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Shadow puppet theater, known as wayang kulit, is a traditional Indonesian performing art where leather puppets are used to tell stories through performance. The dalang, or puppeteer, manipulates the puppets from behind a screen while providing voices and narrating the story. The dalang is accompanied by a gamelan ensemble of various bronze percussion instruments and strings. Wayang kulit performances often feature the dalang singing mood songs called suluk between parts of the story. Shadow puppet theater developed in Central Java and spread throughout Indonesia as well as other Southeast Asian countries.
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This document provides an overview of Wayang Kulit theater in Indonesia. It describes how Wayang Kulit uses shadow puppets carved from leather with buffalo horn handles. A dalang puppeteer manipulates the puppets and tells stories while singing and tapping to signal the gamelan orchestra. The gamelan provides musical accompaniment using instruments like xylophones, gongs, drums and zithers. The dalang takes on different voices for each character and the performance brings the puppets' stories to life for the audience through music and puppetry.
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- 1. INDONESIAN THEATER MR. CARLO JUSTINO J. LUNA Malabanias Integrated School Angeles City MUSIC Unit 4 – Musical Theater and Festivals of Asia
- 3. Shadow Puppet Theater is a well-known Indonesian theater popular not only in their own country but spread in several countries around the world
- 4. • (in Central Java) is one of the oldest continuous traditions of storytelling in the world which includes the use of puppet materials and background musical accompaniment to make it interesting to the audience WAYANG KULIT Indonesian Theater
- 5. Wayang is an Indonesian and Malay word for “theater”.
- 6. When the term is used to refer to kinds of Puppet Theater, sometimes the puppet itself is referred to as wayang.
- 7. Kulit means skin and refers to the leather construction of the puppets that are carefully-cut into a very fine tools and supported with carefully- shaped buffalo horn handles and control rods.
- 9. • The audience is the most important person in a Wayang Kulit performance. • The dalang prepares all the materials used like the cloth and the light for the shadow. • The puppet on the right side signifies the good character, on the left hand side, the bad. • The open space between them, about 2 meters wide, represents the stage. The PERFORMANCE Wayang Kulit
- 10. The DALANG
- 11. • is the puppeteer • is characterized by his being creative, humorous, and flexible • manipulates the puppets, sings, and taps out signals to the orchestra • speaks the parts of all the characters DALANG Wayang Kulit
- 12. The use of voice interchangeably is the main ability of a dalang to give more life to a different character.
- 13. The dalang is the chief performer who told a story to the accompaniment of gamelan ensemble.
- 14. Wayang Kulit was performed in royal court and widely performed in public on religious occasions
- 16. • is comprised mainly by bronze percussion instruments augmented by other percussion instruments, strings, and a flute. GAMELAN Ensemble Wayang Kulit
- 17. 1. Saron – xylophone of heavy bronze bars GAMELAN Ensemble Wayang Kulit
- 18. 2. Gender – bronze xylophone with resonance chambers beneath GAMELAN Ensemble Wayang Kulit
- 19. 3. Bonang – set of bronze bowls GAMELAN Ensemble Wayang Kulit
- 20. 4. Gong and Kempul – hanging gongs GAMELAN Ensemble Wayang Kulit
- 21. 5. Kenong and Ketuk – single inverted bronze bowl GAMELAN Ensemble Wayang Kulit
- 22. 6. Gambang – wooden xylophone GAMELAN Ensemble Wayang Kulit
- 23. 7. Rebab – two-stringed fiddle GAMELAN Ensemble Wayang Kulit
- 24. 8. Suling – flute GAMELAN Ensemble Wayang Kulit
- 25. 9. Kendang – horizontal drum beat with the fingers on both ends GAMELAN Ensemble Wayang Kulit
- 26. 10.Tjelempung – a zither of thirteen double strings GAMELAN Ensemble Wayang Kulit
- 27. SULUK
- 28. • The dalang sings the mood songs (suluk) at regular intervals during performance. • Suluk are never accompanied by the full gamelan ensemble. • Often a single instrument accompanies the singer, never more than three or four. SULUK Wayang Kulit
- 29. How to make Wayang Kulit?
- 30. Wayang Kulit
- 31. THANKS! MR. CARLO JUSTINO J. LUNA Malabanias Integrated School Angeles City MUSIC Unit 4 – Musical Theater and Festivals of Asia