2 the ceramic process
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The ceramic process involves 12 steps: 1) selecting and manipulating raw clay, 2) wedging to remove air, 3) shaping using hand-building or wheel throwing techniques, 4) preventing cracking when clay becomes short, 5) allowing clay to reach a leather-hard state for joining, 6) recycling excess clay, 7) allowing clay to air dry until bone dry, 8) firing pieces to bisqueware in the first kiln firing, 9) applying glaze and 10) firing glaze in a second kiln firing, 11) which produces a finished glazed piece that is 12) ready to be taken home.
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This document provides information on creating ceramic vessels from clay. It defines key terms like ceramics, pottery, and kiln. It explains that clay is a natural medium made from earth and water that can hold its shape when wet. It also outlines different hand building methods for shaping clay including pinch pots, coil building, and slab building. The document describes various stages of drying and firing clay, from greenware to bisqueware to glazeware.
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This document provides instructions for a ceramics and sculpture course. It discusses various techniques for working with clay including wedging, scoring, slip, and the stages of clay from slip to bisqueware. It outlines three handbuilding techniques - pinch pots, coiling, and slab rolling - that students will use to create small pots. Safety tips are provided such as covering clay to prevent drying out and handling clay projects carefully.
Clay
Clay is fine particles that form from weathered rocks and minerals. Ancient cultures discovered clay could be shaped and used to make pottery as early as 8,000 BCE in the Middle East. There are two main types of clay - primary kaolin clay found where it was originally formed, and secondary clay that has eroded and been carried elsewhere. To prepare clay, it is wedged to remove air, allowed to dry to the leather-hard stage, and then fired first in a bisque firing and finally glazed and fired again to produce finished pottery. Modern kilns use gas or electricity to fire clay to the appropriate temperature indicated by pyrometric cones on a cone chart.
9 pottery
This document provides a booklet accompanying a video on pottery making in Haiti. The booklet contains 3 parts: 1) An introduction summarizing the content of the accompanying video on pottery making. 2) Technical information on extracting clay, preparing it, using pottery wheels, drying, firing and quality control of finished pottery. 3) A transcript of the soundtrack from the
Working with Clay
This document provides information on working with clay, including its properties, texture, moisture content, handling, and safety precautions. It defines important terms related to the stages of clay such as leather hard, bone dry, bisque, and greenware. Scanning steps are also outlined to analyze the sensory, formal, expressive, and technical qualities of ceramic works.
Mud soil
This document provides information on various mud construction techniques, including soil testing methods, stabilization techniques, and specific roofing methods like the Guna vault roof and Nubian dome. Some key points:
- Various field and lab tests are described to determine the composition and properties of soils for construction, including color, texture, biscuit, and sieve tests.
- Stabilization techniques can improve soil properties by adding materials like cement, straw or plant juices.
- The Guna vault roof is made from tapered burnt clay pipes socketed together in arches to form a strong, lightweight roof.
- The Nubian dome technique builds vaults and domes without centering by laying courses almost
How to
The document describes the lost-wax casting technique used by the Zhou Dynasty to make bronze artifacts. It provides a 9 step process for replicating the lost-wax casting method: 1) Create a wax model, 2) Make a two-part mold around the wax, 3) Coat the mold with molten wax, 4) Remove the wax coating from the mold, 5) Add sprues to the wax to allow airflow, 6) Coat the wax with ceramic shell material, 7) Melt the wax away in a kiln leaving a hollow ceramic shell, 8) Pour molten metal into the shell, 9) Break away the shell to reveal the finished metal casting.
Glazing pottery
This document summarizes the process of glazed pottery. It discusses the major types of pottery construction techniques like pinch pot, coiled pottery, and wheel throwing. It explains the stages of drying clay from leather hard to bone dry to bisque. It describes the bisque firing process and how glaze is applied in a glaze firing. It lists the main components of glaze as silica, alumina, and flux. It also discusses ways to apply glaze like dipping, airbrushing, painting, and techniques like sponging. Finally, it provides details on firing temperatures for low, mid, and high fire glazes and cones used to measure heat in kilns.
Fused glass Unit
This document provides instructions for creating fused glass art. It discusses the history of fused glass dating back to ancient Mesopotamia. Specific instructions are given for heating and cooling glass slowly to prevent cracking, using compatible glass with the same coefficient of expansion, and applying kiln wash. Common temperatures for tacking, fusing and annealing glass are listed. Students will be graded on creating a square glass tray demonstrating elements of design like color and shape, and principles of design including variety, pattern and movement.
How to make a clay slab house facade
The document provides instructions for making a clay slab house facade in 10 steps: 1) Cut paper patterns for the house and roof under 5x8 inches; 2) Place patterns on a clay slab and cut around them; 3) Score and attach the roof to the house with clay slip; 4) Flip it over and secure the back; 5) Fill in gaps; 6) Smooth the surface; 7) Cut windows, shutters, doors from extra clay; 8) Add texture to roof and shutters; 9) Add a hole to hang it; 10) Let it dry before bisque firing for strength. Additional details are provided on adding pieces, textures, storing works in progress, and vocabulary.
Final exam review techs
This document provides an overview of key concepts and techniques in ceramics and printmaking. It defines various stages of the clay working process like warming, bisque, glaze, slip and score, bone dry, plastic, and leather hard. It also explains firing processes like bisque firing. Additional printmaking topics covered include adding more ink if white specks appear, carving grooves deeper if ink isn't transferring fully, and how printed images will be backwards. Safety tips are also provided around print block orientation and cutting direction.
clay
the part of material science - Clay
what is clay? classification of clay.
stages of clay
Clay is an important material. As a building material, it is used. classified in different stages and types. And have many uses as mention in presentation.
Use of clay in pottery
This document provides information on clays and their use in pottery. It discusses the key types of clays used, including kaolin, ball clay, fire clay, and stoneware clays. It describes the physical and chemical transformations clays undergo during drying and firing, as well as the characteristics and properties of different clay bodies. The document also gives an overview of the history and types of pottery, and explains the stages involved in pottery making from forming greenware to bisque firing and glaze firing.
Eart soil as building material
The document discusses various earth-based building materials and techniques. It provides details on analyzing soil composition through various tests. Mud construction materials like cob, rammed earth, adobe, and stabilized mud bricks are explained. Cob involves shaping mud into egg-shaped masses and stacking them without forms. Rammed earth uses a form to compress damp soil mixtures into solid walls. Adobe involves shaping soil-straw mixtures into bricks that are sun-dried. Indigenous stabilizers like straw and plant juices can be used to improve soil properties for construction.
Water etched clay
1. The document describes the resist decoration technique for porcelain ceramics which involves applying a resist such as acrylic paint or shellac to bone dry clay and then washing away layers of clay with a wet sponge to reveal a raised design.
2. Multiple layers of resist can be applied and washed to create designs with varying depths. The resist burns off during firing while protecting the design underneath.
3. Examples are given of water etched porcelain bowls and forms created using this technique by artists such as Les Blakesboragh and Arne Ase.
Water etched clay
1. The document describes the resist decoration technique for porcelain ceramics which involves applying a resist such as acrylic paint or shellac to bone dry clay and then washing away layers of clay with a wet sponge to reveal a raised design.
2. Multiple layers of resist can be applied and washed to create designs with varying depths. The resist burns off during firing while protecting the decorated areas.
3. Examples are given of water etched porcelain bowls and forms created using this technique by artists such as Les Blakesboragh and Arne Ase.
HAND-BUILT CERAMIC TECHNIQUES.pptx
The document discusses various hand-built ceramics techniques including pinching, coiling, and slab building. It provides step-by-step instructions for making pinch pots, coil pots, and slab pots. The pinching technique involves shaping clay balls by pinching the sides. Coiling involves attaching rolled coils of clay to build ceramic forms. Slab building uses rolled out clay sheets that are cut and joined to form pots and other objects.
WORKING WITH CLAY - ABOUT CERAMICS.pptx
A PowerPoint presentation about clay - the three types/classification of clay, the stages of clay before and after firing and other key terms used in ceramics
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2 the ceramic process
- 2. 1. Raw Clay & idea/assignment •Your rubric/assignment will be given out at this point and the working process begins.
- 3. 2.* Wedge•This process helps to remove air from the clay.
- 4. 3. Manipulate Clay There are 2 Rules of CLAY to keep in mind when you are manipulating your clay. 1. Clay or the walls of your piece should be no thicker then your thumb. 2. Hollow forms MUST HAVE AN AIR HOLE! No sealed forms. You have two different options for building or manipulating your clay…
- 7. 4. Clay Will Get Short•The clay will begin to dry and crack easily. •One spray of water will help combat this. •If you want to continue to work on your project you must cover up your piece in a plastic bag with no air holes.
- 8. 5. Leather Hard •Leather hard is a condition of clay. •It is more dry than short clay. It can not bend without breaking. •Leather hard clay can be carved or joined. •Wait to join clay until it is leather hard or it will be too squishy.
- 9. The 4 S Method Leather Hard clay is the ideal condition for joining two clay bodies. In order to join two bodies of clay you must use the 4 Ss Score : Cutting small cuts into the clay. Slip: A mixture of clay and water used as glue. Squish: Pressing together firmly but gently. Smooth: Smoothing together the seam
- 10. 6*. Recycle Excess Clay •Soak (put water in your Ziploc Freezer bag and soak your clay) •Wedge
- 11. 7. Bone Dry •Bone dry is a condition of clay. All moisture is gone. It is lighter in weight and color. •AKA “Greenware” •As clay dries and becomes “bone” it shrinks. •Clay is VERY FRAGILE at this point!!! •Turn in piece on Turn in shelf with rubric to be graded. •Must be bone dry to fire or clay will break/explode in the kiln.
- 12. 8. Bisque Fire •This is the first “firing” of the clay. •Firing is the heating of clay or glaze to a specific temperature in a kiln. •Load pieces in the kiln. •Clay must be bone dry. •Pieces can touch in the kiln. •Pieces will not stick together. •Clay will shrink again.
- 13. 9. Clay is now called Bisque or Bisque ware. *Bisque is a condition of clay. Bisque is unglazed , fired, clayware
- 14. 10. Glazing •Painting your piece with special paint. •Glaze is a special paint that must be fired in the kiln to “mature” .
- 15. 11. 2nd Firing the “Glaze Fire •Glazed pieces cannot touch each other in the kiln or they will stick together! •Your piece is now Glazed!
- 16. 12. Finished Piece •Enjoy your beautiful artwork! •Take it HOME!