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3. CONTENT STANDARDS:
The learner demonstrates
understanding and application of
musical skills related to selected
traditional Asian theater
PERFORMANCE STANDARDS:
The learner performs excerpts from
traditional Asian theater with
appropriate pitch, rhythm,
expression and style
6. • Wayang kulit is a traditional form of puppet-shadow
play originally found in the cultures of Java, Bali, and
Lombok in Indonesia.
“theater” “leather or skin”
8. PUPPETS
• The prototype of the wayang figures is the wayang kulit, or
shadow puppet made of perforated, elaborately painted
leather.
• The size of puppet should
range from 6inches to
more than 3feet which are
mounted on sticks from
the buffalo horn.
10. DALANG
“ Puppet Master”
• The person in charge of manipulating
the figures narrating the story,
interpreting the characters, singing
songs, producing sound effects and
giving cues for the gamelan.
11. Needed Elements of the Wayang Kulit are;
A. Performers
1. Dalang – the puppeteer and conductors
2. Niyaga – the gamelan musician
3. Pesinden – female singer with gamelan orchestra
B. Equipment for the Play
1. Wayang kulit – leather puppets
2. Gunungan – symbolic scene element
3. Kelir – the cloth screen
4. Blencong – oil lamp
5. Gedebokk – trunk of a banana as a piece to arrange the puppets
6. Kotak kayu – wooden chest
7. Chempala- wooden knockers
8. Kepyak – metal rappers
9. Gamelan – music instruments
12. • Sabetan- puppet movement
• Janturan-puppeteer’s Narration
• Chariyos-story or narrative
• Ginem-Dialogue
• Suluk-mood song
• Tembang-song
• Dodogan-knocking
• Kepyakan-rapping
• Gending-melody
• Gerong-male chorus
• Sindengan – Pesiden’s song
C. Performance Elements
13. I n s t r u m e n t s
is the heart of art music and traditional ensemble
music of the Javanese, Sundanese, and Balinese peoples of
Indonesia, made up predominantly of percussive instruments.
– who are the gamelan
musician will sit behind of the
Dalang which serves as the
musical accompaniment for
Wayang Kulit play.
14. •Saron is a musical instrument of Indonesia, which is used
in the gamelan. It normally has seven bronze bars placed on
top of a resonating frame.
15. • Rebab - the name of several related bowed string
instruments that independently spread via Islamic trading
routes over much of North Africa, the Middle East, and parts
of Europe.
16. • Gender Panerus - have the smallest bars in
the Gender family. It is about three feet long. Gender
Panerus is pitched an octave higher
than Gender Barung.
17. •Slenthem - is an Indonesian metallophone which
makes up part of a Javanese gamelan orchestra. The
slenthem is part of the gendér family.
18. HOW DO THE MUSICAL
ELEMENTS
CONTRIBUTE TO THE
PERFORMANCE OF
WAYANG KULIT?
1. It serves as a basic melody that is played in
a relatively slow tempo
2. Provides embellishment needed for the
plays.
3. Different kinds of gongs are utilized to
emphasize distinct melodies to sections.
