CACLALS/chimo12.html>.
———. “Returning to Come Forward: Dionne Brand Confronts Derek
Walcott.” Journal of West Indian Literature 6.2 (May 1994): 43-
53.
———. “Pedagogy and Resistance in the Context of Commonwealth /
Post-Colonial Literatures.” Teaching Post-Colonialism and Post-
Colonial Literatures. Ed. Anne Collett, Lars Jensen, and Anna
Vol. 14, Nos. 1 & 2 315
Rutherford. Aarhus, Denmark: Aarhus UP, 1997. 160-65.
Godard, Barbara. “Marlene Nourbese Philip’s Hyphenated Tongue or
Writing the Caribbean Demotic between Africa and Arctic.” Major
Minorities: English Literatures in Transit. Ed. Raoul Granqvist.
Amsterdam: Rodopi, 1993. 151-75.
———. “From Visions of the Other to Theories of Difference: The
Canadian Literatures.” Resources for Feminist Research 23.1/2
(Spring/Summer 1994): 3-8.
Goddard, Horace-L. “The Immigrants’ Pain: The Socio-Literary
Context of Austin Clarke’s Trilogy.” ACLALS: Bulletin 8.1 (1989):
39-57.
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(Autumn 2004): 13-28.
Gowda, H. H. Anniah. “A Brief Note on the Dialect Novels of Sam
Selvon and Earl Lovelace.” Literary Half Yearly 27.2 (July 1986):
98-103.
Guttman, Naomi. “Dream of the Mother Language: Myth and History
in She Tries Her Tongue, Her Silence Softly Breaks.” Melus 21
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Hamilton, Thomas G. “Inside the Words: The Rise of Dub Poetry.”
MA thesis. University of Calgary, 1986.
Hamner, Robert D. “Overseas Male: Austin Clarke’s Growing up
Stupid under the Union Jack.” CLA Journal 36 (December 1992):
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Harris, Claire. “Choosing Control: An Interview with Claire Harris.”
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———. “Poets in Limbo.” A Mazing Space: Writing Canadian Women
316 Journal of West Indian Literature
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Longspoon, 1986. 115-25.
———. “Mirror, Mirror on the Wall.” Caribbean Women Writers:
Essays from the First International Conference. Ed. Selwyn R.
Cudjoe. Wellesley, MA: Calaloux Publications, 1990. 306-309.
———. “A Sense of Responsibility: An Interview with Claire Harris.”
By Leslie Sanders and Arun Mukherjee. West Coast Line 22.1 (31)
(Spring-Summer 1997): 26-37.
———. “An Interview with Claire Harris.” By Emily Allen Williams.
Wasafiri 32 (Autumn 2000): 41-44.
Harry, Sharmila. “West Indian Immigrant Experience in Canada.”
Thesis. University of West Indies at Mona, Jamaica, 2000.
Heim, Otto. “Reading off the Map; or, What, and Where, Is Experi-
ence in the Writing of Aritha van Herk and M. Nourbese Philip?”
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Dijon, 1999. 129-44.
Henry, Keith S. “An Assessment of Austin Clarke, West Indian-
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Hopkinson, Nalo. “Speaking in Tongues: An Interview with Science-
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———. “An Interview with Nalo Hopkinson.” By Christian Wolff.
MaComère 4 (2001): 26-36.
———. “‘Caught by a…Genre’: An Interview with Nalo Hopkinson.”
By Nancy E. Batty. Ariel 33.1 (January 2002): 175-201.
———. “Making the Impossible Possible: An Interview with Nalo
Hopkinson.” By Alondra Nelson. Social Text 20.2 (June 2002): 97-
113.
———. “A Conversation with Nalo Hopkinson.” By Jene Watson-
Aifah. Callaloo 26.1 (Winter 2003): 160-69.
Vol. 14, Nos. 1 & 2 317
———. “An Interview with Nalo Hopkinson.” By Dianne D. Glave.
Callaloo 26.1 (Winter 2003): 146-59.
Howells, Coral Ann. “Changing the Boundaries of Identity: Shani
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Hunter, Lynette. “After Modernism: Alternative Voices in the Writings
of Dionne Brand, Claire Harris, and Marlene Philip.” University of
Toronto Quarterly 62.2 (Winter 1992/1993): 256-81.
Ingrams, Elizabeth. “The Lonely Londoners: Sam Selvon and the
Literary Heritage.” Wasafiri 33 (Spring 2001): 33-36.
Ippolito, Emilia. Caribbean Women Writers: Identity and Gender.
Rochester, NY: Camden House, 2000.
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duction of the Subject.” The Invention of Canada: Literary Texts
and the Immigrant Imaginary. Toronto: TSAR, 1990. 86-106.
Johnson, Erica L. “Unforgetting Trauma: Dionne Brand’s Haunted
Histories.” Anthurium 2.1 (Spring 2004). <http://scholar.library.
m i a m i . e d u / a n t h u r i u m / v o l u m e _ 2 / i s s u e _ 1 / j o h n s o n -
unforgetting.htm>.
Johnson, Newtona. “Gender and Diasporic Connections in Marlene
Nourbese Philip’s Harriet’s Daughter.” MaComère 3 (2000): 84-
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A Bibliography Of Caribbean-Canadian Literature

  • 1. Vol. 14, Nos. 1 & 2 303 A Bibliography of Caribbean-Canadian Literature Ezra Yoo-Hyeok Lee Al Halool, Musa. “In Quest of Miranda: Towards a Post-Colonial Semantics of Transitive Sex.” Diss. Pennsylvania State U, 1995. Alexis, Andre. “An Interview with Andre Alexis.” By Michael Redhill. Brick 62 (Spring 1999): 50-56. Algoo-Baksh, Stella. Austin C. Clarke. Toronto and Barbados: ECW and U of the West Indies P, 1994. Allahar, Anton L. “Unity and Diversity in Caribbean Ethnicity and Culture.” Canadian Ethnic Studies 25.1 (1993): 70-84. Allen, Lillian. “360 Degrees Black: A Conversation with Lillian Allen.” By Kwame Dawes. West Coast Line 31.1 (Spring/Summer 1997): 78-91. ———. “‘The Message Is the Most Important’: An Interview with Lillian Allen.” By Christian Habekost. Matatu 12 (1994): 47-62. Anatol, Giselle Liza. “A Feminist Reading of Soucouyants in Nalo Hopkinson’s Brown Girl in the Ring and Skin Folk.” Mosaic 37.3 (September 2004): 33-50. Balutansky, Kathleen M. “Naming Caribbean Women Writers.” Callaloo 13.3 (Summer 1990): 539-550. Bandara, Samuel B. “A Bibliography of Theses and Dissertations Written in English on Caribbean Novels.” Commonwealth Novel in English 2.2 (July 1983): 50-94.
  • 2. 304 Journal of West Indian Literature Barratt, Harold. “An Island Is Not a World: A Reading of Sam Sel- von’s An Island Is a World.” Ariel 27.2 (Spring 1996): 25-34. Baugh, Edward. “Friday in Crusoe’s City: The Questions of Language in Two West Indian Novels of Exile.” Language and Literature in Multicultural Contexts. Ed. Satendra Nandan. Suva, Fiji: University of South Pacific, 1983. 44-53. Beittel, Mark, and Giovanna Covi. “Talking of Households: Olive Senior’s Postcolonial Identities.” Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. Ed. Wolf- gang Zach and Ken L. Goodwin. Tübingen: Stauffenberg-Verlag, 1996. 389-97. Bentley, Nick. “Black London: The Politics of Representation in Sam Selvon’s The Lonely Londoners.” Wasafiri 39 (Summer 2003): 41- 45. Billingham, Susan. “Migratory Subjects in Shani Mootoo’s Out on Main Street.” Identity, Community, Nation: Essays on Canadian Writing. Ed. Danielle Schaub and Christl Verduyn. Jerusalem, Israel: Magnes, 2002. 74-88. Birbalsingh, Frank. “Austin Clarke: Caribbean-Canadians.” Frontiers of Caribbean Literatures in English. Ed. Frank Birbalsingh. New York: St. Martin’s, 1996. 86-105. ———. “Cyril Dabydeen: Here and There.” Frontiers of Caribbean Literatures in English. Ed. Frank Birbalsingh. New York: St. Martin’s, 1996. 106-19 ———. “Dionne Brand: No Language Is Neutral.” Frontiers of Caribbean Literatures in English. Ed. Frank Birbalsingh. New York: St. Martin’s, 1996. 120-37. Birbalsingh, F[rank] M., George Lamming, Sam Selvon, Neil Bissoon- dath, and Ismith Khan. “Indo-Caribbean Literature: A Panel Discussion.” Indenture and Exile: The Indo-Caribbean Experience. Ed. Frank Birbalsingh. Toronto: TSAR, 1989. 140-47. Bissoondath, Neil. “Building on Common Ground: An Interview with
  • 3. Vol. 14, Nos. 1 & 2 305 Neil Bissoondath.” By Penny Van Toorn. Canadian Literature 147 (Winter 1995): 127-35. ———. “‘All Voices Belong to Me’: An Interview with Neil Bissoon- dath.” By Laurie Kruk. Canadian Literature 180 (Spring 2004): 53-69. Boland, Eavan, Dionne Brand, Robert Creeley, George Elliott Clarke, and Hugh Brody. “Still More Lost Careers.” Brick 71 (Summer 2003): 109-14. Booth, James, Susheila Natasa, and Owen Knowles. “African, Carib- bean, and Canadian Literature.” The Year’s Work in English Studies 63 (1982): 462-91. Boxill, Anthony. “Women and Migration in Some Short Stories of Bharati Mukherjee and Neil Bissoondath.” Literary Half Yearly 32.2 (July 1991): 43-50. Bramble, Maxine. “‘That Really Wasn’t Me’: A Black, Immigrant, Caribbean Woman’s Attempt to Be/long in the Academy.” Cana- dian Woman Studies 19.3 (Fall 1999): 134-40. Brand, Dionne. “In the Company of My Work: An Interview with Dionne Brand.” By Makeda Silvera. Other Women: Women of Colour in Contemporary Canadian Literature. Ed. Makeda Silvera. Toronto: Sister Vision, 1995. 356-80. ———. “Writing It: Dionne Brand.” By Beverley Daurio. The Power to Bend Spoons: Interviews with Canadian Novelists. Ed. Beverley Daurio. Toronto: Mercury, 1998. 31-41. ———. “Dionne’s Brand of Writing.” Interview by Nuzhat Abbas. Herizons 13.3 (1999): 18-19. ———. “At the Full and Change of CanLit: An Interview with Dionne Brand.” By Leslie Sanders and Rinaldo Walcott. Canadian Woman Studies 20.2 (Summer 2000): 22-26. ———. “Dionne Brand in Conversation.” By Christian Olbey. Ariel 33.2 (Spring 2002): 87-102.
  • 4. 306 Journal of West Indian Literature ———. “Harold Sonny Ladoo.” Brick 72 (Winter 2003): 158-63. ———. “Dionne Brand on Struggle and Community, Possibility and Poetry.” Interview by Pauline Butling. Poets Talk: Conversations with Robert Kroetsch, Daphne Marlatt, Erin Mouré, Dionne Brand, Marie Annharte Baker, Jeff Derksen, and Fred Wah. Eds. Pauline Butling and Susan Rudy. Edmonton: U of Alberta P, 2005. 63-87. Brathwaite, Edward Kamau. “Dionne Brand’s Winter Epigrams.” Canadian Literature 105 (Summer 1985): 18-30. Braziel, Jana Evans. “Nomadism, Diaspora and Deracination in Contemporary Migrant Literatures.” Diss. U of Massachusetts, 2000. ———. “From Port-au-Prince to Montreal to Miami: Trans-American Nomads in Dany Laferrière’s Migratory Texts.” Callaloo 26.1 (Winter 2003): 235-51. ———. “Trans-American Constructions of Black Masculinity: Dany Laferrière, le Nègre, and the Late Capitalist American Racial machine-désirante.” Callaloo 26.3 (Summer 2003): 867-900. ———. “‘C’est moi l’Amérique’: Canada, Haiti and Dany Laferrière’s Port-au-Prince/Montréal/Miami Textual Transmigrations of the Hemisphere.” Comparative American Studies 3.1 (March 2005): 29-46. Brown, Lloyd W. “The West Indian Novel in North America: A Study of Austin Clarke.” Journal of Commonwealth Literature 9 (1970): 89-103. ———. Eldorado and Paradise: Canada and the Caribbean in Austin Clarke’s Fiction. London, ON: Centre for Social and Humanistic Studies, 1989. Brown, Wayne. “‘A Greatness and a Vastness’: The Search for God in the Fiction of Sam Selvon.” Ariel 27 (April 1996): 35-46. Brydon, Diana. “Caribbean Revolution and Literary Convention.”
  • 5. Vol. 14, Nos. 1 & 2 307 Canadian Literature 95 (Winter 1982): 181-85. ———. “Reading Dionne Brand’s ‘Blues Spiritual for Mammy Prater.’” Inside the Poem: Essays and Poems in Honour of Donald Stephens. Ed. W. H. New. Toronto: Oxford UP, 1992. 81-87. ———. “One Poem Town? Contemporary Canadian Cultural De- bates.” Voices of Power: Co-Operation and Conflict in English Language and Literatures. Ed. Marc Maufort and Jean Pierre van Noppen. Liege, Belgium: L3-Liege Language and Literature, for Belgian Association of Anglists in Higher Education, 1997. 211- 20. ———. “Detour Canada: Rerouting the Black Atlantic, Reconfiguring the Postcolonial.” Reconfigurations: Canadian Literatures and Postcolonial Identities / Littératures Canadiennes et Identités Postcoloniales. Ed. Marc Maufort and Franca Bellarsi. Brussels, Belgium: Peter Lang, 2002. 109-22. Brydon, Diana. “Postcolonial Gothic: Ghosts, Iron and Salt in Dionne Brand’s At the Full and Change of the Moon.” Ebony, Ivory, and Tea. Ed. Zbigniew Bialas and Krzysztof Kowalczyk-Twarowski. Katowice, Poland: Wydawnictwo Uniwersytetu Slaskiego, 2004. 211-72. Bucknor, Michael Andrew. “Body-Vibes: (S)pacing the Performance in Lillian Allen’s Dub Poetry.” Thamyris: Mythmaking from Past to Present 5.2 (Autumn 1998): 301-22. ———. “Caribbean and Canadian Literature.” Encyclopedia of Cana- dian Literature. Ed. W. H. New. Toronto: U of Toronto P, 2002. 178-80. Budde, Robert. “After Postcolonialism: Migrant Lines and the Politics of Form in Fred Wah, M. Nourbese Philip, and Roy Miki.” Is Canada Postcolonial? Unsettling Canadian Literature. Ed. Laura Moss. Waterloo, ON: Wilfrid Laurier UP, 2003. 282-94. Burwell, Jennifer, and Nancy Johnston. “A Dialogue on SF and Utopian Fiction between Nalo Hopkinson and Élisabeth Vonar-
  • 6. 308 Journal of West Indian Literature bug.” Foundation 81 (2001): 40-47. Buzelin, Helene. “Creolizing Narratives across Languages: Selvon and Chamoiseau.” Canadian Literature 175 (Winter 2002): 67-94. Cáliz-Montoro, Carmen. “Poetry Is Not Made of Words: A Study of Aesthetics of the Borderlands in Gloria Anzaldúa and Marlene Nourbese Philip.” Diss. U of Toronto, 1996. Carmichael, Trevor A. Passport to the Heart: Reflections on Canada Caribbean Relations. Kingston, Jamaica: Ian Randle Publishers, 2001. Carmona Rodríguez, Pedro M. “Men Don’t Have Nothing Like Virgin- ity: Migration, Refraction, and Black Masculine Performance in Austin Clarke’s The Question.” Revista Alicantina de Estudios Ingleses 16 (November 2003): 21-34. Carr, Brenda. “To ‘Heal the Word Wounded’: Agency and the Materi- ality of Language and Form in M. Nourbese Philip’s She Tries Her Tongue, Her Silence Softly Breaks.” Studies in Caribbean Litera- ture 19.1 (1994): 72-94. ———. “‘Come Mek Wi Work Together’: Community Witness and Social Agency in Lillian Allen’s Dub Poetry.” Ariel 29.3 (July 1998): 7-40. Carrier, Marie. “L’Errance identitaire dans les texts migrants du Québec et du Canada anglais.” Études Canadiennes / Canadian Studies: Revue Interdisciplinaire des Études Canadiennes en France 54 (2003): 93-103. Carty, Linda, and Dionne Brand. “Visible Minority Women: A Crea- tion of the Canadian State.” Returning the Gaze: Essays on Ra- cism, Feminism and Politics. Ed. Himani Bannerji. Toronto: Sister Vision P, 1993. 169-81. Resources for Feminist Research 17.3 (1988): 39-42. Casas, Maria. “Codes as Identity: The Bilingual Representation of a Fragmented Literary Subject.” Language and Discourse 2 (1994): 54-61.
  • 7. Vol. 14, Nos. 1 & 2 309 ———. “Orality and Literacy in a Postcolonial World.” Social Semiot- ics 8.1 (April 1998): 5-24. ———. “Orality and the Body in the Poetry of Lillian Allen and Dionne Brand: Towards an Embodied Social Semiotics.” Ariel 33.2 (Spring 2002): 7-32. ———. “Whose Rhythm? Textualized Riddim in Lillian Allen’s Women Do This Every Day.” Essays on Canadian Writing 83 (Fall 2004): 167-87. Casteel, Sarah Phillips. “New World Pastoral: The Caribbean Garden and Emplacement in Gisele Pineau and Shani Mootoo.” Interven- tions 5.1 (2003): 12-28. Chancy, Myriam J. A. Searching for Safe Spaces: Afro Caribbean Women Writers in Exile. Philadelphia: Temple UP, 1997. Clarke, Austin C. “Some Speculations as to the Absence of Racialistic Vindictiveness in West Indian Literature.” The Black Writer in Africa and the Americas. Ed. Lloyd W. Brown. Los Angeles: Hennessey and Ingalls, 1973. 165-94. ———. “In the Semi-Colon of the North.” Canadian Literature 95 (Winter 1982): 30-37. ———. “Interview with Austin Clarke.” By Terrence Craig. World Literature Written in English 26.1 (Spring 1986): 115-27. ———. “In Barbados Evening Shadows Are Blue: An Interview with Austin Clarke.” By Gianfranca Balestra. Caribana 5 (1996): 19-37. ———. “Austin Clarke in Conversation.” Interview by Patricia Robertson. Wasafiri 40 (Winter 2003): 45-50. Clarke, Austin, Jan Carew, Ramabai Espinet, Ismith Khan, and Frank Birbalsingh. “Sam Selvon: A Celebration.” Ariel 27.2 (April 1996): 49-63. Clarke, George Elliott. “Must All Blackness Be American? Locating Canada in Borden’s ‘Tightrope Time,’ or Nationalizing Gilroy’s The Black Atlantic.” Canadian Ethnic Studies 28.3 (1996): 56-71.
  • 8. 310 Journal of West Indian Literature ———. “Clarke vs. Clarke: Tory Elitism in Austin Clarke’s Short Fiction.” West Coast Line 22.1 (Spring 1997): 110-28. ———. “Harris, Philip, Brand: Three Authors in Search of Literate Criticism.” Journal of Canadian Studies 35.1 (Spring 2000): 161- 89. Clemente, Bill. “Tan-Tan’s Exile and Odyssey in Nalo Hopkinson’s Midnight Robber.” Foundation Summer 2004: 10-24. Coates, Carrol F., ed. “Dany Laferrière: Fiction Writer: A Special Section.” Callaloo 22.4 (Fall 1999): 901-49. Cole, Susan G. “Dionne Brand: Poetic Power Energizes T. O. Novel- ists [sic] Post-Slavery Portraits.” NOW April 8, 1999 <http://www. nowtoronto.com/issues/18/32/Ent/cover.html>. Coleman, Daniel. Masculine Migrations: Reading the Postcolonial Male in “New Canadian” Narratives. Toronto: U of Toronto P, 1998. Collett, Anne. “Gardening in the Tropics: A Horticultural Guide to Caribbean Politics and Poetics with Special Reference to the Poetry of Olive Senior.” Span 46 (April 1998): 87-103. Collier, Gordon. “Spaceship Creole: Nalo Hopkinson, Canadian- Caribbean Fabulist Fiction, and Linguistic/Cultural Syncretism.” Matatu 27-28 (2003): 443-56. Condé, Mary. “The Flight from Certainty in Shani Mootoo’s Cereus Blooms at Night.” Flight from Certainty: The Dilemma of Identity and Exile. Ed. Anne Luyat and Francine Tolron. Amsterdam, Netherlands: Rodopi, 2001. 63-70. Cook, Méira. “Partisan Body: Performance and the Female Body in Dionne Brand’s No Language Is Neutral.” Open Letter 9.2 (1995): 88-91. ———. “In Between: Dionne Brand’s Poetics of Love and Resis- tance.” Writing Lovers: Reading Canadian Love Poetry by Women. Montreal: McGill-Queen’s UP, 2005. 79-107.
  • 9. Vol. 14, Nos. 1 & 2 311 Cooper, Afua. “Finding My Voice.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe. Wellesley, MA: Calaloux Publications, 1990. 301-305. Cuder-Dominguez, Pilar. “African Canadian Writing and the Narration (s) of Slavery.” Essays on Canadian Writing 79 (Spring 2003): 55- 74. Dabydeen, Cyril. “The Bowl to Apollo: The Indo-Caribbean Imagina- tion in Canada.” Canadian Ethnic Studies 21.1 (1989): 106-14. ———. “Telephone Message for Mr. Jayanta Mahapatra: A Memoir.” World Literature Written in English 32.1 (Spring 1992): 88-95. ———. “Where Doth the Berbice Run.” World Literature Today 68.3 (Summer 1994): 451-56. ———. “Places We Come From: Voices of Caribbean Canadian Writers (in English) and Multicultural Contexts.” World Literature Today 73.2 (Spring 1999): 231-37. ———. “A Conversation with Cyril Dabydeen.” By Judith Misrahi- Barak. Commonwealth: Essays and Studies 23.2 (Spring 2001): 107-13. Dafoe, Chris. “Allen Pushes Dub Poetry Far beyond Reggae Roots.” [Toronto] Globe and Mail April 5, 1988: A23. Dash, J. Michael. The Other America: Caribbean Literature in a New World Context. Charlottesville: UP of Virginia, 1998. Davies, Carole Boyce. Black Women, Writing and Identity: Migrations of the Subject. London: Routledge, 1994. Dawes, Kwame, ed. Talk Yuh Talk: Interviews with Anglophone Caribbean Poets. Charlottesville, NC: UP of Virginia, 2001. Deslauriers, Pierre. “African Magico-Medicine at Home and Abroad: Haitian Religious Traditions in a Neocolonial Setting: The Fiction of Dany Laferrière and Russell Banks.” Mapping the Sacred: Religion, Geography and Postcolonial Literatures. Ed. Jamie S. Scott and Paul Simpson-Housley. Amsterdam: Rodopi, 2001. 337-
  • 10. 312 Journal of West Indian Literature 53. Dickinson, Peter. “In Another Place, Not Here: Dionne Brand’s Politics of (Dis)Location.” Here is Queer: Nationalisms, Sexuali- ties, and the Literatures of Canada. Toronto: U of Toronto P, 1999. 156-72. ———. “Here Is Queer: Nationalisms, Sexualities, and the Literatures of Canada.” Journal of the History of Sexuality 10.2 (2001): 316- 20. Dickison, Swift-Stiles. “Transnational Carnival and Creolized Garden: Caribbean Cultural Identity and Rooting in the Narratives of Sam Selvon and Merle Hodge.” Diss. Washington State U, 1994. ———. “Sam Selvon’s ‘Harlequin Costume’: Moses Ascending, Masquerade, and the Bacchanal of Self-Creolization.” Melus 21.3 (Fall 1996): 69-106. Donnell, Alison. “The Short Fiction of Olive Senior.” Caribbean Women Writers: Fiction in English. Ed. Mary Condé and Thorun Lonsdale. New York: St. Martin’s P, 1999. 117-43. Dorscht, Susan Rudy. “Decolonizing Canadian Writing: Why Gender? Whose English? When Canada?” Essays on Canadian Writing 54 (Winter 1994): 124-52. Dubois, Dominique. “Alienation, Despair and Resilience: The Story of Black Women Immigrants in Her Head a Village by Makeda Silvera.” Alizes: Revue Angliciste de la Réunion 22 (June 2002): 77-93. Dyer, Rebecca. “Immigration, Postwar London, and the Politics of Everyday Life in Sam Selvon’s Fiction.” Cultural Critique 52 (Fall 2002):108-44. Early, L. R. “The Two Novels of Harold Ladoo.” World Literature Written in English 15 (1976): 174-84. Ekotto, Frieda. “Shamelessness as a Creative Mechanism in Jean Genet’s Notre Dame des Fleurs and Dany Laferrière’s Comment
  • 11. Vol. 14, Nos. 1 & 2 313 faire l’amour avec un Nègre sans se fatiguer.” Esprit Createur 39.4 (Winter 1999): 80-89. Eldredge, Michael. “‘Why Did You Leave There?’ Lillian Allen’s Geography Lesson.” Diaspora 3.2 (Fall 1994): 169-83. Espinet, Ramabai. “The Invisible Woman in West Indian Fiction.” World Literature Written in English 29.2 (Autumn 1989): 116-26. Essar, Dennis-F. “Time and Space in Dany Laferrière’s Autobio- graphical Haitian Novels.” Callaloo 22.4 (Fall 1999): 930-46. Fabre, Michel. “Changing the Metropolis or Being Changed by It: Toronto West Indians in Austin Clarke’s Trilogy.” Recherches Anglaises et Nord Americaines 24 (1991): 129-35. Firth, Kathleen. “Home is No-Place: Neil Bissoondath’s A Casual Brutality.” Tricks with a Glass: Writing Ethnicity in Canada. Ed. Rocio G. Davis and Rosalia Baena. Amsterdam: Rodopi, 2000. 59- 69. ———. “Resisting the Bible and the Whip: Trinidad’s East Indians and the Canadian Presbyterian Missions.” Colonies, Missions, Cultures in the English Speaking World: General and Comparative Studies. Ed. Gerhard Stilz. Tübingen, Germany: Stauffenburg, 2001. 168-77. Foster, Cecil. “All Icons Are Mine, Too.” Defining Ourselves: Black Writers in the 90s. Ed. Elizabeth Nunez and Brenda M. Greene. New York: Peter Lang, 1999. 87-90. ———. “Jan Carew and the Reconstruction of the Canadian Mosaic.” Race and Class 43.3 (January-March 2002): 3-17. Forster, Sophia. “‘Inventory Is Useless Now but Just to Say’: The Politics of Ambivalence in Dionne Brand’s Land to Light On.” Studies in Canadian Literature 27.2 (2002): 160-82. Fraile, Ariceli Maria Gaton. “Writing Double Displacements and Epiphanic Movements in Neil Bissoondath’s A Casual Brutality.” Ensayos Literarios Anglocanadienses. Ed. Juan Ignacio Oliva,
  • 12. 314 Journal of West Indian Literature Elena Sanchez, Luz Gonzalez, and Isaias Naranjo. La Laguna, Spain: Universidad de La Laguna, 2002. 51-62. Freiwald, Bina Toledo. “Cartographies of Be/Longing: Dionne Brand’s In Another Place, Not Here.” Mapping Canadian Cultural Space: Essays on Canadian Literature. Ed. Danielle Schaub. Jerusalem, Israel: Magnes, 1998. 37-53. Fumagalli, Maria Cristina. “‘The Smallest Cell Remembers’: She Tries Her Tongue, Her Silence Softly Breaks and Marlene Nourbese Philip’s Journey Back to Africa.” EnterText 3.2 (Fall 2003): 162- 79. Fung, Richard. “Bodies out of Place: The Videotapes of Shani Mootoo.” Women and Performance 8.2 (16) (1996): 160-73. Gadsby, Meredith. “‘I Suck Coarse Salt’: Caribbean Women Writers in Canada and the Politics of Transcendence.” Modern Fiction Studies 44.1 (1998): 144-63. Gallou, Claire. “Speaking the Unspeakable: Marlene Nourbese Philip’s Poetry and the Creation of a New Caribbean Identity.” Paroles Gelées 20.2 (Spring 2003): 60-66. Garvey, Johanna X. K. “‘The Place She Miss’: Exile, Memory, and Resistance in Dionne Brand’s Fiction.” Callaloo 26.2 (Spring 2003): 486-503. Georgis, Dina. “Mother Nations and the Persistence of ‘Not Here.’” Canadian Woman Studies 20.2 (Summer 2000): 27-34. Gingell, Susan. “Canadian Dub.” Chimo 12 (1986): 4-10. <http:// www.unb.ca/CACLALS/chimo12.html>. ———. “Returning to Come Forward: Dionne Brand Confronts Derek Walcott.” Journal of West Indian Literature 6.2 (May 1994): 43- 53. ———. “Pedagogy and Resistance in the Context of Commonwealth / Post-Colonial Literatures.” Teaching Post-Colonialism and Post- Colonial Literatures. Ed. Anne Collett, Lars Jensen, and Anna
  • 13. Vol. 14, Nos. 1 & 2 315 Rutherford. Aarhus, Denmark: Aarhus UP, 1997. 160-65. Godard, Barbara. “Marlene Nourbese Philip’s Hyphenated Tongue or Writing the Caribbean Demotic between Africa and Arctic.” Major Minorities: English Literatures in Transit. Ed. Raoul Granqvist. Amsterdam: Rodopi, 1993. 151-75. ———. “From Visions of the Other to Theories of Difference: The Canadian Literatures.” Resources for Feminist Research 23.1/2 (Spring/Summer 1994): 3-8. Goddard, Horace-L. “The Immigrants’ Pain: The Socio-Literary Context of Austin Clarke’s Trilogy.” ACLALS: Bulletin 8.1 (1989): 39-57. Godin, Jean Cleo. “Anne Hebert: Rebirth in the Word.” Trans. Rose- mary Brown. Yale French Studies 45 (1970): 137-53. Goldman, Marlene. “Mapping the Door of No Return: Deterritorializa- tion and the Work of Dionne Brand.” Canadian Literature 182 (Autumn 2004): 13-28. Gowda, H. H. Anniah. “A Brief Note on the Dialect Novels of Sam Selvon and Earl Lovelace.” Literary Half Yearly 27.2 (July 1986): 98-103. Guttman, Naomi. “Dream of the Mother Language: Myth and History in She Tries Her Tongue, Her Silence Softly Breaks.” Melus 21 (Fall 1996): 53-68. Hamilton, Thomas G. “Inside the Words: The Rise of Dub Poetry.” MA thesis. University of Calgary, 1986. Hamner, Robert D. “Overseas Male: Austin Clarke’s Growing up Stupid under the Union Jack.” CLA Journal 36 (December 1992): 123-33. Harris, Claire. “Choosing Control: An Interview with Claire Harris.” By Monty Reid. Waves: Fine Canadian Writing 13.1 (Fall 1984): 37-41. ———. “Poets in Limbo.” A Mazing Space: Writing Canadian Women
  • 14. 316 Journal of West Indian Literature Writing. Ed. Shirley Neuman and Smaro Kamboureli. Edmonton: Longspoon, 1986. 115-25. ———. “Mirror, Mirror on the Wall.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe. Wellesley, MA: Calaloux Publications, 1990. 306-309. ———. “A Sense of Responsibility: An Interview with Claire Harris.” By Leslie Sanders and Arun Mukherjee. West Coast Line 22.1 (31) (Spring-Summer 1997): 26-37. ———. “An Interview with Claire Harris.” By Emily Allen Williams. Wasafiri 32 (Autumn 2000): 41-44. Harry, Sharmila. “West Indian Immigrant Experience in Canada.” Thesis. University of West Indies at Mona, Jamaica, 2000. Heim, Otto. “Reading off the Map; or, What, and Where, Is Experi- ence in the Writing of Aritha van Herk and M. Nourbese Philip?” Ed. Jean Pierre Durix. Theory and Literary Creation / Théorie et Création Littéraire. Dijon, France: Éditions Universitaires de Dijon, 1999. 129-44. Henry, Keith S. “An Assessment of Austin Clarke, West Indian- Canadian Novelist.” CLA Journal 29 (September 1985): 9-32. Hopkinson, Nalo. “Speaking in Tongues: An Interview with Science- Fiction Writer Nalo Hopkinson.” By Gregory E. Rutledge. African American Review 33.4 (1999): 589-601. ———. “An Interview with Nalo Hopkinson.” By Christian Wolff. MaComère 4 (2001): 26-36. ———. “‘Caught by a…Genre’: An Interview with Nalo Hopkinson.” By Nancy E. Batty. Ariel 33.1 (January 2002): 175-201. ———. “Making the Impossible Possible: An Interview with Nalo Hopkinson.” By Alondra Nelson. Social Text 20.2 (June 2002): 97- 113. ———. “A Conversation with Nalo Hopkinson.” By Jene Watson- Aifah. Callaloo 26.1 (Winter 2003): 160-69.
  • 15. Vol. 14, Nos. 1 & 2 317 ———. “An Interview with Nalo Hopkinson.” By Dianne D. Glave. Callaloo 26.1 (Winter 2003): 146-59. Howells, Coral Ann. “Changing the Boundaries of Identity: Shani Mootoo, Cereus Blooms at Night.” Contemporary Canadian Women’s Fiction: Refiguring Identities. New York: Palgrave Macmillan, 2003. 143-66. Hunter, Lynette. “After Modernism: Alternative Voices in the Writings of Dionne Brand, Claire Harris, and Marlene Philip.” University of Toronto Quarterly 62.2 (Winter 1992/1993): 256-81. Ingrams, Elizabeth. “The Lonely Londoners: Sam Selvon and the Literary Heritage.” Wasafiri 33 (Spring 2001): 33-36. Ippolito, Emilia. Caribbean Women Writers: Identity and Gender. Rochester, NY: Camden House, 2000. Itwaru, Arnold H. “Austin Clarke: Being and Nonbeing and the Pro- duction of the Subject.” The Invention of Canada: Literary Texts and the Immigrant Imaginary. Toronto: TSAR, 1990. 86-106. Johnson, Erica L. “Unforgetting Trauma: Dionne Brand’s Haunted Histories.” Anthurium 2.1 (Spring 2004). <http://scholar.library. m i a m i . e d u / a n t h u r i u m / v o l u m e _ 2 / i s s u e _ 1 / j o h n s o n - unforgetting.htm>. Johnson, Newtona. “Gender and Diasporic Connections in Marlene Nourbese Philip’s Harriet’s Daughter.” MaComère 3 (2000): 84- 93. Joseph, Clara A. B. “Nation Because of Differences.” Research in African Literatures 32.2 (2001): 57-70. Kamboureli, Smaro. “Signifying Contamination: On Austin Clarke’s Nine Men Who Laughed.” Essays on Canadian Writing 57 (Winter 1995): 212-34. Kaup, Monika. “West Indian Canadian Writing: Crossing the Border from Exile to Immigration.” Essays on Canadian Writing 57 (Winter 1995): 171-94.
  • 16. 318 Journal of West Indian Literature Kinnahan, Linda A. “Our Visible Selves: Visual-Verbal Collaborations in Erica Hunt, Alison Saar, and M. Nourbese Philip.” Lyric Inter- ventions: Feminism, Experimental Poetry, and Contemporary Discourse. Iowa City: U of Iowa P, 2004. 80-131. Kuwabong, Dannabang. “Apocrypha of Nanny’s Secrets: The Rhetoric of Recovery in Africaribbean Women’s Poetry.” Diss. McMaster University, 1997. ———. “Reading the Gospel of Bakes: Daughters’ Representations of Mothers in the Poetry of Claire Harris and Lorna Goodison.” Canadian Woman Studies 18.2-3 (Summer/Fall 1998): 132-38. ———. “The Mother as Archetype of Self: A Poetics of Matrilineage in the Poetry of Claire Harris and Lorna Goodison.” Ariel 30.1 (January 1999): 105-29. Lacovia, R. M. “Migration and Transmutation in the Novels of McKay, Marshall, and Clarke.” Journal of Black Studies 7 (1977): 437-54. Laferrière, Dany. “An Interview with Dany Laferrière.” By Carrol F. Coates. Callaloo 22.4 (Fall 1999): 910-21. Laigle, Geneviève. “Toronto et les immigrants antillais dans Nine Men Who Laughed d’Austin Clarke.” La Ville plurielle dans la fiction antillaise anglophone: Images de l'interculturel. Ed. Corinne Duboin and Eric Tabuteau. Toulouse, France: PU du Mirail, 2000. 94-114. Lazier, Kate. “Political Songwriters.” Canadian Composer May 1989: 20-23, 42-43. Lindeman, Yehudi. “Old for New: Narratives of Changing Identity in Three ‘New’ Canadian Authors.” Identity, Community, Nation: Essays on Canadian Writing. Ed. Danielle Schaub and Christl Verduyn. Jerusalem, Israel: Magnes, 2002. 183-97. Looker, Mark. Atlantic Passages: History, Community, and Language in the Fiction of Sam Selvon. New York: Peter Lang, 1996.
  • 17. Vol. 14, Nos. 1 & 2 319 Lucas, M. Belen Martin. “Psychic Spaces of Childhood: Jamaican- Canadian Short Story Cycles.” International Journal of Canadian Studies / Revue Internationale d’Études Canadiennes 18 (Fall 1998): 93-111. Luft, Joanna. “Elizete and Verlia Go to Toronto: Caribbean Immigrant Sensibilities at ‘Home’ and Overseas in Dionne Brand’s In Another Place, Not Here.” Essays on Canadian Writing (Fall 2002): 26-49. Mahabir, Joy A. I. Miraculous Weapons: Revolutionary Ideology in Caribbean Culture. New York: Peter Lang, 2003. Mair, Christian. “Contrasting Attitudes towards the Use of Creole in Fiction: A Comparison of Two Early Novels by V. S. Naipaul and Sam Selvon.” Crisis and Creativity in the New Literatures in English: Cross/Cultures. Ed. Geoffrey V. Davis and Hena Maes- Jelinek. Amsterdam: Rodopi, 1990. 133-49. Marriott, David. “Figures of Silence and Orality in the Poetry of M. NourbeSe Philip.” Framing the Word: Gender and Genre in Caribbean Women’s Writing. Ed. Joan Anim-Addo. London: Whiting and Birch, 1996. 72-85. Martin, John Stephen. “The Odyssey of Sam Selvon's Moses Zach.” Nationalism vs. Internationalism: (Inter)National Dimensions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin. Tübingen, Germany: Stauffenburg, 1996. 399-405. May, Vivian M. “Dislocation and Desire in Shani Mootoo’s Cereus Blooms at Night.” Studies in the Literary Imagination. 37.2 (Fall 2004): 97-122. McAlpine, Kirstie. “Narratives of Silence: Marlene Nourbese Philip and Joy Kogawa.” The Guises of Canadian Diversity: New Euro- pean Perspectives / Les Masques de la diversité canadienne: Nouvelles perspectives Européennes. Eds. Serge Jaumain and Marc Maufort. Amsterdam: Rodopi, 1995. 133-42. McCallum, Pamela, and Christian Olbey. “Written in the Scars: History, Genre, and Materiality in Dionne Brand’s In Another
  • 18. 320 Journal of West Indian Literature Place, Not Here.” Essays on Canadian Writing 68 (Summer 1999): 159-82. McGoogan, Ken. “Saying Goodbye to Sam Selvon.” Ariel 27.2 (1996): 65-76. McKittrick, Katherine. “‘Who Do You Talk to, When a Body’s in Trouble? M. Nourbese Philip’s (Un)silencing of Black Bodies in the Diaspora.” Social & Cultural Geography 1.2 (December 2000): 223-36. McLeod, A. L. “The Fictions of Cyril Dabydeen.” Literary Half Yearly 34.1 (January 1993): 25-40. ———. “The Fictions of Cyril Dabydeen.” SPAN 36 (October 1993): 424-35. ———. “The Poetry of Cyril Dabydeen.” Literary Half Yearly 35.1 (January 1994): 17-27. ———. “Cyril Dabydeen: From National to Multicultural Voice.” Commonwealth: Essays and Studies 19.1 (Autumn 1996): 76-85. ———. “Cyril Dabydeen: Reconciling Identities.” Commonwealth: Essays and Studies 23.1 (Autumn 2000): 81-88. Mehta, Brinda J. “Indo-Trinidadian Fiction: Female Identity and Creative Cooking.” Alif 19 (1999): 151-84. Miller, Christanne. “M. Nourbese Philip and the Poetics / Politics of Silence.” Semantics of Silences in Linguistics and Literature. Ed. Gudrun M. Grabher and Ulrike Jessner. Heidelberg: Winter, 1996. 139-60. Milz, Sabine. “Comparative Cultural Studies and Ethnic Minority Writing Today: The Hybridities of Marlene Nourbese Philip and Emine Sevgi Özdamar.” CLCWeb 2.2 (June 2000). <http:// clcwebjournal.lib.purdue.edu/clcweb00-2/milz00.html> . Misrahi-Barak, Judith. “The Cityscape in a Few Caribbean-Canadian Short Stories.” Journal of the Short Story in English 31 (Autumn 1998): 9-22.
  • 19. Vol. 14, Nos. 1 & 2 321 ———. “Beginners’ Luck among Caribbean-Canadian Writers: Nalo Hopkinson, Andre Alexis and Shani Mootoo.” Commonwealth: Essays and Studies 22.1 (Autumn 1999): 89-96. Mordecai, Pamela C. “The West Indian Male Sensibility in Search of Itself: Some Comments on Nor Any Country, The Mimic Men, and The Secret Ladder.” World Literature Written in English 21.3 (Autumn 1982): 629-44. ———. “Publishing in the Caribbean: An Interview with Pamela Mordecai.” By Holger G. Ehling. Matatu: Journal for African Culture and Society 12 (1994): 171-77. Mordecai, Pam[ela], and Betty Wilson, eds. “Introduction.” Women Poets of the Caribbean. Spec. issue of Literary Review 35.4 (Summer 1992): 445-48. Morell, Carol. “Contradicting: The Work of M. Nourbese Philip.” CRNLE Reviews Journal 1 (1994): 57-61. Morton, Stephen. “Postcolonial Poetics and the Trauma of Slavery in Marlene Nourbese Philip’s She Tries Her Tongue, Her Silence Softly Breaks.” Atlantic Literary Review 3.2 (Spring 2002): 92-109. Mukherjee, Arun P. “The Poetry of Michael Ondaatje and Cyril Dabydeen: Two Responses to Otherness.” Journal of Common- wealth Literature 20.1 (1985): 49-67. Nancoo, Stephen E., Robert S. Nancoo, and Stephen N. Nancoo, eds. Indo-Caribbean-Canadian Who’s Who: Profiles of Achievement. Mississauga, ON: Canadian Educators P, 1995. Narain, Denise Decaires. “‘Body language’ in the Work of Four Caribbean Women Poets.” Women: A Cultural Review 2 (Winter 1991): 277-86. Nasta, Susheila, ed. Critical Perspectives on Sam Selvon. Washington, DC: Three Continents, 1988. Nielsen, Aldon Lynn. C. L. R. James: A Critical Introduction. Jackson, MS: UP of Mississippi, 1997.
  • 20. 322 Journal of West Indian Literature O’Callaghan, Evelyn. Woman Version: Theoretical Approaches to West Indian Fiction by Women. New York: St. Martin’s P, 1993. Omhovere, Claire. “Sasquatch Quatsch: Cultural Hybridity in Suzette Mayr’s The Widows.” Writing Canadians: The Literary Construc- tion of Ethnic Identities. Ed. Martin Kuester and Wolfram R. Keller. Marburg, Germany: Universitatsbibliothek Marburg, 2002. 121-33. Pal, Sunanda. “Celebration of the Black Being in Claire Harris’s The Conception of Winter and Drawing Down a Daughter.” Intersex- ions: Issues of Race and Gender in Canadian Women’s Writing. Ed. Coomi S. Vevaina and Barbara Godard. New Delhi: Creative, 1996. 131-41. Persaud, Sasenarine. “I Hear a Voice, Is It Mine? Yogic Realism and Writing the Short Story.” World Literature Today 74.3 (Summer 2000): 529-39. Petersen, Katie. “Defying Categorization: The Work of Suzette Mayr.” Canadian Woman Studies 23.2 (Winter 2004): 71-75. Philip, M. Nourbese. “Managing the Unmanageable.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe. Wellesley, MA: Calaloux Publications, 1990. 295-300. ———. “Dis Place the Space Between.” Feminist Measures: Sound- ings in Poetry and Theory. Ed. Lynn Keller and Christanne Miller. Ann Arbor: U of Michigan P, 1994. 287-316. ———. “The Habit of: Poetry, Rats, and Cats.” A Poetics of Criticism. Ed. Juliana Spahr, Mark Wallace, Kristin Prevallet, and Pam Rehm. Buffalo: Leave, 1994. 209-13. ———. “The Disappearing Debate: Or, How the Discussion of Ra- cism Has Been Taken Over by the Censorship Issue.” Borrowed Power: Essays on Cultural Appropriation. Ed. Bruce Ziff and Pratima V. Rao. New Brunswick, NJ: Rutgers UP, 1997. 97-108. ———. “Earth and Sound: The Place of Poetry.” The Word behind
  • 21. Vol. 14, Nos. 1 & 2 323 Bars and the Paradox of Exile. Ed. Kofi Anyidoho. Evanston, IL: Northwestern UP, 1997. 169-82. ———. “Searching for Space: A Conversation with M. Nourbese Philip, 18 May, 1996.” Interview with Coomi S. Veviana. Open Letter 9th ser. 9.9 (1997): 17. ———. “Race, Space, and the Poetics of Moving.” Caribbean Creoli- zation: Reflections on the Cultural Dynamics of Language, Litera- ture, and Identity. Ed. Kathleen M. Balutansky and Marie Agnes Sourieau. Gainesville, FL: UP of Florida, 1998. 129-53. ———. “Interview with an Empire.” Assembling Alternatives: Read- ing Postmodern Poetries Transnationally. Ed. Romana Huk. Middletown, CT: Wesleyan UP, 2003. 195-206. ———. “A Poet of Place: An Interview with M. Nourbese Philip.” By Kristen Mahlis. Callaloo 27.3 (Summer 2004): 682-97. Pigeon, Elaine. “Speaking Her Difference: Marlene Nourbese Philip’s She Tries Her Tongue.” Postscript 4.2 (Summer 1998): 3-11. Priestley-Brown, Sylvia M. “Dionne Brand: The New Wave Writing That Hates Suffering.” Open Letter 9 (1994): 97-102. Prince, Althea. “Holding onto the Core: An Interview with Althea Prince.” By Robyn Gillam. Paragraph 18.3 (Winter 1996): 3-8. ———. “Holding onto the Core: Althea Prince.” Interview by Robyn Gillam. The Power to Bend Spoons: Interviews with Canadian Novelists. Ed. Beverley Daurio. Toronto: Mercury, 1998. 122-31. ———. “How Shall We Sing the Lord’s Song in a Strange Land? Constructing the Divine in Caribbean Contexts.” Nation Dance: Religion, Identity, and Cultural Difference in Caribbean. Ed. Patrick Taylor. Bloomington: Indiana UP, 2001. 25-31. Prophete, Jean L. “Dany Laferrière and the Autobiography of Disor- derly Past Times.” Trans. Carrol F. Coates. Callaloo 22.4 (Fall 1999): 947-49. Puri, Shalini. “Race, Rape, and Representation: Indo-Caribbean
  • 22. 324 Journal of West Indian Literature Women and Cultural Nationalism.” Cultural Critique 36 (Spring 1997): 119-63. Putnam, Amanda. “Mothering the Motherless: Portrayals of Alterna- tive Mothering Practices within the Caribbean Diaspora.” Cana- dian Woman Studies 23.2 (Winter 2004): 118-23. Quigley, Margaret Ellen. “Desiring Intersubjects: Lesbian Poststruc- turalism in Writing by Nicole Brossard, Daphne Marlatt, and Dionne Brand.” Diss. U of Alberta, 2000. Ramchand, Kenneth. “Celebrating Sam Selvon.” Journal of Modern Literature 20 (Summer 1996): 45-50. Ramraj, Ruby. “Power Relationships and Femininity in Nalo Hopkin- son’s The Salt Roads.” Foundation 91 (Summer 2004): 25-35. Ramraj, Victor J. “Temporizing Laughter: The Later Stories of Austin Clarke.” Short Fiction in the New Literatures in English: Proceed- ings of the Nice Conference of the European Association for Commonwealth Literature and Language Studies. Ed. J. Bardolph. Nice: Fac. des Lettres et Sciences Humaines, 1989. 27-31. ———, ed. “Tribute to Sam Selvon.” Ariel 27.2 (April 1996). ———. “West Indian-Canadian Writing in English.” International Journal of Canadian Studies (Spring 1996): 163-68. ———. “Caribbean-Canadian Literature in English.” Oxford Compan- ion to Canadian Literature. Ed. Eugene Benson and William Toye. Toronto: Oxford UP, 1997. 172-73. Rashid, Ian Iqbal. “Introduction to the Videos of Shani Mootoo.” Wide Angle 17.1-4 (1995): 341-42. Razack, Sherene. “Policing the Borders of Nation: The Imperial Gaze in Gender Persecution Cases.” Looking White People in the Eye: Gender, Race, and Culture in Courtrooms and Classrooms. Toronto: U of Toronto P, 1998. 88-129. Reckley, Ralph, Sr. “Barriers, Boundaries and Alienation: Caribbean Women in the Novels of Cecil Foster.” MAWA Review 13.1 (June
  • 23. Vol. 14, Nos. 1 & 2 325 1998): 24-30. Renk, Kathleen J. “‘Her Words Are like Fire’: The Storytelling Magic of Dionne Brand.” Ariel 27 (October 1996): 97-111. Richards, David. “Burning Down the House: Neil Bissoondath’s Fiction.” Narrative Strategies in Canadian Literature: Feminism and Postcolonialism. Ed. Coral Ann Howells, Lynette Hunter, and Armando E. Jannetta. Milton Keynes, UK: Open UP, 1991. 49-60. Riemenschneider, Dieter. “Intercultural Communication: Minority Writing in the Post-Colonial World: The Caribbean-Canadian Connection; Essays in Honour of Dieter Riemenschneider.” Crabtracks: Progress and Process in Teaching the New Litera- tures in English. Ed. Gordon Collier and Frank Schulze-Engler. Amsterdam: Rodopi, 2002. 383-400. Rose, Marilyn, and Erica Kelly. “Claire Harris.” Canadian Women Poets. <http://www.brocku.ca/canadianwomenpoets/>. ———. “Dionne Brand.” Canadian Women Poets. <http://www. brocku.ca/canadianwomenpoets/>. ———. “Marlene Nourbese Philip.” Canadian Women Poets. <http:// www.brocku.ca/canadianwomenpoets/>. Rowell, Charles H. “Gerard Etienne.” Trans. by B. McRae Amos, Jr. Callaloo 15.2 (Spring 1992): 498-500. Rudy, Susan. “‘What There Is Teasing beyond the Edges’: Claire Harris’s Liminal Autobiography.” Essays on Canadian Writing 60 (Winter 1996): 78-99. Rutledge, Gregory. “Nalo Hopkinson’s Urban Jungle and the Cosmol- ogy of Freedom: How Capitalism Underdeveloped Black Americas and Left a Brown Girl in the Ring.” Foundation 81 (2001): 22-39. Saldanha, Louise. “Bedtime Stories: Canadian Multiculturalism and Children’s Literature.” Voices of the Other: Children’s Literature and the Postcolonial Context. Ed. Roderick McGillis. New York: Garland, 1999. 165-76.
  • 24. 326 Journal of West Indian Literature Salick, Roydon. “The Bittersweet Comedy of Sonny Ladoo: A Read- ing of Yesterdays.” Ariel 22 (July 1991): 75-85. ———. “Sam Selvon’s I Hear Thunder: An Assessment.” Ariel 27.2 (Spring 1996): 117-29. ———. The Novels of Samuel Selvon: A Critical Study. Westport, CT: Greenwood P, 2001. Sanders, Leslie. “Austin Clarke.” Profiles in Canadian Literature 4. Ed. Jeffrey M. Heath. Toronto: Dundurn, 1982. 93-100. ———. “‘I Am Stateless Anyway’: The Poetry of Dionne Brand.” Zora Neale Hurston Forum 3.2 (Spring 1989): 19-29. ———. “Marlene Nourbese Philip’s ‘Bad Words’.” Tessera 12 (Summer 1992): 81-89. ———. “Dionne Brand: (Impossible de) prendre terre.” Ellipse 59 (1998): 57-70. Sankar, Celia. “Author of His Own Destiny.” Americas 53.4 (July- August 2001): 46-51. Sarbadhikary, Krishna. “Weaving a ‘Multicoloured Quilt’: Marlene Nourbese Philip’s Vision of Change.” International Journal of Canadian Studies / Revue Internationale d'Etudes Canadiennes 10 (Fall 1994): 103-18. ———. “Recovering History: The Poems of Dionne Brand.” Intersex- ions: Issues of Race and Gender in Canadian Women’s Writing. Ed. Coomi S. Vevaina and Barbara Godard. New Delhi: Creative, 1996. 116-30. Saul, Joanne “‘In the Middle of Becoming’: Dionne Brand’s Historical Vision.” Canadian Woman Studies 23.2 (Winter 2004): 59-63. Saunders, Patricia. “The Project of Becoming for Marlene Nourbese- Philip and Erna Brodber.” Bucknell Review 44.2 (2001): 133-59. Savory, Elaine. “En/Gendering Spaces: The Poetry of Marlene Nour- bese Philip and Pamela Mordecai.” Framing the Word: Gender
  • 25. Vol. 14, Nos. 1 & 2 327 and Genre in Caribbean Women’s Writing. Ed. Joan Anim-Addo. London: Whiting and Birch, 1996. 12-27. Scantlebury, Michael G. “The Geography in the Novels of Austin ‘Tom’ Clarke.” Thesis. University of West Indies at Mona, Ja- maica, 1982. Selvon, Sam. “Interview with Sam Selvon.” By Peter Nazareth. World Literature Written in English 18 (1979): 420-37. ———. “Sam Selvon Talking: A Conversation with Kenneth Ram- chand.” Canadian Literature 95 (Winter 1982): 56-64. ———. “The Moses Trilogy: Sam Selvon Discusses His London Novels with Susheila Nasta.” Wasafiri 2 (Spring 1985): 5-9. ———. “Finding West Indian Identity in London” Kunapipi 9.3 (1987): 34-38. ———. “‘Oldtalk’: Two Interviews with Sam Selvon.” By John Thieme and Alessandra Dotti. Caribana 1 (1990): 71-84. ———. “Christened with Snow: A Conversation with Sam Selvon.” By Kevin Roberts and Andra Thakur. Ariel 27 (April 1996): 89- 115. ———. “Sam Selvon.” Interview by Susheila Nasta. Writing across Worlds: Contemporary Writers Talk. Ed. Susheila Nasta. London: Routledge, 2004. 12-19. Senior, Olive. “Miss Flori’s Flowers.” Caribbean Women Writers: Essays from the First International Conference. Ed. Selwyn R. Cudjoe. Wellesley, MA: Calaloux Publications, 1990. 310-16. Silvera, Makeda. “All Those Selves and Experiences: Makeda Silvera.” Interview by Jeffrey Canton. The Power to Bend Spoons: Interviews with Canadian Novelists. Ed. Beverley Daurio. Toronto: Mercury, 1998. 168-77. Smith, Faith L. “Coming Home to the Real Thing: Gender and Intel- lectual Life in the Anglophone Caribbean.” South Atlantic Quar- terly 93 (Fall 1994): 896-923.
  • 26. 328 Journal of West Indian Literature Smyth, Heather. “Sexual Citizenship and Caribbean-Canadian Fiction: Dionne Brand’s In Another Place, Not Here and Shani Mootoo’s Cereus Blooms at Night.” Ariel. 30.2 (1999): 141-61. Srivastava, Aruna. “Images of Women in Indo-Caribbean Literature.” Indenture and Exile: The Indo-Caribbean Experience. Ed. Frank Birbalsingh. Toronto: TSAR, 1989. 108-14. Sturgess, Charlotte. “Spirits and Transformation in Dionne Brand’s Sans Souci and Other Stories.” Études Canadiennes / Canadian Studies: Revue Interdisciplinaire des Études Canadiennes en France 35 (December 1993): 223-29. ———. “Dionne Brand’s Short Stories: Warring Forces and Narrative Poetics.” Anglophonia 1 (1997): 155-60. ———. “Dionne Brand: Writing the Margins.” Caribbean Women Writers: Fiction in English. Ed. Mary Condé and Thorunn Lons- dale. New York: St. Martin’s, 1999. 202-16. Such, Peter. “The Short Life and Sudden Death of Harold Ladoo.” Bim 63 (1978): 205-13. Sugars, Cynthia. “‘There’s No Place Like Home’: The Unhomely Paradox of Andre Alexis’s Childhood.” Kunapipi 25.2 (2003): 7- 23. Tabuteau, Eric. “Solo à Soho: The Lonely Londoners de Sam Selvon.” La Ville plurielle dans la fiction Antillaise anglophone: Images de l’ interculturel. Ed. Corinne Duboin and Eric Tabuteau. Toulouse, France: PU du Mirail, 2000. 167-86. Thomas, H. Nigel. “A Commentary on the Poetry of Dionne Brand.” Kola: A Black Literary Magazine 1.1 (Winter 1987): 51-61. ———. “Caliban’s Voice: Marlene Nourbese Philip’s Poetic Response to Western Hegemonic Discourse.” Studies in the Literary Imagi- nation 26 (Fall 1993): 63-76. ———. “Some Aspects of Blues Use in George Elliot[t] Clarke’s Whylah Falls.” CLA Journal 43.1 (September 1999): 1-18.
  • 27. Vol. 14, Nos. 1 & 2 329 Thompson-Deloatch, Thelma B. “Conflicting Concepts of Time and Space: Narrative Technique in Selected Short Fiction of Olive Senior.” MaComère: Journal of the Association of Caribbean Women Writers and Scholars 3 (2003): 141-52. Thorpe, Michael. “Canadian ‘Globalism’: Conflicts and Contradic- tions.” Nationalism vs. Internationalism: (Inter)National Dimen- sions of Literatures in English. Ed. Wolfgang Zach and Ken L. Goodwin. Tübingen, Germany: Stauffenburg, 1996. 293-98. Van Toorn, Penny. “Positioning Neil Bissoondath: Post-Colonial, Multicultural and National Formations.” New Literatures Review 27 (Summer 1994): 78-90. Verduyn, Christl. “Disjunctions: Place, Identity and Nation in ‘Minority’ Literatures in Canada.” Canadian Issues 20 (1998): 164-75. ———. “‘Breath on a Window Pane’: Identity, Community and Nation in Andre Alexis’ Childhood.” Identity, Community, Nation: Essays on Canadian Writing. Ed. Danielle Schaub and Christl Verduyn. Jerusalem, Israel: Magnes, 2002. 18-33. Verduyn, Christl, and Rinaldo Walcott. “‘A Tough Geography’: Towards a Poetics of Black Space(s) in Canada.” West Coast Line 31.1 (Spring/Summer 1997): 38-51. Walter, Roland. “Between Canada and the Caribbean: Transcultural Contact Zones in the Works of Dionne Brand.” International Journal of Canadian Studies 27 (Spring 2003): 23-42. Wiens, Jason. “‘Language Seemed to Split in Two’: National Ambiva- lence(s) and Dionne Brand’s No Language Is Neutral.” Essays on Canadian Writing 70 (Spring 2000): 84-102. Wild, Brendan. “Overhearing Dionne Brand: An Organic Intellectual Project.” Crossing Boundaries 3.1 (2002): 144-61. ———. “Overhearing Dionne Brand: Genre and the Organic Intellec- tual Project.” Diss. University of Alberta, 2003.
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  • 29. Vol. 14, Nos. 1 & 2 331 Culleton Fight Their Way Home.” Canadian Women Writing Fiction. Ed. Mickey Pearlman. Jackson: UP of Mississippi, 1993. 142-54.